Category: Artists

Posted on

From A/H to P/E

The fashion world follows a rather strict bi-seasonal sequence every year. The French abbreviations of automne/hiver and printemps/été translate to fall/winter (F/W) and spring/summer (S/S) seasons in American English. This cycle has been repeated for a remarkable 125 years until 2026. Thanks to the Vitra Design Museum and the V & A Dundee the occasion has been celebrated with an exhibition and catalogue on the history and art of fashion show. The outstanding catalogue is organized in alphabetical order as the A-Z of fashion. The 4 curators Eisenbrand, Krawczyk, Hassard, Panova present a volume with a focus on keywords explaining major terms of the fashion world like “haute couture” as well as direct entries to specific designers and brands. The well curated choice of fabulous and iconic images from catwalks across time, locations and continents illustrate a world built on visual codes and communication. The “Chambre Syndicale de la Haute Couture” (1945) defined which fashion houses could use the label in France, a definition copied across countries. It works as a way to control access as well as a certain definition of quality. The scope of the exhibition catalogue includes also Anti-fashion under A, backstage photography (B), to the not so simple Walk under W.
With some additional social science framing and thanks to the curators, we have moved an important step towards a sociology of the visual, which comprises the world of fashion.

catwalk fashion shows catalog 2026 in library
Catwalk – fashion shows catalog 2026 in library
Posted on

Oh happy days

The original English title of Samuel Beckett’s theatre play is “Happy Days”. In the French translation he changed this title himself to “Oh les beaux jours”, which sounds a bit more melancholic, which prepares better to the plot of the piece. There is no action in this piece, it is all words and not even real conversation between the 2 actors. The absurdity of our human existence despite ample references to famous literature across centuries is happily exposed. Let us continue to talk even if it doesn’t make sense anymore as we continue to repeat ourselves without any real changes in sight. How much of Winnie do we all have in ourselves? Indulging in souvenirs, rituals and abandoned trajectories of happiness is a danger of advanced age. Cathrine Frot and  Pierre Banderet are convincing in the roles to remind us to go beyond the absurdity of our ways to go about our lives. (Image: “Oh les beaux jours” at Theatre Les bouffes parisiens Paris 2026-10)

Theatre Les bouffes parisiens Paris 2026-10

Posted on

Game of letters

For most children reading and writing are too serious to be considered a game. And yet, learning is so much more fun if such competencies are acquired or at least accompanied through a game-like approach. School grades and PISA tests have taken out the fun part of learning of the most basic competencies. The fun in learning and experimenting is likely to increase the time spent learning, its efficiency and the return to learning. Georges Perec explored so many different ways to play around with words and letters to find his own most suitable style how letters assembled into words may serve his evolving purposes. The exhibition and accompanying material at the BNF on Georges Perec could spur a renewed interest in such games of letters and with letters for the young and old. (Image: BNF exhibition on Georges Perec, Words ending with letter d 2026-10).

Posted on

Alphabet as Mythos

The exhibition ”Georges Perec, Modes d’emploi“ at the BNF “site François Mitterrand” in Paris gives a fascinating insight into the complex life and work of the author of “La Disparition” (1968), “Les Revenantes” (1972), ”La Clôture”, “Alphabets” and “La vie mode d’emploi” (1978). In remembrance of his parents (eux) he wrote a whole book using only words without the first letter of “eux” which expressed how much he missed his parents. His mother was deported to and died in Auschwitz before he was 7 years old and his father had died in combat 3 years before. For the book “Les Revenentes“ (the returnees) he made use only of words containing the vowel “e” to somehow fill the previous gaps of words without the letter e. The preparatory work to collect those words (image below) filled pages as well. His poems explored combinations of letters, maybe even as a precursor of how AI is constructing words from small units (tokens) today. His quasi-experimental approach to literature goes deep into locations and emphasises the importance to remember at great length. So many lessons for us, which are simply built from the foundation of the alphabet to construct a mythical world of his own. (Image: Georges Perec, preparation for “Les Revenantes”, BNF Manuscript)

Georges-Perec-preparation-for-Les-Revenantes-BNF-Manuscript

Georges-Perec-preparation-for-Les-Revenantes-BNF-Manuscript
Posted on

Imagery of animals

The imagery of animals by humans is most likely the oldest art tradition that have left traces to our time. The oldest images of animals can be admired in caves, on pottery or jewellery. Since the early days there have always been a blend of reality and mythology when representing animals and the animal world. Beyond hunting of animals, the biological interest in animals has fascinated many artists as well. Just as we are about to redefine the borders between human and artificial intelligence, the history of depiction of animals and humans is full of examples of blending characteristics of each or ascribing characteristics of one species onto another one. The “Galerie Mazarin” of the BNF in Paris (2026-27) shows a fine selection of art work across centuries which exemplifies this co-evolution of artistic representations and the creation of mythical narratives through the imagery of animals. (Image: Albrecht Dürer, BNF Rhinocerus 1515)

Albrecht Duerer 1515 Rhinocerus BNF 2026-10
Albrecht Dürer 1515 Rhinocerus BNF 2026-10
Posted on

Book fair hope

The Frankfurt book fair attracted 236.000 visitors in 2026, similar to the previous year. There have been about 50% professionals and 50% general interest audiences. The busy times on the fair are marked by about 4000 exhibitors and 3800 events. Great efforts have been made to facilitate circulation on the fair to quickly move between country pavilions and events on stages across the whole area. In times of pervasive online content provision, the face-to-face meeting of authors and audiences as well professional book traders and related professionals remains an important event. With broad media coverage, the event remains a hallmark for any democratic society. Keep thinking big.

Frankfurt book fair 2026
Frankfurt book fair 2026
Posted on

Booktok OMG OMG

The Frankfurt Book Fair #fbm26 has made considerable efforts to make it easy for the production of booktok content. The phenomenon of short recommendations of books by mostly young enthusiastic persons, some of them actually readers, has a proven record to influence decisions to buy books. In seemingly frank talks, booktokers admit that the first best solution is to go and get your copy or copies of different editions. Second best is actually reading them. Nothing wrong with that. After all, we all have many books on our shelves which we haven’t read or we haven’t finished reading yet – considering some books you want to refer back to several times or at a later stage in your life.
In 2026 the prestigious “Julius-Campe-Preis” for literary criticism and the promotion of reading (own translation) has been awarded to a critic commentator and booktoker, Thomas Sachsenmaier with an exceptionally broad reach in Germany. There are still too few literature critics who reach audiences across generations because of their presence in all media channels with high professional standards. Interesting “Booktok” is a skill, just like “youtuber” is a performance-based video production. “Oh-my-God (OMG), the times are a changing”.

Julius-Campe-Preis-an-Thomas-Sachsenmaier-2026
Julius-Campe-Preis-an-Thomas-Sachsenmaier-2026
Posted on

Death and rebirth of author

Over the long run there have always been times when the death of the author had been announced. With the arrival of the printing press and the ease to mass produce prints and books, previous authors’ books could flood the market. Obviously this could put new authors at the risk of finding no audience anymore as printers asked cash upfront before printing. The economic risks were solely on the author’s side. Ebooks became a risk to publishers as authors had an additional alternative way of publishing. Then the advent of the internet changed again the world of books and publishing. Global distribution became an option. Thousands of authors could have died because authors from around the globe became more accessible. None of these threats have materialized. Publishing on a global scale is fine, only European publishers are concerned about a shrinking market. AI facilitates entry in new markets and AI could kill already struggling authors. Instead, AI opens up lots of opportunities for authors as well. Editing and translation services become more accessible to low budget production. The next wave, some claim a tsunami, shall submerge the publishing industry. Quality, selection of innovative content and events associated with the content shall still make the difference. There is neither the death of the author nor of the publishing world due to AI. On a global scale many new voices can be discovered, probably assisted a great deal by AI who would never have dared to become an author and to enter into the world of publishing or self-publishing. (Image: Korea at Frankfurt book fair 2026-10)

Korea at Frankfurt book fair 2026-10

Posted on

Self-publishing as resistance

Self-publishing has been the title of a historical account of the Czech publishing since the Nazi occupation of Czechia since 1939 (mfk-frankfurt.de). Forced into exile or clandestine underground publishing, many publishers and authors had no other option than to go it by themselves. The underground press during the Soviet union dominated communist rule in Czechia had to rely on similar methods, since censorship as well as persecution were a consequence of illegal writing and publishing activities. In the 21st century self-publishing has become much easier, but the persecution even beyond national borders continues to be a threat in many parts of the world.
Platforms that enable a visibility beyond publishing houses and institutional support broaden the scope for authors to reach various audiences as part of  democracy’s vitality and preparedness. Who knows about the grip on publishing of authoritarian and autocratic regimes in advance and their thirst to curb alternative opinions? Historical evidence points to the need to have self-publishing and publishing in exile as an important additional defence mechanism of democracies (Image: Czechia pavilion at Frankfurt book fair 2026)

Czechia pavilion Frankfurt book fair publishing 2026
Czechia pavilion Frankfurt book fair publishing 2026
Posted on

Out of Czechia

On the occasion of the Czech Pavilion at the Frankfurt Book Fair, Hermann, Sander and Suva (2026) accomplished an astonishing project and an anthology. In viewing Czechia, beyond the well-known city of Prague, 12 authors contribute short stories from a temporary resident’s perspective in a provincial town. “Minout Prahu” in Czech, “Jenseits von Prag” in German built and continues to build bridges between cultures of neighbors who often claim to know a lot about the other culture, and yet, a more thorough understanding remains a “Böhmisches Dorf”, a Bohemian village, but better translated as “is all Greek to them”. In a continuation of “Czechia: A country on the Coast” at the 2026 book fair in Frankfurt, we are no longer surprised to read (p.82) that in town Ostrava with a industrial and mining history, the European Championship of “Beach Volleyball (U20)” took place with many spectators. There is a lot to discover in and about Czechia beyond the famous authors like Kafka and Kundera and the journey to seek for the beaches in Czechia.

Jenseits-von-Prag-published-on-occasion-of-Frankfurt-book-fair-2026-Czechia-Pavilion