Use the info available in various help forums, maybe videos.
Optional: Check size of your hard disc for backup.
Why not renew your backup on an external drive or USB-stick now?
Test your system loading interruption key combination.
Upon RESTART on most systems you use press Power-up key, follwed by either ESC or DEL or F1, F2, F10, F11 key, while power-up runs to load your BIOS.
Have an empty! USB sticks (4 GB+) ready.
Download the for example the latest Linux Mint 22.2 on it (and flash it using etcher on USB from hard drive, if downloaded to hard disk).
Power-up computer with loading system from USB-key not hard drive. (Select option!)
Remember it has English keyboard as default when you connect your WLAN.
Basics are ready!
Keep starting from USB or after some further tests of components install Linux to the hard disk and say goodbye to a slow and costly Windows and Office packages.
Donate to whoever supported you. Perhaps your local repair shop.
Spread the word and help others.
VLOPs flopped
Well, not quite. This is wishful thinking. Let’s start slowly. Very Large Online Platforms (VLOPs), the platforms we all use on our smartphones, are subject to the European Digital Services Act (DSA). As of the year of its adoption in 2022 by the European Parliament, the European Union has a mandate to act, for example, against fraudulent websites that attempt to steel money from customers with fake content on VLOPs and, of course, on smaller platforms as well. To put it bluntly, the European Union has to defend its population from mainly American VLOPs massively exploited by Russian criminals to impinge on our European digital sovereignty. These external threats have to be taken very seriously as they touch upon the satisfaction and dissatisfaction with the European democratic political system and trust-based societies. The level of trust in Europe, particularly with respect to “Personal data used for legitimate purposes” is high in the Nordic countries and Ireland, but much lower in the UK, most Eastern, Central and Southern European countries. (Data retrieval from OECD on 2025-12-1, compare figure below, figure build Link).
VLOPs might be important drivers of eroding trust not only in data security, but also how democratic institutions are able to protect its citizens, youth and children. About time to act accordingly.
Deep Fake Threat
Our Western democracies are aware that “deep fake videos”, radio, online-newspapers and most of all social media platforms are all around us already. However, more scientific voices alert us that this threat to our easy or comfortable way of life to consume information eventually threatens the survival of our democracies. Previously, interference in elections used to focus on rigged election procedures, but in the 21st century powerful other alternatives can do the dirty job to bias elections against the original intentions of the electorate. The widespread use of AI will exacerbate the already practiced ways to produce deep fakes. In a preparatory self-test of an AI-assisted chatbot I was surprised myself of the quality of the output. A person not very familiar with my original voice in a second language would assume that it is me who is being interviewed in person. Based on a fake news text, any form will be automatically translated into voice only and/or video based on basic visuals.
Statisticians used to joke some decades ago: “Don’t believe in any statistics, unless you faked it yourself.” This is meant to encourage people to be aware of dangers of the use of statistics to influence opinions or official decision-making, like in policy making of central banks, which might be based on biased accounting for shrinkflation, cheatflation or greedflation to name just a few,
Hence, the need to strengthen awareness, analytical skills and critical thinking should be high on the agenda to defend our democracies. There are not only external military threats, but additional ones masked as internal threats.
(Image:: mice as humans in living room 2 couch potatos 1 on rocking chair, tea time)
Foul-smelling dictatorship
The animal world is full of interesting strategies of how to turn over a foul-smelling ruler or dictatorship. The ant queen of “lasius orientalis” infiltrates a colony of “lavius flavus” to spray the incumbent queen with a foul-smelling substance which turns the worker ants against their own queen and eventually kills the queen. This is a rather intelligent strategy to trick the defense system of rival colonies and prepare a takeover of a whole colony to install your own reign.
This may constitute a stark warning for democracies just as much as a threat to persistent dictatorships. In the age of the not so social media there is a lot of foul-smells produced. Beware of the risks to democracy as open societies are much easier to infiltrate than closed societies or dictatorships. (Link)
EU Digital Sovereignty
If we try to search for digital solutions, we shall encounter a whole lot of American and Chinese products, but very few European companies that are able or willing to compete. Hardware mainly comes from China, software from the US, at least until AI was not working in the background. If we add Russian interference to destabilize our digital infrastructure to the scenario, we are not really fit for the challenges of the 21st century. The very definition of a country or political union is the affirmation and competence to assure its sovereignty, particularly in cases of territorial conflicts with neighboring countries. My health or mobility data are a rather private affair, however, our state governments in EU-Europe have done little to ensure our data integrity. Business is also at a loss, if they do not spend heavily on data security themselves, usually relying on external cooperation.
The EU digital sovereignty summit took place in Berlin on the EUREF campus in 2025. It can only constitute a beginning for intensified cooperation in this long overlooked policy area. It will be tough to catch up where production has been abandoned for decades.
Memory design
The progress in the field of genetic editing and design is astonishing. The research group of Johannes Graeff tested the “behavioral consequences of epigenetically editing the Arc promoter within engram cells”. Plasticity is a key feature of memory formation and the experimental evidence shows that this plasticity can also be interrupted. Moreover, the scientists were able to demonstrate a reversibility of retention or un unlearning of manifestations in memory of mice. The bidirectional reversibility of memory expression has potentially therapeutic value for traumatized humans eventually. However, if memory becomes part of a design feature of human species, the risks involved are just as important as the potentials. In totalitarian political systems techniques of “memory design” might be able to adapt such influences on memory, which used to be called brainwashing. Ethics commissions could get ready already to define safeguarding of human memory. (Image: The fountain of Bacchus, Museum of Paris, 18th century wine merchant entry) 
Reason for war
In his “Propositions on Happiness”, the French philosopher Émile-Auguste Chartie, called in short Alain (1925), takes issue with the strange predilection for war. In his proposition XLII Agir, he writes on war: “Je crois assez fort que ce qui plaît dans la guerre c’est qu’on la fait”. In later paragraph XLVII on Aristotle, he takes up his recurrent concern to explain happiness with the importance of agency in one’s own life and actions. “Faire et non pas subir, tel est le fond de l’agréable“. In taking both quotes together, we understand that for Alain the reason for war consists primarily in the desire to demonstrate agency. In order words, the position of power, of being in charge, being in control of the political situation are the prime reasons to go to war. With the first quote stemming from 1911 Alain had already a sound understanding of what would happen decades later in the 1st and 2nd World War. Even Putin‘s war in Ukraine is probably a cynic demonstration of agency in a seemingly otherwise rather paralyzed country. With this in mind, Putin‘s wars in the 21st century appear as another chapter in the endless pursuit of cynic reasoning. (Sloterdijk, 1983). (Image: Throne Room at Fontainebleau since 17th century).
From AI to xAI
As humans, we like the feeling to be in control of things. This applies even to immaterial things like religious beliefs. Generative AI has created problems with its hidden structures and lack of transparency of their applications of algorithms (and combinations of algorithms) to basic data bases of knowledge and information. The use of xAI, which stands for explainable artificial intelligence, can address some of the concerns about the lack of transparency and explanation of responses from AI systems. Many users want to know in advance about the consequences of the use of specific words or notions in an instruction to AI. The interpretation of each single word by xAI can inform about the precision of interpretation (cheap versus cheapest, for example) or highlight the sensitivity to gender-neutral language or not in its guidelines. Additionally, ex post the xAI could indicate alternative notions in a prompt and, briefly, how this would affect results.
Yes, there is a trade-off between brevity of answer and room for explanations. As in psychology, there some value in a “thinking aloud” procedure for respondents in order to better understand (implicit) the reasoning behind a reply. xAI takes us a step further in this direction of asking AI to think aloud or more explicitly in a human compatible way of logic and broader reasoning.
Put AI on the psychotherapist’s bench and xAI will be to the advantage of many more humans again. Humans just don’t like black box systems that lack the necessary as well as sufficient transparency. (Image on the right: Patrick Jouin, chaise solide C2, MAD digital humanism).
Classic Farces
Molière’s theatre pieces were popular pieces. Born with the name Jean-Baptiste Poquelin and son of a rich “tapissier” of the rue Saint-Honoré in Paris, he made a tough choice to devote his life to touring as a ”farceur” and comedian, having studied also law in Orléans before. Only after his first successful performances, farces and theatre plays, he could afford to buy the theâtre du Palais Royal, despite a bankruptcy about 20 years earlier with his own theatre. The much later title “Troupe du Roi” (of Louis XIV) and a pension by the King assured a financial and political independence rarely found in this period of classic theatre.
Molière’s “Les fourberies de Scapin” was written towards the end of his life and as a classic farce in the 17th century. The story is full of funny scenes and witty dialogues, which make it a great “intergenerational” theatre play even today. The plot about the institution of marriage addresses a cleaving social and legal construct “marriage”, which continues to excite all generations and across centuries.
(Source: Histoire de la littérature française XVII siècle. Robert Horville in (Georges Décote series editor)
Sociology in Theatre
Thanks to the inspiring direction by Denis Podalydès of Molière’s “Les fourberies de Scapin” we can experience the fruitful application of sociology to classical theatre production. This combination of thoughts has been performed at the “Comédie Française” for more than 7 years in 2025-11. The accompanying booklet of the performance mentioned the ample inspiration of Denis Podalydès by the French sociologist Pierre Bourdieu. Personalities in Molière’s theatre are represented as incarnations of the “habitus” each character stands for. Such an interpretation of the roles in the theatre play, raises awareness about the subtle differences between personalities. Even two rich men may differ in their habitus, because their fortunes are of different size or kind, yet they may share even more personality traits. Molière was a particularly crafted author, director and actor to stage such subtle differences, which are embedded into societies often across generations.
Polypharmacy issues
As we age, we become more likely to confront polypharmacy issues. Polypharmacy is defined as taking 5 or more medications per day. The study reported in The Lancet healthy longevity by Payne et al. 2025 had participants with a median of 4 health conditions and a median of 8 prescriptions. Even a comprehensive set up which involved several experts from medical doctors and pharmacists did not manage to achieve a significant improvement in polypharmacy outcomes in this experimental study with otherwise carefully matched intervention and control group. However, the mental health (measured in patients as “health-care-related quality of life”) slightly increased and the “treatment burden” experienced by patients was slightly reduced.
In combination with a previous study the probability of errors in nurses, who are the prime persons responsible for the administration of medications in institutionalized settings, the reduction of potentials for errors like they are to be found in polypharmacy should continue to be a prime target of this research in future. Together with the knowledge about the prevalence of functional illiteracy at older ages, polypharmacy remains a critical issue on the public health agenda beyond the experimental settings in this study.
Codes of Emperors
Even in the 21st century we spot the ancient codes of emperors. In Brussels the statue of King Albert, who ruled until 1933 and celebrated the first centenary of the Kingdom of Belgium in 1930, shows the Emperor riding a horse without saddle. This iconic position was started as a symbol of a powerful leadership by Marc Aurel and continued by Napoleon’s reign as well as several other ones.
The position on the elevated podium of the emperor on the horse, which further raises him beyond the level of the people, all contribute to the idealized perception of the king above the people. Such a vertical or hierarchical perspective on society or even mankind, including the colonial approaches of the emperors, are the lasting attributes of those times. According to Els Witte et al. who wrote on the political history of Belgium, King Albert I was also named King Knight by some.
The portrayal and self-portrayal played an important role already centuries ago. No surprise that democracy has brought about an avalanche of idealized self-portraits or “selfies”.
Weaponized Interdependence
The shift in the international political system is clearly expressed in the contribution by Henry Farrell and Abraham Newman in “Foreign Affairs” (2025 (Nr. 5) p.25). “… governments must navigate a terrain with many more players, figuring out how to redirect private-sector supply chains in directions that do not hurt themselves while anticipating the responses of a multitude of governmental and nongovernmental actors.”
As the number of bigger global players increases, the complexity to identify best strategies increases as well. Going it alone is only second best to coordinated actions. New matches of interests may result in the medium term. This could entail enormous long term realignments.
Russia attempted to play the China, and subsequently the India, card to achieve new strategic partnerships in this multipolar world. Other international players test new forms of alliances and strategies (like hybrid wars) in this period of weaponized interdependence as well.
The weaponization of such interdependencies puts critical limits to the basic economic rationale and a world building on comparative advantages together with trade, rather than going it all alone or try the coercive way of exploiting dependencies of mineral resources, supply chains, computing power and AI.
(Image: Chess figures attributed to Charlemagne, dating from 1080-1100 ” BNF Galerie Mazarin 2025-10)
Balance and justice
Justice is often represented with the symbol of a balance. This dates back at least to the Roman times when the Roman law reached an unprecedented spread across Europe. The philosophy of law dating even further back to the Greek philosophers, notably Aristotle, founded comparative law with his comparison of constitutional principles in various Greek city states of his time. Striking the right balance, therefore, is encrypted into law, legislation and the American constitutional principle of checks and balances. In Paris the sculpture in the “Parc du Palais Royal” of heavy metal balance at the opposite end of the park is moving as well. Facing the ”Conseil d’état” and the “Le conseil constitutionnel”, this is a forceful reminder of the basic principles of a republic and democracy.
In the 21st century, particularly, since the weights attached at each end of the balance pull more forcefully at the moment in several countries.
Institution building and safeguarding the existing ones have become “the challenge for democracies in 2025 in many “centuries-old” democracies.
(Image: Sculpture by Raul Mourao in Parc Palais Royal, Paris 2025-10)
AI as individualizer
In a one pager in the journal “Rolling Stone” (2025, p. 9) Bruno Patino writes about the legendary David Bowie who was the first rock musician to launch a new song on the internet before it became available as CD (Telling Lies, 1996). As a pioneer in co-creation, Bowie anticipated somehow the trend and wish of people to personalize preferred songs even further and distribute such versions among friends. In this process, AI has become a powerful tool to push individualization even further and the digital social media allow even broader audiences beyond a more narrow circle of friends. Music maybe setting the trend for some in the same field, other creative fields might follow the footsteps. The need to co-create collective experiences and participate in collective musical moments is likely to rise again as well.
Good news for music festivals across the world. Live concerts are the new form “collective individualism”.
Deus ex machina
The term “deus ex machina” used to be applied more in its figurative meaning. With the rise of digital tools like chatbots, facilitated and enhanced through AI, God is speaking to us not only in multiple languages, but also from our pockets through our smartphones and headsets. This is a rather recent form of “deus ex machina”, which we did not expect some years ago. The bible as e-book or pdf-file has been around for some decades, but only more recently we can enter conversations with God through chatbots as another version of “deus ex machina “ about almost everything (and pay for it via digital credit card). Programming of such an AI-tool is easily achieved. AI will prepare a weekly or daily sermon or prayer for you, following your predilections of your favourite quotes of the bible. An interesting twist to the programming is to use authorized as well as unauthorized translations of the bible across several centuries.
Another interesting enlargement of the input data base is the inclusion of interpretations and discussions not only within your own religious community, but beyond. Maybe the discussion of several different religious chatbots with each other could prevent aggressions due to differences in basic beliefs. These “dei ex machina” might further our understanding of what makes us humans different from machines and machine-based solutions of human conflicts.
As genetic clones of ourselves have become already technically more feasible, our digital alter-egos (the comprehensive collection of traces in the internet and digital images, plus social scoring) help to empower those “dei ex machina”.
This kind of “Brave New World” asks us to be rather brave ourselves.
(Image: interior St Denis Basilique Cathedral Paris 2024)
Inclusive images
In the last 2 decades we can observe a strong concern among photographers to broaden the spectrum covered by images beyond well established imagery of non-binary gender. Diversity in imagery has taken a broader scope to extend, for example, the age range of people who are portrayed as central topic of exhibitions. The topic of mental diversity is more recent and needs a similar or even increased sensitivity to do justice to the whole spectrum of people. The photography of people with mental challenges necessitates a much more careful approach to the persons and complex personalities the photographer intends to portray. Trust and the development of trust of more vulnerable persons is a time sensitive process. The work by Charlotte Abramow “Maurice, Tristesse et rigolade” is a fine example of a photographer who portrayed over a long time of taking care of her father, previously a medical doctor, The years of the final stages of the life course of her father have been the subject over many years as the survivor of an extended medical coma had to struggle with the tough challenge of re-learning basic life skills again.
Abramow portrays her father as an actor of his “second life”, where the borders between reality, reconfigurations of his memories, and “mise en scene” to co-produce the images. The images go far beyond the portrayal of aging and mental challenges as a deficit of persons. Yes, it is an integral part of these persons, but there is so much fun and positive emotions that derive from the intensive collaboration of actor, father and photographer that the images stick with us for a longer time. The presentation of props along with the photos creates an immersive installation, which strengthens the emotional bonding with the inclusive images of the later phase of the life course of Maurice.
Sink / Rise
Nick Brandt presented his engaged photographic projects “The day may break” in Brussels at the Hangar Gallery space in Brussels (2025-9-21). The photographic work spans the globe to document and tell the story of a an endangered planet. The environmental and social fabric is at risk of an unprecented scale in the 21st century. Rather than producing hours of documentation, Nick Brandt focuses on images that stick. His “mise en scene” is meant to haunt us. And it succeeds in it. In the best sense of a tradition of a “photographe engagé” he intends to convey messages, even whole narratives to us about and from people in remote places, who are endangered through our inaction or paralysis in front of the challenges posed by global warming and climate change as well as the social and societal consequences.
We can save people from drowning in floods and rising sea levels. The chapter Sink / Rise of this project was produced with people from the Fiji islands who participated in the futuristic scenario of a sunk island. Without accusations, these people question us. Why? How? What for? Where to? – without speaking a word. They spend time in on a sunk island, surrounded, submerged by beautiful, but morbid, turquoise water and the graveyard-like remainders of a broken coral reef. These are photographs not of these people, but about them, about their likely fate, and (very important) produced with them as empowered actors. May they have a chance to rise like a phoenix from the ashes from these photos.
The documentation on the “Making of …” (image below) as part of the same exhibition allows transparency and additional insights into the artist’s work and proceedings.
(Image: Hangar Gallery, Brussels 2025-9-21, On the making of Sink / Rise by Nick Brandt)
Marc Aurel critics
In the literature on and about Marc Aurel (Brenan 1882, pp. 484) the end of the ancient world is mentioned frequently. This refers to the beginning of the end of the Roman empire and the rise of Christianity to be become more influential. What caused the decline? The nepotism in the governance structure through the placement of family members to influential positions and as successor alienated many followers who previously believed in the high moral standards advocated by Marc Aurel.
Justifications of superiority by social origin are standard at the time of writing, but Marc Aurel did not see the potential of a more equitable distribution of offices. Women were relegated to subordinate or no public positions and are not mentioned with respect to the importance of reasoning or social competence either, none but one in his acknowledgements (Book 1). The discrepancy between the formulation of virtues as well as ideal standards versus own practices of hierarchical leadership, recourse to slavery and brutal upholding of the empire should not go unmentioned.
Chatbot Me We
In order to dig deeper into the functioning of AI, I deemed it expedient to construct, for example, a simple chatbot on a limited knowledge base from my own writings on AI (link to reader in previous blog entry here).
A toolbox from Google offers powerful assistance in such an endeavour. The outcome uses only my input text and no other sources. It is dynamic in the sense that it interprets questions and searches within the text file provided only. The answers are edited with a LLM (large language model) and provide flawless English texts. You can try it here using catchat as magic formula and Google account so far.
With a bit of programming knowledge (htlm, python, Java) and related learning sites it is feasible to come up with a “static” chatbot hosted at a free of charge provider as well. For learning purposes this step by step building and coding of a chatbot is helpful. The outcome is rather limited or requires a lot of time to increase the scope of Q & A interactions and to move from a static (predefined Q & As) to dynamic ones.
Full control of answers, excluding any hallucinations and high-speed replies, come at a cost. Take a look here. It is a very basic version so far, just to get the idea of it. full web address:
https://schoemannchatbot.eu.pythonanywhere.com/
AI Podcasting Me
Content producers have lots of tools at their disposal to get their content across to very different audiences. For some time the traditional media of newspapers, radio and TV were the prime outlets for content distribution. Social media have changed this to many more senders of content than before.
In the 21st century, AI allows to automate media productions. In a trial run I just used Google’s NetbookLM to generate 3 podcasts based on my own writings on AI over more than a year by now. The result is available and using artificial voices it is possible to broadcast yourself without revealing your own personal voice. I am not done with the evaluation of the outcome(s) yet, but the first impression is an interesting other form to spread content.
More tests are necessary to check for hallucinations as well.
Here are the links to my virtual podcasts:
AI, intimacy and insecurity
AI, Society and the Human Spirit
AI and the Human Mosaic: Navigating Our Interconnected Future
Mind Map Me
AI tools are great to assist learners in the task to get more structure into larger documents or books. It is up to the teachers or lecturers to use the tools themselves to pre-structure content they want other persons to learn. Mind maps are useful to summarise larger content and offer a tree-like structure to a text moving from the general to more specific content and then into details by at the same time not loosing sight of the overall structure of the content. Basics can be provided by Google’s NotebookLM and you may rework this basic structure yourself linking the mind map to the detailed content. Learning may start with a comprehensive mind map at the beginning to move on to details. Alternative versions of a mind map are equally feasible to come up with new combinations of subjects. This can be done using the tags of the blog entries in addition to the categories and fast search keywords.
It is a fascinating way to mind map yourself based on longer texts written by yourself. This clarifies a bit what potential readers or learners are likely to retain from reading your document(s) or blog entries.
Its worth trying, as others will most likely use these tools from now onwards anyway, whether we like it or not.
Image: Google NotebookLM Mind Map of my AI blog entries 2025-9-9.
Marc Aurel Philosopher
2025-9 marks an additional landmark in the achievements of the late Marc Aurel. In the Roman built city of Trier, 3 museums offer exhibitions on the life, ideas and imperial governance style of Marc Aurel. Libraries and bookshops around the city portray a wealth of books and studies by and about Marc Aurel as well in many languages (image below 2025-9). The stoic author and practitioner has served as an example of a leadership style which became for many subsequent leaders a hard-to-achieve precedent. The writing style of Marc Aurel in short paragraphs and aphorisms proved highly accessible, although his readership swell only after a Latin translation of his Greek original appeared in the 16th century. The title “Meditations” in English, “Pensées pou moi-même” in French or “Selbstbetrachtungen” in German demonstrate the difficulty to get to grips with the author’s intention and objectives in writing down these reflections on life, ethics, humanity and good governance. Through the use of Greek rather than Latin he puts himself in the line of Greek philosophers rather than the succession of Roman emperors. As the numbers of bad leaders still outnumber the good governance style advocated by Marc Aurel, these exhibitions in the Simeonstift, the Landesmuseum and the Stadtbibliothek are a perfect opportunity to demonstrate that good governance is something that can be studied and learned even in the distant Roman history.
Former Crypto currency
The rationale behind a Crypto currency is quite an ancient idea. In the absence of a central bank or in addition to it, people may choose to establish their own currency or currencies. The central idea is to secure assets (currently and in the future) as well as to enable an exchange between a community of people. The Museum of the National Bank of Belgium (image below) has a “Yap stone” on display which originates from the Pacific Yap Islands. Even very heavy and big stones served as wealth storage. The idealistic value of a particular stone conveyed additional value. In the true value of the word these people were banking on stone money in a way not to distant from what Crypto currency embodies today.
AI in Central Banks
Yes of course, Central Banks will use AI, and some do so already (Kazinnik and Brynjolfsson, 2025). Beyond the standard application of AI by its employees, there are many potentials to use AI to analyse and publish data at a faster rate or in order to detect financial crimes. Similarly, data collection based on webpage harvesting might yield new indicators of inflation, expenditure for environmental risks (heat waves, flooding etc.) earlier and in addition to the normal set of indicators. Hence, Central banks might be better and faster in forecasting inflationary tendencies using more AI tools in their daily routines. Of course, it is difficult to predict a disruptive tariffs policy of a major economic player in the world economy, but the calculation of more, even hallucinatory scenarios become more feasible. It is feasible to weigh overall risks of different scenarios to the economy.
(Image: Celtic coins, Museum of the Belgian National Bank)
Claudel & Hoetger
It is well known that artists joined other artists and groups to get inspired. The entangled relationship between Camille Claudel and Auguste Rodin has become a special example of the tricky relationship between learning and co-creation or inspiration. The role of galerists in building a reputation for artists is less well understood. The “Alte Nationalgalerie“ in Berlin opens up this black box a bit through juxtaposition of Camille Claudel, Bernhard Hoetger as disciples of Auguste Rodin. The influences are rather obvious, yet each disciple developed her/his unique style. The emancipation was not without frictions. The galerist Eugène Blot organized a joint exposition of both disciples in 1905 in Paris, which is partly reproduced in Berlin 2025. Great work by the curators of the exhibition Yvette Deseyve and Sintje Guericke who managed to bring together unique sculptures from 3+ museums and a great explanation of the links between the artists as well as the proximity of ateliers. (Image: view of showroom in Alte Nationalgalerie Berlin, Claudel & Hoetger 2025)
Jewish Heritage
In the Germany of the 21st century, we have to dig deeper into history to understand the Jewish heritage due to the horrific terror of the Nazi-regime and it’s millions of supporters. The traces can be found in some historic photographs even in the countryside. Marie-Louise Conen and Hilde Weirich (2010) have thoroughly studied such documents for the Moselle village of Lösnich. The little annex to a house served as a Synagogue (image below). The village has a history of Jewish settlements which extended to neighboring villages as well. Interestingly, the heritage of Napoleon’s occupation of the Rhine and Moselle regions brought equally for all men (not yet women) and the separation of the state and religion making Jewish life, property acquisition more easy. The tolerance of the 19th century was then reversed by Nazi Germany again. History is present in many places, where we do not seem to expect it nowadays.
Photographe engagée
Marie-Laure de Decker is featured in the “Musée européenne de la photographie” (MEP) as a photographer committed to capture truth in situations of conflict. She started her career with documentary photos from the Vietnam war. Rather than searching for spectacular scenes, she succeeded in her attempt to capture the more emotional and, therefore, relatable moments for her various audiences. With a firm commitment to the human in her work, the photos by Marie-Laure de Decker reach a level of extraordinary sensitivity to what it means to stay human in violent situations and even military conflict. The portraits of politicians, workers, professions and famous actors applied the same approach. Rather than days or weeks Marie-Laure de Decker spent months or years in the regions of her documentary photo series ranging from Vietnam, South Africa throughout the apartheid regime, Pinochet years of dictatorship in Chile, the 2 parts of Yemen to a prolonged stay in Chad.
The exhibition in the MEP in Paris curated by Victoria Aresheva raises awareness to the additional fact that photo journalism became an affordable profession only after specialized agencies were created that granted authorship rights to photographers, which ensured later use of their work in edited volumes as well as working for several newspapers or magazines. (Image: Marie-Laure de Decker, self-portraits, MEP Paris exhibits 2025-8).
Femmes Photographers
Paris puts 2 women photographer into the spotlight. The MEP and the Musée historique de la Ville de Paris feature a gender perspective on photography. Both photographers have a common starting point in black and white photography. Each moved on to develop their art into an additional direction later during their career. Marie-Laure de Decker shifted from the early camera technology from black and white images to color photography in the later stages of her career. Agnès Varda moved from her initial b/w photographic work on to the production of videos for cinema, mainly focused on life in Paris from the early 1960s onwards. An evolution over the professional life becomes evident for both through these retrospectives of their respective work. Technologies evolved and became more accessible for artists’ creative expression. Both moved on to adopt new techniques and challenges. Great personal learning experiences and models for today’s challenges.
(Image Marie-Laure de Decker, L’image comme engagement 2025-8 MEP Paris).
Gentileschi Iconologia
Ever since the publication of Cesare Ripa’s „Iconologia“ (1593) the codes of art had become subject of a coded production and interpretation of art. Attributes of power or wealth like palms, scepters or crowns, decorated with gold and diamonds spoke a language easily understood by onlookers irrespective of time periods. Orazio and his daughter Artemisia applied this Iconologia throughout their work. The apparently simple depiction of bad weather became a sign of trouble ahead in a person‘s life, office or reign. From the success of Caravaggio‘s paintings, the application of light and shadow became another stylistic feature of especially Artemisia‘s work. Whereas the application of these techniques is a sign of craftsmanship, the own contributions like a more emotional and emancipatory repertoire of Artemisia make her an artist of her own kind. (Image Artemisia Gentileschi, Madelaine pénitante 1625, Musée Jacquemart André“ in Paris 2025-8)
