Tag: history

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Forgotten but Unforgettable

Many women painters and artists who worked during the 17th and first half of the 18th century have been forgotten until recently. The galleries of the time and many years later gave little attention to the women artists of that time. Most of them were relegated to be of minor importance in the course of art history. The exhibition of the Museum of the Fine Arts Ghent in Belgium has accomplished to rectify this place of women painters in art history. The fine pieces of art, ranging from painting to sculptures, were frequently signed by men, probably to achieve higher market values and become visible in the public sphere at all at their time.
The exhibition is a kind of a revelation of how difficult it was for women to move from an “object of art” to be the subject painting including painting themselves. This also dealt with the view or regard of others towards women. Additionally, the exhibition features a section on “Social Expectations”, which deals with the expectations of the Flemish and Dutch societies towards women. Family values, marriage, wealth and social status were of utmost importance.
These women painters were forgotten far too long, but have staged their comeback as “Unforgettable” in the 21st century.
(Image: “Pictura at an exhibition” taken in the MSK Ghent 2026-4)

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Abduction of Europa

In reading Ovid’s metamorphoses we learn about all those mythical transformations of persons into animals (Jupiter into a bull) or persons into plants (Narcissus into a flower carrying his name). Maybe even today we have Europa being captured again by a bull or bulls that try to take away the freedom of movement and expression from her. The threats have multiplied, but the defensive forces of Europe have risen as well. The power of Europe might simply consist in the charming nature, which outlasts brutal force of the bulls, at least in the long run. A ride on the bull, however, can be tough at times and preparing for a tough ride should start as early as possible. Currently there are too many bulls around to feel safe otherwise. (Image: Europa sculpture on display at Chateau Chantilly). 

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Mind mapping

The exhibition in Paris on “Cartes imaginaires” at the BNF regroups treasures of maps across centuries in an interesting way. The technique of putting together elements in a map has been developed and refined over long time spans. Map are mostly in our minds as  depictions of geographical details allowing a broader overview amidst lots of detail. The mind mapping of today as a managerial or pedagogical tool is not much different even if AI might make is believe that it is a modern tool. The exhibit of “The island of Marriage” (image below BNF, “Cartes imaginaires”) in the middle of lots of distractions and potential distractions has a particular charm to it as it tells many tales and storylines for writing lives and novels. Our own lives or the depiction of life courses might be represented in a single map, maybe even comparable to a sequence analysis of events. The history and potential of maps and lives as mind maps is going to accompany us for quite some time as it already did for centuries. 

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Fact and Fiction on Maps

As a matter of fact, for centuries maps have played in both registers, fact and faction. In geography we expect maps to represent geographical facts, and yet based on a historical perspective on the subject, we realize that early cartographers had to brush over, at their time unknown, territories. What did many of them do? They imagined what could be the case.
In the early days of “creating a map” the artists had to rely on some sort of fiction or were intentionally creating a fictive image of the unknown world. Out of this “science and fiction” approach, a whole discipline of literature has evolved, science-fiction. The imagery of Manga-mania in the 2020s owes a lot to this drawing and mapping of fiction in form of stories.
Maps tell lots of stories. They are powerful in their neurological function, similar to mind maps that are a tool to structure our thoughts or story lines. The gesture to point at an area on a map of the Arctic, Greenland for example, can send shivers across the globe. Maps make stories and stories may lead (eventually) to shifts of attribution on maps. In the same vein: the mapping of power also reflects the power of maps, be they based on facts or fiction.
(Image: Exhibition: Cartes imaginaires, BNF Paris 2026-4-8, Gerardus Mercator, Map of North Pole 1595)

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Myths debunked

There has been careful research on the use, or not, of color in classical Greek sculpture. More than 40 years of research have documented that what was long believed as monochrome sculptures, have in fact been very colorful specimen. The collection and researchers linked to the “Liebieghaus Sculpture Collection” can be inspected with experimental versions of the colors of the classical Greek time. “Gods in Color”, an exhibition by the Liebieghaus, provides a view of the rich colors of classic statues like the “archer” using the chemicals of the time to produce more or less durable or resistant colors. See also the archaic Greek Sphinks at The Met Museum.
Brinkmann and Koch-Brinkmann have spent close to 50 years on this research and attempts to convince the public of the “monochrome myth” of Greek sculptures. Research alone did not convince people, they seemed to need to see the colorful versions eye to eye to believe. The broader social science interest is to realise how much time it can take to re-establish scientific facts once they have been “eradicated” previously. (Image: Statuettes of classic Greek actors, lower row, BNF Paris)  

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Peace and war again

“If you want peace, prepare for war”. This is one of the famous citations from Vegetius an early Roman general. For centuries we have been aware that peace and war are not opposites in a broader sense. Preparation for war can resemble war, if a country’s economy is already heavily turning towards production of weapons and intensifies research in dual use technologies. Political terminologies that shift to a vocabulary using more belligerent language may also be interpreted as a early signs of a shift in balance between peace and and early warnings on war. 4 years of the war of Russia on Ukraine territory have left traces in our vocabulary as well as budgets devoted to the preparation of a defense in Europe.
More countries of the EU state openly what is in their “national interest”, as if they were ready to go to war (Charap & Haukkala 2026) to in case major elements of the national interest were endangered. In going back to Clausewitz’s writing, a long historical line can be drawn from the Crimean War(s) to Putin’s imperialist war of 2014 and 2022 trying to capture Ukrainian territory, irrespective of enormous human losses.
Another lesson from these historical events might be: Let’s not forget to prepare for peace during the hot conflict.

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Cyprus Aphrodite

The legendary tales about Aphrodite and Cypriote cultural heritage have inspired not only a series of conquerors, but also composers of the romantic period in the 19th century. Somehow in praise of monarchy, Fromental Halevy composed the Opera “La Reine de Chypre”, inwhich the last Queen of Cyprus had to abdicate in the medieval era.  As a formidable example of French opera style, Richard Wagner transcribed it for salon-type recitals for voice and piano. The ballet music by Franz Schubert “Rosamunde, Fürstin von Zypern“ is yet another romantic piece built on the legendary associations with the island and its history. The exhibition “Cyprus at the BNF” in Paris proposes a transversal view across centuries based on their multiple collections. The western bias of what we in the western hemisphere of the world defined as being of interest becomes visible and transparent. The oriental perspective has been complemented by a small selection of exhibits from the Bank of Cyprus Cultural Foundation. A critical perspective on what enters our collections and archives is a great scientific accomplishment, at times when biased views from politicians have become more common again. 

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Rule and divide leadership

We have known the leadership style, which has been coined as “rule and divide”, at least since the Roman imperial period.  In conquered countries it was a strategy to rule by way of creating divides between peoples or regions within a conquered country. The struggle for power within a country is likely to avoid that a powerful opposition to the occupant can build up. What is well researched in the history of international politics, has also been applied to the realm of management strategies. Anthony Galluzzo demonstrates that the strategies of management often attempt to split the workforce in at least 2 different camps in order to better keep employees and their trade unions under some sort of control. For society as a whole, so-called dual labor market theories have hypothesized the existence of such management strategies since the 1980s. With the labor practices in food and grocery deliveries as well as in taxi services such management strategies are applied again. “Old wine in new bottles”, but still seems to sell and catch on. (Image: extract from Butler Charles, 1637, Monarchia faeminina)

 

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Art and fashion

There is fashionable art and arty-ish fashion. The links between art and fashion are manifold and new explorations of the link are always an interesting variation of the original theme. The Berlin “Gemäldegalerie“ has added a contemporary perspective in connection with Berlin fashion week 2026 to the already rich collection on the topic. The exhibition confronts the craft of the world of fashion represented by the dresses on actual display with photographs of those dressed worn by models against the backdrop of the historic inspiration. Add sound and video to this format and you will be close to total immersion into the world of art and fashion yourself. Art and fashion may be a part of all us, not only the privileged few in society. It is most of all a question of crafts related to art, design and fashion, which dominates the creative process. A strong message from all involved in the project to the visitors.

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German Cinémathèque

The “Deutsche Kinemathek” in Berlin has moved to its new location in the old E-Werk. There is room for temporary exhibitions and screening on all walls. Small boxes (3 seats) give a brief overview of the history of television. The library is accessible again to the public. In order to research what went wrong in the history of mass media and cinema in Germany during the 1930s and 1940s can get access to the archives as well. In the age of new digital media technology the study of historical approaches helps to be aware of the power of persuasion of this form of mass communication. A critical thinking perspective on the material presented and the long history of cinema can bring generations together through the exchange of experiences with different media.