Category: Life course

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Social time

What does the „social“ have to do with time. Well, time is a perfect case of a social construction or a fundamentally social construct. The definition of time as „Greenish mean time“ is nothing but a useful socio-political statement to synchronize time across the world, or previously an imperium. Points in time, as shown on a clock(s), can be helpful to synchronize human behavior. We might want to show up on the same point in time to start or end work. Of course there are thousands of ways in which such synchronization might go awfully wrong. This makes for splendid drama and movies have a long history to capture our attention on this matter. Social expectations, a social, psychological, and even a biological concept in extreme cases (Pavlov effect) make many of us to get a bit itchy, if time is getting short to meet other persons or an expected event is going to happen. A lot of social pressure is transmitted through the ticking away of time. The mechanism to internalize social patterns (for example prayer), via time and the clock, is quite powerful and has been used in movies throughout the history of the cinema. Even the individual endpoint in time is in almost all cases a shared social experience and turns into a kind of socially relevant time. (Take your time to watch The Clock by Christian Marclay).

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Time – The Clock

Time keeps puzzling us. The 24 hours of concatenated clips from well-known cinema films are a bit overwhelming or even lengthy. However, this spurs lots of time to reflect on time, on a kind of meta level. We see the clock or clocks ticking in all sorts of situations and environments. Nearly all emotional states can be interpreted relative to a time stamp provided by a clock. Christian Marclay’s oeuvre is screened at the Neue Nationalgalerie in Berlin at a time when we feel multiple clocks ticking at the same time. For the sociologist, there is time on the macro-societal level, like overall socioeconomic development, but also individual time. A single person or a single moment in time may have very different macro-social implications. The possibility to live through the cineastic interpretations of ten to, as opposed to, ten past the hour, are interpreted by us with very different meanings. In a longer or historical sense, the timing of time does not matter that much. Point in time or time as duration, that is the question. Art in cinema can play with this like rock around The Clock. Don’t ask me how much time I spent watching, thinking and feeling through time in this movie exhibition, Should we always measure time with a clock.  Want it or not, we measured by our smartphones all the time and on multiple timelines.

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Metabolic harm

At the beginning of the 21st century the lack of physical activity for large parts of society has become a major risk of and cause of metabolic harm. We have become used to a sedentary lifestyle and the digital access to distractions and information have encouraged further immobility. Alex Broom et al. (2025) stress the importance to include social and governmental interventions into the many existing medical, pharmacological and technological interventions. The authors advocate a rather holistic approach to really make a difference. The obesity trends cause metabolic harm of an  unprecedented size. We have to rethink mobility patterns and other behavioral changes into our daily routines to bring back more stimulation to our metabolic system.

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Vaim and the sea

Vaim is not a person, it is an imaginary place, somewhere next to the sea, rather small in size, and in conventional terms nothing much is happening there, aging persons go about their daily routines in their more or less splendid isolation, speaking to someone is a rare act of achievement, most of the talk is speaking to yourself not even really thinking aloud, just ruminating on and on for days, sometimes weeks or maybe years in a person’s life 

Okay, my exercise in “slow writing”, a wee bit attempting to copy Jon Fosse, kept me going for 10 lines before the end of my paragraph. Jon Fosse keeps going without the end of a sentence  punctuation for 66 pages in the German translation by Hinrich Schmidt-Henkel. Reading the three phrases of Vaim, each as an extended poem and an “homage” to life from three intertwined perspectives, resembles a cubist painting and, maybe, at least for me, each one like the novella “The old man and the sea” by Ernest Hemingway. It is also a triptych in the religious tradition of paintings, just as much as “Vaim” follows in the footsteps of “Waiting for Godot” by Samuel Beckett. For all those who don’t care about any previous literature just read Jon Fosse as an endless love story of platonic relationships, silence and romance,  next to the sea. Please, don’t pass on your copy of Vaim to school-aged children as they might become very creative about punctuation. The only allowed end of a sentence are occasional question marks, which is a nice philosophical twist in Jon Fosse‘s literal exploration of time and love. 

 

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Saint-Simon Utopia

Towards the end of the 18th century and during the early 19th century, the early signs of what the industrial revolution would mean for the working people became visible. Saint-Simon had lived through the ups and downs of the French revolution himself and had been to the Americas with La Fayette before he developed his utopian socialist vision of a unified class of working people, which for him included blue as well as white collar workers. At the advent of the 2nd industrial revolution through general and agentic Artificial Intelligence (AI) in 2025, we shall most likely witness a renewed interest in utopian scenarios and grand ideas of what the future of technology, society and humanity might be like. In 2026 we shall re-read Saint-Simon quite a bit in order to learn about ways to make sense of arising trends and how to come up with a positive utopia that can motivate people to thrive again for more equality within and between societies. 

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Future of work

The beginning of the 3rd millennium has brought about several fundamental changes of work and employment. What had previously been thought of as utopian in the realm of work, has become a normal feature of work. Just like in the historically grounded, utopian perspective described by Bernard Gazier “Tous sublimes” (2003) we have a growing group of employees and self-employed persons who enjoy privileged positions on the labor market with sufficiently high salaries and access to mobility on the labor market at their own discretion. In addition to these examples described in Gazier’s utopian perspective, the 2020s added permission of remote work from anywhere and use of AI-assisted technology and robotics. A previously utopian view of the future of work has become a reality for many more people nowadays. The utopian element no longer is the how this world of work might look like, but how many people will enjoy the benefits of the technological progress. With a substantial increase of the efficiency and productivity of work, the distribution and sharing of the fruits shall become even more important. We have entered into a new phase of “the brave new world” of work as of 2025. (Image: Graffiti Berlin 2025-12).

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Documentation Inclusiveness

If we don’t measure it, it will not improve. Many public institutions and private organizations make great efforts to improve inclusiveness in day to day operations, but many barriers are still all around us. Both need monitoring in form of data bases and visual documentation. In a Berlin museum inclusiveness appears to be the most natural thing, nothing to worry about or to call out “wokeism”. Just small improvements in basics and everyone feels welcome.

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Rilke’s Advice

One of the poems by Rainer Maria Rilke is entitled “You don’t have to understand life”.
And the first line of the first paragraph just repeats the programmatic sentence of the quite revolutionary romantic movement. Following a century of the enlightenment, which narrowly developed and focused on rationality and Kant’s “Critic of pure reasoning”, the authors of the romantic movement were eager to explore the world beyond reasoning again.
“Du mußt das Leben nicht verstehen,
dann wird es werden wie ein Fest.”
Rilke brings back the exuberant, Dionysian element into literature and captured the new spirit of his time. After a period of fast innovation in the sciences and applications of them in day-to-day life, Rilke revels in the innocent days and years during childhood, where youth is simply asking for more without hindsight. In doing so: “Life will be a like a feast”. So be it, we should like to add. (Rilke wrote a poem « Das Karussell » with subtitle Jardin du Luxembourg, Image below)

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Generation Hope

The whole of Europe has good reasons to take a careful look at the stunning protests organized by the young generation in Bulgaria (Le Monde, 2025-12-13). With spectacular repeated demonstrations in the center of Sophia, the young people attempted to stop a government that is likely to sink further into corruption. It is this generation of young people that have experienced and/or lived in other European countries or in other Western-style democracies around the globe that have enough of corruption in politics and social systems more generally. The well-educated Bulgarian youth has managed to overthrow a government that had been subject to pressure from corrupt forced. It is not easy to get rid of corrupt politicians and powerful business interests as a system based on merits rather than ability to pay remain fragile in the first few years of such a transition. It needs a sizable “Generation Hope” as I would like to call these young enthusiasts of democracies. The message reaches well beyond Bulgaria and gives hope to all those whose political systems deteriorate into authoritarianism across the globe. It took 20 years to build this “Generation Hope” and mobile youth that takes home the messages and learnings from other democracies. Based on statistics from Eurostat we know about the strong in-migration from Turkey and Russia into Bulgaria. Youth is particularly likely to leave authoritarian regimes to seek a better future in democracies, for example as part of the Generation Hope” in Bulgaria. (Image: Cour constitutionel Paris) 

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БЪЛГАРИЯ Bulgaria

The expectations of the entry of Bulgaria into the EURO-Zone are high towards the end of 2025. On the 1st of January 2026 we have new coins circulating in the Euro-countries. The addition of a country to the European currency yields insights into this country’s own cultural heritage. Piece by piece we learn, if we want to, to take a closer look into the more and more obsolete practice to handle currency in form of coins.
I cherish some of the coins with specific meaning to me (see image below, city of Trier, Willy Brandt, Chalk coast on Baltic sea). My small collection of coins from Greece allow me to refresh my Greek alphabet, words and historical landmarks of democracy. The circulation of Euro-coins with Bulgarian inscriptions in the Cyrillic alphabet will broaden our horizon again. Beyond the national features, we cherish the regional or federal organization in some countries, that feature their regional hotspots within this European cultural heritage. With a highly mobile Bulgarian population, not only within the EU, we shall soon see more Eastern Euro-coins with Cyrillic letters in our pockets and collections. … can’t wait for it … Ukraine in 202x, maybe 203x. 

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Konzerthaus Espresso

Classical music in classicist architecture sounds like a perfect match. The audience is packed with people mostly 60+ years of age. One of the spectators happily admitted that without the espresso before the concert she would have a hard time to follow closely because after lunch at 2 p.m it is time for a rest rather than excitement.
The series of short concerts at lunchtime suits particular audiences. It is probably the only concert series where the queue in front of the toilet of men is equally long than the one for women. The short concert program allows for more experimental formats as well. Musicians who develop a solo program of shorter than standard concert hall duration can appear in high reputation locations and gain experience of performing in such prestigious settings.
With a “Zugabe” from the performer, but also in form of a small piece of chocolate for the audience at the exit, 21st century, classical Berlin knows how to charm its aging audience and population. Young performers learn that the mature audiences don’t bite any more. In case the sound and peaks become too modern they just adapt sound level of their hearing aids. It is perfect for all generations.

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Dancing School

Most of us know very little about what happens in a dancing school. This has intrigued artists for centuries. The Paris-based “Comédie francaise” has chosen the “L’école de danse” de Carlo Goldini as one of the pieces to enter its repertoire in 2025. Whereas modern dance celebrates the freedom of motion of humans, the early 18th century theatre piece by Goldini is a comedy in which the tyrannic ballet teacher attempts relentlessly to maximize profits based on the talents of the dancers either by placing them at a high reputation theaters or marrying them. Of course, each time a sizable commission has to be paid to the dealer of talents. Sounds familiar to what happens in other professions today, doesn’t it?
The borders between “dealing with love” and “dealing in love” become blurred in this comedy and Goldini shows his talent to play out intrigues on stage in an admirable way. It is a pleasure to experience the fun on stage with the manifold intrigues. (Image: actors of Comédie francaise in L’école de danse 2025-12).

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Minds alike

Great minds, think alike. In the „propositions on happiness“, the author Alain mentions as inspiration for his thought process: Aristotle (XLVII) via Marc Aurel (LXIII) to George Sand (LXVI). This is an interesting perspective and abbreviation of the history of ideas. The impact of stoicism in his thinking of happiness becomes evident. Although originally he was described by another person as a relentless optimist, he was happy to accept this summarizing label of his personality. In his writings, that also may work as recommendations he stresses the importance to “know yourself”. That’s not an easy to achieve objective, as self-deceit is all to common.
However, in desperate moments or just on a rainy day (both are entries from Alain), you will need to know how to console yourself. Friendships and knowing how to please others become virtues, which contribute to your own happiness.
Perhaps the best summary of the history of ideas with respect to happiness is his last sentence in the paragraph “victories” (LXXXVII): “Le bonheur est une récompense qui vient à ceux qui ne l’ont pas cherchée.” In my own translation: Happiness is a reward for those who did not search for it. (Image: Bode Museum Berlin, Allegorie wealth in front, facing allegorie honour in background; middle duke Montecuccoli.) 

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Memory design

The progress in the field of genetic editing and design is astonishing. The research group of Johannes Graeff tested the “behavioral consequences of epigenetically editing the Arc promoter within engram cells”. Plasticity is a key feature of memory formation and the experimental evidence shows that this plasticity can also be interrupted. Moreover, the scientists were able to demonstrate a reversibility of retention or un unlearning of manifestations in memory of mice. The bidirectional reversibility of memory expression has potentially therapeutic value for traumatized humans eventually. However, if memory becomes part of a design feature of human species, the risks involved are just as important as the potentials. In totalitarian political systems techniques of “memory design” might be able to adapt such influences on memory, which used to be called brainwashing. Ethics commissions could get ready already to define safeguarding of human memory.  (Image: The fountain of Bacchus, Museum of Paris, 18th century wine merchant entry)

 

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Multilingual aging

Some myths, for example about the effects of multilingual competencies on brain health, continue to hunt people. The proponents of a monolingual world are widespread and have in some countries fatal historical heritage. The study by researchers  (Amoruso et al. 2025) use data from 86.000 persons in Europe  (SHARE Database, waves 1-9) from several countries. They show the better aging of brains for bilingual persons and even more so for persons practicing multilingual 2+ languages. The “domain-independent protective effect of multilingualism” for healthy brain aging is very robust and works after statistical accounting for other potentially intervening factors like socioeconomic or institutional factors. Some known stressors like migration, however, which operate often as psychosocial stressor, can have similar negative effects just as alcohol consumption and sleep disruption. Multilingualism and the correlate of multiculturalism keep a brain “on its toes” and contribute significantly to our healthy brains.  

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Telework Challenge

There is a seminal trend that many employees prefer to have a choice to work on the premises of the employer or remote from home. This flexibility has become a major element of collective bargaining on work and time in larger companies in order to clarify rights and obligations.
In France it is about 1 in 5 of employees who do telework one day per month (1 in 6 in Nouvelle Aquitaine). The higher up in the hierarchy a person is, the more likely s/he is to do telework. Higher levels of educational attainment and seniority in a company also improve the access to and use of telework. There are still many employees who would like to do telework in their jobs, which technically could be done remotely, but who cannot do it (1 in 3). Most of those are denied the possibility by their employers.
Data from a survey in Germany from 2014 showed that before Covid-19 men were worked more often remotely than did women (Lott & Abendroth, 2019). The latest figures from France 2024 show that women have overtaken men as remote workers (Askenazy et al. 2025). As working from home has become more a part of the “standard employment relationship” today, the fears of loosing out on career opportunities due working from home seems to play less of a role nowadays, probably for both gender. Compared to 2014 the costs of equipment and availability and ease of installation of fast internet have become more affordable and might push the spread of telework even further.
The data from France show a strong positive correlation of remote work and commuting distance to work. Hence, long commuting distances “drive” more people into telework, which makes a lot of ecological sense, too.

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Classic Farces

Molière’s theatre pieces were popular pieces. Born with the name Jean-Baptiste Poquelin and son of a rich “tapissier” of the rue Saint-Honoré in Paris, he made a tough choice to devote his life to touring as a ”farceur” and comedian, having studied also law in Orléans before. Only after his first successful performances, farces and theatre plays, he could afford to buy the theâtre du Palais Royal, despite a bankruptcy about 20 years earlier with his own theatre. The much later title “Troupe du Roi” (of Louis XIV) and a pension by the King assured a financial and political independence rarely found in this period of classic theatre.
Molière’s “Les fourberies de Scapin” was written towards the end of his life and as a classic farce in the 17th century. The story is full of funny scenes and witty dialogues, which make it a great “intergenerational” theatre play even today. The plot about the institution of marriage addresses a cleaving social and legal construct “marriage”, which continues to excite all generations and across centuries.
(Source: Histoire de la littérature française XVII siècle. Robert Horville  in (Georges Décote series editor)

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Sociology in Theatre

Thanks to the inspiring direction by Denis Podalydès of Molière’s “Les fourberies de Scapin” we can experience the fruitful application of sociology to classical theatre production. This combination of thoughts has been performed at the “Comédie Française” for more than 7 years in 2025-11. The accompanying booklet of the performance mentioned the ample inspiration of Denis Podalydès by the French sociologist Pierre Bourdieu. Personalities in Molière’s theatre are represented as incarnations of the “habitus” each character stands for. Such an interpretation of the roles in the theatre play, raises awareness about the subtle differences between personalities. Even two rich men may differ in their habitus, because their fortunes are of different size or kind, yet they may share even more personality traits. Molière was a particularly crafted author, director and actor to stage such subtle differences, which are embedded into societies often across generations.  

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Colette The Cat

The novel “The Cat” (La chatte) was written by Colette with a view on the emancipation of women. The main character “Camille” freshly married to her husband is terribly jealous of the cat 🐈‍⬛ of her husband Alain. In order to deal with this situation she dropped the cat from a window in a moment of anger. As her husband seemed ready to divorce her due to this incident she claimed that her husband defended higher moral standards for the cat than for her psychological wellbeing. The novel certainly raises the issue of hierarchy of rights and duties. The moral dilemma highlights the schism of animal rights and/versus human rights. This specific issue seems to be resolved in the modern context, where both animal and human rights are protected in parallel. On a more abstract level, however, our relationship with animals and nature requires us to balance the rights and relationships again and again.

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Polypharmacy issues

As we age, we become more likely to confront polypharmacy issues. Polypharmacy is defined as taking 5 or more medications per day. The study reported in The Lancet healthy longevity by Payne et al. 2025 had participants with a median of 4 health conditions and a median of 8 prescriptions. Even a comprehensive set up which involved several experts from medical doctors and pharmacists did not manage to achieve a significant improvement in polypharmacy outcomes in this experimental study with otherwise carefully matched intervention and control group. However, the mental health (measured in patients as “health-care-related quality of life”) slightly increased and the “treatment burden” experienced by patients was slightly reduced.
In combination with a previous study the probability of errors in nurses, who are the prime persons responsible for the administration of medications in institutionalized settings, the reduction of potentials for errors like they are to be found in polypharmacy should continue to be a prime target of this research in future. Together with the knowledge about the prevalence of functional illiteracy at older ages, polypharmacy remains a critical issue on the public health agenda beyond the experimental settings in this study.

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Spring in Autumn

Can we have spring in autumn? Of course not, most people would answer. The definitions of spring and autumn are clearly defined as separate seasons. Depictions of the seasons in paintings in the Romantic or Impressionist periods are hard to imagine with somewhat blurred distinctions between seasons. And yet, climate change in the 21st century show surprising spring flowers in autumn across Europe. This leads to lots of confusion in nature’s time table.
From a life course perspective, we may ask, whether it is possible to experience a 2nd spring in the season’s view of the life course. More healthy years and spring feelings in the autumn of live have propelled a whole new industry around longevity and the mantra to “stay healthy for the wealthy”. The growing health inequality over the extended life course is a silent killer. The experience of spring in autumn remains a distant dream for most people with multi-morbidity.
Our experience of sequential or linear time, where one season follows the other, gets disturbed or at least blurred. The “Gleichzeitigkeit des Ungleichzeitigen” in English the “simultaneity of the non-simultaneous“ can be observed in the macro-world of everyday experience, albeit in a different way than Ernst Bloch defined the concept. On the other hand, it is no longer necessary to invoke Einstein’s theory of relativity or quantum physics to come up with apparently strange phenomena, but empirical facts allow us to question received wisdom, evidence based.

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Tether thy liver

There are few of us who take our liver seriously. Yet, this big organ plays a central role in our body to regulate metabolism. The obesity pandemic in western countries increases health risks, just as excessive alcohol consumption increases risks of liver dysfunction. Additionally, viruses increase the risk of failure of this organ.
Each of these risks as well as any combination of one of the risks with another one have led to rising public health risks. Several studies since 2020 have highlighted these increased risks for populations in general. The risks, however, have an unequal spread across subgroups of society. A recent comment based on the research of the INSERM U955 team in “The Lancet Regional Health” by Brustia et al. “Liver-related mortality strikes hardest where deprivation is greatest.” Health inequities consist in the lack of income available to buy healthy food or in untreated alcohol addiction, both more common in poor people.
In order to tackle the inequity, the team of medical doctors call for a shift in awareness. Structural reasons like diagnostic delay, remoteness or health literacy are just as important as individual predilections like nutrition or lifestyles. Inequality in access to health and ability to afford a healthy lifestyle have become serious drivers of social inequality in the 21st century.

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Popular Sociology

Sociology, like other social science disciplines, has often difficulties in reaching bigger audiences. However, in combination with a museum which specializes in the history of a big city like Paris, the insights can suddenly become very popular. The “Musée Carnavalet of the history of Paris” has mounted an exhibition, which builds on the population censuses of 1926,1931 and 1936. The access to the complete original records of 3x about 2 millions of people has become a national treasure for social scientists and the public at large.
People flock to the exhibition. Some do it to learn about the past of their districts or streets. Others to learn about historical facts, which are sometimes linked to the family anecdotes and broader historical narratives. Out of this interest grows an understanding of macro- and micro-level social processes, which makes use of basic statistics.
People ask themselves: Is your (family) story unique or is it part of a more general pattern or social process like urbanization or social mobility.
(Image: original census recording sheet – Paris)

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Colette nature narratives

In the 21st century we know that posting images of cats and dogs yields thousands of likes on the digital social media. Long before today, writers have tried to make us understand our existence through the narratives among animals, also beyond cats and dogs.
Embedded in nature, stories unfolded through the interaction of these animals. Transfigurations and lessons were derived from such fables as well as the tales constructed around the interaction of nature, animals and humans. The commemoration of Colette in the park of the Palais Royal in Paris combines all those aspects.
She grew up in the countryside, wrote “La Chatte” and lived in an apartment at the Palais Royal with a splendid view of the park later in her life.
It is a tiny spot of cultivated nature in the heart of Paris, even a bit isolated from the busy surroundings. Certainly, these days in the centre of Paris you are more likely to meet “Aristocats”, maybe from the 5 star hotels around, rather than the ordinary cat passing by.
(Image, bench in park of Palais Royal, Paris: inscription is a citation from Colette 1925 letter)

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Colette Home

  1. The home of Colette, the French writer of the first half of the 20th century, is an interesting example of the high attributed value for her later creative career. The home and the gardens around, seemingly had a huge and lasting impact on her imagination.Her writings are firmly embedded into not just her home of childhood and adolescent years, but also the changoof homes and contexts literally made Colette. The documentation of this in the “Musée Colette”, which presents the different phases of her life course, allows to get a better understanding of the interconnected world of experiences and artistic work. It takes an especially broad set of influences to form such a polyartist. The libretto for an opera orchestrated by Maurice Ravel or a model for Matisse, stand for the openness to new experiences and take risks when she embarked on new creative endeavors. (Image Musée Collette catalog p. 6)  

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Polyartist Colette

It is a complex task to do justice to a polyartist like Colette. The curators of the exhibition “Les mondes de Colette” (BNF 2025) Bouvard, Dimerman, Le Bras do a great job to present the biography of Colette, the writer, journalist, dancer in music halls, model (for Matisse) and entrepreneur in all facets of her activities. The role model of an emancipated women as early as the 1910s, 1920s and 1930s. The struggle of women artists in the early years of the 20th century to make a living from art is well documented already. To make a living of writing has always been a challenge if you do cherish your independence and liberty of expression. Versatility in artistic production is one escape route. Colette made a strength of this in diving into different forms of art and professional activities close to the artistic and creative world. In a quite unique way, she became her own muse for her own artistic work; and a character and inspiration exploring many facets of live. The economic misfortune experienced her parents became a source and force of inspiration.
Contrary to the expectations of the market of arts and literature, she did not feel like sticking to just one activity. Her most lasting achievements, probably, were her literary accomplishments for most people, although Matisse immortalized her in his specific style of abstraction.
Polyartists just like Polymaths, make more comprehensive contributions to our experiences.
(Image:Lithographie by Henri Matisse of Colette, exhibition Colette at BNF 2025).

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Digital Social Networks

Social networks have become the place to be. The need to distinguish the digital social networks from the social networks of people in the analog or “real” world is important, as we realize that many young persons seem to suffer from loneliness despite a hundred personal links in the digital social networks. This paradox of digital and non-digital social networks needs careful attention of researchers because of the opportunities and risks involved in the transferability of contacts from one network to another.
There is s a kind of “conversion rate” of digital contacts into face-to-face contacts and even purchases for marketing purposes in the world of business. The sociology of the virtual has to deal with these paradoxical social relationships and study the increasing phenomenon of being «alone together». Increasingly we are alone, but together. Over the life course this phenomenon and the digital social network paradox change as well.
To research such a topic we need rather intrusive, personal data and access to the digital traces of people as they construct and deconstruct either form of social networks. 

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Unexpected effects

It is, unfortunately, a rare event in science to publish unexpected effects of an experiment. Sometimes, results even turn out to be the opposite of what to tried to show with the use of an experimental setting. The learning for the science community, however, is bigger in such cases. Why? A carefully designed experiment (Oliveira et al. 2025) to measure the effects of 2 different 12 month long yoga trainings to prevent falls in 60+ persons (mean age 67) revealed that the less challenging “seated yoga” was better in preventing seniors from falls.
Participants in the more challenging Iyengar yoga-based sessions reported more falls in the 12 months follow-up period. Due to Covid-19 the trainings took place as an online course, which might have reduced the influence of a coach in correcting positions and observe other physiological or psychological issues with participants.
However, the insights are a great lesson for experiments to produce opposite results of expectations with the lesson that human beings can be rather complex. From a health psychology perspective, it might be the case that participants in the more challenging yoga classed became also more daring in balance as well as other exercises.
Just being overly confident compared to their positive improvements, which might turn around an initially positive effect on balance and falls. From a socio-economic perspective, we would question the implicit assumption of the study that participants have a random distribution or underlying tendency towards risky behaviour. The longer the observation window (post-intervention) is, the more intervening socio-economic factors enter into the physiological-behavioural equation. Hence, expect unexpected effects.

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Inclusive images

In the last 2 decades we can observe a strong concern among photographers to broaden the spectrum covered by images beyond well established imagery of non-binary gender. Diversity in imagery has taken a broader scope to extend, for example, the age range of people who are portrayed as central topic of exhibitions. The topic of mental diversity is more recent and needs a similar or even increased sensitivity to do justice to the whole spectrum of people. The photography of people with mental challenges necessitates a much more careful approach to the persons and complex personalities the photographer intends to portray. Trust and the development of trust of more vulnerable persons is a time sensitive process. The work by Charlotte Abramow “Maurice, Tristesse et rigolade” is a fine example of a photographer who portrayed over a long time of taking care of her father, previously a medical doctor, The years of the final stages of the life course of her father have been the subject over many years as the survivor of an extended medical coma had to struggle with the tough challenge of re-learning basic life skills again.
Abramow portrays her father as an actor of his “second life”, where the borders between reality, reconfigurations of his memories,   and “mise en scene” to co-produce the images. The images go far beyond the portrayal of aging and mental challenges as a deficit of persons. Yes, it is an integral part of these persons, but there is so much fun and positive emotions that derive from the intensive collaboration of actor, father and photographer that the images stick with us for a longer time. The presentation of props along with the photos creates an immersive installation, which strengthens the emotional bonding with the inclusive images of the later phase of the life course of Maurice.

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Marc Aurel Book 12

The closing book of Marc Aurel’s Meditations is taking issue with his own posterity. As a guideline for others, he formulated the claim not to care so much more about the opinions of others, but to stand by own reasoning and trust in one’s own opinion. “I have ofetn wondered how it is that everyone loves himself more than anyone else, but rates his own judgement of himself below that of others. … So it is that we have more respect for what our neighbours will think of us than we have for ourselves.” (Paragraph 4, Penguin Classics).
Of course, in the age of “philosophy as discourse” (Habermas), we are used to criticism of books and their authors. For the emperor philosopher this was less obvious, albeit the Socratic tradition of exchanges between teachers and their scholars was a kind of precursor of 20th century philosophy.
His writings in ancient Greek, however, remained little known and debated until its first Latin publication. Ever since, it has been a prominent work on ethics and leadership. The exhibition in Trier featured the copy of Helmut Schmidt, as the long reach of stoic writings on virtues and leadership.
(Image: Stadtmuseum Trier, Model of Villa in Welschbillig)