Tag: Literature

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Gone reading

From time to time we should reflect on our scope of reading experiences. Over time, a certain bias for probably predominantly Western European or western parts of the world is likely. Therefore, it is an interesting experience to consciously choose authors from a broader geographical background.  The reading, which originates or takes its motivation from an exhibition, is a good start to broaden reading, particularly if images enliven the reading experience. The art work by Yinka Shonibare CBE on display in Berlin at the Palais Populaire manages to make this point in a colorful, compelling fashion.
It is difficult to assess what we have missed so far without having embarked on a longer reading journey. (Image: extract from Yinka Shonibare CBE, 2022, “The African Library Collection (Poets)”

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Nothing changed

It reads like an entry into a personal diary. The poem “Darmstadt, 4. Januar” by Renate Schmidgall (2025, p. 24) reflects on the obsession with change. The sky shows traces of airplanes, which have passed some time ago. Trees age slowly, a pigeon sets off. “Nichts ist anders als gestern,” (Nothing is different from yesterday, then suddenly a poem finds again its space in me, …). Nothing changed, and yet, suddenly, all is different again. Motivation sets in and time appears rather short.
In “Donnerstag” (Thursday) Schmidgall (2026, p.30) notes a daily routine and the planning of today, even the day after tomorrow. Emptying her paper basket, she finds a quotation from Bruno Schulz she noted previously. “An allem schuld ist der schnelle Zerfall der Zeit.” (The fault of everything is the rapid dissolution of time).
Time is portrait in these two poems as both a moment-specific personal experience as well as the short-cut description of a society-wide trend. Just, as if time was the driving force of change on both levels, even if we know it is not time in itself, but other forces are at work. “O tempora, o mores” as Cicero stated, appears to be still valid summary claim. (Image: Neue Nationalgalerie Front – WZB (Stirling architecture) in background, Fog installation in sculpture garden 2026-5).

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Time in poetry

Some might argue poetry is all about time. It is a perfect way to “decelerate”. Reading pace, in most instances, slows down considerably. At least the first time reading is frequently a stop and go process. A few examples of poetry may hit personal trigger points. The random collection of poems I consulted in the “Lese lounge” in 2026-5 contained each the topic of time in one or the other form. Renate Schmidgall (2025) carries time indirectly in her title “Kein Verlass auf Uhren und Gestirne” (Don’t depend on clocks and stars, own translation). She creates new metaphors like “Am Kirchturm rostet die Zeit” (p. 12 On the church tower time rusts). This sentence precedes the sentence which became the book title. Time is also envisioned a bit like an onion in another metaphor “die Uhr schält rückwärts die Stunden“ (the clock peels backwards the hours). So much to gain with so little time spent with poetry.  (Image: Bronse in Jardin des Plantes, Paris, homage to Saint-John Perse 2026). 

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Taking a break

The time a researcher spends reading is still above average, I suppose. Even in times of AI doing astonishing summaries of documents and texts in general, we still need to check the output by reading as well. Taking a break from data compilation and writing, it’s time to do other reading. The Staatsbibliothek tries to lure people studying and researching there into their „Reading Lounge“. In 2026-5 the proposed reading is poetry. Based on the recommendations by an expert group 10 titles of German and 10 translations of poetry are available with direct access for onsite reading. The shift from on screen reading to paper based reading gives your eyesight a break. Your mind wonders off to something else. Much better concentration and new synapses afterwards. Why is still so difficult to take a break this way? We are working on it. 

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Disaster tourism

My personal background gave me lots of personal experience with almost annual next to a small river bed. Since I left the region for studies, the flooding has increased and several times have reached the scale of disasters. Therefore, I am very sensitive and have mixed feeling to the issue of disaster tourism. Such tourism is a nuisance at the time of the disaster, but cash through tourism helps the hard hit region and residents to overcome the losses faster. Would I travel to Tschernobyl or Fukushima for that reason? Probably not, but the intentional war disasters and crimes caused by Nazi-terror.  The Korean novelist Yun Ko-eun did not shun away from writing about a guide who takes tourists to places of environmental disasters until being sent involuntarily to such a site herself. This is not about the “K-Chicken belt”, a series of places with famous chicken dishes, nor about the potential consequences of repeated K-pop events of the famous BTS-boy group in Seoul in 2026. So glad to see that Korean youth has a chance to thrive under democratic rule. (Image: Exhibition in Korean cultural center Brussels 2026-3) 

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Book as Entry

Libraries are full of books. But there is much more to a library than just books. However, many users of libraries focus on the “classic” origin of libraries as large and more or less exquisite collections of books. Therefore, it is a decent tradition to think of libraries and most of all books as a kind of “memory of the world”. Judith Schalansky writes texts and conceives books. Authors are used to choose typescripts from a huge potential choice. Going through the history of book production, can inform about the diversity of appearances of texts in book form. The panel discussion at the Stabi West in the presence of Schalansky and about Schalansky raised awareness to the point that there can be many more than just one entry into a book. However, we are so used to read front to back, that it is even hard to think about more entries. Images, typescripts and typesetting or the kind of binding, all may serve as facilitators for more ways of handling a book. 

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Time reference

Times serves as a point of reference. We often refer to precise points in time, like dates 1st of May Labour Day, or a specific hour as a reference point. If we talk about 5 minutes before 12 o’clock, we convey a kind of urgency – before it is, presumably – too late. In the arts, particularly poetry, prose or drama, and even beyond the romantic period, the reference to seasons as “emotionally loaded” terms is widely used. Subsequently, there are many compositions in music, which make use of such references as programmatic titles. Through the reference to a specific duration, the scene appears to be set and the reader or listener prepared for a less surprising experience. You might even go full circle like in Vivaldi’s composition of “The 4 seasons”.
The writer, poet and Shakespeare translator Thomas Brasch (Link to publications) has written the poem “Der schöne 27. September” (1980) with an exact reference to a point in time, but reporting in 10 lines, what he didn’t do on that date (own translation).
“I didn’t read a newspaper.
…
I didn’t write a single line of text.
I didn’t set something in motion.”
(Extract from Thomas Brasch poem see above;
image below, Global stones project)

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Time and Emotions

In psychology, time and emotions are a matter of milli- or even nanoseconds. Showing emotions, intrinsic ones or controlled ones is passing rapidly through our brain and, for example, facial muscles. Hence, time plays a role in how we react emotionally to an image or any event. The author Rüdiger Safranski starts his history of the concept of time with the emotional experience that time appears lengthy or tedious. In his view the emotional understanding of the concept of time is key to a better grasp of the philosophical roots of the concept of time. Starting with Greek philosophers, the Stoic tradition, Augustinus, the history of ideas is full of reflections on time, what it does to us, and how we best deal with the effects time has on us. In famous literature from Marcel Proust or Samuel Becket, we were reminded of the creative power of lengthy periods of time and the importance or futility to ask fundamental questions about time and our destiny. Beyond the rational thinking about time, the emotional experience of time makes up much of the spice of life. 

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Vaim and the sea

Vaim is not a person, it is an imaginary place, somewhere next to the sea, rather small in size, and in conventional terms nothing much is happening there, aging persons go about their daily routines in their more or less splendid isolation, speaking to someone is a rare act of achievement, most of the talk is speaking to yourself not even really thinking aloud, just ruminating on and on for days, sometimes weeks or maybe years in a person’s life 

Okay, my exercise in “slow writing”, a wee bit attempting to copy Jon Fosse, kept me going for 10 lines before the end of my paragraph. Jon Fosse keeps going without the end of a sentence  punctuation for 66 pages in the German translation by Hinrich Schmidt-Henkel. Reading the three phrases of Vaim, each as an extended poem and an “homage” to life from three intertwined perspectives, resembles a cubist painting and, maybe, at least for me, each one like the novella “The old man and the sea” by Ernest Hemingway. It is also a triptych in the religious tradition of paintings, just as much as “Vaim” follows in the footsteps of “Waiting for Godot” by Samuel Beckett. For all those who don’t care about any previous literature just read Jon Fosse as an endless love story of platonic relationships, silence and romance,  next to the sea. Please, don’t pass on your copy of Vaim to school-aged children as they might become very creative about punctuation. The only allowed end of a sentence are occasional question marks, which is a nice philosophical twist in Jon Fosse‘s literal exploration of time and love. 

 

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Rilke’s Advice

One of the poems by Rainer Maria Rilke is entitled “You don’t have to understand life”.
And the first line of the first paragraph just repeats the programmatic sentence of the quite revolutionary romantic movement. Following a century of the enlightenment, which narrowly developed and focused on rationality and Kant’s “Critic of pure reasoning”, the authors of the romantic movement were eager to explore the world beyond reasoning again.
“Du mußt das Leben nicht verstehen,
dann wird es werden wie ein Fest.”
Rilke brings back the exuberant, Dionysian element into literature and captured the new spirit of his time. After a period of fast innovation in the sciences and applications of them in day-to-day life, Rilke revels in the innocent days and years during childhood, where youth is simply asking for more without hindsight. In doing so: “Life will be a like a feast”. So be it, we should like to add. (Rilke wrote a poem « Das Karussell » with subtitle Jardin du Luxembourg, Image below)

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Minds alike

Great minds, think alike. In the „propositions on happiness“, the author Alain mentions as inspiration for his thought process: Aristotle (XLVII) via Marc Aurel (LXIII) to George Sand (LXVI). This is an interesting perspective and abbreviation of the history of ideas. The impact of stoicism in his thinking of happiness becomes evident. Although originally he was described by another person as a relentless optimist, he was happy to accept this summarizing label of his personality. In his writings, that also may work as recommendations he stresses the importance to “know yourself”. That’s not an easy to achieve objective, as self-deceit is all to common.
However, in desperate moments or just on a rainy day (both are entries from Alain), you will need to know how to console yourself. Friendships and knowing how to please others become virtues, which contribute to your own happiness.
Perhaps the best summary of the history of ideas with respect to happiness is his last sentence in the paragraph “victories” (LXXXVII): “Le bonheur est une récompense qui vient à ceux qui ne l’ont pas cherchée.” In my own translation: Happiness is a reward for those who did not search for it. (Image: Bode Museum Berlin, Allegorie wealth in front, facing allegorie honour in background; middle duke Montecuccoli.) 

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Cut it short

The “Revue des sciences humaines” (Demanze and Gleizes, Nr. 355, 2024 pp. 7-16) provides an interesting reflection on the widespread practice to find (new) ways to cut long stories or insights short. Short by itself, this introduction to a longer special issue on the topic “Faire court” stresses 4 elements of the contemporary impetus to cut it short:
(1) The creative process may be subject to condensation of content, similar to the process of a “reduction” in the culinary vocabulary. The speed of creativity, inspiration, freedom of expression are exemplified by the twitterization of and aphorisms in literature. Roland Barthes, in his analysis of the “haiku”, raises awareness to the different associations of the short text forms in different societies.
(2) The observed shortening of time spans of attention and the competition and economy of attention have raised the stakes for longer formats and explain to a large extent the success of shorts in the digital age.
(3) The short format works to increase the intensity of the literary experience.
(4) In deconstructing the associations of long formats as “monumental” versus short formats as ephemeral, the “cut it short“ tendency serves to “demonumentalize” the big shots of literature, science and the humanities. Well, about time to cut it short, “hic et nunc”, here and now!

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Classic Farces

Molière’s theatre pieces were popular pieces. Born with the name Jean-Baptiste Poquelin and son of a rich “tapissier” of the rue Saint-Honoré in Paris, he made a tough choice to devote his life to touring as a ”farceur” and comedian, having studied also law in Orléans before. Only after his first successful performances, farces and theatre plays, he could afford to buy the theâtre du Palais Royal, despite a bankruptcy about 20 years earlier with his own theatre. The much later title “Troupe du Roi” (of Louis XIV) and a pension by the King assured a financial and political independence rarely found in this period of classic theatre.
Molière’s “Les fourberies de Scapin” was written towards the end of his life and as a classic farce in the 17th century. The story is full of funny scenes and witty dialogues, which make it a great “intergenerational” theatre play even today. The plot about the institution of marriage addresses a cleaving social and legal construct “marriage”, which continues to excite all generations and across centuries.
(Source: Histoire de la littérature française XVII siècle. Robert Horville  in (Georges Décote series editor)

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Racine Andromaque

The representation of Jean Racine’s “Andromaque” in Brussels at the Theâtre des Martyrs in 2025 has been an interesting choice, because the revival of a 17th century tragedy dealing with the intricacies of the Greek and Trojan war (mostly remembered for the Trojan horse). Jean Racine turned French theatre back to tragedies with his Andromaque (Résumé and analysis in French!), rather than the comedies or tragi-comedies of previous great authors like Molière.
The literary analysis of Andromaque by Roland Barthes (“Sur Racine”, 1963) identified 3 separate locations: chamber, anti-chamber and exteriors. The real power seems to live in the chamber as the place of respect, but also terror. (Compare also Mithridate). The anti-chamber is the place of diplomacy and the place of exchange of ideas, information and strategies. The exterior world is mostly closed off through walls or balconies as views from above. For Barthes this “symbolizes” even the prison inside or the pure heroic life inside the walls.
Besides this 21th century interpretation of 17th century theatre, Racine is remembered for his tragic love stories where A loves B, but B loves C and, maybe C falls in love with A. (Compare Robert Horville, 1991) The Condorcet paradox (Science of it) described only formally in the 18th century enlightenment, many decades later, had proven mathematically that such combinations of personal preferences are impossible to resolve. Hence, these confusions are great stuff for tragedies to evolve live on stage.  

 

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Colette Bewitched child

The English translation of the libretto written by Colette “L’enfant et les sortilèges” is translated to “the bewitched child”. The first representation was performed in Monte-Carlo in 1925 before it was represented in Paris at the Opéra Comique in January 1926.  The printed edition of Ravel’s orchestration classified the work as Fantaisie Lyrique based on a poem by Colette. This opus constitutes a forgotten forerunner of the much more popular musical “Cats” . In the end of Colettes narrative the animals call the child her “mama” and praise the good and wise child. It probably remains a forgotten 100’s anniversary, despite the fact that the topic of humans and animals, or nature in more general terms, have become more and more unbalanced over the last 100 years. 

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Polyartist Colette

It is a complex task to do justice to a polyartist like Colette. The curators of the exhibition “Les mondes de Colette” (BNF 2025) Bouvard, Dimerman, Le Bras do a great job to present the biography of Colette, the writer, journalist, dancer in music halls, model (for Matisse) and entrepreneur in all facets of her activities. The role model of an emancipated women as early as the 1910s, 1920s and 1930s. The struggle of women artists in the early years of the 20th century to make a living from art is well documented already. To make a living of writing has always been a challenge if you do cherish your independence and liberty of expression. Versatility in artistic production is one escape route. Colette made a strength of this in diving into different forms of art and professional activities close to the artistic and creative world. In a quite unique way, she became her own muse for her own artistic work; and a character and inspiration exploring many facets of live. The economic misfortune experienced her parents became a source and force of inspiration.
Contrary to the expectations of the market of arts and literature, she did not feel like sticking to just one activity. Her most lasting achievements, probably, were her literary accomplishments for most people, although Matisse immortalized her in his specific style of abstraction.
Polyartists just like Polymaths, make more comprehensive contributions to our experiences.
(Image:Lithographie by Henri Matisse of Colette, exhibition Colette at BNF 2025).

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Biography Memorial

Some biographies take the form of a memorial. Marie-Luise Conen and Zdravko Kucinar have erected a memorial for the researcher, author and Social Demokrat “Milian Schömann” from the “Moselle” region near Traben-Trarbach and Lösnich. The biography reads like a narrative of crimes, which goes without punishment, before and during the Nazi-terror and the power grip in rural areas in the late 1920s and early 1930s. Milian Schömann achieved his university entry qualification A-levels in Traben-Trarbach before he moved on to study German literature and philosophy in Heidelberg, Bonn and Berlin.
His studies and political engagement were driven by a humanist approach and his letters and publications as literary critic as well as his contributions to philosophy are partly reproduced in this biographical account. This allows to follow in the footsteps of the curious and open-minded person of Jewish descent. As a contributor and speaker at meetings of SPD-members and associated political movements, he risked and eventually lost his life for his humanitarian convictions in 1942 near Belgrade.
It is the merit of Marie-Luise Conen and Zdravko Kucinar to let Milian Schömann live on in our time through the reprinting of some of his work, which is embedded in a  well-written historical account of the political and family setting at that time. The professional psychological training of Marie-Luise Conen helps to reproduce the anxious atmosphere Milian Schömann has lived through, albeit he remained a productive writer despite the economic hardship and living in exile.
This biography accomplishes in a rather unique way to enter into the mind and thinking of the author Milian following his very personal perspective on the “history of ideas” and inner call to action. Similar to the appreciation of Viktor Ullmann in the Jewish Museum in Berlin, where the music of the composer lives on after his death, the writings of Milian Schömann survived extinction, despite that he was murdered. After more than 80 years we still feel the loss of potential other contributions to philosophy and literary studies. The recognition extends to Milian’s academic and personal mentors Oskar Walzel and Arthur Liebert, important sources to understand the reasoning and motivation of Milian.
(Image: Extract from Marie-Luise Conen and Zdravko Kucinar (2024) Milian Schömann, Paulinus Verlag, Trier, p. 139)

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Hugo intergenerational

Well, this entry is not about Hugo Boss, whose name is probably known to more people worldwide nowadays than the French poet and writer Victor Hugo. The latter Hugo, however, is likely to be known to more generations to come than the former one. In his 19 years of exile with his family he had the unique chance to get to know his grand children a bit closer, which was rather unusual for the late 19th century. The romantic poet was charmed to an extent that he could help it, but to express himself in a longer poem. „L‘art d’être grand-père“ (The art of being grandfather)“. Victor Hugo experienced the death of own children and his wife before and his grandchildren surely gave him reason to believe in a more joyful tomorrow. Comments on this poem mention the idealised vision of the romantic regard on children and even more so on his own grandchildren. « Leur front tourné vers nous nous éclaire… … Ils trébuchent, encore ivre du paradis. » 

We forget all earthly quarrels just listening to the soothing sound like children’s rhymes. Hugo is a master of all literary classes and he ensured that his intergenerational legacy would be part of this.  (Image: Maison Victor Hugo, Paris, writing desk ro stand in front of)

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Text to Image

Long before everybody started to discuss Artificial Intelligence, which in many applications takes the form of transformation of a textual prompt into an Image, Photographers have had literature or quotations in their mind that shaped their images. This was a kind of poetic imagery not always easy to recognize. The exhibition in the „Institut de France“, Bibliothèques Mazarine (LINK), with photographs by Nicolas Fève (LINK) offfers a great insight into this way to conceive of an image and its realization through photography. Exposing the sources of inspiration as well as the photo is like adding textual citations to an image in a much more inspirational and transforming manner than AI is doing these days in 2025. 

Text to image is only one out of the many ways texts might guide imagination, but it is a powerful and gripping one. The history of literature is full of other forms like videos based on novels, comic strips to make classic texts in Latin more accessible. As we shall ask AI products like texts and images to cite their sources and honor authorship, photography as art and science might enhance the literary experience by adding citations to an image. This has the additional advantage that more people will follow up on the sources of inspiration.

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Korean Uprisings

With the recent Korean uprising against the imposition of martial law the world has witnessed a successful defense of democratic rule in South Korea. International politics has quickly moved on to other areas of the world where people’s struggle to obtain or sustain the freedom to vote and the freedom of expression.
However, the Korean history of uprisings goes back a least as far as the beginning of the Cold War period with the separation in 2 Koreas. The 1980 uprising of student protests in South Korea was extinguished with brutal force and mass killings. Can literature heal the wounds of uprisings? Only the best of literature can. The Korean female author and poet Han Kang (Nobel laureate 2024) has accomplished this. In the novel 소년이 온다 “Human acts” (English title), “Celui qui revient” (French), ”Menschenwerk” (German) the Gwangju Uprising 1980 is the historic backdrop against which the loss of human dignity during dictatorships is narrated. Han Kang manages to depict the empathy of family members who are confronted with the brutality of the military forces. It is tough on readers as they become the witnesses of the violence described as such and the sorrow of the whole social environment of the victims.
The Nobel Prize for literature 2024 honors the “world literature” aspect of Han Kang’s writings over many years. Many prizes have been allocated for representative writers (80+ % were men) of a country. The different titles of professional translators chosen for this novel reveal the potential to link to very different national narratives and connections to national memory of uprisings. Translating literature from different cultures can be challenging as readers frequently want the narratives somehow to relate to their own “endured” experiences. World literature, just like world history, goes beyond this and takes the reader by the hand and broadens emotional and human horizons.
(Image: Gallery Lee Bouwens, Brussels, exposed Jungjin Lee Voice #02, Voice #26 in 2025, inkjet pigment prints, Jungjin Lee)

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Covid Literature

In 2025 it about time to evaluate the medium term impact of the Covid-19 crisis in Europe and world. The various lockdowns caused unexpected “spare time” or time in isolation. Some otherwise very busy persons embarked on literary projects during these months. Most of the outcomes have now been published. Most authors would not label their writings as “Covid literature”, since they do not deal with the Covid pandemic in any sense. However, only due to the additional time resources, and maybe writing as a creative coping mechanism, some persons became and dared to become authors eventually.
For some isolation from the usual work context was a lonesome experience, others realized literary projects. Camille Paulhan (edition Sombres Torrents) for example used freed up time to write “Couper à travers les ronces” published in 2021. Her short stories, like narrative clips, range from introspection to memorable encounters with art works and artists. As an expert on “perishable art” Camille Paulhan is particularly sensitive to the “fleeting moments” of encounters and maybe of life itself. The Covid-pandemic has certainly reminded us on the increased risks to our existence during a pandemic. The literature originating during these months and years might reveal specific virtues only ex post.
You might still be able to buy a copy at the publisher. The bookshop and gallery Yvon Lambert (online retrieved on 2025-1-20) says sold out, but shows several pages online. Although books may become a perishable product, some copies will survive due to the efforts of fans of perishable art and moments.

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Ukraine Poets

Difficult times have a long history in Ukraine. However, literature and poetry have flourished since the Ukrainian independence from the Soviet domination in 1991. Periods of hunger under Stalin, Nazi crimes in the 2nd World War, Tschernobyl radiation, Annexation of Crimea and now Russian war on Ukrainian territories, the endurance of hardship is part of Ukrainian culture and society. This has created a strength of resistance and resilience which is exemplary for all countries. The democratic countries stand firmly on Ukraine‘s side and support not only military defense efforts, but also artists and poets in such difficult times.
A collection of translated poems from Ukrainian into English has been published in 2027/2018, showing the horrors of the large scale war that was to come a few years later. In fact from the Ukrainian perspective the annexation of Crimea was the first war initiated by Russia although the Western world did not want to see this as a brutal aggression, which it was. The poems in the anthology are available online for everyone to read and understand that war changes personalities. Suddenly, dying of old age becomes a blessing as many young soldiers and people die on the battlefields (Died of Old Age, by Lyuba Yakimchuk translation by Anatoly Kudryavitsky) .
7 years after the translations where published the poems have kept their sorrow and the reminder for us to continue our support for Ukraine‘s fight for democracy, independence and freedom of speech and the arts. (Image: Front: from War Diaries, Brussels 2025, shown in Gallery of Katarzyna Napiorkowska).

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Happy Employee

The research on happiness, subjective well-being or overall satisfaction with your life is also an empirical question. Analyses of being happy donot only focus of overall happiness, but look much more into the details of happiness. Beyond the tricky longitudinal observations of happiness it is common scientific practice to deal with subdomains of happiness like satisfaction of employees with their job, satisfaction with one’s job beyond the honeymoon and hangover effect, best known from family studies.
Each of those subdomains has a significant effect on overall happiness. The novel “Happy Life” by David Foenkinos is an interesting example which focuses mainly on the subdomains of job satisfaction, satisfaction with private and romantic partners as the major domains of a happy life. As developed in the novel, people make job changes to re-orientate professional careers or reset their private life. A low point on the happiness scale in one domain might be compensated by higher levels in another domain. These impact from one domaine to another might have substantial time lags involved as well. More drastic resets (à la Foenkinos) can be avoided through focus on other subdomains of overall happiness as well.
How happy are you with your housing situation, neighborhood, your pet, your physical health? There a multiple +/-spill-over effects to overall happiness. Reading a novel might be one as well, just take time reserved to yourself.(Image BnF expo “women in sport”, 20024)

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Happy Life

There are countries in this world that want to prescribe to their citizens what constitutes a happy life. Religious beliefs are another powerful instigation of what may be called a happy life now or in the future. Most people on earth, however, have their very own idea about happiness and how to get closer to this moment, phases or destiny of their lives.

Happy life is also the title of the novel or „une fable optimiste“ by David Foenkinos with the almost programmatic title „La vie heureuse“. It has been qualified as a bit absurd, but at the time of celebrating 100 years of surrealism, this fits into the surreal world episodes and narratives that surround us. The novel is full of ups and downs for the major characters, which reflects the inevitable links of happy relative to unhappy moments in life. The pseudo experience of death allows to press a kind of reset button in life after which love and life can start afresh. This might not work for all us as Foenkinos seems to tell us with the choice of the dedication and citation of Charlotte Salomon „On devait même, pour aimer plus encore la vie, être mort une fois“. Charlotte Salomon, however, lives on through her formidable artistic work accomplished in her short life.

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Co-authorship Kafka

In science Co-authorship is a tricky issue. Therefore, many higher reputation journals list precisely who has contributed what to the paper. In the teaching and supervision of bachelor, master or doctoral dissertations it is imperative to scrutinize the original contributions of authors to the subject. There are huge differences between universities to the amount of innovation or originality that is required to award degrees or the publication of the research and results. Rüdiger Safranski published with Hanser 2024 an essay on Kafka which has 224 pages, but a 16 page long list of the sources of the copy-paste citations used from the orignal Kafka writings. By scientific co-authorship practice Kafka should claim co-authorship of the book and the costs of the „Process“ should be paid by the publishing house. However, I enjoyed the many links between comments and the originals next to each other. It is like a data analysis that sticks plausibly to the original data. AI still has a hard time to rival with these skills, although AI is catching up faster than many of us might believe or want to believe. From a social science perspective we might say the original work of maybe only 180 pages is inflated to make for a longer text of 240 pages. This justifies, probably, the publisher’s price (€26) and the marketing costs. On the other hand it becomes evident that Kafka has an enormous impact on writers and seems to take possession of them in an encompassing fashion. You move with him, but rarely beyond him. Tough lessons indeed from the publishing world.

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Kafka Kafkaesque

The last 4 years in the life of Franz Kafka had been challenging due to his tuberculosis. Despite these challenges he realized additional, lesser known pieces of literature from 1920-1924 including a collection of aphorisms. The interpretation of these pieces is quite controversial and making your own judgement about these pieces should be left to each person. The most debated elements are his level of abstraction. Additional examples of animals enter into the arena. Mice received his attention in his last work. Whereas Josef was the name of principal characters before, Josefine was his last character. Continuation, discontinuity or dialect dialogue between the characters, up for interpretation and debate. The role of artists or writers in society was also a recurrent theme in his work and life. Great to have an easy access in the Leselounge at Stabi Potsdamer Straße as an extension of the exhibition of the family photographs in the Stabi Unter den Linden.

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Mangel Armut

Herta Müller hat bereits 2012 in „Das Chinesische Glasauge“ sehr treffend die Funktion von Mangel und Armut in Diktaturen beschrieben. Sowohl der ständige Mangel als auch die Armut dienen als Instrumente der Macht. Sie sind quasi die Fortsetzung von Ideologie zur Beherrschung der Massen. Zusammen bilden sie die Umgebung, den Kontext in dem dort gelebt wird. Die Herrschenden jedoch haben Privilegien, die sie von der Allgemeinheit absetzen. Diese knappe Beschreibung und Einleitung zur Kurzgeschichte haben eine große Portion Allgemeingültigkeit. In Mangel und Armut können kleine Vergünstigungen eine viel größere Wirkung entfachen. Sehnsüchte nach mehr werden nahezu zwingend hervorgebracht. Allein die Aussicht auf ein teilweises Stillen der Erwartungen oder nach mehr entfachen weiteres „höriges“ Verlangen. In Diktaturen werden die Personen, die unaufhörlich auf die Armut und den Mangel hinweisen meist geächtet oder sogar ins Exil gezwungen. Solche Störenfriede sind nicht gern gesehen. Das Russland unter Putin braucht Leute der herrschenden politischen Klasse zujubeln und bereitwillig in den Krieg ziehen oder an der Kriegsmaschinerie mitwirken. Wir sind mehr als eine Dekade weiter, aber diese Zusammenhänge bestehen ebenfalls weiter. Schmuck in der Mangelwirtschaft ist bereits eine Provokation. Das offene Tragen der Provokation kann im schlimmsten Fall das Leben kosten.
(Image: Herta Müller, 2023, Eine Fliege kommt durch einen halbern Wald, Carl Hanser Verlag, “Das Chinesische Glasauge”, S.50-61)

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Competence Handwriting

The acquisition of handwriting as a competence has been important for centuries. In primary schools this technique is exercised as a foundation for the performance in other cultural techniques like language writing and even calculus. Therefore, it has been beneficial to make sure children acquire basic competences in handwriting. This has not changed much, although the time devoted to perfection of the technique has been reduced over generations. We still have some memories of people who have made the handwriting or the pencils used a case of distinction. At the enlightenment period a lot of authors drafted their thoughts and manuscripts in handwriting and our museums or biographies are proud to show off handwriting of authors, artists or composers. In some of those we are able to retrieve the thought process behind the writing. The editing, crossing out, adding sentences or correcting words are traces to dive deeper into these creative processes.
Currently, we are less sure, whether in the age of AI we should still rely much on this old technique of handwriting. If we just treat it as one of many competences to be or become creative yourself, we are on the right track. The PISA studies by OECD include problem-solving as a crucial competence. Handwriting or drafting first steps of a solution might still be useful. A handwritten sketch of a solution might guide the elaboration of the more encompassing solution.
Another interesting feature of handwriting is the cross-cultural element of it. We feel easily compassion for a handwritten document. The psychomotor competence of handwriting is fascinating across continents. It has distinguished us from other species as well. The evolutionary steps are important elements of a learning process. Nostalgic feelings about handwriting do not help anybody, but children are well-advised to still keep an eye on their handwriting competence as part of or first step in problem solving, even if it is just to formulate the question they are interested in.

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Dietrich Gabin

In French cinema Jean Gabin is a much adored person. Equally, Marlene Dietrich had, probably an even more far reaching international career. Both were accomplished and successful actors long before the 2nd world war broke out. In the U.S both fell in love and had a long lasting romance together. Their war time activities and “engagement” in fighting Nazi-Germany were extraordinary. It meant that both took active roles to use their charisma to mobilize people and soldiers to fight for freedom.
Shortly after the war then, both made a last attempt to work together in a movie production, but it could not unite the couple again. The “Deutsche Kinemathek” displays currently a page from the Diary of the “Diva” to underscore to what extent “Dietrich” was depressed about the break-up of their longer lasting love affair. Some say Gabin was the only person who quit her, all (most?) other relationships were terminated by the Diva. The junctions of biographies are hard to predict. The circumstances of the 2nd world war and internalized civic obligations to fight for freedom and democracy were wholeheartedly shared by both, but eventually they grew apart nevertheless. Tough experiences even for the much adored persons on the forefront of the stages worldwide. There seem to be many instances of repetition of the same story not only in movies, but also in real life.
Image: Deutsche Kinemathek Museum 2024-5

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Family Kafka

100 years after Franz Kafka’s death nearly all facets of his life and writings have been analyzed. The archives of the editor Wagenbach and the publishing house have now opened an exhibition at the “Stabi Ost” in Berlin adding a family picture book description of Kafka’s life (Curator Hans-Gerd Koch). This is of interest because Kafka himself had written an extensive letter to his father (Brief an den Vater) in which he tries to understand his intricate relationship with his father and other family members.
Nowadays, some people would try to analyze Kafka’s life through the parapsychological technique of family constellations. The far-reaching and pan-European family networks of the Kafka (father) and Löwy (mother) families were more than just an excellent source of inspiration. 2 younger brothers died in their first year. 3 younger sisters followed more traditional evolutionary patterns within families. The television series on Kafka’s life add to the understanding of his sources of inspiration and “parallel worlds” he created and lived in. The exceptional “fictionalization” of his own life and existence in the spirit of André Breton’s surrealism remains a milestone in the history of literature.
Kafka himself thought he was not really “instagrammable”at the time, but his image has reached and still reaches millions of people (Link to Picture archive). He himself would probably have defended the thesis that the most powerful images are within us. … and they are hard to escape from.
(Image from Exposition in Staatsbibliothek Berlin 2024-4, QR-code links to reading in originals!)