Tag: culture

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Gone napping

There are cultures where naps are part of a national identity. People living in hot climates are very familiar with the benefits of a napping. Due global warming, the spread of napping as a time to recover or limit yourself from strain during the hottest hours during a day. Napping is not limited to humans, the animal world has many species which also adopted the power of napping. As with many processes the duration is of crucial importance. In short, don’t overdo it. Too long a nap is likely to impede a good night’s rest. Even while at work,  colleagues manage to throw in a short re-powering session at times locking doors to feel safe. Techniques differ, but the hotter the workplace, the more the healthy they are. Efficiency and overall productivity at work do not suffer. In many creative professions the time spent at your desk correlates little with indicators of success. However, we still know little about the effects of regular napping on longevity. 

Phoques on beach 2026-9

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Cultural Identities

The cultural identity of a cross-border region, like Tyrol, is subject to influences from several nation states. Historical developments have led to creation and reshaping of (internal) borders repeatedly. The exhibition in the “Museum of European Cultures” traces the many links the region and culture of Tyrol has to Austria, Italy and Bavaria, Germany. Specific crafts and designs of furniture (see below) or folk fashion have played a considerable role in the making and survival of Tyrol and its cultural identity despite globalization. Tourism has become the major source of revenue. The challenges of climate change, increase in transport across the Alps and over-tourism are hard to reconcile in this hot spot of the confrontation of traditional and modern values. The idyllic panorama of “Der Wilde Kaiser” appears frequently in cinema and photographs about the region. For some, such images may become a kind of second home or escape route. Literature on the region or dealing with the region complements the reflections about cultural identity or identities.

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Gone Home

There are at least 2 perspectives on going home. For the person away from home, it could be understood in the sense of returning home. For the community still living at a place associated or idealised as home, it is often interpreted as a home coming. In view of the powerful global social trend of urbanization, many people associate with “going home” as if migrated persons from rural areas would return home to the countryside, maybe just for a short visit. However, a home is to be interpreted much larger than just being a place, a location or a regional idiosyncratic feature, like the sea, the river, the banks or mountains. You might go home to a familiar sounding dialect or language. For some it is the idea of freedom or liberal values which they have moved to, that became their home. For others it might just be the possibility to practice a rather unique sport, which determines where they would feel at home. Home could just be a “state of mind” rather than a location.

Ostend-SUP-paddle-board-on-beach-2026-9 e persons walking with board after practice

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Presentation of thought

The introduction of the Venice exhibition catalog summarizes the artistic approach by Joseph Kosuth as a form of presentation of thought. The title of the exhibition “The-exchange-value-of-language-has-fallen-to-zero” is a provocative critic of the use of language. The experience of AI’s use of language as data points and machine-human interface in form of chatbots makes any topic related to language even more interesting. The embeddedness of language and the context of content become intelligible through visualization(s). We owe to Kosuth the view that the modus operandi of art is to raise questions and enter into meaningful debates with people. Site-specific installations and the uniqueness of the conceptual idea distinguish his works of art. Language and image enter into a kind of symbiosis embedded into a local context. This is taking Wittgenstein’s philosophy seriously. 

Kosuth inspired Where do you stand? (2026-9)

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Taking positions

In the arts, positions are taken through the choice of topics, materials, an own perspective or approach. For the young artists, taking a position is quite a defining moment, usually after experimenting with several ones before. That point of view is probably a bit biased by a galerist’s perspective or when studying the market of art. Related to the Berlin Art Week, the Positions Berlin Art Fair offers an interesting overview of what is on the market. The section entitled Academy gives space and attention to young entrants into the art market.
The exchange of artists with the audience allows to understand in more detail what position is taken, how it is taken and worked out in detail. The  backgrounds of artists are quite broad compared to other metropolitan Art Fairs in this start-up atmosphere at the Hangar 5+6 of former Tempelhof Airport in Berlin. If we look at other perspectives, we shall not only get inspired, but we shall most likely question our own position(s) as well. Great learning experiences for all.

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Culture goes Europe

Culture has always travelled Europe. Not only the very famous artists have travelled themselves or their art has travelled, but students of art have joined masters in other countries to learn or become inspired. There are, of cause, some artists who paint themselves in their home and do not care much about the world around them. This is fine, too. The Berlin Art Week has taken a refreshing pro-European perspective in the talk entitled “Empowering Europe”. Culture can build many sustainable bridges across borders, which often start with language acquisition (Gitte Zschoch). Foundations assist with funding (Stephan Muschick). Curators initiate cooperations and lending across borders to challenge traditional cultures and practices (Anda Rottenberg). And the media ensure a wide distribution of cultural information and organise a society-wide discourse (Elke Buhr) about cultural diversity, heritage and innovation. All this is needed to avoid a self-referential cultural perspective of the MAGA-type in Europe. This is not a nice-to-have, but an essential part of the European power of resilience.

Monopol talk Berlin Art Week 2026-9

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Gone reading

From time to time we should reflect on our scope of reading experiences. Over time, a certain bias for probably predominantly Western European or western parts of the world is likely. Therefore, it is an interesting experience to consciously choose authors from a broader geographical background.  The reading, which originates or takes its motivation from an exhibition, is a good start to broaden reading, particularly if images enliven the reading experience. The art work by Yinka Shonibare CBE on display in Berlin at the Palais Populaire manages to make this point in a colorful, compelling fashion.
It is difficult to assess what we have missed so far without having embarked on a longer reading journey. (Image: extract from Yinka Shonibare CBE, 2022, “The African Library Collection (Poets)”

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Given then Chosen

Family is first given and only later in life family becomes a matter of choice. This is a rather sequential perspective on family matters. A lot of ethnological as well as sociological research shows that the shadow of the given family can reach long into an individual’s later life. It is essential to be or become aware of the mutability of what constitutes a family. The ethnological variability across the globe of the norms and legislation that govern families is amazingly broad. The interference of religious beliefs and practices have always attempted to gain access to the nucleus of family life as an attempt to influence the “given part” of family.
It is a much more complex issue to understand and research the “chosen part” of partnership trajectories in a broader sense and from a life course perspective (Fasang et al. 2024). The social background and upbringing in a broad sense have a lasting impact on most people. However, there are enormous degrees of freedom to later on choose your friends, family or families. Societies across continents have chosen and invented particular rites of transitions between families and how to bridge networks. It is amazing that we tend to devote so little thought to this nucleus of our societies. 

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Gardening Evolution

Researchers continue to study the impact of gardening on biodiversity and survival of insects. The study published by Tscharntke, Batáry and Vidal (2026) points our attention to the importance of areas in our gardens that are allowed to grow without mowing for several years. In many traditional gardening projects even in the 21st century, we observe a cut of grass-shoots in fairly regular time intervals, once a months for example. An English style lawn will be cut very short even more often than this. If we want to allow for an evolution of gardening and regaining biodiversity, we shall have to reserve substantial areas of a garden to allow grass-shoots to grow over several years (!). Such an evolution might be perceived in 2026 a bit like a revolution in gardening. Untidy spots are a response to “the need for unmown long-term refuges, protecting intact grass shoots for persistent insect populations” (Tscharntke et al. , 2026). The tree “Cercis siliquastrum” (Judas-tree) in the “Jardin des Plantes” in Paris dates back to 1785 and shows the impressive strength of nature to outlast changing gardening fashions even in a hotspot of gardening culture, history and evolution. Grass-shoots below might be allowed to last a couple of years as well.

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Before and After

It is not always easy to precisely identify the state of before a transformation from the state of after a transformation. In human developments we can observe lengthy periods of for example puberty. Other transformations of biological changes might be more obvious to identify like a broken bone, but a broken heart transformation might be less obvious as it might occur gradually and progressively rather than abruptly. Much the same can be said about illnesses like diabetes or cancer. The task of science is to study the whole process and this includes the theoretical model of such transformations. The arts have dealt with this complexity before and many artifacts take care to show or make explicit the kind of transformation they have undergone. The woodwork by Birkenmaier (before 1687, in catalog of Metamorphosis exhibition, Amsterdam 2026. Image below) is an early example of being honest about original piece and the evolution of the piece of art into the transformed “oeuvre”.