Artists – Schoemann

14/10/202612/10/2026

Self-publishing as resistance

Self-publishing has been the title of a historical account of the Czech publishing since the Nazi occupation of Czechia since 1939 (mfk-frankfurt.de). Forced into exile or clandestine underground publishing, many publishers and authors had no other option than to go it by themselves. The underground press during the Soviet union dominated communist rule in Czechia had to rely on similar methods, since censorship as well as persecution were a consequence of illegal writing and publishing activities. In the 21st century self-publishing has become much easier, but the persecution even beyond national borders continues to be a threat in many parts of the world.
Platforms that enable a visibility beyond publishing houses and institutional support broaden the scope for authors to reach various audiences as part of democracy’s vitality and preparedness. Who knows about the grip on publishing of authoritarian and autocratic regimes in advance and their thirst to curb alternative opinions? Historical evidence points to the need to have self-publishing and publishing in exile as an important additional defence mechanism of democracies (Image: Czechia pavilion at Frankfurt book fair 2026)

Czechia pavilion Frankfurt book fair publishing 2026

13/10/202613/10/2026

Out of Czechia

On the occasion of the Czech Pavilion at the Frankfurt Book Fair, Hermann, Sander and Suva (2026) accomplished an astonishing project and an anthology. In viewing Czechia, beyond the well-known city of Prague, 12 authors contribute short stories from a temporary resident’s perspective in a provincial town. “Minout Prahu” in Czech, “Jenseits von Prag” in German built and continues to build bridges between cultures of neighbors who often claim to know a lot about the other culture, and yet, a more thorough understanding remains a “Böhmisches Dorf”, a Bohemian village, but better translated as “is all Greek to them”. In a continuation of “Czechia: A country on the Coast” at the 2026 book fair in Frankfurt, we are no longer surprised to read (p.82) that in town Ostrava with a industrial and mining history, the European Championship of “Beach Volleyball (U20)” took place with many spectators. There is a lot to discover in and about Czechia beyond the famous authors like Kafka and Kundera and the journey to seek for the beaches in Czechia.

Jenseits-von-Prag-published-on-occasion-of-Frankfurt-book-fair-2026-Czechia-Pavilion

08/10/202607/10/2026

Czechia coast

At the Frankfurt book fair we dream ourselves into the imagery of Czechia as a country with beaches and sand castles. The country pavilion of the partnerland of #fbm26 takes us to the ephemeral aspects of literature. While reading we deep dive into uncharted territories and discover unknown landscapes, sometimes even fees. These worlds of imagination become part of us or enlighten sequences of our life course. Taking the perspective of an external viewer widens cognitive and emotional predispositions. There are remarkable ol and new light houses to discover, too. Drawing as performative art, washed away every day like dreams, acknowledges the ephemeral nature of our reading or listening experiences. This message is going to stick with us.

07/10/202606/10/2026

More about books

The Frankfurt book fair opens its books and doors on 2026-10-7. The thousands of authors, publishers, translaters and agents are quite concerned about the amount of infringements that AI has brought to the industry. The market is under increasing pressure to secure intellectual property rights and copyright protections. A flood of AI-produced books shall ruin margins out of which authors are paid as well. The spreading of ideas in form of books across borders is threatened. Sebastian Guggolz from the German book trade association claimed even a double theft, first the books, then the ideas by AI. In order to counteract this, the Frankfurt book fair is continuously expanding is function as a platform of exchange of ideas (Juergen Boos) and face-to-face meetings of all involved in writing, editing, producing, trading, teaching and discussing books in the broadest sense. This discourse about books is the real human added value which AI is lacking so far. In this sense of talking about books, books become a kind of merchandising product of an event or a form of take-home-message to participants. A great and promising forward looking agenda for us rather than the retro-captive approach of AI.

03/10/202602/10/2026

Gaps in Mirror

The legendary figure of “Till Eulenspiegel” (name is a composition of “owl” and “mirror”) is still attracting attention, largely because of his way to reach and sometimes expose ordinary anomalies. We have mirrors all around us, as well as explicit historical details, but we tend to overlook or create voluntarily gaps into mirrored images of the past and their reflections into the present. The novel “The Gaps” (Die Lücken) by Shida Bazyar exemplifies, why dealing with history on a local level is of utmost importance for societies to be aware, deal and transmit fundamental human values. Till Eulenspiegel of the 21^st century has a migration background and experience of care work, 2 fields at the cutting edge of humanity. Dealing with the gaps in narratives of locals enters visually into the novel as well. We ar caught t “automatic lly” read ov r the g__s before we realize how huge the gaps in narratives and our mirrors of the past can be. The novel is a great reminder to actively deal with our own gaps. Check the mirrors as well, there might be gaps that blur images of the past.

15/09/202614/09/2026

Taking positions

In the arts, positions are taken through the choice of topics, materials, an own perspective or approach. For the young artists, taking a position is quite a defining moment, usually after experimenting with several ones before. That point of view is probably a bit biased by a galerist’s perspective or when studying the market of art. Related to the Berlin Art Week, the Positions Berlin Art Fair offers an interesting overview of what is on the market. The section entitled Academy gives space and attention to young entrants into the art market.
The exchange of artists with the audience allows to understand in more detail what position is taken, how it is taken and worked out in detail. The backgrounds of artists are quite broad compared to other metropolitan Art Fairs in this start-up atmosphere at the Hangar 5+6 of former Tempelhof Airport in Berlin. If we look at other perspectives, we shall not only get inspired, but we shall most likely question our own position(s) as well. Great learning experiences for all.

14/09/202614/09/2026

Culture goes Europe

Culture has always travelled Europe. Not only the very famous artists have travelled themselves or their art has travelled, but students of art have joined masters in other countries to learn or become inspired. There are, of cause, some artists who paint themselves in their home and do not care much about the world around them. This is fine, too. The Berlin Art Week has taken a refreshing pro-European perspective in the talk entitled “Empowering Europe”. Culture can build many sustainable bridges across borders, which often start with language acquisition (Gitte Zschoch). Foundations assist with funding (Stephan Muschick). Curators initiate cooperations and lending across borders to challenge traditional cultures and practices (Anda Rottenberg). And the media ensure a wide distribution of cultural information and organise a society-wide discourse (Elke Buhr) about cultural diversity, heritage and innovation. All this is needed to avoid a self-referential cultural perspective of the MAGA-type in Europe. This is not a nice-to-have, but an essential part of the European power of resilience.

13/09/202611/09/2026

Human gravity

Long before the establishment of Newton’s theory of gravity, humans have been fascinated by gravity. Elevation from earth, after all, has figured prominently in religious imagery. Mankind’s dream to fly has become so popular that it contributes substantially to ruin the blue planet. Defying gravity as much as feeling the amplified force of it have become a continuous challenge. In sports we adore the bouncing on a trampoline and classical dance derives a lot of its charm from the suspended moments in air. Beware the landing and get accompanied in your first steps.
Modern Dance is equally creative in the challenge to defy human gravity. Trisha Brown (1971) suspended dancers horizontally so that they could walk in space at least along fixed lines and perpendicular to the surface. The physics of our body change in this bird-like position. Dancing in equilibrium on a horizontally suspended line leaves the audience amazed. The spectacular setting and performance at the “Neue Nationalgalerie” transforms the architecture again into a playing ground for choreographers. Suspension from human gravity is hard work, beyond “¾ Walzer” rhythm and, of course, it takes 2 to tango to feel the suspension.

12/09/202611/09/2026

Glass wall

A glass wall remains a wall even if it is transparent. The glass and steel construction of the Neue Nationalgalerie by Mies van der Rohe has large windows which allow light to flow into the building and create an illusion of transparency as well as openness. However, for most exhibitions “paywalls” are erected to limit access. The Cattelan installation in the gallery erected another light barrier before the official opening in form of the ribbon barring entrance. For those who had experienced the real wall in front of or behind the Brandenburger Tor”, a certain allergy against walls is probably a leftover from those days or years. Hence, Klaus Biesenbach and Maurizio Cattelan tear that wall down!
Thanks go to the Volkswagen Group “Art-4-All” sponsorship which allows free entry on Thursday evenings already. Public-private partnerships are way forward and “Mäzene” can accompany such journeys in multiple ways.

11/09/202610/09/2026

Modern Cathedral

For a long time we have argued here that museums are the cathedrals of modernity. Maurizio Cattelan has taken this claim literally. In a bit of a cheeky way, he turned the “Neue Nationalgalerie” into a cathedral of German modernity. Who are the Gods then? Our cultural heritage comprises beyond our German language classics, the novel “Die Blechtrommel” by praised and then disgraced Günter Grass. The figure serves as the “campanile” sitting above the entry. Well, the small scale “Brandenburger Tor” serves as the entry portal into a wide open space, with past pieces of adoration in a transfigured sense. This modern cathedral holds pieces of art similar to small chapels in a cathedral dealing or inviting to remember historic events or eminent persons. The modern aspect consists in its temporality. The show must not go on forever. Like surrounding every cathedral, lots of immortalised pigeons accompany our visit, just sitting around. There is no longer just one “holy spirit” or “peace dove” but so many. Welcome to the temporary modern cathedral in Berlin.

Category: Artists

Out of Czechia

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