Category: Europe

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Emotional history

The making of emotional memories of a city is an art in itself. Many cities have professional photographers who accompany all major events in a city over years. Paris has had the chance that artist photographers and film makers have contributed greatly to the emotional history of the city. Agnès Varda was such a formidable person whose images and movies moved people and allowed to share emotions about the city’s busy and diverse neighborhoods. The « Musée Histoire de Paris Carnavalet » combines an autobiographic perspective with the emotional depiction of live in Paris from the 1950s onwards into the late 20th century. (Image: Agnès Varda, 1950 self-portrait, MEP Paris). 

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Femmes Photographers

Paris puts 2 women photographer into the spotlight. The MEP and the Musée historique de la Ville de Paris feature a gender perspective on photography. Both photographers have a common starting point in black and white photography.  Each moved on to develop their art into an additional direction later during their career. Marie-Laure de Decker shifted from the early camera technology from black and white images to color photography in the later stages of her career. Agnès Varda moved from her initial b/w photographic work on to the production of videos for cinema, mainly focused on life in Paris from the early 1960s onwards. An evolution over the professional life becomes evident for both through these retrospectives of their respective work. Technologies evolved and became more accessible for artists’ creative expression. Both moved on to adopt new techniques and challenges. Great personal learning experiences and models for today’s challenges.

(Image Marie-Laure de Decker, L’image comme engagement 2025-8 MEP Paris).

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Gentileschi Heroine

The choice of a woman as heroine in a painting beyond religious topics was innovative in the early 17th century. Artemisia Gentileschi chose Cleopatra as her character in the ultimate scene of Cleopatra‘s life. The heroic act of guiding the poisonous snake to bite her under her arm is the ultimate act of Cleopatra to have served her country and people. As history books are full of male heros Artemisia Gentileschi succeeded in drawing attention to the biased gender stereotypes in art and art history beyond the 17th century.

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Gentileschi Iconologia

Ever since the publication of Cesare Ripa’s „Iconologia“ (1593) the codes of art had become subject of a coded production and interpretation of art. Attributes of power or wealth like palms, scepters or crowns, decorated with gold and diamonds spoke a language easily understood by onlookers irrespective of time periods. Orazio and his daughter Artemisia applied this Iconologia throughout their work. The apparently simple depiction of bad weather became a sign of trouble ahead in a person‘s life, office or reign. From the success of Caravaggio‘s paintings, the application of light and shadow became another stylistic feature of especially Artemisia‘s work. Whereas the application of these techniques is a sign of craftsmanship, the own contributions like a more emotional and emancipatory repertoire of Artemisia make her an artist of her own kind. (Image Artemisia Gentileschi, Madelaine pénitante 1625, Musée Jacquemart André“ in Paris 2025-8) 

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Women artists

The history of art has been dominated in public opinion for centuries by men. However, recently art historians have drawn our attention to the numerous works of women who took Centre stage with their art during the last 500 years. Flavia Frigeri (2019, 2024) begins her history of women artists with Lavinia Fontana (1552-1614) followed by Artemisia Gentileschi (1593-1652). Both painters produced extraordinary paintings which brought their own touch to the paintings at a time when an independent expression through art was still largely reserved for men. The subjects of Gentileschi were greatly influenced by her experiences as a woman in a male dominated society in the 17th century in Europe. Her choice of subjects for her paintings added a female vision and depiction of biblical and historical narratives that were unique. The „Musée Jacquemart André“ in Paris featured a great retrospective of her art work in 2025. The catalog of the exhibition allows to enter into the art and wit of this early woman artist. 

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Zadkine Van Gogh

Ossip Zadkine has been a sculptor in cubists’ art tradition. He created famous sculptures of Vincent van Gogh after the death of the renowned painter and his friend. The Zadkine museum in Paris allows to get a great impression of these artworks. These sculptures reveal an interesting life course perspective on both artists sensitivity and transformation of their impressions of others or emotions more generally. The first study depicted below by Ossip Zadkine of van Gogh shows how he carefully studied the traits of van Gogh and his personality in order to better understand the evolution and death of the fellow artist. The emotional and broader psychological aspects of a character captured both artists. Doing justice to these inner feelings and society’s judgments about art and artists at their time of creation had strong impacts on both artists. 

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Water fountain

The design of water fountains is a bit of technology and a lot of art work. The provision of water for larger basins in castles was pioneered by garden architect Le Notre in France as early as the 17th century. He took ideas from Italian designers to integrate them in his French squared designs and surprising perspectives. Vaux le Vicomte is a splendid example and a source of inspiration for many even centuries later. Listening and watching the water fall from level to level downwards calms the spirit. Worth exploring yourself.

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Climate Awareness

The Musée d’Orsay has prepared a wonderful walk through its permanent exhibition of late 19th and early 20th century installations to reflect upon climate and climate change. Raising awareness about the treasures lost and those we are about to lose in the next few years. Impressionist painters have depicted landscapes, cities and monuments covered in snow, which the next generations will no longer be able to enjoy the same way. The roofs of Paris covered with snow has become a feature of a distant past. Additionally, the impression of the massive steam trains crossing metal bridges appear as the daunting future of technical progress. Mixed feelings of fascination and risk associated with those machines were captured by those painters’ eyes. Nowadays we are aware of the consequences of this technical progress for our planet. The walk through museum with a focus on climate related paintings is eye opening indeed. (Image: Extract of Éduard Veuillard, Le jardin des Tuileries, Musée d’Orsay, Paris) 

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Museum Marketing

The century old idea of a column that keeps people informed is prominently displayed at the Musée d‘Orsay in Paris in 2025-7. The example on display demonstrates the Parisian adaptation of the „Litfasssäule“ to the local architecture. The marketing tool of a round display for posters rather than the flat depiction of images has its own „Charme“. The huge version of a sign post allows to display a lot of information and a close reading as well. The cross cultural adaptation is interesting as most people would believe it is a rather unique Paris invention, whereas it is an adaptation from elsewhere. Of course, it has the French touch to it, which makes it unique in a sense again.

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Electrifying Jobs

The transition to the “all electric society” necessitates to prepare the labor force for the upcoming challenge. The knowledge about electricity and electric appliances constitutes the basics of the knowledge base of the future. This goes far beyond the basics of physics and electrical engineering. There many processes like sharing of electric infrastructure in households, cities, in and beyond countries that have to be delt with. Investment calculations and legal issues to address the different risks involved are another area to cover in the process to prepare society for the “all electric society”.
However, the skills of professions with more direct links to the fossil fuel based technologies have a role in the phasing out of the heavy reliance on fossil fuels. Reverse engineering of such engines and heating will need people still knowledgeable of the past, when younger generations set their focus primarily on professions with links to electricity. Even using a solar powered heat pump in a home requires pipes to the existing network of radiators, for example. This will most likely be a gradual shift of the job structure and occupational requirements over at least a decade, but the shift has started already. Some might argue we need a well functioning “transitional labour market”, labour market policies and social security system for this to happen smoothly.

 

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Pepper and Nao

We have seen many persons that became somehow emotionally touched when addressed by Pepper or Nao. These 2 versions of a humanoid robot have served for thousands of persons as the first welcoming moving information desk. I have been guided through museums (DTM, Berlin) and exhibitions by this robot guide with a friendly outlook. Beyond those experiences there is a lesson in industrial policy to be learned from this innovative French humanoid robot. The start-up enterprise was founded as early as 2005. With a substantial funding of ½ billion € from Softbank the enterprise could develop robots for the fields of personal companionship, education, restaurant services or personal care for the elderly.
We have seen the robots at international fairs in several countries, but the prohibitive costs have limited the rapid spread of the robots to broader applications. Subsequently, the decline of the enterprise, or not reaching financial targets fast enough, caused the loss of financial support for the enterprise. In 2025, Aldebaran filed for bankruptcy and the patents will be sold to the best offers. The employees received generous packages of departure and will most likely find rapidly jobs in other robotics, IT or AI related fields.
The loss is probably greatest for the persons who were serviced by Pepper or Nao in elderly homes or the Swiss hospitals, as spare parts or updates will no longer be available. The humanoid robot story is yet another case where the social, economic and financial context of technology is overriding the technological innovation process.

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History coined

It is an ambitious project to frame history of a country or continent according to the succession of coins. In the KBR such an attempt is currently on display in 2025. The history of a country in the center of Europe is reflected sometimes through different occupying forces who imposed their currency onto the occupied territories. The Greeks and Romans had an overriding impact on the development of coins in human history and society.  Precious metals were used as basis to embody lasting value into coins. The images on coins are also a way to reiterate the dominance of a new ruler or governance. From the Roman occupation there are nice specoin the KBR collection as Julius Caesar named one part of the 4 occupied territories “Belgica” beyond what we define as borders of Belgium in the 21st century. Control of your own currency means also to be able to produce unique pieces in your own foundries. The history of coins is also a history coined by those in power to enforce their political power onto the economy. (Image: KBR, The history of Belgium illustrated through coins, 2025).

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Energetic Architecture

The link between energy and architecture is all to obvious. For at least a century we believed that energy had to serve architecture and could be relegated to second place. With global warming the overriding importance sits with energy concerns for some years to come. We spend billions to repair the bad architectural and fast growth architecture of the post 2WW era of architecture, especially the construction boom of the 60s and 70s. The driver of change in architecture has moved from the period of social architecture (60s, 70s) to energetic architecture. Energy in architecture has multiple dimensions. Whereas a century ago the shift consisted in the installation of central heating systems in the northern hemisphere of the globe at scale, in the 21st century the concern there shifts to isolation from heat (and cold) to more efficient, less polluting energy provision. Cooling houses and office spaces during extended periods and higher peeks of heat, ask for substantial revisions of existent architecture and the next generation of energetic architecture. Before long, we shall also think more seriously about the handling of water in architecture, a topic which is closely linked to energy consumption and design.
From a sociological point of view we are used to ask questions of social inequality related to this issue as well. We are on the way to move into a society of energy-rich versus energy poor households and enterprises. Financing of adaptations of housing and offices to the energetic challenges is likely to create severe additional inequalities, which exacerbate the already existing ones. If you have no money to spare, you will be unable to invest into energy savings with more distant returns on investment (ROI). At older age you are less resistant to heat waves and causes health disadvantages. If previous investments were impossible or the urgency for energetic architecture was neglected for too long, additional health inequalities shall arise.
The “Deutsches Architekturmuseum” has built an exhibition around this theme, which widens the perspective of architecture and energy. This highlights the additional concern for energetic architecture and people living or working in (modern) architecture.
(Image Trier Roman arena 2025)

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Warming continues

The global warming continues to change our landscapes. Heat waves, droughts and flooding become more often. Average temperatures keep rising. The evidence from meteorological data is showing this beyond doubt. Our forest take the toll and reports document the worsening situation for many trees (Germany and Switzerland). An adaptation will take years if not decades. In the region around Paris some home owners have started or been forced to adapt their gardens to the warming weather conditions. Trees that do not support the consequences of warming die and we witness the changing of the landscape. Palm trees near Paris have survive for years by now near Paris and can grow rather tall.
Like it or not, the visual landscape will change despite the many great initiatives launched by the city of Paris to stop the warming of the city.

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Satie Popular

Erik Satie has been quite involved with the surrealist and Dada movement of his time. He personally knew the main proponents ranging from Breton to Magritte. He became one of the major figures applying the ideas of surrealism to music. His early compositions like the Gnossienne (extract of Nr. 1 below) are admired for their simplicity. They became popular only years later and have entered popular music repertoire through many retakes of the original tune in various styles ranging from jazz to rap. Many of Satie’s formative years he spent playing and performing popular music in the animated cafés, bars and shows of Montmartre in Paris. The making of a living based on music can be a challenge. Satie had to bear the full risk of a life in poverty at times to reserve sufficient time for his creative work.
He remained very much connected to the working class as his later membership of the Communist party after the Great War testifies. Composing for children and transmitting music to the next generation was equally close to his heart and mind, especially in his later years.
For him, popular music constituted a fountain of original tunes and a test with an intuitive audience rather than the academic circles. Maybe, with this attitude, he followed the footsteps of Flotow, Offenbach, Ravel and many others later on until pop music became the vastly dominant music in the late 20th and 21st centuries.

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Erik Satie Satisfied

The collection of letters from Erik Satie contains more than 1000 letters amongst them some in exchange with the best artists of his time. The range is largely due to the circle of artists who met at Montmartre in Paris before and during the Great War. We discover letters to Maurice Ravel, Claude Debussy, Pablo Picasso or Henri Matisse. For some artists there are 100+ letters preserved like to Jean Cocteau. In the 1920s he composed music for shows at Montmartre, where the scenario was painted by Pablo Picasso and costumes designed by Coco Chanel. The sculpture by Brancusi must have been familiar to him, just as much as the cubist paintings by Georges Braques, as there are also letters or references to such letters in the impressive 1000+ pages collection. Like Ravel he was rejected by the Conservatoire de Musique de Paris in his early days as student. Montmartre allowed to live and create at the same time while living on a minimal budget. Erik Satie signed his letters with ES. In German this denotes a “neutrum”, maybe, beyond male or female differentiation, but also a tonality in music (E flat). There is no trace that this was a conscious choice. It is just another unresolved puzzle about the self-declared “Gymnopédiste” and composer of the “Parade” and the popular piano music the “Gnossienne”. 100 years after his death on 1925-7-1 he (ES) could be rather satisfied with his impact on the course of music in the 20th century and beyond.

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Travel Trumped

The travel and tourism sector of the U.S economy takes quite a hit from Trump‘s anti Canada and Europe tariffs and rhetoric. The Wall Street Journal (2025-6-3) reports data until May 2025  which show a 6% decline in international air travel and a 12% reduction in air arrivals from Europe (reference same period last year). Canadians seem to reduce their travels to the US as well, hitting many regions just across the long joint border. Airline bookings are an early warning indicator, but the more drastic figures are to be expected from the loss of spending tourists do not dispense in the US any more. Additionally, sizeable shares of US tourists travel to other countries due to the disgusting Trump rhetoric and spend their holiday budgets elsewhere. Trump‘s tariffs has focused a lot on redressing the trade balance of goods, but the balance of services like in tourism is worsening day by day now. The political economy of tariffs has multiple feedback effects which are quite hard to predict.

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Citizen Walk

Capitals like Paris and Berlin make great efforts to improve the walkability of their cities. After decades of focus on automotive traffic and mobility and the detrimental effects on health for several generations of people, the awareness that walking citizens are part of the solution is spreading. Citizens of Paris voted in a referendum to stop circulation of cars in 500 more streets. In Berlin pedestrians unite to mobilize more people to take to the streets as well and reclaim walking space. In high density spaces like metropolitan areas it is possible to reach all major amenities within a reasonable walking distance. The more spread out suburban area, however, leve fewer options to walk and carry your shopping or do your dily commute to work while walking. Fewer cars and pharmaceutical products sold would mean less „artificial economic growth, but more healthy and happy citizens. It will take decades again to realize such visions.

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Odessa Berlin Odessa

With a sense of partnership, it is possible to travel between Odessa and Berlin in the “Gemäldegalerie” in Berlin 2025. Due to the war of Putin in Ukraine the “Museum of Western and Eastern Art” in Odessa had to relocate its treasures to safe places. The Gemäldegalerie offers a chance to view the splendid collection nevertheless. The curators’ team in a spirit of “art intelligence” propose, in a splendid way, most oeuvres from Odessa next to an example by the same painter from the Berlin collection. The visitor leaves the exhibition enriched by an experience of “jumelage” (engl. sister cities) of partnerships between museums, cities and their people.
In fact, we have shared the same imagery or visual heritage in Europe for centuries . The collections of paintings ranges from the 16th -19th century art  or from Frans Hals to impressionist influences.
We shall cherish the return of the collection to Ukrainian Odessa as soon as possible. The image below shows the places of origin (yellow dots) of the art works of the Odessa collection across centuries (map from the exhibition).

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Permanently anxious

„There’s a set of forces that want us to be permanently anxious“, is the phrase chosen by Tony Cokes in the exhibit just outside the „Palais Populaire“ in Berlin in 2025-5. International politics and the economic upheaval caused by Trump’s tariffs contribute to the already existing other sources of anxiety like nuclear energy and warfare. Global warming causing more extreme weather events add more man-made reasons for anxiety. The next generations will have to foot the bills we have left to them unpaid. Our current shortsightedness increases anxieties which previous generations have not known of a similar kind or in that combination. 

Community building and solidarity are ways to overcome such overwhelming anxieties. Supranational organizations like the European Union have an even stronger role to play to reassure its people with credible signs of solidarity. We are not alone in the struggle to overcome the anxiety that is creeping up around us. We are certainly stronger together than individually dealing with unspecified fears. „We shall overcome …“

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Margot Friedländer memorial

Berlin has been honored by the return of Margot Friedländer who had survived the Shoa in 2010 at the age of 88. Her whole family was murdered in concentration camps by the Nazis. Ever since her return and especially after her biography had been published she was a restless ambassador in the fight against hate, exclusion and the neo-fascist movements. She has been engaged in interreligious dialogue and even through the ceremony after her death, she tried to bring together different Jewish communities in Berlin.
Irrespective of a person’s background she met everybody on an equal level.
A great example to thousands of people, she managed to meet in her life. Each time she met with pupils or students to speak about her horrific experiences she lived through the same traumatic experiences again and again, but turning this into the strength to “vaccinate” people against the deadly virus of fascism.
The day after she had been buried in her family’s grave in Berlin Weißensee people still had to queue to sign the book in her memory in the Berlin town hall. She will be remembered and missed for her unrivalled humanity and generosity. She became engaged to fight for humanity and remained an activist until her very last day at 103 years of age.

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Lviv Ukraine

Small galleries can make a real difference. In Berlin the gallery “streulicht” has a selection of photos in an exhibition that portraits artist from Lviv in Ukraine. Hans Hugo Hoffmann manages in his photographs to depict the extraordinary resilience of Ukrainian creative persons who live through a protracted war of their country against the Russian aggressor. The persons embody the strength of resisting through their art work despite the wounds inflicted on their families or the people of Lviv and the whole of Ukraine due to the war. The persons portrayed try to continue their normal day to day work, knowing that nothing is normal anymore in Ukraine. “Bizarre Normality” characterizes our perspective on these artists, who are thrown into a world of events that we no longer thought might be possible in Europe. Bucha and other crimes by Russian soldiers in this Russian aggression leave traces in the faces of Ukrainian people and even beyond. We all wish that the people of Ukraine can return to “normality” as soon as possible, although we know that nothing will be normal as it was before the Russian invasion.

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Leber JA

In Berlin Schoeneberg there is a memorial in preparation for the courageous couple of Julius and Annedore Leber. Julius Leber has been incarcerated several times by the Nazi officials, tortured and finally executed in Berlin. A link to the group of people trying to overthrow the NS regime (1944-7-20) caused his arrest and execution in January 1945. His wife Annedore published several accounts of the resistance movements, which existed during the NS regime. These people were aware of the fact that they were risking their life with such activities, but persisted nevertheless. We owe Julius and Annedore Leber a decent commemoration as we need to remember that such courageous examples existed even until the last few months of the NS dictatorship. The site allows for a building and learning center which could serve as an archive and encouragement to fight for democracy. It is less obvious than we thought it would be.

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Local history

In Berlin and many other big cities in Germany like Munich and Hamburg there are local history projects which tell the stories of specific places or a house linked to liberation day or deportation or courageous acts during the Nazi  grip on Germany and terror across Europe. The initiative « Denkmal am Ort » has become a kind of citizen science project which brings people together to raise awareness again for the cruelties committed under the dictatorship of Hitler and the fascist political movements. Remembrance is not a passive form it can take many active forms as well by simply trying to find an answer to the question what happened during the 30s, 40 and 1950s in the house you are currently living in? Access to archives of cities and small towns can tell very surprising stories about local history. It is a great inter generational experience as well and sometimes the unspoken history turns into a great conversation about history and responsibilities. History is everywhere you just need to keep your eyes and mind open.

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Constitutional Responsibility

The memory of horrors caused by Nazi-led Germany before and during the 2nd World War is our constitutional obligation in the Federal Republic of Germany since its beginnings in 1948. 80 years after the unconditional surrender this has become a state responsibility. Since the shift of tone introduced by Richard von Weizäcker on 8th of May 1985 framing the end of the 2nd WW as liberation day in Europe and Germany. On the same day, 40 years later, the top 5 political instances of democracy in Germany, president, chancellor, presidents of the parliament (1st chanber), the council of the regions (2nd chamber) as well as the constitutional court. The constitutional and moral responsibility of the crimes is not reserved to a presidential address, but all pilars of democracy in Germany committed to the narrative of a liberation of Germans and Europeans at the end of the 2WW. It is a truly European topic to celebrate the end of war jointly in all countries. This is even more the case as the memories of the last survivors of the Shoa in Europe is less transmitted by the rare survivors until today due to very old age. The impressive unity of the top constitutional powers sets a the path for a far reaching renewal of the acknowledgement of a specific constitutional responsibility to counter extremist tendencies. The speeches by Frank-Walter Steinmeier and Julia Klöckner in the Bundestag (Link in German) were remarkable in explaining in plain language, why we are happy about this liberation also in Germany. The emphasis of the end of pervasive and endless oppression and suffering caused by the Nazi-regime are an essential part of this feeling of liberation. With this commemoration Germany today has become even more a European nation which takes its historical responsibility seriously.

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Labour Day Berlin 2025

In 2025 Labour Day Parade in Berlin started again on Karl-Marx-Allee to the destination at the “Rotes Rathaus”, the red brick City Hall of Berlin. The slogan: “Mach dich stark mit uns” (engl. empower yourself with us) refers to the building up of force by members of the trade union movement in growing bigger again. Solidarity in crisis is currently tested again in each collective bargaining and negotiations at the local, sectoral, regional, national and European level. However, on the 1st of May the parade obviously has the political part with the speeches, but also the family party atmosphere towards the end at the Neptun fountain at Alexanderplatz. Large crowds come out in Berlin and the organizers of the DGB and the police do a great job to ensure a safe and enjoyable demonstration in the heart of Berlin. More impressions on the mobilizing event here. Images from Berlin Labour Day 2025.

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Archi Octagon

The architecture we see around us has lots of interesting mathematical features. Some are the basis for more complicated calculations. The octagon shape is not that common, but with some formulas the calculations become easier and construction in the real world is more feasible. Well worth to dig a bit deeper into this shape. The geometry of angles and circumference follows rules that have been laid out a long time ago. The webpages explaining this are manifold and it is a project of its own kind to compare them and recommend the best ones. My current favorite is: mathmonks. A reasonable choice is in most cases also wikipedia, the long running amazing knowledge project also for the octagon.

Image: Berlin Europa Center 2025.

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Archi Geometry

Architecture has an obvious and visible link with geometry. Clear lines, rectangular or triangular shapes have dominated for centuries since the Greek temples. Geometry was a discipline that has attracted many scholars and particularly architects. Nowadays the shapes are much more diversified and sometimes complex. The calculation of surfaces, curved lines and shapes have become an issue of more complicated mathematics. Volumes of irregular shapes are a challenge for most people to calculate and heating or cooling sich buildings adds considerable complexity. It is, however, rather relaxing and fascinating to look at the marvels of modern shapes in architecture. Technology and material science have allowed us spectacular progress and designs in recent years. Paris offers a splendid perspective on such developments. 

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Health Systems

Comparing health systems across the EU can be complex at times. However, there seems to be a consensus that the Irish health system is an oddity within the European health systems. On the one hand Ireland is a rather wealthy country in terms of GDP, but the primary care system excludes a high percentage of people from access to it. The scientific journal “The Lancet Regional Health” published a paper and comment on this rather unique exception to the rule to offer a universal health care system to its citizens. The controversy is about the coverage of costs of a visit to a general practitioner. More and probably earlier visits to a GP reduce the (over)burdening of
hospitals later during the life course. Prevention helps a great deal to lower overall costs of a health system.
The roots of the Irish health system have been built upon “subsidiarity”, which means that the public support system should only step in, if the individuals or families are unable to cover costs by themselves. Poor households had to apply for a card giving them access to medical care free of charge. Building hospitals was the next challenge and local communities managed to raise funds in support of such additional structures. In 2025 it can be very costly to enlarge the coverage to a universal access to primary care and the challenge to attract sufficient numbers of general practitioners is a very European one. In this respect Ireland is just like any other European country again.
The question of how to best achieve a universal health care system remains an important one. Apparently, you can be rather “health poor” in an otherwise “economically rich” country.

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Marx Home

The home of an influential philosopher, economist and political scientist is not easily presented like a home of a musician, a composer or an author. However, the home of Karl Marx in Trier on the Moselle river succeeds to present the biographical links of growing up in a historic city, the bourgeois upbringing of the young Marx and his formation as an independent and even revolutionary thinker of the economy and society. In 2025 the home is a museum supported by the Friedrich Ebert Foudation with a great online guide and access to additional scientific material. For authors like Karl Marx it is always of interest to follow not only the origin and evolution of the thought process, but also the shifts in the reception of his writings by subsequent generations. This part of the exhibition and an audio guide (downloadable as App).

In 2025 with an apparently ruthless capitalism at work in the biggest economy of the globe, the reminder that the economy is best to be understood as a political economy, which focuses on self-interest and profitable business deals, we find in Karl Marx still a worthwhile reminder of economic development even in the 21st century. The note-taking and studies in Exile in London are well documented in the tiny home and museum. Studying the misery of exploitation in supply chains and international commerce remains a topic of continuing interest as well.