Tag: Berlin

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Gone gliding

Nowadays gliding in form of hang gliding is a leisurely experience within the reach of almost everyone. The human dream of flying, however, has been shattered by the Icarus narrative, humans aiming too high and too close to the sun. More realistic first experiments were undertaken by Otto Lilienthal, who pioneered the first human built and steered glider based on an innovative concept of the wing at its basis. Aerodynamic construction of the wing with a rounded shape allows air to flow faster on top than below the wing, which lifts the wing and glider upwards. His tragic fatal accident on one of his gliding experiments has been wrongly attributed to a construction default, but recent research has shown that it was most likely due to  bad weather conditions on that particular day (Link Radio3). According to Markus Raffel, Otto Lilienthal was a broadly educated and practicing polymath in addition to his gliding innovations

Science and art Radio3 talk at airport Tempelhof Berlin 2026-9

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Stress in the City

Before the stress in the city makes you sick, try new coping strategies. Of course, you cannot avoid the stress of hotspots like busy crossings or noisy construction sites. And these are only the visible stressors not to mention fine dust particles or mixtures of fragrances. Scientists have started to address these issues under the title of neuro-urbanism. This topic is part of a broader agenda on public mental health which addresses the rise in mental disorders globally. Expanding urbanization is considered a major driver of an often overwhelming cognitive load in cities. Growing into it helps, but many move to cities for professional reasons or simply a job being largely unprepared to the practice of daily commuting for years. Several potential stressors tend to cumulate: High Social density, broad diversity in aesthetics as well as social structure, relationships, social participation or public transport as part of mobility make cities interesting or hard to cope with.

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Emotional paradox

Democracies face an intrinsic paradox. High aspirations before inauguration, rising negative emotions during polarizing democratic periods and high positive emotions towards democracy after the loss of major components of it. However, This constitutes a working hypothesis in need of further research of its historical validity. Some active defendants of democracy have organized already sessions to speak about emotions in democracy. On the occasion of the International Day of Democracy a local initiative in Berlin (Mutwerk) took up this topic and brought together representatives of many local initiatives to foster the wealth of positive emotions due to democratic rule in southern Berlin. (Image: Public library Berlin Steglitz democracy day 2026-9-14)

Public library Berlin Steglitz democracy day 2026

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Taking positions

In the arts, positions are taken through the choice of topics, materials, an own perspective or approach. For the young artists, taking a position is quite a defining moment, usually after experimenting with several ones before. That point of view is probably a bit biased by a galerist’s perspective or when studying the market of art. Related to the Berlin Art Week, the Positions Berlin Art Fair offers an interesting overview of what is on the market. The section entitled Academy gives space and attention to young entrants into the art market.
The exchange of artists with the audience allows to understand in more detail what position is taken, how it is taken and worked out in detail. The  backgrounds of artists are quite broad compared to other metropolitan Art Fairs in this start-up atmosphere at the Hangar 5+6 of former Tempelhof Airport in Berlin. If we look at other perspectives, we shall not only get inspired, but we shall most likely question our own position(s) as well. Great learning experiences for all.

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Culture goes Europe

Culture has always travelled Europe. Not only the very famous artists have travelled themselves or their art has travelled, but students of art have joined masters in other countries to learn or become inspired. There are, of cause, some artists who paint themselves in their home and do not care much about the world around them. This is fine, too. The Berlin Art Week has taken a refreshing pro-European perspective in the talk entitled “Empowering Europe”. Culture can build many sustainable bridges across borders, which often start with language acquisition (Gitte Zschoch). Foundations assist with funding (Stephan Muschick). Curators initiate cooperations and lending across borders to challenge traditional cultures and practices (Anda Rottenberg). And the media ensure a wide distribution of cultural information and organise a society-wide discourse (Elke Buhr) about cultural diversity, heritage and innovation. All this is needed to avoid a self-referential cultural perspective of the MAGA-type in Europe. This is not a nice-to-have, but an essential part of the European power of resilience.

Monopol talk Berlin Art Week 2026-9

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Human gravity

Long before the establishment of Newton’s theory of gravity, humans have been fascinated by gravity. Elevation from earth, after all, has figured prominently in religious imagery. Mankind’s dream to fly has become so popular that it contributes substantially to ruin the blue planet. Defying gravity as much as feeling the amplified force of it have become a continuous challenge. In sports we adore the bouncing on a trampoline and classical dance derives a lot of its charm from the suspended moments in air. Beware the landing and get accompanied in your first steps.
Modern Dance is equally creative in the challenge to defy human gravity. Trisha Brown (1971) suspended dancers horizontally so that they could walk in space at least along fixed lines and perpendicular to the surface. The physics of our body change in this bird-like position. Dancing in equilibrium on a horizontally suspended line leaves the audience amazed. The spectacular setting and performance at the “Neue Nationalgalerie” transforms the architecture again into a playing ground for choreographers. Suspension from human gravity is hard work, beyond “¾ Walzer” rhythm and, of course, it takes 2 to tango to feel the suspension.

Trisha Brown horizontal suspended Dance Berlin 2026-9

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Glass wall

A glass wall remains a wall even if it is transparent. The glass and steel construction of the Neue Nationalgalerie by Mies van der Rohe has large windows which allow light to flow into the building and create an illusion of transparency as well as openness. However, for most exhibitions “paywalls” are erected to limit access. The Cattelan installation in the gallery erected another light barrier before the official opening in form of the ribbon barring entrance. For those who had experienced the real wall in front of or behind the Brandenburger Tor”, a certain allergy against walls is probably a leftover from those days or years. Hence, Klaus Biesenbach and Maurizio Cattelan tear that wall down!
Thanks go to the Volkswagen Group “Art-4-All” sponsorship which allows free entry on Thursday evenings already. Public-private partnerships are way forward and “Mäzene” can accompany such journeys in multiple ways. 

Cattelan Maurizio at Neue Nationalgalerie Berlin 2026-9

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Modern Cathedral

For a long time we have argued here that museums are the cathedrals of modernity. Maurizio Cattelan has taken this claim literally. In a bit of a cheeky way, he turned the “Neue Nationalgalerie” into a cathedral of German modernity. Who are the Gods then? Our cultural heritage comprises beyond our German language classics, the novel “Die Blechtrommel” by praised and then disgraced Günter Grass. The figure serves as the “campanile” sitting above the entry. Well, the small scale “Brandenburger Tor” serves as the entry portal into a wide open space, with past pieces of adoration in a transfigured sense. This modern cathedral holds pieces of art similar to small chapels in a cathedral dealing or inviting to remember historic events or eminent persons. The modern aspect consists in its temporality. The show must not go on forever. Like surrounding every cathedral, lots of immortalised pigeons accompany our visit, just sitting around. There is no longer just one “holy spirit” or “peace dove” but so many. Welcome to the temporary modern cathedral in Berlin.

Cattelan-Berlin-2026-9-Neue-Nationalgalerie

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Painter influencer

In modern terminology we could say Edgar Degas has been an influencer for many other painters, gallerists, art collectors and our way to look and interpret paintings or drawings. Max Liebermann wrote an appreciation of the work of Degas for a German audience in an attempt to bridge the gaps in the understanding of modern art between France and Germany towards the end of the 19th century. Cassirer as editors facilitated the publication and jointly they achieved to build a remarkable collection of impressionism before the atrocities of war took over in the first half of the 20th century. Fates can change quickly and painter influencer may become discredited due to more forceful political influences. (Image: Booklet by Max Liebermann 1898 on Degas in Cassirer exhibition in Berlin) 

Max Liebermann on Edgar Degas published by Cassirer

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Park Impressions

Parks and gardens have been among the preferred items of impressionist painters. In Berlin it is possible to visit the Villa of Max Liebermann and the splendid garden next to the Wannsee. The 3 years Liebermann spent in Paris as well as his friendship with Cezanne “converted the young painter to impressionist’s painting style. The subjects of his paintings became similar as well. Splendid gardens and people working or going about their daily routine inspired him. The visits to the Netherlands (image below) inspired him to paint the joyful and relaxed atmosphere during summer. Sunlight and shadow outside an atelier became the fascinating moment he captured so well. Enjoy the summer and take a break. (Image: extract from Max Liebermann: Park in Laren).