Tag: Paris

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Paris Gare

Train stations in metropolitan inner cities are hot spots of traffic and mobility. The number of people passing through these exchanges are impressive. Public transport systems are continuously put to the test of their capacity to handle passengers who want to get from A to B the fastest way possible. In Paris the RER lines, metro and buses to a great job in handling the affluence of passengers. The comparatively small number of passengers arriving and departing nyy taxi, however, still take a disproportionate amount of space. That’s part of the differentiation or inequality of mobility in Paris. Person‘s in need of assistance should have special access to central points of mobility like train stations. Everybody else could rely on shared modes of transportation otherwise the millions of inhabitants will not be able to get around in a comfortable way.

 

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Archi Geometry

Architecture has an obvious and visible link with geometry. Clear lines, rectangular or triangular shapes have dominated for centuries since the Greek temples. Geometry was a discipline that has attracted many scholars and particularly architects. Nowadays the shapes are much more diversified and sometimes complex. The calculation of surfaces, curved lines and shapes have become an issue of more complicated mathematics. Volumes of irregular shapes are a challenge for most people to calculate and heating or cooling sich buildings adds considerable complexity. It is, however, rather relaxing and fascinating to look at the marvels of modern shapes in architecture. Technology and material science have allowed us spectacular progress and designs in recent years. Paris offers a splendid perspective on such developments. 

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Sovereignty of People

In France the judiciary has made an influential decision to ban a politician from the possibility to be elected after conviction of fraud. This is just what is to be expected from the 3rd power in the organization of a democratic state. It is surprising that there was a political debate about a person convicted for a crime to be eligible for public office. Several eminent scholars published columns in major newspapers to support the judicial decision. Pierre Rosanvallon focused both on the justification of the verdict and the constitutional role attributed to the judiciary to operate as a kind of memory of the “general will of the people”, the ultimate sovereign. In the struggle of power within a state the judiciary defends individual rights as well as moderates between the executive and the legislative branch. In the theory of democracy this creates a double bind situation in which the individual has a right to be defended against the state and individuals who ask for judgment of cases one against another one. Eric Halphen has also argued in favor of the often neglected role of the judiciary to stand up for the “general interest”, a notion which is not easy to define without historical references in each country and its historical trajectory of democracy. The short debate about the role of the judiciary has strengthened the defensive capacity of the French democracy. Other, even mature democracies may turn their eyes on the decision of the judges involved not to shun away from unpopular decisions. The independence of the judiciary is part of the sovereignty of the people and non-negotiable part of it.

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Body Soul Membrane

The 40 art works from the Pinault Collection on display at the “Bourse de Commerce Paris” deal with a depiction of the body and soul in the broadest sense. The range of works from paintings, sculptures and video installations is impressive. The link between the body and the feelings or emotions is obvious. Contexts leave deep impressions on bodies and frequently embodiments do not fit emotions. The membrane between the two instances creates an additional barrier or chance to align both instances. Racism and discrimination are recurrent topics in the exhibition. This makes the exhibition a welcome antidote against the increasing risks of violence in many societies. Artists have a subtle emotional connection to suffering of people and their art work does not shun away from confronting us with violence experienced by large groups of society. Body and soul membranes are also an internal or intimate affair, which words can only address with difficulty. Many artists therefore chose other ways than writing or drawing to express or cope with this reflexive relationship of body and emotions. We do not leave the exhibition unmoved, maybe even a bit unsettled in our emotional state of mind. Our own membrane might be moved or become unbalanced after the visit. 

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Wall Membrane

Walls are meant to separate persons. In certain circumstances, however, they work more like a membrane, which allows for example sound to pass walls. We are sometimes surprised to find out that we might hear almost every word that is spoken in a neighboring apartment or home. Listening without seeing is in fact a perfect set up for a comedy to evolve around this theme. Unintentional listening might turn into noisy listening and 2 lives start to intermingle. This is predestined for a comedy to evolve as does the theatre play by Lilou Fogli “mur mure”. The turning tripartite scenario by Jérémie Lippmann makes the 2 rooms arrangement visible where listening and seeing both separated actors a delightful experience. Understanding without seeing is better than seeing without understanding. Misunderstandings are frequent with the focus on appearances of persons. It is somehow the opposite of what our social media platforms suggest with their focus on stylized images and AI-enhanced photo editing. Hearing maybe the better seeing. In that sense the theatre play is in the emancipating tradition of authors like Ibsen or Chekhov, emancipating us from the dominant and overwhelming presence of selfies and self promotion.

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Law and Legality

Some persons consider themselves to stand above the law or push all interpretations of regulations beyond usual understanding of it. Even after a person has been dealing with pharmaceuticals or drugs used also for doping purposes, the conviction of such a person may take several years if not decades. In France, Mr Bernard Sainz seems to be a good example of such a relentless case of practicing para-medical consultations to assist mainly cyclists in endeavors to win championships or professional status. Le Monde  and Cash investigation have raised awareness of the public for such dubious practices. The “French Federation du cyclisme” and medical doctors association fight a continued legal battle against this persons exercising illegally such doping assistance. 

With apparently 56 legal procedures in connection with this person, the legal system has to bear the majority of costs of such illegal practices.

The reach of such dubious practices might be extended if the systems beyond doping, but for assisted euthanasia cannot be controlled effectively. Hence, the precursor cases of positive stimuli like doping pose similar challenges to the legal system as “negative stimuli” weakening persons as assistance to die. The end of a life course is not only a medical issue. Society-wide debates need to take place in order to organize a large consensus on the implications more liberal practices shall entail. 

(Image: Palais de Justice, Paris 2025)

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Great Petit Palais

The Petit Palais in Paris was built together with the Grand Palais for the World Exhibition in 1900. The great architecture of both buildings is complemented by great interiors. The Petit Palais has also been the home of donations to, as well as commissions by, the city of Paris since 1870. This means that a sizable collection of sculptures and paintings has accumulated since then. In spring 2025 the visit of these collections is free of charge and gives honor to the donors and artists exhibited. Over time the collections spread more than 2500 years of art history similar to the exhibition at the BNF gallery Mansard. In the 21st century the exhibition of a piece of art, which stems from the North of Syria reminds us that art is a treasure that can last even if the civilization has been lost or at interrupted for many centuries. This is an important aspect of taking a long term perspective on international politics and history. The breadth of the collection allows a stroll through art history in a splendid setting. Romanticism and impressionism receive a little bit of attention, but the architecture of the Petit Palais invites you to delve into lesser known territory. This, probably is the specific merit of the joint presentation of otherwise necessarily eclectic collections of donors across centuries.

(Image: Anse de chaudron Syrie du Nord 700 years before our time, Petit Palais Paris).

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La défense Végétale

Greening a metal and concrete block and buildings is a big challenge. The logic of unrealistic growth and big business has left liabilities for future generations. More vegetation in inner cities is part of our responsibility towards future generations. Therefore, urban planning has started in Paris to get rid of concrete walls and floors.

Eventually the district might have a more human touch which attracts citizens and new businesses and services. The adaptation of the infrastructure to facilitate mobility with bicycles and secured pedestrian paths has started but will take a lot of time before people adopt again these more healthy modes of transport. The big boulevards reserved for polluting transport is no longer adequate in combination with residential living spaces.

It will take a change of a whole generation to accomplish such a fundamental change. The reduced demand for office space due to more employees choosing to work from home contributes to such a change as well. Many other cities go ahead with similar changes (Copenhagen, Berlin). In combination with the „All electric society“ there are fundamental changes at work which will make inner cities more attractive again. Ease of clean transportation and other infrastructure for urban lifestyles ensures that cities remain strong points of attraction. They keep pulling people from nearby and far away towards them, if we like it or not.

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La Défense reframed

  1. The whole new business area „La Défense“ was a huge investment project with international speculators highly motivated to reap the benefits of a business location just next to Paris, which at best would even feel a little bit like being „intra muros“. However, being at La Défense you see „L’Arc de triomphe“ only quite far away and you don’t really get the impression that you are in Paris. The high rising buildings around there originally gave god reasons for expensive office space. Few residents spaces made the area uncomfortable in the evenings after office hours. After 2025 most office spaces no longer are attractive for businesses and lack behind environmental standards of the 2020s.  Many projects attempt to renovate the former office space into residential buildings with a considerable loss in the value of previous office space. For people working in the multiple shopping centers there this might be a feasible option if the rent is not excessively high. Students in transit through Paris might find this attractive as well. Families, however lack an adequate infrastructure as this area was built for an outdated business center and business model where families were believed to obstruct business efficiency. As the project developers have written off their investments over 25 years society can clean up the remaining space and repair. It will be another medium term project to re-create a convivial environment and community there as before the overriding device was make money there and run to a more human and diverse space.
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Louvre empty

The Louvre in Paris is never empty. The paintings and splendid statues are there 24/24 and 7/7. If you want a quiet moment in front of the sculptures you have to choose a time beyond the normal visiting hours. In fact even a view from outside without queues is a pleasure and gives the impression of a huge empty space with just a few pieces of art. The lights add a nice touch to this special evening atmosphere. It is worth trying to catch a glimpse of the size of the building and the sculptures. Well, we should keep this a secret rather than spread the knowledge about such “Paris moments” in otherwise busy times and crowded places.

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Expo Disco

The combination of music and dance is a powerful, captivating experience. From folk dance traditions across the globe to ceremonial performances. In the past this combination has often related ro religious practices. Later manifestations include classical ballet, modern dance and disco music and dancing. History is full of examples that have been turned into mass culture. 

Rock on festivals and rap in clubs or hip hop outside have complemented this experience over the last few years. Each time the combination made the popular difference. Therefore the Disco exhibition in Paris just next to the Conservatoire de musique et de dance de Paris and in the building of the Paris Philharmonic is an appreciation and respect to the disco culture, popular mostly during the 70s and 80s. From a sociological perspective the throve by minorities for recognition of their cultural practices and diversity has been a driving force. Andrew Diamond has coined the expression of „disco at the intersection of minorities struggles“ (p.70 exhibition catalog). At the origin of the disco movement, there was the aftermath of the 60s power struggles. Black, women, gay and student protests asked for „all power to the people“. Music and dance were forming identities. Posing and showing off became part of disco. People created and lived their own utopia in glamorous lighting.

Image: Exhibition shop Paris Philharmonic 2025.

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ravel up Ravel

To ravel up is a contranym. It can take a specific meaning and the opposite at the same time. Therefore, it is a perfect term to describe the composer, pianist and conductor Maurice Ravel. Born in 1875, he lived through great deceptions as aspiring pianist at the Conservatoire de Paris, but achieved glory through his famous compositions like the “Boléro” created for a ballet performance at the Paris Opera.
Previously, he had written several remarkable piano pieces, which were recently honored by the piano music magazine “Pianostreet”.  In an article with links to 5 performances of Ravel’s piano compositions you can ravel up in the emotional world or cosmos of Ravel. You may also unravel his compositional style marked in some of his most famous pieces with the variations of a single theme or motive. The “Sonatine” completed in 1907 might be considered as a precursor of later work (Boléro) as he refined his composition techniques to build, for example, on a single motive and develop a whole piece reworking and with reappearing incidences of the same motive.
Ravel himself appears as contranym, as he combined modern musical influences, like from jazz or innovative structures of musical compositions with the classical forms of composition. Listening to Maurice Ravel allows to better understand the transition from classical music to modern worlds of music. Thanks to “Pianostreet” we can follow these paths. For a biographical account the splendid movie “Boléro” takes you on an unraveling musical journey of Ravel.
(Image: Repainted piano in Berlin shopping center 2024)

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Endless Questions

The winner of the Niépce prize 2024 has been awarded to Anne-Lise Broyer and features prominently at the BNF in Paris. The exhibition of the professional photographer reflects by way of photographic “still images” on the historic fate of the mediterranean basin. Each and every image has no answers, but keeps posing questions. In the long alley of the BNF in honor of Julien Cain, we walk through history of more than 2 thousand years in photographs up until today and even beyond. Let’s keep asking the most fundamental questions again and again. The exhibition entitled “Est-ce-là que l’on habitait ?” invites us to ask ourselves about the historic origins of so-called Western culture in the mediterranean basin. Ancient philosophy and arts are the foundations even of our current ideas of democracy and freedom.
However, what has become of this in the 21st century? The original statue of freedom has suffered badly. What has become of the freedom of mobility at a time of barbed wire fences rising between countries that influences each other over thousands of years? How about nature? How about religion and freedom of expression? Where is progress? Where is regression?
For centuries we have sought answers in libraries starting from the Library of Alexandria to the treasures of art and knowledge of today across the world. Let’s make more intensive use of these treasures where we shall find answers to most of our questions of the past, to the past and of future interest.

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Hugo intergenerational

Well, this entry is not about Hugo Boss, whose name is probably known to more people worldwide nowadays than the French poet and writer Victor Hugo. The latter Hugo, however, is likely to be known to more generations to come than the former one. In his 19 years of exile with his family he had the unique chance to get to know his grand children a bit closer, which was rather unusual for the late 19th century. The romantic poet was charmed to an extent that he could help it, but to express himself in a longer poem. „L‘art d’être grand-père“ (The art of being grandfather)“. Victor Hugo experienced the death of own children and his wife before and his grandchildren surely gave him reason to believe in a more joyful tomorrow. Comments on this poem mention the idealised vision of the romantic regard on children and even more so on his own grandchildren. « Leur front tourné vers nous nous éclaire… … Ils trébuchent, encore ivre du paradis. » 

We forget all earthly quarrels just listening to the soothing sound like children’s rhymes. Hugo is a master of all literary classes and he ensured that his intergenerational legacy would be part of this.  (Image: Maison Victor Hugo, Paris, writing desk ro stand in front of)

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Shoa Memorial

In the neighborhood of the Paris City Town Hall you find the Mémorial de la Shoa. There is a constant flux of visitors and pupils with their teachers passing through the rooms. They all continue to be really moved by the shocking images and their efforts to try to understand the full extent of the Shoa and the terrible effects it had even on survivors of the concentration camps. The continuation of the memory of the memories of those survivors by young people is one of the strong points of this exhibition. The transmission of memories finds many new ambassadors against the tendency to forget or downplay the horrors committed by the Nazis. 

Of course it is overwhelming as an experience, but it all the more necessary to keep memories alive and guard against each tendency of denial. In the age of fake news and historical deep fakes, it will be all the more important to immunize people against any attempts of manipulation of historic truths. The availability of the information online and through youtube-videos is an indispensable next step in the preservation and dissemination of the documentaries. The Mémorial of the Shoa in Paris is an essential part of this commemoration as 76.000 Jewish persons were deported to concentration camps from France as well.(Image: Mémorial de la Shoa, Paris 2025)

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Corridorisation Connectivity

In some cities, “I love Paris” (Jazz Song), we admire the “breath-taking” large corridors, right in the centre of the city. This has been the outcome of the urban planning in the 18th century. Haussmann designed large parts of Paris with huge corridors despite the medieval narrow streets in some of the arrondisements”. Ease of traffic, fewer riots and representative housing became the new mantra of urban planning and superb boulevards.
In the 21st century it is about time to question the notion and social process of corridorisation. This has been accomplished in a paper by Fatima Tassadq et al. (2025). Modern infrastructure like fibre-optic cables, energy or water networks are easiest to deploy in urban spaces with large corridors than the complex narrow inner cities with supposition of different kinds of network layers. The grand ideas of the 18th century should be questioned from time to time and some districts that have escaped the corridorisation might well have a particular charm about them, maybe just because they seem to escape the rational approach of making and structuring space by means of large corridors. Large corridors separate city districts and they are a major driving force of gentrification.
The rationality of corridors has some roots in maths or physics of complexity. A recent paper by Shanshan Wang et al. (2024) reports the surprising finding that the transport corridors in several cities across the globe allow for a 1.3 times the distance of transport networks compared to the so-called direct linear “bird’s flight line”. Hence, corridorisation is (has been) a rather pervasively applied model of urban planning.
Alternative approaches advocate in favor of the 15-minutes walking distance city. All amenities like shops, schools, maybe work and services should be reachable within a 15 minutes walk. This does include “walking corridors” that facilitate (social) connectivity in inner cities. Cyclists also claim their corridors or fast lanes across cities, which underlines the pertinence to take corridorisation seriously and apply the concept with care.
In any case, social connectivity is key. The big social media platforms operate similar to the traffic infrastructure in the 21st century and provide huge corridors to knowledge and people. We only realize this once a service (for example tiktok) or the internet altogether gets disconnected. We have moved from (social) categorisation to (social) corridorisation as technology and rationalisation have taken the upper hand to structure our (social) lives.

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Artists networking

Creating a network between rather idiosyncratic artists is no easy task. The more they develop a unique style separate from other painters mixing with other artists can be a challenge because you might find yourself in the position to continually defend your new style. Therefore, building a network of artists that understands the concept or emotion that drives you is a great advantage. In the catalog of the Caillebotte exhibition in the Musée d’Orsay Paris the map of living and working spaces of Caillebotte and his artists’ friends like Claude Monet is a great way to demonstrate the degree of networking and creative spaces that propelled the impressionist movement. The galleries and greater exhibitions of the impressionists took place in the vicinity of the established art institutions, but were not admitted into the traditional exhibition centers like the Louvre. The map from the catalog provides insights into the cognitive map of Paris which Caillebotte had in mind at his time. Artists see cities as opportunity spaces which facilitate or impede the creative processes.

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Mind Paris

I have been asking myself what it may mean “to be in a Paris state of mind”. After a creative sabbatical spent around and about Paris I am happy to present the flipbook of entries on Paris in 2024 and the Olympic Games. My perspective is a social scientist’s view of public affairs. It builds on the many brillant minds and organizers who managed to make Paris a very special experience in 2024. Beyond the fabulous distraction of the sports events, which received sufficient attention, there were and there are so many exciting experiences that it is well worth speaking of a “Paris state of mind”. It happens in the quiet places of Paris, the museums, libraries, churches, parks and in the pedestrian areas. The 21st century has begun and Paris wants to remain in the top locations for modern experiences.

My flipbook for you to enjoy:  Paris and Olympics 2024.

also as versions: size 16 MB Pdf-Version, best to read in even spread format over two pages on one larger screen (text left side, image right side), just as a suggestion.
Some prefer already the epub3 format (EPUB3) to jump from topic to topic and follow links in a comfortable way, but please do not print to save paper. THANKS, feedback welcome. 

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Paris Vision

You got to have a vision in urban planning. Long term visions are best to then realize them step by step. The center of Paris has been restructured since the time of Haussmann at several places. The previous commercial center of Paris with « Les Halles » and the building of the commodities exchange « La Bourse de Commerce «  have been turned into a pedestrian area long ago. This axis runs nowadays from the home of the Pinault Collection to Les Halles almost to the Centre Pompidou (in the background of the image below). Whereas Les Halles is usually very popular and crowded with people the art museums are a bit less busy. Walking around in the area is offering amenities for people of all walks of life. It is an area, better called a pedestrian boulevard, where the wealthy and the poor may meet or at least pass by. Social urban planning is in high need to be considered as a vision not only for Paris, but many places and cities again. Inclusive societies also begin with a rather simple vision of togetherness putting people first.

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Games over

All nice things eventually come to an end. So do the Paris 2024 Olympics and Paralympics.
The images have been impressive of both events and the millions of spectators give a good testimony in this respect. The cultural by-program of the Games was equally remarkable. The live performances of dancers not only on the opening and closing ceremonies attracted big audiences. Many well-known sites of Paris prepared their own events and inspired as well as entertained the visitors.
On the small stage in front of the “Marie de Paris”, the city hall (Image below), ballet performances (video) were staged to hint at the possibility to see more artistic performances throughout the year in Paris opera houses and other stages.
Showcasing many forms of cultural, inspiring and entertaining events gave a valuable additional flavour to the Paris Olympics. Many good reasons to come back and renew unique moments in Paris beyond 2024. Paris hotels will be more accessible again for moderate budgets and waiting times for entries should come down to normal levels as well. Back to a new normal for Paris. Well, maybe. The millions of spectators who followed the Games on television and social media might eventually decide to rank Paris higher in the “cities you have to go to at least once in your lifetime”.

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Olympic Criticism

The Olympic Games are, like every international organization, subject to criticism. In democracies this is part of the DNA of democracies that you can voice your criticisms openly without being threatened by persecution or arrest. The Olympic Games have since its beginning in ancient or modern times favored sport disciplines that have a link to warfare. The spectrum of disciplines has been extended recently to blur a bit this belligerent image of the Games. However even the break dance is performed in a kind of battle or competition between two adversaries. This is the reason why totalitarian states have (had) a predilection to show off their state sponsored warriors in the Olympic Games. Nazi Germany and the Berlin 1936 Games were the worst example of how the Games can get abused only to demonstrate a country’s force through athletes. Dictatorships of our times are not much different in this regard. Showing how many successful athletes (soldiers) you are able to produce is somehow an indicator of your professional training system of elite performance. Now, add to it the top performance in the Paralympic Games like Paris 2024 and you can even demonstrate how well you are able to care for and train potentially even also for mutilated warriors. Criticism of preparations of warriors and war masked through sport competitions are maybe unfair or utterly displaced here. It is, nevertheless, much better to compete on the sports-field rather than with loaded weapons. Only in retrospect, we often understand, why some nations made such enormous efforts to demonstrate a commitment to win as much as possible. With a growing enthusiasm for the Olympic Games the critical reflections rise as well.

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Paralympic Counting

The classification system of the Paralympic disciplines is well worked out. This ensures that competitions are on a more equal footing. The counting of medals, points and penalties is an easy task. It is more difficult to keep track of equipment and infrastructure and the adaptation status of it to Paralympic needs in a country or region. Statistics and monitoring of installations is one important step in preparing for participation and success in Paralympic disciplines. On an European open data platform we find the regional data set of “Parasportive equipment in clubs and committees of the Pays de la Loire”, for example. Transparency of structures is a first step in improving access to it. For Paralympic athletes it is the same process to gain access to sport equipment as for all other athletes. The monitoring of infrastructure and equipment is a laborious task, but the documentation of helps people on their way to obtain access. Paralympic counting, therefore, is much more than counting medals and trophies even if they are really nice looking.

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Olympic Medals

The distribution of Olympic medals across continents reveals the persistent inequality of rewards across the globe. The first African country in the overall ranking of countries by Olympic medals is Kenya on 17th place. All 11 medals including 4 gold medals were obtained in athletics and in running disciplines 800m and more. The financial resources needed to practice running as high level sport are probably the lowest one of all disciplines. Ethiopia is another African country with this tradition of high level long distance runners on the African continent. Equipment and coaching in other disciplines than athletics involves more infrastructure and becomes more costly and the possibility to reserve infrastructure for elite athletes of a country is more difficult if the infrastructure for the population at large is rather limited compared to the population size. Therefore, the Olympic tradition has to confront the challenge of unequal access to many disciplines of the Olympic Games also in Paris 2024. Being a very good athlete is just not enough if you lack the coaches, training and facilities to be able to compete with the well-equipped countries. The knowledge about the best details of a specific technique or optimization potentials are part of the Olympic challenges as well. The Americas, Europe and Asia might be confronted with new forms or another criticism of imperialist strategies, this time in the domain of sport. The winner or medalists take all. Country rankings appear a bit like the football device “money buys goals”. (Image, Fondation Louis Vuitton, Paris, Extrait of Omar Victor Diop “Diaspora” 2014-2015).

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Paralympic Happiness

It is with great pleasure that we watch the paralympic athletes in Paris compete for Olympic medals. For many the emotions of participation and being applauded by so many people in a sport arena are great experiences. Happiness derives from such great games and audiences. The accomplishments of the athletes and their supporting teams are truly outstanding. The progress towards such high skill levels is remarkable for each of them. The adaptation to what appears to be a handicap with adequate support and technique allows to surpass limitations. Well exercised skills like swimming are possible to be performed with great skill to achieve incredible performances. The Paralympic Games in Paris 2024 are a great reminder that besides the athletes some artists had to struggle with handicaps, but achieved some of the finest pieces of art. Matisse, for example, is called frequently “le peintre-du-bonheur”, the painter of happiness. In his last few years he faced a severe handicap to paint, however the pursuit of abstraction helped him to continue to create masterpieces. The rather radical pursuit of abstraction and maybe simplification are uncovered in the exhibition “Matisse: The red studio” at the “Fondation Louis Vuitton”. This marks an important step in the artistic life course of Matisse and enabled him to continue his work in later life when his health made it very difficult to pursue his artistic work. (Image at Fondation Louis Vuitton 2024-9-1 exhibition Matisse).

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Paris Trees

Preparing metropolitan cities like Paris for the heating up of the globe due to climate change is a huge task. As early as 2020 Paris started an ambitious greening program. 170.000 new trees by 2026 in a densely populated city is a steep challenge. With 114.000 trees planted by 2024 as the Olympic athletes and spectators gathered in Paris the city is right on track. The 2 parks “bois de Boulogne et bois de Vincennes” have jointly 25.000 new or renewed trees. The cemeteries, for example “Père Lachaise” has received new cooling trees as well. Most trees, however, were planted along the notoriously hot and overcrowded “périphérique” with 50.000. Only with the use of a Colbert-like planning exercise and rigorous implementation against even some initial resistance, it is possible to achieve this result and the ultimate objective. Visitors of the Olympic Games already experienced the differences during the summer of 2024. Detailed planning by means of a “Bilan par arrondissement” facilitates monitoring of progress. Publishing the information is part of the communication strategy to keep citizens informed and engaged in this silent transformation for the benefit of inhabitants and visitors. (Image City of Paris webpage 2024)

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Paris libéré

It is with great pleasure to follow how Paris commemorates the liberation of Paris from Nazi-Germany 80 years ago. (Quote from De Gaulle “Paris libéré”.) On the 25th of August 1944 the city of Paris was finally liberated by French armies and the support of the local resistance movement. Similar to the journey of the Olympic flame on the way to Paris, we can follow each city celebrating the liberation from the occupants. Beginning with the landing in the Normandy of the Allied troops, the chasing of the enemy has been a matter of time, but still incurred huge human losses. More than 4 years of Nazi symbols in Paris were finally brought to an end and celebrations on the streets became a symbol for the enormous relief this liberation has meant to the population of Paris, France and hope to many neighbouring, but still occupied territories.
Several documentaries on television and radio allow to empathize with the joy of this time. Enduring the hardships imposed and, for many, risking their lives in clandestine networks of the resistance were honoured by the success of the liberation of the city without the massive destruction, which was to be expected.
A book edited by Ulla Plener (2007) highlights the supporting role played by some women originally from Germany to support the French Resistance movement. It still is not common to understand the retreat of Nazi-Germany also in Germany as the progressive liberation of the country from the terrors of a dictatorship.

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Less is better

There is an interesting psychological phenomenon which is called the less-is-better effect. First research on this phenomenon dates back to marketing research more than 25 years ago. The Olympic games have even a mention on the English Wikipedia page on this less-is-better effect. The winner of a bronze medal at the Olympics might feel more happy than the winner of a silver medal. Why? Viewed as separate events winning a bronze medal makes can make you so much happier, because you are among the famous group of medallists in your discipline or with your team, whereas as a silver medallist you might be so disappointed that you did not reach the gold medal that this overrides the joy to come 2nd instead of 3rd. Several interviews of athletes during the Paris 2024 Games gave evidence of the pertinence of this less-is-better effect.
There are other forms of application of this rationale as well. A more sociological perspective highlights the potential change of category from less is more to the less-is-better rationale. One variable assessed in less and more frequency or value maybe better or worse in another category. Less pollution leads to better health. It is like a shift from a quantitative variable to a qualitative assessment of the same situation. Olympic Games are full of useful lessons from a social science point of view. Although, more can be worse.

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Artist Intuition

Artists have a specific kind of intuition. Many artists build their artwork on the competence to sense interesting deviations from standard representations of persons, landscapes, architecture or societal structures. In 2024 the Paris Olympics have demonstrated again the particular strength of American athletes in the competitions. As a renowned sculptor Auguste Rodin had the incontestable intuition that the American athletes had a physiognomy of impressive dimensions. Well worth a sculpture of its own kind. Rodin realised the first bronze statue of the “American Athlete” as early as 1901. In 2024 American athletes are much more diverse, but the impressive strength is documented in the USA still leading the list of countries in terms of gold medals. Rodin’ sculpture of the American athletes is focused on the muscular strength in contrast to most of his other work where gestures, clothing or emotions were immortalized. (Expo: En jeu ! Les artistes et le sport. Musée Marmottan Monet photo below) There is also a stark contrast to Rodin’s famous “ Le Penseur”. The dialectic vision or just visualizing both artworks next to each other reveals the difference to represent simply an athlete or the abstract concept of a thinking person.

American Athlete, by Auguste Rodin 1901
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Sports Game

Each museum in Paris gave its view on sports. There is hardly any perspective that is not represented. The link of sports to soldiers in ancient Greece or the gladiators in the Roman empire are prime examples of this. The Museum Quai Branly added an ethnographic dimension to this view showing sports traditions in African, Asian and indigenous American peoples. The bookshop of the museum added anthropological views and critical literature to the phenomenon of sport. A provocative example of critical cultural literature has in the book title the question: Is sport a game? We all have our opinions on this topic. The idea that sports remains a game is a rather naive one. Most people probably would argue that in view of the high ticket prices, sport has primarily become big business. Listings and comparisons of medals between nations have financial implications in the aftermath for disciplines and athletes. The upcoming Paralympics in Paris reframe the above question. Sports at high levels is a very serious game.

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Paris Experiment

The Olympic Games 2024 were prepared years ago. Already the application procedures to prepare “un dossier” has to bring in lots of ideas and imagination what is desirable and feasible. Paris opted for a celebration of sustainability in a city proud of its medieval heritage and the Haussmann tradition of radical transformations of a city with large boulevards and representative buildings. From the “Arc de Triomphe” the major axes of communication between “arrondissements” become visible. 100 years ago the city had already been transformed according to this master plan. At that time sanitation of a city meant different things than today. The invasion of inner cities by Diesel-driven cars made life unhealthy again. Now, the Olympics gave reasons to restrict cars and lorries passing the inner city and the great boulevards. More tourists need more space and shall keep a much better memory of how pleasant Paris was during the Olympic Games. This could be a game changer for urban development in general. The proportion of pedestrians versus cars has to be shifted in favor of the walking population for many reasons. Tourists will flock to the city, if the overall and shopping experiences are great. Back to the future sounds crazy, but it has an interesting flavor to it for urban renewal and residents as well. (Image Paris 2024-8, b/w color filter applied, enlarge to see vasque)