Time is passing, or is it? We tend to confound time, with passing of time or an occurrence at a specific point in time. Time has a static use, which refers to a date of birth or date of death. Time refers to durations like the lifetime or time in office of a person or a political leader. In most such cases time is considered as a continuous and linear process. The concept of temporality questions these common perspectives on time to allow additional time perspectives in the description and understanding of time.
Temporality is linked to a more flexible view on the periodization of history. The time before and after the 12 years of Nazi-terror will then be part of the extended periodization of the Nazi-Regime in Germany and Europe. Similarly, temporality widens the perspective on social phenomena by linking historical events to the time before and maybe even to what follows, seen as a consequence of the temporal and spacial co-evolution.
A deviation from the static view of time and a rigid periodization of fascism allows to study the Russian male dominated political authoritarianism as a new wave of fascism in Europe, which negates the right of existence of the state of Ukraine in its neighborhood.
Temporality expresses the need to go beyond a simplel periodization to include a spacial dimension in the defintion of time, much like modern physics does in relativity theory. Temporality, therefore, opens up a “thought space” beyond just the timing of events, which may challenge many of our day-to-day experiences. Cultures with a different understanding of time or the pace of time become a “sound board” for our way of considering and being captured in a time space. Probably many artists are forerunners in playing with time and the way time is “treating” them. Most of them face(d) hardship during their lifetime, but have an extended “after life” in terms of reputation. Some contribute to the perodization in the arts and of their time. They all shape(d) temporality.
(Image: extract from Hans Bol, 1593 Ring Jousing in front of a pond inan imaginary city, MRBAB, Brussels)
On Plurality
Most people are familiar with plurality under the term pluralism with respect to political parties or political systems. We have gotten used to have more than one political party tp represent the right or left in party politics. This is a challenge to people and parties as coalition formation can be a tough challenge to negotiate with a spectrum of parties rather than single representations of opinions and values. Plurality is, however, a more far reaching concept, which is applicable to many other fields of interest. Plurality of living styles are common fields of applications as well. Gender issues beyond binary gender identities qualify as yet another example for the pertinence of the concept. Nature has foreseen a wide variety of species even within subcategories of whatever classification system you apply, just think of trees. A broader variety of individuals is likely to increase the « requisite variety « of evolutionary processes as well. Plurality of modes of transport are another recent example of a widening of technological options available to reaching the same destination. A lot of progress and social progress is relying on allowing plurality to thrive before eventually narrowing down the spectrum. (Image: Sophie Taeuber-Arp, Composition with circles and rectangles, 1932, p. 256 from exhibition catalog 2024) 
History’s Weight
The artist Damien Deroubaix is currently exposed at the BNF.fr in its historic site Richelieu. Together with and next to some of the historic treasures of the BNF collections the unique exhibition allows to experience history’s weight on our current existence. The work of Deroubaix is following and pursuing historic art trajectories with a special historical and ethical consciousness. Techniques of art are insensitive to the moral compass of the painter in history. The collections of the BNF like all major European collections have to handle their colonial past and immoral depictions throughout history. Deroubaix accomplished to liberate techniques of art of their colonial linkages and imagination of emperors focusing on humanitarian values. War is horror, in the past and in the present. Genocide in Rwanda is war crime and dealing with the memories of people an honorable way to look forward conscious of the past. Hybrid forms of art allow multiple contextualizations of his work. In the Galerie Mansart and Pigott of the BNF the historical embedding enriches the art and vice versa. Art allows us to rise beyond the ashes mankind has and continues to inflict on us. (Images: extracts of Damien Deroubaix at BNF, Paris 2024)
Theatre Artists
Performances in the theatre are called pieces. The artists performing are actors of a play. The « Théâtre de la Madelaine », which celebrates its 100th anniversary in 2024 puts on a new production in celebration of the biography of the famous painter Claude Monet.
«Dans les Yeux de Monet » is the inspirational title of the play written by Cyril Gely and scenario by Tristan Petitgirard. Looking through the eyes of Monet puts you into the sometimes tormented head of the great artist. The challenge Monet faces is his very own perspective on a new vision for painting. In order to capture the impression of the cathedral of Rouen on him, he experiments with colours and lighting to capture just the right moment in time. Interesting to remember, there is not just one single moment he paints, but many versions of it with each realization offering a special insight or impression. Just on the sideline we learn about the importance of plurality rather than the one and only unique moment in time.
His own personal difficulties of sufficient funding for his art work and the depression he struggled with are well represented in the script and by the actors.
Galerists as well as donors (Mäzene) encourage artists, but somehow may also contribute to the pressure on artists to produce more creative work. Precariousness of living and living conditions are often a corollary of creativity or the creative process. This is a usually forgotten part of the biography of many past and present artists. Artists have and still contribute so much to humanity, but in most countries the public or private support for artists is sketchy. This remains a societal challenge particularly during times of employment and skill shortages in OECD countries.
Book Performance
Some texts are written in view of a performance, a theatre performance or an opera in mind. We have had dance performances and choreographers emancipate themselves from the music to claim dance is an art in its own right. Books are books in their own right. However, the hybrid forms of performance of a book was on display in the 2024 edition of the Wiels Art Book Fair in Brussels. It is common practice to invite speakers and authors for a book launch event. It is more rare to invite a choreographer and dancer to perform a book. This is exactly the what the publishers of A.R.D.V.L. did. Garance Debert put the editorial work and conceptual work on a book into a moving performance. There is much more to a book than just the letters and paper. The „mise en page“ turns into a „mise en scèene“ by an artist. The Wiels Art Book Fair has raised our attention to the larger creative potential of books, certainly art books, but also beyond books on art. Performative readings and book performances will enrich our repertoire of interacting with printed materials. Just before we might believe this is the next big hype, remember the bible is probably the book with the most theatrical performances linked to it.
Nature Spectrum
When it comes to colors, nature has shown us the way forward for a long time. Before mankind „invented“ bionics, nature had opened up the full spectrum of colors. It took us thousands of years to understand how to recreate the colors of something technically rather simple like the rainbow. The colors continue to impress us independent of our cultural background. More interesting than, maybe the Atomium in Brussels, is the almost daily reproduction of a rainbow in a park in Brussels (park Bois de la Cambre). All it needs is a sunny day, water fountains and the right angle of observation. It is magic, but still simple science. Enjoy.
Wave Length
The links between art and science are manifold and run in both directions. Artists challenge science or the outcomes of science and scientist refer to or maybe inspired by the work of artists. If artists challenge scientists by proposing an alternative theory they become subject to empirical scrunity like the unfortunate fate of the theory of colors of J.W. Goethe. The physics of colors has long been established and the theory of colors and light are best represented in science using wave lengths as the unit of measuring different colors. Hence, in this theory of colors or light the spectrum of colors runs from violet, dark blue, indigo (short wave lengths) passing yellow (medium wave length) to orange and red (longest wave lengths).
The painter Ellsworth Kelly has also challenged the science-based view of colors in “Spectrum IX” from 2014 currently part of the exhibition “Ellsworth Kelly. Formes et couleurs, 1949-2015” at the Fondation Louis Vuitton in Paris (extract of image below). As a provocation to the scientifically trained vision Spectrum IX breaks up the running from short to long wave length to take the scientific linear colors of the spectrum and split the spectrum in the middle (yellow) and join the ends upside down. Alternatively, take the spectrum and glue both ends of the color spectrum together to a circle and cut in the middle of yellow to form again a seemingly linear evolution of colors.
Now, let’s meditate in front of this new spectrum of colors and follow your senses. The challenge of the theory of colors is a provocative statement of all those imaginative potentials we exclude through a solely science-based view of colors. Art opens up virtual space and fills it sometimes with abstract reflections on colors. It is raising the question of beauty versus science, beauty in science or beauty through science. (Image: Ellsworth Kelly. Spectrum IX in exhibition Formes et couleurs, 1949-2015″)
Phase Shifting
The Berlin “Hamburger Bahnhof Nationalgalerie der Gegenwart” recently acquired “Phase Shifting Index” by Jeremy Shaw. As part of an exhibition of new acquisitions, Sam Bardaouil, the director of the museum and curator of this exhibition has installed the large-scale video and sound installation at the end of the long corridor of the “Rieckhallen”. The impressive, even overwhelming art work was created in 2020. It was first shown at the Centre Pompidou in Paris. 
The piece consists of seven large suspended screensand creates a space like in dance club, discotheque or dance studio. The visual and sound experience is allmost psychedelic. The near obsessional dancing shown on the screens represent different periods of dancing with their particular patterns of movements and choreographies. The phase of the electromagnetic waves is shifting from one screen to the other and towards the end of the performances it becomes clear, that they all follow a similar wave or rave pattern. Sublimation or ecstasy are the underlying index-like common traits. Each period or decade 50s, 60s, 70s, 80s, 90s, all had their peculiar dance and movement patterns. The video-installation is like a history of art of expression through body movement, amplified and indexed through rhythm and sound.
Electromagnetic waves can be characterized through wave shifting in various forms. This work gives us a feeling for the fascination of movement and phase shifting emotions. Don’t worry, the immersion ends after 10+ minutes and, if you like, you might read up on the physics of electromagnetic waves and phase shifting to calm you down.
Images: “Phase Shifting Index” by Jeremy Shaw, 2020, Berlin, Hamburger Bahnhof, 2024-9
Innovation Painting
Innovations have fascinated painters just as much as photographers. The impressionists have painted trains and steel bridges as well as modern city life. Innovations change the atmosphere of a situation and new forms of transportation have been admired for many decades. Artists and painters have dealt with this phenomenon in various ways. Either the innovations have puzzled the normal vision of people or things or the artists hinted at curiosities or incompatibilities. Gustave Courbet has depicted in a unique style (Realism), as early as 1865, a seated woman with a paddle on something similar to a catamaran. It is maybe surprising that the modern form of stand-up paddling looks a little bit like the „podoscaphe“ painted by Courbet. Innovations in sports continue to evolve and become part of Olympic Games as well. Some disciplines make it into the Olympic canon rapidly, others never make it. The exhibition of „Artists and Sport“ gave ample opportunities to reflect on the the relationship of artists and innovations as well. (Image Musée Marmottan Monet, Paris 2024, Extrait de Gustave Courbet, Femme au Podoscaphe. 1865)
Games over
All nice things eventually come to an end. So do the Paris 2024 Olympics and Paralympics.
The images have been impressive of both events and the millions of spectators give a good testimony in this respect. The cultural by-program of the Games was equally remarkable. The live performances of dancers not only on the opening and closing ceremonies attracted big audiences. Many well-known sites of Paris prepared their own events and inspired as well as entertained the visitors.
On the small stage in front of the “Marie de Paris”, the city hall (Image below), ballet performances (video) were staged to hint at the possibility to see more artistic performances throughout the year in Paris opera houses and other stages.
Showcasing many forms of cultural, inspiring and entertaining events gave a valuable additional flavour to the Paris Olympics. Many good reasons to come back and renew unique moments in Paris beyond 2024. Paris hotels will be more accessible again for moderate budgets and waiting times for entries should come down to normal levels as well. Back to a new normal for Paris. Well, maybe. The millions of spectators who followed the Games on television and social media might eventually decide to rank Paris higher in the “cities you have to go to at least once in your lifetime”.
Painter Sociologist
In going to a gallery and exhibition of paintings from the 17th century (Gemäldegalerie Berlin) you do not really expect to attend a class of sociology. However, this is exactly what the Flemish painter Frans Hals does with his paintings of various genres of society of his time. His sociological categories are for example unmarried young persons, married couples or pensioners living in a shared home. Other social categories of interest to him are a caregiver or, more common for the time, persons from noble or wealthy families. His painting „The Regents of the old men’s Almshouse” (ca 1660), the male pensioners home is one of his last paintings when he himself was already about 80 years old. Similar to a College of students the elderly home was run by a house father and house mother who took care of the daily living. The paintings of Frans Hals covered the entire life course with a cross-section perspective of society at his time. From few of his supporters he painted even several images moving towards a kind of longitudinal perspective on a person’s life course. Certainly, with “Oude-mannenhuis” (image below) he was interested not only in individual life courses, but of the conditions, forms or images of aging at his time. He probably was one of the first to challenge the negative stereotypes of aging.
Lost Objects
Project yourself into the future more than a hundred years from today, maybe even more than a thousand years from today. Some archaeologists will work on the planet earth to uncover the story behind the disappearance of the once very advanced species of homo erectus. They start drilling near some of the mystical sites of this civilization, the cities where mass celebrations were held called Olympic Games. These archaeologists use huge drilling machines to take samples at previous Olympic sites and uncover the remains of the thought to be modern civilizations on earth. Amongst all these samples they find all sorts of artifacts and layers left over. Plastics and metal structures appear in the samples as well as other forms of „artificializations“, transformations of earth’s principal „natural“ raw materials. The inhabitants of earth apparently lost or destroyed the planet‘s capabilities of CO2 storage and eventually became extinct. After fighting for survival on another planet the archeological expedition on earth saved this block of the remains of a doomed civilization. All this is pure science fiction, yet the specimen sample is exposed on the roof of the futuristic Fondation Louis Vuitton building near the Jardin d‘Acclimatation in Neuilly sur Seine. (Image of „Where the slaves live“ of Adrian Villar Rochas, 2014).
Digital Museum
Paris has lots of museums to visit. At times, this can lead to a kind of mental overload. The ” Musée Marmottan Monet, in Paris allows to take home a digital and printed copy of your preferred, your own curated collection of images from the museum. This is a great learning experience. You scan the number of the item you want to include and a specialized application retrieves the image of the painting or object from their database into the App. After the visit you take a break in the café in the garden and sort your collection and if you like have it printed within a couple of minutes after you paid for the print or digital version. Upon special request I was told that I am allowed to share the link to the small booklet even on the web (Link to pdf below).
Since the visit to the Musée Marmottan Monet we have come back to the digital and printed versions several times and reading of accompanying texts and perfect quotations of origin make learning about art a fun experience. Going back to lived experiences makes more lasting impressions on our memories. Knowledge coupled with emotions is a powerful way to memorize. Sharing the experience with other persons like the readers of this blog is an additional advantage. Attentive readers of the blog entries will find references to many of the themes dealt with over the years in this series of blog entries. Such topics are: gender and art, technology and society, reflections on time, life courses, inequality, art history, funding of artists, lifelong learning or beauty.
(Booklet below in German LINK-pdf of 6MB. The app allows many language versions. You can produce those yourself from you collection within the App) 
Olympic culture
The Paris 2024 Olympics make a great effort to attract athletes, their families and spectators to the many splendid museums of the city. It is an exceptional offer in the multiplicity of museum experiences the city of Paris and its surroundings have to offer.
The Trocadero near the Eiffel tower, is the place of the Musée d’art moderne de Paris (MAM). For the Olympic Games in Paris the Museum selected works that demonstrate the early impact of sports in the painting of modern times. (See the small extract below on rowing).
A dedicated visit of the permanent exhibition with art works that portray sports is on display during the Olympic season in Paris. The exhibition is a perfect example that you can visit a permanent exhibition with a special interest in mind. In this example it refers to the link of Olympic sport disciplines, their setting in time, space, society and environment). Alternative perspectives on the same collection of art works might deal with the depiction of sports in society or the life course or social status of athletes.
Choose your favourite sports and artists and you will probably find an example that would fit such an exhibition. People looking for depictions of rowing might like the painting by Raoul Dufy, Bord de Marne, Les canotiers painted in 1925.
Almost 100 years later La Marne hosts the rowing competitions of the Olympics. Raoul Dufy shows us that there is much more to rowing than just the sport or exercise. It is a social event not only for the rowers and the onlookers who watch the passing-by of boats and waves.
Artists Robots
We know that the scientific and artistic dealings with robots have a long tradition. Whereas art of impressionism took up the challenge to paint the world outside the studio and embellished technological achievements like bridges and trains post hoc, modern extensions of science fiction to the world of robotics has extrapolated from the present. Artists became forerunners of technical evolution and thereby contributed to the acceptance of artificial intelligence to broader audiences. In 2018 The “Grand Palais” in Paris hosted an exhibition on “Artists & Robots” (Pdf booklet). Jérôme Neuters contributed an essay to the catalog of the exhibition on “L’imagination artificielle” which identified a additional role for artists in combination with AI. Some of the early adopters of the new possibilities of robots assisting artists, Nicolas Schoeffer is quoted to state: “l’artiste ne crée plus une oeuvre, il crée la création”. Like an invention of painting techniques or light or perspective in painting, robots allow a new way of representation of emotions or space. (Image Manfred Mohr, 1974 video Cubic Limit, Artists & Robots p.92-93)
Swimming Pool
Summer time is the time to enjoy outdoors. Hiking, biking, climbing as well as swimming are high on the agenda. With the Olympic games 2024 around the corner we rise to the challenge and get started again with more sports activities. Swimming has many health advantages. Most people think of cardiovascular training and relieve of back pain. Exercise without carrying your body weight is great for your joints and ligaments. The benefits for psychological wellbeing have long been underestimated. Diving into silence under water even if it is only for some seconds or a minute calms your spirit. The water pressure holds you tight without restricting your movements. Breath control is an almost meditative experience. Everyone can do it, again and again. Childhood memories, good and bad, are associated with swimming. Choose your style, costume and pool. The summer break is an ideal occasion to test the marvelous experience again of cold or warm water. The cold water bucket challenge of everyday life takes a break. Time to find your pool again. (Image extract from Susanne Hay, Swimming Pool II, 1996 in private collection, exhibition in Yerres, summer 2023)
Impressionism 150
How many impressions made impressionism? Too many to be expressed in a single number. 150 years after the movement started with a spectacular exhibition in Paris the admiration of the paintings still attracts huge crowds. As a kind of revolutionary movement the artists mounted their own exhibition as they were not allowed to expose their paintings in the official exhibition of the Academy of arts in 1874. They accumulated a sufficiently large group of artists to form their own distinctive style of paintings. Painting outside in the countryside was a joint predilection. The regions, nowadays in the suburbs of Paris where many people daily commute to Paris has discovered the attraction to review the original scenario of the paintings as well as their living environments. Yerres, for example, hosts in 2024 an exhibition to show paintings from Claude Monet and Gustave Caillebotte which highlights the inspiration both painters took from the surroundings. Nowadays it is also interesting to see that the agglomeration makes efforts to make more people aware of the treasures to see in their own surroundings. Even if conservation of nature is hard to achieve the parks of yesterday have remained visible today. For us to transmit the cultural heritage and landscape to future generations as well. An affordable booklet that documents the cultural heritage allows people to dig deeper into the subject also for those who live in the region only because of a job nearby in Paris or Orly airport.
Planned Inspiration
There many ways to search for inspiration. “Moi aussi, comme les peintres, j’ai mes modèles” wrote Jacques Prévert a famous French poet years ago. Scientists find inspiration in data or theories, or in the combination of both. The planning of inspiration is, however, an other issue. You plan for something you don’t know what it is going to be. This makes the endeavor more risky and at the same time me exciting. As a social scientist going out into the “real” life is a sort of inspiration as multiple challenges await an explanation or deconstruction. The overview of current exhibitions through the scanning of catalogues from ongoing exhibitions is a welcome source to organize inspiration for the months to come. A glance through the catalogues gives a fairly good impression of what will be on display. The ideas can fly to distant locations and bring back more food for thought. It is a great service from the Munt library in Brussels. The combination of work and travel for inspiration is an interesting field of study in itself.
Plastic wasted
The amount of plastic that is wasted exceeds our imagination. Even in the most distant islands we find remaining pieces of plastic from our careless consumption. The European Directive 2019/904 has set the limit on detached bottle tops to July 2024. The industry waited until the last few months to implement the old directive. Great that there is hope to find less detached plastic in oceans across the world in some years at least. The behavioral change to move beyond plastics everywhere in our nutrition delivery system is long overdue. We shall get used to bring our own bottles for a refill or other devices to reduce plastic waste further. The change begins with thinking about the topic and finding suitable reusable packaging solutions for yourself. Children learn in art projects about the importance and creativity potential to reuse otherwise wasted materials. Reduce and re-use can be turned into an own competence. Competence in sustainability has been neglected for decades in school curricula, despite its importance for our own health and survival. (Image James Ensor exhibition and competition KBR, Brussels 2024-7)
Narrative Object
Objects tell stories. Stories get condensed into narratives. Narratives become objects. Yes, we are going round in circles here. Artists have transformed an old splendid atelier and factory building into a new gallery space for “Objects with narratives” in Brussels. We construct, reconstruct and deconstruct narratives almost continuously. However, if narratives are transformed into an object or objects they will become something tangible or a fixed expression of the moment or process. The concept of art objects with narratives invites us to look for the narrative linked to the object. Just like in other disciplines like economics we have ample dominant and heterodox narratives. It is important to reflect on narratives and empirical evidence in their support. When we look at the mountains of plastics and garbage on our planet we see how an economic narrative has been turned into nasty objects. Objects with narratives is also how future generations will confront us with the pollution and waste objects we left and still leave behind us. (Image Bussels Gallery Objects with narratives 2024-7-13 Exhibition Marius Ritiu.)
Art or Profession
In political science it is a long tradition to discuss, whether politics is an art or a profession. The idealist tradition, going back as far as Plato in ancient Greek history of ideas, puts the exercise of politics near the exercise of a divine art to do justice. Much later in the history of ideas Max Weber rather bluntly defined politics as a profession (original in German) that requires to master a set of competences.
Recent elections in Europe (EU, France, UK, Belgium) and around the globe (India, USA) in 2024 add interesting case studies to the old question. Is politics an art or a profession?
In modern politics the life course or life cycle of a politician consists of at least 2 phases: (1) the electoral campaign before and (2) the potential of governing or opposition. Each phase requires a different set of competences. In phase 1 it is important to propose a new or different ideal from the previous government. Charismatic presentation of an ideal set of policies is asked for. In phase 2 it is required of the politician to forge compromises, either within the own political party or beyond boundaries of political parties. Certainly, in multi-level governance systems like the European Union additional forms of coalition building across countries is required, intercultural competence or language skills are an advantage here.
The 2 phases of the life cycle of a politician require different sets of skills. Charisma as mentioned by Plato and Weber can get a politician into power and charismatic leadership can get you through a lot of coalition building. On the other hand, modern campaigning in repeated elections is a specialized competence that resembles marketing expertise as well as “reading of statistics” and in-depth analyses of shifting or stable preferences of electorates and to succinct conclusions on this basis. Running a political party or a parliamentary group is yet another leadership skill just like communication skills that, beyond many prejudices, can be learned.
In a nutshell. Politics is an art and a profession. The art consists in the variable combination of different sets of competences. Art requires competences just as professions can be turned into art. Welcome to the hybrid world of modern politics. (Image extract from MAD Paris, Picasso, Schiaparelli) 
Searching Beauty
The search for beauty is an endless story of humanity. We have searched for it almost everywhere. Depicting beauty is probably the oldest form of artistic endeavors. We have invented numerous ways to find and represent beauty in a rather restless manner. We tend to find it in other persons of the same or other gender. The challenge is to keep trying to see the beauty in persons when others don’t, or don’t admit to it. Andy Warhol made this search for beauty his primary aim in his life as well as for his artistic work. The “Neue Nationalgalerie” in Berlin presents the, at times controversial, perspectives on beauty through the eyes and artwork of this exceptional artist. Beauty is at times a holistic concept or a detail by detail, piece by piece approach. Being open to other visions and versions of beauty is the major thrust of Warhol’s work. There is so much beauty around we just have to bother to focus on it. If not satisfied design it yourself. Start with a tour of exhibitions and experience the endless scope of imagination through the eyes of artists. (Image from Warhol exhibition in Berlin 2024 Neue Nationalgalerie, series „Ladies and Gentlemen“ 1975)
Aussensicht Innensicht
Die Sicht vom Skulpturengarten der Neuen Nationalgalerie auf die laufende Ausstellung „Zerreissprobe…“ erlaubt einen tiefen historischen Einblick in die 1980er Jahre. Die Sammlung von Postern des Künstlers Klaus Staeck zeigen die bewegenden Themen der achtziger Jahre. Frauenrechte, Umweltschutz, Sicherheit sowie Medienwirtschaft. 40 Jahre später beschäftigen uns weiterhin, Lösungen für die plakatierten Themen zu finden. Images können Themen so zuspitzen, dass Anklagen daraus werden. Texte sind im Vergleich zu der Eindrücklichkeit der Bilder ein vergleichsweise stumpfes Schwert. Es ist aber gerade die Verbindung von Bild und Text, die Eindrücke verstärkt. „Meme“ Creators sind ein standard tool das die Kommerzialisierung und die Promotion weiter befördert haben. Kunstformen hatten diesen Trend bereits vorweggenommen.
Attune Spheres
In Berlin it is easy to walk through the history of art to up-to-date contemporary art installations. Just walk from the Alte to the Neue and then to the Contemporary Nationalgalerie. With the installation and performance in the monumental Hamburger Bahnhof the artist Alexandra Pirici succeeds in an extraordinary way the combined impression of several art formats. I felt particularly attracted by the sound and resonance that the dancers achieved in the huge historical hall of the former train station. Embedded in a choreography that spans the whole hallway and the top of a sand dune, the ideas of „Attune“ bring in demonstrations of scientific experiments as well. We are reflecting on how structures, biological, physical or geologic processes coexist. It is another example of the intersection of biological, psychological and social phenomena. The links between science and art are more direct than what most people tend to believe. This encompassing experience catches all our senses and our mind. It is very likely that this intense experience in the museum space, which attunes our sensory perception of the artwork, sticks with us for longer than many other pieces of art. The 21st century will reveal an even more powerful language of art as it incorporates even more formats to grab our attention and imagination. The research of how patterns are formed is an important question for social scientists as well. All approaches to the subject are welcome and each one reveals our knowledge gaps despite remarkable progress. (Image: Hamburger Bahnhof, Berlin 2024-5-11, Alexandra Pirici) 
Puccini Media
In honor of Giacomo Puccini the Media enterprise Bertelsmann features one of its treasures. In cooperation with the “Archivio Storico Ricordi” of Milano, Italy, 100 years of Puccini’s oeuvre is celebrated with this exhibition. Fans of Puccini’s operas will have to visit the archives but the interest of this small exhibition lies in the impressive success story of Puccini and his publisher (part of Bertelsmann). Continuous innovation and adaptation to new media, like disks, accompanied an extraordinary marketing campaign throughout the 100 years. Even today there are cycling tours around Puccini’s hometown for the modern eco friendly tourists. We learn a lot about how the media industry functioned in the 20th century. It was absolutely vital to fighting for the rights of authors, composers and rights to receive royalties for performances as well as for the publishing on media. The exhibition in “Unter den Linden 1” is just next door to the Staatsoper which also gave honor to Puccini’s “Madame Butterfly” in 2024. His uncompleted Opera Turandot closes the exhibition with his rough sketches of the final scene. Merchandising is not an invention of the 21st century, but almost a century old tradition. This exhibition is a great testimony for this. It remains an important effort to allow authors and composers to gain a comfortable living during their lifetime. The gains for humanity as a whole are enormous.
