Category: time

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Beethoven Home

The home of Beethoven in Bonn is nicely preserved and full of objects related to his life and his creative work. For the musician and composer musical instruments have accompanied him throughout his life. The visit of his home of birth offers a chance to dive into the extraordinary accomplishments of this great figure of the late 18th and early 19th century. His 9th symphony is strong as ever and the European anthem has just more than 200 years since the first performance now. The visit of the museum is still the highlight of Bonn and the App of the Beethoven House offers unique insights into and listening of his manifold compositions. Handwritten notes and a pocketbook of preparations for the symphony demonstrate the all encompassing nature of music for Beethoven. From romantic letters to the romantic music pieces, the museum has it all. Even it is a rather tiny house from the outside the inner life is as huge as it can be. It is advisable to take at least half a day for the visit much more than you would usually take for visit of a museum. The link between the biographical information and listening to linked musical pieces with a chronological context are a unique experience. This spurs the interest to listen or listen again to some of the romantic masterpieces. The App is great also to listen directly to some of the music.

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Housing renovation

The huge amount of buildings that need renovation is a task for each generation. New constructions are relatively easy to realize even to the best available standards. Particularly energy standards asking nowadays for serious isolation of buildings are easy starting from scratch. Energetic renovations of existing buildings are much more challenging and have to take into account the various stages or predilections of previous generations. Repurposing of buildings raise additional questions like transforming a family home into a representative office building. New technologies like fiberglass instead of copper cables or copper or plastic tubes instead of other hazardous materials cause additional costs and worries. The use of asbestos for interiors of previous generations has created the greatest liability for existing buildings. Technological choices of the past and also of the present (heat pump or not) have lasting consequences and sometimes even health effects. To cherish old buildings and styles is a mixed blessing as the renovation of housing confronts home renovators with more tricky challenges than building a new home. Incremental repairs might do the trick rather than all in one go renovation, however, you might enter into a situation when renovations are always on your mind. Not only the times are a changing, but homes are a changing, too.

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Time Horizon

For ages human time horizons have worked as a succession of generations. With substantial population aging we have many more families where we find 4 generations alive at the same time. In nature and with respect to biodiversity the sequences of renewable have not changed much. Old trees that have been cut will take another 100 years to grow old again. Wild fires or human negligence risk big in this respect. Forests take several human generations to grow and thrive. Diversity is key there as well as many fast growing monocultures have increased risks in case of fires caused by global warming. Annual inspection of a forest that suffered a severe drought and fires is still looking dismal compared to before. (Foret de Senart, France 2025).

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Intimate change

Society changes and with it so does intimacy. The major changes pass through the behavioral changes of persons and sooner or later the whole society adopts such changes as the new normal. Trends of individualization have moved over centuries as the exhibition in the Museum of decorative art (MAD) in Paris demonstrates. At the same time the changed individual approaches to intimacy have become more widely spread quickly over time. Social media have accelerated such new trends again. Social class is yet another intervening variable in this context which created different speeds of adjustment as well as sustaining differences in kind. 

Religious beliefs and practices have made claims about how individuals should handle intimate relationships and affairs. Legal issues are defined by each society to guide moral practices as well. Hence, the sociology of intimacy is a huge topic and comparing societies an interesting topic. The development of intimacy over a person’s life course, however, is given little attention due to a lack of adequate longitudinal data. From the exhibition we are encouraged to think about the relationship of hygiene and intimacy. Bathrooms accompany us throughout our lives and privacy was originally a bourgeois concept. Over the life course we move from dependency to independence and maybe dependency again in very old age. The images (below) from the MAD exhibition range from basics of bath tubs to a painting of Edgar Degas in the background. Instagramer or YouTuber share lots of images and stylized arrangements of bathrooms on social media. It seems that intimacy is moving further into the public domain. 

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Apocalypse Depicted

At the beginning of the 21st century we have a renewed interest in depictions of the Apocalypse. “L’Apocalisse di Giovanni” has been illustrated in various Christian monasteries and some traveled quite a bit. The version of the Apocalypse (Link) which was attributed to Cambrai is a copy of the older original version found in the City library of Trèves, which dates back to the year of about 825. A flemish version of the 16th century is to be found at the BNF in Paris. Throughout the centuries the “Apocalypsis”has been reworked. The version of Trèves has the “carolingish” depiction characteristized by a presentation of image on one page and text on another page. Nowadays we are used to futuristic images and have known even worse experiences of apocalyptic events (Nazi terror). Earth quakes or man-made climate change with heating of the planet, storms, draughts and floods testify for the renewed interest in the Apocalypse. Other man-made technological innovations like rockets. atomic bombs, chemical and biological weapons overshadow even the “natural” ones. The potential of AI to cause destruction is not fully assessed until today. Swarms of drones guided by AI might reach apocalyptic levels as well. We just remind ourselves of the bombing of walls of a water reservoir by Russia in Ukraine. The Apocalypse will remain the original example of a horror story and our strange fascination for such texts, images or movies is likely to stay. (Image: extract of anonymous 1st quarter of 9th century. Trier Stadtbibliothek, Schatzkammer. Wikipedia public domain).

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Art from India

Indian music, art and performances have had a difficult time in traditional western cultures. Based on the historical collections and donations in the BNF, this WEIRD bias is challenged a bit. The focus on performances and art from India of centuries old traditions of high standards could have been a major source of inspiration to wider audiences already. The narrative language of for example dance as Bharatanatyam is a sophisticated ritual of expression. It appears to us like a spiritual performance which reaches our emotions much like our modern ways of expressing and performing. It seems amazing how the western world has omitted looking and listening to other continents. 

Of course, archers have played an important role in Indian culture as well. Such depictions have been common across cultures in previous times. These images can reflect the shared human heritage and this with a global perspective on art history. Flora Willson (2024 in Die Musikforschung) refers to this Indian cultural heritage in her book review and why Italian Opera never really became popular in India. 

(Image BNF, Paris Richelieu in Rotonde 2025).

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Präludium Prélude

Learners of how to play the piano are likely to pass the composition of J. S. Bach entitled Präludium in German and Prélude in French. Maybe that influences the approach to the piece of music. The title sounds different in each language. It is interesting to follow the Präludium Prélude throughout the history of composition. The pianist Jan Lisiecki has just recorded and released a disc with Deutsche Grammophon following the historic evolution of this genre. The rather easy-going beginnings by Bach (see below for extract of first motive) have turned out to become rather complex preludes with subsequent composers. We may ask ourselves at this occasion: a prelude to what? Your own associations are welcome. In international politics we can observe strategic movements of countries and their military equipment as a prelude of war, but also of peace. Small aggressions may turn into wars. In philosophy Nietzsche praised the dawn (Morgenröte) and focused a lot on new beginnings. Composers might be the best forecasters of what is to come in the following years. Certainly the preludes have foreshadowed some of their later work. Nowadays, many LLMS in AI build on algorithms that predict what is the next word to write or task to do. Even in composition AI is moving ahead fast. Hence, we e are likely to study preludes much more for several reasons now.  

(Image: extract of first motive from J. S. Bach Präludium Nr 1)

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Wave and Particle

The history of ideas in physics has been evolving or revolving a lot around the wave-particle-duality. Even if the basic debate by now is about a century old, we still need to come to grips with this challenging notion that light is not just a beam and nice colors through a prism yielding a spectrum of frequencies, but it can emit material matter called photons that have a non-zero value(s) of energy.
Max Planck came up with the formula E = h × f, where h is the Planck constant, E the energy and f the frequency of the photon. The synthesis of Einstein’s light quanta and De Broglie’s matter waves became the foundation of quantum mechanics.
The exciting evolution of physical ideas results in the state of the “art” view that, for example, light can take both forms, wave and particle, at the same time. Quantum mechanics has become a thriving field in physics and is currently transforming the world of computing in the 21st century. The amounts of funds invested in the race of applications of quantum computing across the globe are “astronomic” and have become part of dual-use spending of research funding. Encryption of information or access codes are of growing importance for civil (banking, mobility, health info) or military purposes. The speed of quantum processors will allow cracking of codes much faster and therefore new dangers are looming in many fields. It is a rather competitive field, which has evolved a lot from the original wave and/or particle vision of the world (of physics).
For social scientists there are several examples of applications of the concepts of quantum mechanics to social and behavioral sciences (Link 1, Link 2). Hard to predict, whether the wave and/or particle view will dominate the social applications of elements of the history of ideas in physics. New concepts in science challenge our traditional science-based thinking about time, space and space-time with implications even for our understanding of causality and covariance.
(Image of Dice icoshahedron (animated 3D image) from Egypt, dated to 2nd century before our time, BNF, Paris)

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Negative time

In 2025 an experimental setting has come up with a demonstration of negative time. This is a mind-blowing mental exercise to imagine the science fiction like framework to allow time to be negative as well.
This invites several epistemological questions as well. Can we imagine or live with a reversible concept of time? Maybe music has given us clues. In composition of music, we can easily play the notes of a basic theme just in reverse or mirrored order. Modern rhythms like in beat music as accompaniment by a drum use for example a rhythm like (use your hands or drum sticks!)
“left left right left /
right right left right”, (redo faster if you internalized the rhythm).
A reversal of the beat (its inversion) like replays of rhythms in reverse order seem to return the energy. This beat pattern is perceived as forward moving and is advancing in chronological time. It has fascinated a whole generation and spurred crazy movements to accompany the rhythm.
A simple tune might be played in reverse order as well. Just take a piano scale and play 1 2 3 1 fingers, and then 1 3 2 1 in a mirrored fashion (1231 1321). Even 1 2 3 1 as 3 2 1 3 gives an impression of inversion.  Through this composition technique you get a bit of a feeling for the potential of a reversal of time or what negative time might feel like.
The innovation through quantification challenges our concepts of time more and more. The direction of time is subject of a fundamental revision. Theoretical concepts have predicted this for a long time.
(Image: Muséum national d’Histoire naturelle, Paris)

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Quantification

The most obvious association with quantification is the attempt to quantify in the sense of measurement of situations, locations or social phenomena. This has taken considerable steps with the availability of smartphones that measure and thereby quantify all sorts of wanted and unwanted information about us. The distances walked are among the easiest to quantify. There have been many accounts and discussions about this kind of quantification. The results have been a further push towards self-optimization assisted by a quantification of almost all aspects of life. That is daily business of social sciences.
Quantification has another well-defined meaning to it, which is in physics. The revolution of the early 20th century has been to deviate from classical physics which assumed continuous processes in time and continuous measurements to the new world of quantum physics, another kind of quantification. This allusion is due to the Alain Aspect’s inspiring book “Si Einstein avait su” (2025) and his efforts to make quantum physics understood to a broader public. For me one of the merits of the book is the reminder that experimental physics can contribute and resolve many epistemological questions.
(Image: my popularized approximation of Schrödinger’s cat in Berlin Zoo)

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Time Concepts

Tell me about your concept of time. How do you define time? Answers to this question are likely to depend on your upbringing, affinity to a specific scientific discipline or epistemological belief(s). Aristotle defines time to be subordinate to the more basic principle of change. To understand change we need the concept of time. Two points in time define time, intermediate points are possible, which might be interpreted as a precursor of infinitesimally short spells of time. To explain change, Aristotle refers to his concept of time. Other concepts of time build on the notion of succession of events or sequences of events.
Clocks going round in circles have been used to show the progression of time independent of events. Beams of atoms later allowed for more precision of time keeping. The prevalent concept of time still is dominated by the idea of time as an arrow, usually depicted in some diagram resemblance based on the Cartesian coordinate system, but usually starting at 0 or a particular point in time as diagrams in economics.
Following on from the old concept of change and time, we still claim for causality in most day-to-day experiences or for social processes the link to a chronological progression of time. In statistical analyses building on time-stamped occurrences we may use event history analyses or stochastic differential equations to analyze (social) change depending on one or several (earlier) factors. Even the theory of deterministic chaos, which is applied in weather forecasts for example, arises from the sequence of point of measurements.
Mainly since Isaac Newton we cherish the notion of a universal time, which helps us to coordinate different locations on our planet with reference to the Greenwich mean time. Other concepts of time make use of infinity of time and how to deal with this. Life before, or life after death, are human constructs trying to make time understandable or at least manageable for us beyond our own living time. Depictions of time in the arts, paintings or music opens up yet another vast space of thinking about, as well as, experiencing time. We did have and still do have a great time thinking about time.

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Antique Drama

Modern drama and performances have their roots in antique drama. This is evident in literature from the time and some rare artefacts that have survived until today. Masks and statues give an amazing impression of the high standards already attained more than 2.000 years ago.
Many performances have been linked to mystical rituals and religious ceremonies, but beyond those instances there has also been a depiction and interpretation of for example the Greek mythology. Dionysos inspired many artists and people of that time and philosophers equally found inspiration in performances and the representations in temples, arenas and market places. The treasures of the BNF in Paris, galerie Mazarin and rooms next to it like “la salle des colonnes” (Image below), allow to travel back in time into an antique setting in the room of columns.
Taking the world as horizon is the title of the rotating exhibition from the treasures of the BNF. The beginnings of philosophy and major milestones in arts and mysticism across the world figure in this exhibition. In the spacious setting it feels like travelling back in time for a while, just to build on these foundations.

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Mindmap Me

Tools like artificial intelligence allow all sorts of transformations and depictions. The photo editing tools are widespread and particularly popular among the young users. My own transformative exercises, latest with www.bairbe.me, have yielded interesting insights, well worth an intergenerational playmate. For the guys there is the www.yobrick.com version for brick gamers.
The App “Canvas” allowed me to delve deeper into my own mind by giving instructions of how to create an image of the structure of the blog entries on this webpage. Of course, it is not (yet) a real AI-generated content map, but it is only a matter of time until such tools will exist. After all, this would be just an arranged and rearranged list of contents using the hyperlink structure of the texts as well.
For the time being, I derive my own structure of the blog entries by topics, categories and tags including the hyperlinks or internal referrals. Interlinkages are mostly stated explicitly. However, there are many implicit links, which are obvious to some, but not others. AI-systems could use occurrences of words,  synonyms and antonyms . Colors in addition to bubble sizes and (in)direct lines may complement such mindmaps. This can help to reveal another, additional layer to connections between categories or tags. The Ai-generated image shown below was created with the APP Canvas as a first approximation and AI-augmented test version in form of abstract images).
Next steps on the way to understand human intelligence and, maybe, augment it with a next generation AI-system would use a colored-3D version of such a mindmap and use the chronological evolution of the blog posts in a kind of evolutionary animation. This should allow us to go beyond the usual psychological classification of fluid and crystallized intelligence. We might come to grips what it means to be “in a Paris state of mind” or when hallucinations become overwhelming.

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January Spring

The early signs of spring in Europe usually show up in March. The monthly data from the Copernicus Climate Change Service (C3S) show that „average temperature over European land for January 2025 was 1.80°C, 2.51°C above the 1991-2020 average for January,“ (Link). The warming throughout January has several consequences. Vegetation starts into spring earlier. This means that people with allergies of early flowering suffer earlier during a year. Winter rest in animal lives will be shorter. The risks of droughts in some regions combined with floods in other regions is increased as well. Rockslides in the Alps and flooding in Italy and the Baltic states add to the costs of climate change. 

Western Europe, witnessed a relatively „dry January“, even for those who kept drinking alcohol throughout the month. Heating and heating costs came down a bit and friends of gardening were surprised by some early showings of flowers of spring even in Paris neighborhoods (image below) as early as the first few days in February 2025! Strange new world. It all seems to happen a bit faster than most scientists expected. Time for adaptive behavior is shortened as well.

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United by travel

The economic rationale of profit maximization privileges the construction and management of profitable connections. For train transportation this has spurred over decades the construction of new train lines between metropolitan cities or regions. Whereas connections between Paris and Brussels are abundant and expensive from central stations those living somewhere in between the 2 cities, for example in Mons, have had little chance of access to reasonably priced and fast train connections. This neglect of the in between cities is slowly changing. Sufficiently fast and reasonably priced connections allow Europe to grow together also at the margins. Public transport as alternative to car traffic across borders for „in-between cities“ will bridge the gap between the ease of travel between metropolitan an more remote areas. There is economic growth to be reaped as connected infrastructures allow for economic as well as social mobility and joint development. This is the real European challenge ahead of us and not the numerous summits without tangible results for rural and urban populations beyond metropolitan regions. For regions spanning countries, some will be finally reunited by better public transport a kind of ecological unification.

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Artists Intergenerational

Generations influence each other. That’s a very simple general statement. Biographies, auto-biographies and life course research have all established sometimes more, sometimes less direct influences between the generations. The exhibition “A partir d’elle. Artists and their Mother“, curated by Julie Héraut, combines literature, photo and video that speak to the rather complex psychological or sociological issue. Visits in 2025 available at Stichting A, Brussels.
The starting point of the inquiry into the nature of photography by Roland Barth is chosen like an investigation into a crime. Sophie Létourneau had written an essay which proposes to read the original text by Barthes from this perspective. The artists in the exhibition seem to follow this process of asking themselves what their relationship to their mother is like and how to represent this in an artistic form.
A life course perspective, which takes images or videos with 10 or about 20 years difference, offers a kind of analytical as well as artificialized vision of the evolution of the artists’ relationships with their mother. Realistic images with a morphing backwards from old to young is presented next to images confronting young and old next to each other. “Words don’t come easy to me” could be the title of one of the videos where a young artist has a particularly hard time to talk to his/her mother.
Just after the celebrating Franz Kafka last year and his famous “Letter to my father”, the inquiry into artists and their mothers complements the analytical and artistic vision and interpretations of the child and parent intergenerational relationship.

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Victims and Perpetrators

In addition to the annually proclaimed “We shall never forget the concentration camps and the murder of 6.000.000 Jews”, we should add: “We shall not be silent”. Silence about a crime can be interpreted as the “latent” continuation of hatred. Silence might just be a pretended ignorance of the genocide and the holocaust. We have to keep very alert amidst the spreading falsification and numerous falsification attempts of historical facts surrounding the ideation about the Nazi-time and Nazi-terror from the 1930s onwards culminating in the Shoa and systematic mass killings of civilians and any actual and deemed opposition.
Particularly in Germany there is a renewed need to go beyond the “Stolperstein-Initiative” and continue also sometimes own personal research of family histories in order to understand the logic and power of perpetrators. Some spectacular legal cases like “Klaus Barbie” or “Rudolf Eichmann” or the Nuremberg trials became historic events, but the crimes of many Nazis during these times remained below the radar of wider public attention.
In view of many disrespectful utterances of some politicians and even some business men the old and new perpetrators of antisemitic propaganda and acts should have to face more fierce opposition. This needs the commitment of the silent and sometimes shamefully indifferent people across the world. (Image: list of concentration camps, sign in Berlin Schöneberg, Richard von Weizäcker Platz).

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Holocaust Remembrance

The 80th anniversary of the liberation of the concentration camp Auschwitz-Birkenau marks a very special kind of remembrance. As the number of survivors of Nazi-terror and genocide is shrinking the testimony of survivors is becoming more rare and more precious. According to the “Jerusalem Post” on 2025-1-28 (p. 9) the number of survivors that came back to the site of horrific crime has shrunk from 300 ten years ago to 50 in 2025. The strength and courage to continue to testify amidst having reached 90+ or even 100+ years of age is a “living memorial” of its own kind.
Many television stations across Europe have followed the example set by this special Holocaust remembrance day and focused equally on recorded testimonies or additional live interviews of survivors. Please keep repeating these testimonies to confront people with the outcome of Nazi-terror in Europe. The choice this year was a courageous one. Instead of speeches of sorrow and lip service to fight antisemitism by acting politicians, the focus on the testimony of survivors in public, on TV and to large audiences will encourage others to continue to give testimonial of these horrors.
(Image: extract of Pressreader newspaper titles 2025-1-27)

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Ukraine Chanson

The Russian war in Ukraine is not limited to the military killings. From the earliest period in 2014 already Russia initiated a war on Ukraine culture and Ukrainian cultural heritage. Therefore, it is great to witness the efforts by Ukrainian musicians not only to retrieve their rich heritage for example in the field of chansons, but to develop traditional songs with new formats. Jazzy versions of children’s songs have been sung with an admirable soft voice by singer and composer Viktoria Leléka and her band.
Most people might think of children’s songs as an insignificant niche of music. The importance of singing songs for children and babies is a scientifically well documented finding. Early bonds are created and a sense of belonging and comfort, particularly during difficult times of life. Comforting music is also an intergenerational issue. Transmission of emotions and values across generations is the very fabric of societies. The recent album “Kolysanky” and the song “Ne Zhal” is a great reminder that it is the children that count not the, maybe, broken cradle.
During the war time with many absent fathers, chansons can bridge the emotional hardships. The movie “The Chorist” had demonstrated the power of children songs for children, their parents and all generations involved. Chansons have a much longer “half-time of life” than war.
From an unknown French composer the cradle song “Fais dodo Colin …” and Brahm’s Wiegenlied are classics many people in Europe will remember from their childhood and still transmit them today. Great news that Ukraine continues this tradition with new, innovative adaptations of their own lively cultural heritage.
(Image: extract of lyrics Ne Zhal’, from webpage)

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Review Year

It is a nice common practice to wish „A happy New Year“ to people at the beginning of another calendar year. It is also a good practice to review the last twelve months yourself or with friends. We spend,however, much less time to listen to friendly or enemy fire as a kind of evaluation of what were the successes and failures of last year. In monarchies in the middle ages a clown or a fool was allowed to present criticisms with funny packaging. Nowadays, comedians have taken over this important role to review experiences and policies that worked or went awfully wrong. All media join in in this tradition and summarize what happened before the next busy months take over. Yes, it is important to devote time to this procedure. There is a risk that it becomes „the same procedure as every year“, but it is never to late to learn from failures or simple mistakes. Failed last year, fail better next year. 

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Zerreissprobe

The term „Zerreissprobe“ has been chosen by the curator team of the Neue Nationalgalerie In Berlin for the Retrospective of „Art between politics and society“ in the years 1945-2000. In this time period after the 2nd World War until the other „fin du siècle“ the politics of creating a new world order, the cold war and the liberalization of societies had profound impacts on art as well. The positioning of art in the dynamic context and conflicts of these decades is quite well reflected in the title of the exhibition. The English title „extreme tension“ suggests somehow that these years were rather extreme compared to ?, probably today? Although on the territory of Ukraine we witness a hot war rather than a cold war initiated by Putin‘s Russian imperial illusions. The cited work of Günter Brus „Zerreissprobe“ is translated as „stress test“. And maybe, this translation characterizes the post war period even better as these years are a forerunner of what happened after 2000. We continue to be put to tests in politics and societal developments. Accomplishments from the last century are put to crude tests again. Solidarity of people and nations are under pressure to demonstrate their reliability under extreme tension or stress. Art throughout the 5 decades of the last century was a precursor of stress tests for politicians and challenged society in its basic understandings. The comments on the notice board next to the exhibition show the themes of tension in the 2020s. Tensions in families and partnerships, often more extreme around christmas trees, have taken center stage for younger visitors of the exhibition. Sociological research has observed such trends and coined this societal phenomenon „individualization“.  Art embedded in society seems to be part of that evolution as well. Art movements are less visible as collective movements. Artists appear more individualistic or ideosyncratic nowadays, just less inclined to be part of a defining larger group. If artists are no longer avantgarde but rather followers of societal trends, the whole „raison d‘être“ of art changes as well. We are likely to witness yet another „ Zerreissprobe“. Cuts to art and culture budgets constitute an additional „ Zerreissprobe“ in the original sense of the word and of art between politics and society in 2024/2025.

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Films of Stills

The exhibition of multimedia artist Nan Goldin at the Neue Nationalgalerie (New National Gallery) in Berlin presents a retrospective of her work using slideshows of stills including soundtracks (Image below). The topics and narratives range from autobiographical work on own traumatic experiences to works entitled „memory lost“. The sequences of stills are a form to deal with trauma through art like overcoming the suicide of a family member. Drug or sexual dependency enter the stills and it becomes clear that stillness is part of the coping mechanism she employs. It is hard to watch, sit still and endure the films of stills. However, there is a kind of therapeutic experience to be gained in coping with trauma through art. The installation in several tents increases the reclusive atmosphere and entering the still rooms invites is, somehow including a warning of what kind of chilling experience we are up to throughout the exhibition. The almost therapeutic experience needs to be handled with care and a visit with friends or family is highly recommended in my view. Community and communication are key to coping with these experiences and even still images contribute to building resilience.

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Famous Neighbors

Sometimes people believe they can catch a bit of fame, if they live in a prominent neighborhood. Next to a famous person or the glamor surrounding such a place is inspiring. In Berlin the honor or fame is transmitted for example with the street names of composers. Everybody knows Johann Sebastian Bach and around Christmas time many of his compositions will be performed again. Directly next to Bach street we find Flotow street. It needs a bit of info about music and music history to identify the honor for Flotow to appear next to Bach. Well, Berlin you are „wunderbar“. You have made my day just on one of the first few days of the direct train connection between Paris and Berlin started. We grow together in small steps.

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Parallel Universe

Sometimes, it might well be before during or after presidential elections, you feel like living in a parallel universe. Especially after the U.S. presidential election many people beyond the U.S. have the impression that millions of people have rather strange views of how our living on earth could be worthwhile for all, rather than a few. In a crude and rude election campaign many people in the U.S. must have been alienated from what they imagine a peaceful living together in a country or on our planet. Faced with the brutal language it is soothing and comforting to read books again. Already in 2023 adult fiction has outperformed on the book market in the U.S. “Romantasy” and narrative non-fiction (are the new bestsellers beyond travel books, cooking, children books and comics according to circana.com.
Uncertainty, complexity and plurality, apparently, have destabilised many persons to the extent that foundation texts of religions, predominantly the bible, have become bestsellers again with more than 14 million book sales in the U.S. in 2023 and up to November in 2024. Printed copies as well as specialised editions for children go to new first time readers and buyers as well as replacing older copies. The need to find simplifying answers to basic questions of humanity is on the rise again.
Some persons might wish to find the existence of a parallel universe in studying the bible, others just a retreat from the horrors of daily news on TV and social media, we all consume more than ever before. We are no longer surprised to find the first church in Switzerland, which offers an AI in church which listens and answers to your confessions. Bible apps offer detailed search functions and reading aloud in case you prefer listening.
There are even unauthorised historical translations of the bible on the market in antiques book shops, which achieve exceptional prices.
Of universes, there seem to be many, overlapping and in parallel.
(Image: Reading Magritte on surrealism)

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On Organics

Organics are the new hype. Organics are everywhere. It is true in organic chemistry, biochemistry or pharmaceutical biochemistry we start from organic compounds as the basis for various forms of classification systems, structures and reaction chains. A search for organics brings you to Organic Farming and to lots of other applications of organic production as well as organic design.
The extended definitions highlight the foundation in biology and chemistry to then include any processes which integrate cyclical reproduction or resources and conservation of biodiversity. Based on the plurality of forms and connectivity of organic compounds this leads to a vast and diversified basis of carbon- and hydrogen-based life on earth. The ensuing complexity (variety of species) has been the basis for mankind to come into being. It is likely to determine also our survival in the long run. Organics is based on open as well as closed forms and therefore has an encompassing nature. Depending on time and space constellations (temporality) evolution has taken one or the other path. We are certainly not at the end of this evolution, although we through the loss of biodiversity we narrow down new potentials in an unprecedented way. Rethinking life on earth from a cell-based perspective of plastics and chloroplasts is a challenge, but it will lead us on towards the “organic turn” in the 21st century.

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On Temporality

Time is passing, or is it? We tend to confound time, with passing of time or an occurrence at a specific point in time. Time has a static use, which refers to a date of birth or date of death. Time refers to durations like the lifetime or time in office of a person or a political leader. In most such cases time is considered as a continuous and linear process. The concept of temporality questions these common perspectives on time to allow additional time perspectives in the description and understanding of time.
Temporality is linked to a more flexible view on the periodization of history. The time before and after the 12 years of Nazi-terror will then be part of the extended periodization of the Nazi-Regime in Germany and Europe. Similarly, temporality widens the perspective on social phenomena by linking historical events to the time before and maybe even to what follows, seen as a consequence of the temporal and spacial co-evolution.
A deviation from the static view of time and a rigid periodization of fascism allows to study the Russian male dominated political authoritarianism as a new wave of fascism in Europe, which negates the right of existence of the state of Ukraine in its neighborhood.
Temporality expresses the need to go beyond a simplel periodization to include a spacial dimension  in the defintion of time, much like modern physics does in relativity theory. Temporality, therefore, opens up a “thought space” beyond just the timing of events, which may challenge many of our day-to-day experiences. Cultures with a different understanding of time or the pace of time become a “sound board” for our way of considering and being captured in a time space. Probably many artists are forerunners in playing with time and the way time is “treating” them. Most of them face(d) hardship during their lifetime, but have an extended “after life” in terms of reputation. Some contribute to the perodization in the arts and of their time. They all shape(d) temporality.
(Image: extract from Hans Bol, 1593 Ring Jousing in front of a pond inan  imaginary city, MRBAB, Brussels)

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History’s Weight

The artist Damien Deroubaix is currently exposed at the BNF.fr in its historic site Richelieu. Together with and next to some of the historic treasures of the BNF collections the unique exhibition allows to experience history’s weight on our current existence. The work of Deroubaix is following and pursuing historic art trajectories with a special historical and ethical consciousness. Techniques of art are insensitive to the moral compass of the painter in history. The collections of the BNF like all major European collections have to handle their colonial past and immoral depictions throughout history. Deroubaix accomplished to liberate techniques of art of their colonial linkages and imagination of emperors focusing on humanitarian values. War is horror, in the past and in the present. Genocide in Rwanda is war crime and dealing with the memories of people an honorable way to look forward conscious of the past. Hybrid forms of art allow multiple contextualizations of his work. In the Galerie Mansart and Pigott of the BNF the historical embedding enriches the art and vice versa. Art allows us to rise beyond the ashes mankind has and continues to inflict on us. (Images: extracts of Damien Deroubaix at BNF, Paris 2024)

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Masculinity Photos

After the turn of the millennium we keep questioning us about basic principles of humanity, previously called mankind as well. The Zeitenwende has occurred through Putin and other male warriors and warmongers 2 years ago. This is reason enough to keep asking us what is behind the male visions of life and living together. Any hints from social sciences, biology and media studies are helpful to broaden and deepen our understanding of what constitutes masculinity and how it evolves over the life course and within or between societies. The collection of photographs from Jérôme Prochiantz currently exposed at the BNF enlightened the issue. Ever since Max Frisch wrote „Homo faber“ we are aware of the technological transmission process a man might be subjected to. Capturing single moments or arrangements with a lot of care for details shows maybe otherwise hidden male predilections and leaning towards abstraction. An idea or undefined vision, maybe an illusion are depicted in this revelation of masculinity at the turn of the century. Creative and destructive forces are jointly presented in this continuous questioning of masculinity. (Image: BNF, exhibition 2024-11 Jérôme Prochiantz)

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Forced Living Space

The „Topography of Terror“ hosted the book launch of the research project on „Zwangsräume“ (forced living space or forced homes). The cooperation of an impressive network of organizations (Aktives Museum Faschismus und Widerstand in Berlin e.V., Koordinierungsstelle Stolpersteine Berlin, Alfred Landecker Foundation, Metropol Verlag) has achieved to uncover the forced relocations of thousands of German jewish people from rented place to another one, thereby regrouping and cramping Jews into ever smaller living spaces in predetermined houses within Berlin. Through this horrible step by step expropriation and extermination terror was present and visible all over Berlin. The online documentation and data access allowed citizen science projects to accompany the research and actively contribute to enlarge the data investigated, analysis and dissemination of the findings. The continuation and extension of the project is already in preparation and seeks additional funding and volunteers. The traditional book publication helps to provide an insight into the thorough historical research which started with a more adequate definition „Zwangsräume“ than the previously used term of so-called „Judenhäuser“, since the houses had and kept a mixed population sharing the living spaces until deportations of the jewish persons forced into ever smaller living spaces before. The property of the deported persons was recovered by officials from sealed apartments and sold mostly as bargains on auctions or just redistributed among officials in need or with special merit for the Nazi-movement. This adds an intergenerational dimension to the project that is also worth looking into in the next phase of this extremely valuable project based on large online archives from original register information and other documents. (Image: The map shown below in the presentation has blue signs that have already been traced and hundreds of red signs where the histories are not yet retrieved).

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Nazi Reinterpretations

Even almost 80 years after the end of Nazi terror and the 2nd World War started by Germany, we witness attempts to reinterpret the lives and careers of many Nazi officials. In the same realm, the crimes committed to pull out „Stolpersteine“ try to negate the horrible crimes committed by the Nazi leadership and their followers. The special exhibition at „Topography of Terror“ on „Reinhard Heydrich. Career and Violence” allows to study the biography of this high ranking and convinced Nazi official. After the usual career trajectory of a marine soldier he entered the Nazi secret police and made his career moving up the ranks showing readiness to use above average violence. This seems to have been a precondition to qualify for fast career trajectories. These personality traits have been demonstrated for thousands of Nazi officials in their professional life. This exhibition has additional merits to provide shocking evidence that the wife of Heydrich even many years after the end of the Nazi terror and 2nd WW does not show any signs of regret for what were her husband’s crimes against humanity. They had a splendid life and lived in a palace near Prag before her husband died after an attack by partisans. This is a great lesson to sharpen our awareness of those trying to reinterpret the lives of Nazi leaders and many of their followers. It is a timely reminder to not focus on rosy pictures of the Nazi time without the acknowledgment of the responsibility for millions of people who died. (Image: Extract of exhibition on Heydrich, Topography of Terror, Berlin 2024, book publication).