Category: time

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Swimming Pool

Summer time is the time to enjoy outdoors. Hiking, biking, climbing as well as swimming are high on the agenda. With the Olympic games 2024 around the corner we rise to the challenge and get started again with more sports activities. Swimming has many health advantages. Most people think of cardiovascular training and relieve of back pain. Exercise without carrying your body weight is great for your joints and ligaments. The benefits for psychological wellbeing have long been underestimated. Diving into silence under water even if it is only for some seconds or a minute calms your spirit. The water pressure holds you tight without restricting your movements. Breath control is an almost meditative experience. Everyone can do it, again and again. Childhood memories, good and bad, are associated with swimming. Choose your style, costume and pool. The summer break is an ideal occasion to test the marvelous experience again of cold or warm water. The cold water bucket challenge of everyday life takes a break. Time to find your pool again. (Image extract from Susanne Hay, Swimming Pool II, 1996 in private collection, exhibition in Yerres, summer 2023)

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Couch Cottage

As vacation time is approaching, we ask ourselves, whether to choose the comfortable couch or the remote cottage. This is the proposition of Roger-Pol Droit in “Le Monde Livres” (“Sagesse 2024: cabane ou canapé“, 28.6.2024 p.36) based on the reading of “Ma cabane sans peine” by Alain Guyard and “Philosophie du Canapé” by Stefano Scrima.
The couch stands for the lazy life or “vita contemplativa“, thinking about philosophical topics that need a certain form of laid back behaviour to allow your brain to sort out tricky questions or to ask yourself, what is, was or will be important questions. Many academics shut themselves away from the busy life outside to reserve more time for couch thinking. The usual products of this activity practised on chairs and couches is more or less digestable books. Some make a comfortable living out of this active inactivity.
The cottage approach follows another longstanding philosophical tradition associated with Dionysos. Living a simple life in a remote place, but full of life’s enjoyment allows to exalt in the dithyrambic atmosphere of the countryside.
Rather than the either, or issue: couch or cottage, I go along with the dialectics of Hegel, who forms out of thesis and antithesis the synthesis. In our example this is obviously equal to “take the couch to the cottage“, problem solved. Additionally Nietzsches version of “Die fröhliche Wissenschaft” seems to prolong the dialectic experience of going beyond the “neither, nor” dichotomy to combine both couch and cottage.
You sensed it. It will be a rather exciting summer break to pursue on the many roads to “Sagesse 2024” (Wisdom 2024).

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Violence Potential

The book (editor Sabrow 2023) and the exhibition “Gewalt gegen Weimar. Zerreißproben der frühen Republik 1918-1923” need a broad European audience. The violence, which in the medium term destroyed the newly founded democracy of the Weimar Republic in Germany, is linked to the immediate aftermath of the 1st world war. The relatively calm abolition of monarchy in Germany did in no way prevent the eruption of violence within the new democracy. Extreme forces prepared in organized ways (Organisation Consul) and some in open public discourses the potential for the use of violence. Armaments left over from war equipped the Freikorps Movements and the potential to use the weapons was present at all times in the aftermath of WW1 in Germany. The contributions to the volume provide a detailed account of these 5 crucial years when democracy was able to defend itself against all odds. The strategies to take control of the country were built on a violent rhetoric which prepared the ground to put violent talk into action later on. This spiral of violence is hard to de-escalate once started. However, democracies have to foster ways to calm the spirits in periods of high potential violence. Elections as well as the campaigns before are the arms of democratic change. They should be used as such to pave the way to compromise.

Exhibition at Topography of terror Berlin 2024-6
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Broken Promises

In a library catalogue, the entry of « broken promises «  returns more than 3000 times that the title has been used. « Promises kept » is almost as popular. A rapid inspection of titles reveals that the former titles suggest more factual analyses, whereas the latter is frequently used in the form of an imperative in combination with “should be kept”. The book by Fritz Bartel “The Triumph of Boken Promises …” (2022) demonstrates the importance of the concept of broken promises in the social sciences. The rivalry between socialism, capitalism and the rise of neoliberalism is strongly influenced by the way they handle the breaking of promises made to their respective societies. The promises of increasing wealth and wellbeing have been part of all political regimes. To keep these promises is a completely different story. Especially since the first and second oil crises and many other kinds of crises, it has become much harder to keep these promises. Working hours, retirement ages or minimum wages are all at risk to no longer live up to the promises made in earlier periods. This has put welfare states under pressure that millions of voters perceive politics as a “game” of broken promises. Socialist political regimes like Russia are ready to use physical violence to shut up people that remind leaders of these broken promises. In democracies the ballot box is often used to sanction governments that do not live up to expectations of previous promises. A lot is about public infrastructure which is failing people. Migration, education, social and labor reforms are on top of the political agenda if it comes down to broken promises. The elections of the European Parliament gave many a chance to express their discontent about various broken promises. Maybe democracy is better in providing forms of letting off steam early and protracted protests rather than the Russian way to suppress any critical analysis, let alone opposition movements. Just like the move from industrial production to services as production models, with AI we are likely to see similar problems and probably also broken promises. The challenge is huge and promises should be made with an eye of what promises could be kept.

Public swimming pool closed for reconstruction 2024
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Schostakowitsch Revival

Je mehr Putin sich unablässig in seinem Angriffskrieg gegen die Ukraine und gegen seine eigenen Leute versteift, umso mehr werden die musikalischen Werke von Dmitri Schostakowitsch aktuell. Schostakowitsch hatte viel unter Stalin zu leiden. Sein Werk konnte kaum Gefallen bei der stalinistischen Führung finden, aber dennoch haben voele der Russen seine Werke geliebt. Insbesondere die sogenannte „Leningrader“ Symphonie, die das Volk einte vor den Radioempfängern, selbst mitten im Krieg gegen Nazi-Deutschland. Die Berliner Symphoniker haben diesem Werk eine neuere Ehre erwiesen mit einer Aufführung in Berlin 2024-5. Das Interview dazu mit dem Dirigenten Yannick Nézet-Séguin wurde geführt von Matthew Hunter, Bratschist der Berliner Philharmoniker. Es beschreibt diese eindrückliche Auswahl hervorragend. Die Berliner Philharmoniker haben eine lange Tradition, Werke von Schostakowitsch aufzuführen und einzuspielen. Die Digital Concerthall hat eine umfangreiche Sammlung mit Werken von Schostakowitsch. Oftmals etwas schwere Kost, aber durch das Ausspielen des ganzen dynamischen Spektrums von pp bis ff nie langweilig. Eine kleine Filmmusik „Volksfest“ (Sylvesterkonzert 2022) ist leicht beschwingt oder gar etwas beschwipst. Der musikalische Nachwuchs hat die Tiefe der Werke erkannt und gewinnt international anerkannte Preise mit Vorträgen von Werken Schostakowitschs. So geschehen zum Beispiel beim „Concours de la Reine Elisabeth in Brüssel 2024-5. Der Ukrainer Dmytro Udovychenko würdigte Schostakowitschs Leben und Werk inklusive des Existenzkampfes und gleichzeitig seine Heimat die Ukraine mit dem Belgischen Nationalorchester mitten in Europa. 

Example Audio Playlist on Spotify or Videos on DCH
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Freiheit aushalten

Frei von Zwang zu sein, ist eine tolle Erfahrung.
Frei zu sein, das zu tun, was man möchte ist die Fortsetzung des Gedankens.
Eine lange philosophische Tradition (freedom & democracy) lässt sich inetwa so kurz zusammenfassen. Negative Freiheit, also nicht irgendwelchen Zwängen zu unterliegen, frei von Religionszwang oder Zwang zur Arbeit, war über Jahrhunderte das überragende Ziel der Freiheits-, im Sinne von Befreiungsbewegungen.
Wir haben diese “passive” Vorstellung von Freiheit durch eine “aktive”, positive Form von Freiheit ergänzt. Die Freiheit etwas zu tun oder der aktiven Teilhabe an der Gesellschaft ist zu einem weiteren leitenden Gedanken des modernen Freiheitsbegriffs geworden. Entwicklungschancen von Kindern zeigen die Bedeutung der aktiven Gestaltung von Freiheit für die kindliche Entwicklung und die Bedeutung der Teilhabe an Gesellschaft auf. Alleine frei zu sein von Zwang führt noch nicht zu einer altersgerechten Entwicklung von Kindern. Positives Gestalten ist notwendig, damit Kinder ihre Potentiale über die Zeit Die Freiheit des Anderen selbst aushalten zu können, ist eine weitere notwendige Bedingung von Gesellschaft und unserem Freiheitsbegriff. Das fällt zuweilen recht schwer. Die Bienenzucht des einen kann dem Bienenstichallergiker buchstäblich zum Verhängnis werden. Wieviel freie Rede ja, aber Hassrede nein, müssen wir aushalten. Dürfen sich diese Konventionen über die Zeit hinweg verändern? Wenn ja, wie weit? Wir haben viel Gesprächsbedarf, um ständig unserer “kommunikatives Handeln” zu beraten und zu überprüfen.
In Zeiten von Wahlen und Wahlkämpfen ist das Schild “Freiheit aushalten, eine Aufforderung doch öfters mal hinzuhören selbst wenn uns vielfache Aussagen bereits als abwegig erscheinen.
Von “Ausfahrt freihalten” hin zu “Freiheit aushalten”.

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Einfahrt freihalten

Wir alle kennen die Schilder „Einfahrt freihalten“ auf dem Lande und in den Städten. Alle Personen, die eine Art von Garage oder Einfahrt für ihr Zuhause, Firmengelände oder Grundstück haben, sehen sich früher oder später gezwungen andere Personen auf die Einfahrtsmöglichkeit extra hinzuweisen. Ohne Hinweisschild könnte sich jemand die Freiheit nehmen, genau an dieser Stelle sein Vehikel abzustellen und die Ein- und Ausfahrt zu blockieren. Derartiger ziviler Ungehorsam oder einfach Faulheit eine andere, weniger anstößige Parkgelegenheit zu suchen, verleitet ständig zu leidenschaftlich geführten Streitigkeiten. Einsätze vom Ordnungsamt, der Polizei und einem Abschleppdienst gehören zu den üblichen Folgewirkungen. Rechtlich verbriefte Eigentumsrechte gehören in vielen Ländern der Erde zu den höchsten Rechtsgütern.
Interessant sind die verschiedenen Spielarten von „Einfahrt freihalten“ in der deutschen Sprache. „Ausfahrt freihalten“, beispielsweise, suggeriert die Bedeutung des raschen Verlassens, eventuell zu einem Einsatz. Zeitdruck bei der Heimkehr oder beim Wegfahren lassen auf die Begründung der Nachdrücklichkeit der Aufforderung schließen, bitte Ausfahrt freihalten.
Die neueste Berliner Variante der Aufforderung, bitte hier nicht parken, heißt „Freiheit aushalten“. Können wir die Freiheit der Person aushalten, jederzeit dieses Gelände zu verlassen oder zu befahren. Das ist anscheinend eine große Herausforderung an der viele Personen ständig scheitern und ihre eigene Parkfreiheit über die Freiheitsrechte der anderen Personen stellen. Gesellschaftliche und rechtliche Prinzipien lassen sich manchmal an alltäglichen Kleinigkeiten verdeutlichen.

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Competence Handwriting

The acquisition of handwriting as a competence has been important for centuries. In primary schools this technique is exercised as a foundation for the performance in other cultural techniques like language writing and even calculus. Therefore, it has been beneficial to make sure children acquire basic competences in handwriting. This has not changed much, although the time devoted to perfection of the technique has been reduced over generations. We still have some memories of people who have made the handwriting or the pencils used a case of distinction. At the enlightenment period a lot of authors drafted their thoughts and manuscripts in handwriting and our museums or biographies are proud to show off handwriting of authors, artists or composers. In some of those we are able to retrieve the thought process behind the writing. The editing, crossing out, adding sentences or correcting words are traces to dive deeper into these creative processes.
Currently, we are less sure, whether in the age of AI we should still rely much on this old technique of handwriting. If we just treat it as one of many competences to be or become creative yourself, we are on the right track. The PISA studies by OECD include problem-solving as a crucial competence. Handwriting or drafting first steps of a solution might still be useful. A handwritten sketch of a solution might guide the elaboration of the more encompassing solution.
Another interesting feature of handwriting is the cross-cultural element of it. We feel easily compassion for a handwritten document. The psychomotor competence of handwriting is fascinating across continents. It has distinguished us from other species as well. The evolutionary steps are important elements of a learning process. Nostalgic feelings about handwriting do not help anybody, but children are well-advised to still keep an eye on their handwriting competence as part of or first step in problem solving, even if it is just to formulate the question they are interested in.

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Dietrich Gabin

In French cinema Jean Gabin is a much adored person. Equally, Marlene Dietrich had, probably an even more far reaching international career. Both were accomplished and successful actors long before the 2nd world war broke out. In the U.S both fell in love and had a long lasting romance together. Their war time activities and “engagement” in fighting Nazi-Germany were extraordinary. It meant that both took active roles to use their charisma to mobilize people and soldiers to fight for freedom.
Shortly after the war then, both made a last attempt to work together in a movie production, but it could not unite the couple again. The “Deutsche Kinemathek” displays currently a page from the Diary of the “Diva” to underscore to what extent “Dietrich” was depressed about the break-up of their longer lasting love affair. Some say Gabin was the only person who quit her, all (most?) other relationships were terminated by the Diva. The junctions of biographies are hard to predict. The circumstances of the 2nd world war and internalized civic obligations to fight for freedom and democracy were wholeheartedly shared by both, but eventually they grew apart nevertheless. Tough experiences even for the much adored persons on the forefront of the stages worldwide. There seem to be many instances of repetition of the same story not only in movies, but also in real life.
Image: Deutsche Kinemathek Museum 2024-5

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Image History

The archives of the history of movies and/or television show to us the multiple ways how images capture our attention and memories. Visual narratives are an own category of our personal and collective memory. The wide range of visual experiences are a powerful way to influence. Not only the movies and stories matter, but the whole range of images associated with the cinema world. Poster collections, newspapers and today the so-called social media multiply the original images. The Deutsche Kinemathek allows a special, critical understanding of image history as Germany has been using and abusing images and movies in a very manipulating manner historically. The message is: do not take images for face value. The ways and techniques to manipulate images have been widely used and are all around us today. Whereas the mass media in previous decades have dominated the collective memories we have entered into an era with many more subcultures that evolve within their own bubble of images. An original attempt to cut 65 movies of German film history into less than 4 minutes is presented in the exhibition (Milkowski and Simbeni). It focuses on gestures and “les regards”, “Blicke”, how the actresses and actors seem to look at us. Eyes capture attention, and this as soon as we open our eyes as children. Our brain works as image recorder and our memory algorithms tend to favor image recognition while processing images continuously. We do not know much about our own image sorting algorithm or algorithms yet. Research on aging of the brain gives some hints. With declining short term memory the images stored in long term memory take the upper hand. This makes an understanding of the history of images even more important.

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Deutsche Kinemathek

Just in the vicinity of the Potsdamer Platz in Berlin you’ll find the Deutsche Kinemathek, the museum movies, actors, actresses, directors and the history of cinema in Germany. There is a small specialized library in the Kinemathek that allows to dive not only into journals and books, but also video material, scenarios and accessories. Of course, you will find a lot of material on all sorts of movie stars (heroines) over more than a hundred years. The “Divas” of the industry take up a large part of the exhibition. “Marlene Dietrich” much more than “Hildegard Knef“, the former born and the latter lived for a long time in Berlin-Schöneberg (Berlin-Pretty-Hill as some locals call it nowadays). The 2 Divas probably caused the funny translation. Anyway, the hall in the Kinemathek which is exclusively devoted to Marlene Dietrich impresses with a lot of glamour and mirrors around.
For those with not only a biographical, but also life course interest in cinema cherish the public access to the library. The most impressive table there is the desk with access to the Ukrainian movies and about cinema in Ukraine. A list with QR-codes allows you to readily approach the recent developments before and during the Russian aggression on Ukraine (See image below). After all Potsdamer Platz in Berlin was a hot-spot of the cold war period in the divided Berlin. A little bit of a “Metropolis-atmosphere” can still be felt. The Kinemathek explains well what this is all about.

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Deutsch Deutscher

In English grammer we use comparative adjectives to express that something or someone has changed or undergoing change. Germany might have become more German. The second usage is to make comparisons not only between two points in time, but between two statuses or of two artefacts more generally. The statement “Deutschland wird deutscher”, therefore, intends to describe an ongoing process or the transition process from one state to the other. This statement as such does not offer any explanation or definition of the original state, nor of the second point of reference. It might just describe the dynamics or the direction of the dynamics. In this example it deals with social dynamics. Germany in the 21st century is posing more questions about its identity and future directions than some time ago. The artist Katharina Sieverding has put up this reflection as a poster on walls to provoke discussions about the way to identify and deal with German identities in the early 1990s, shortly after re-unification of the 2 parts of Germany (Image below from “Nationalgalerie für Gegenwartskunst, Hamburger Bahnhof, Berlin” 2024-5).
30 years later we are scared by a ruthless right-wing extremist and brutal movement that takes to the streets and commits crimes.
It is no surprise that the Higher Administrative Court in Cologne has confirmed that the “BfV’s classification of the party AfD and of its youth organisation as a “Verdachtsfall” (subject of extended investigation to verify a suspicion) as well as the publicising of this classification to be lawful“.
It is a step ahead to become “deutscher” if we battle out such decisions in courts rather than by force on the streets, although this has failed once in German history already. The poster action by Katharina Sieverding is a reminder to monitor and deal with these topics continuously, albeit the knifes may be coming in closer than before. Being frightened is no option in order to defend democratic values. 

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Time Perception

There are many different angles from which to look at time. Of course, we all do it several times a day or during boring meetings. The study by Ma, Cameron and Wiener (2024) highlights the bi-directional link of perceived time and memorability. Visual stimuli alter our perception of time. Watching a video we all make the experience that the perceived length of the time spent watching varies according to content and maybe only the cutting technique applied to shorten the perceived length. Similarly it has been demonstrated that looking for longer at an image and grasp the meaning or implicit story we tend to remember the image for longer. In courts it is a usual procedure to question the memory capacity of persons and the sources of bias. The study by Ma et al. demonstrates the impact of the size of the scene, how cluttered it is and aspects of memorability in visual perception. Our memories are co-determined by these factors. The other direction of causality i.e. that memorability determines the time perception seems equally at work. This apparent undetermined element, so far, calls for additional care when analyzing recall from memory. Memory is not only selective in terms of content, it also is subject to the impact of all sorts of visual stimuli.
Time can be many things. For humans it is everything but exact. In science we measure time with ever more exactitude and try to standardize time on the moon now. In addition to exact time, humans have perceived time and subjective versions and even concepts of time. About time to take time more seriously.