The “Neue Nationalgalerie” in Berlin hosts in 2026-5 the work by “Beeple” artist Mike Winkelmann together with the “Andy Warhol Robot K-456” by Nam June Paik. The re-interpretations of robots and the imagined effects this new media has or shall have on our lives, this is the subject of a critical projection and the artist’s chosen form for a projection into the future.
In 1994 the “Andy Warhol Robot K-456” prefigures the pervasive decoration of the human body with screens as a futuristic way of communication with others. The communication practices in 2026 have changed with software and applications like DeepL, which allow real time translations of speech to our neighbors or distant cultures.
The installation “Regular Animals” brings to our attention the power of images in our daily communication. Warhol built his art around the topic of pop culture with the visual heroes of, for example, Elvis Presley and Marilyn Monroe as the best known pop images or icons of his time. In Beeple’s work, the dog robots’ conversation is only via instant images. These images are AI-edited and distributed rapidly at random across space, the floor in a well-delimited space. Space does no longer matter as distance as it is passed instantly. Perception and reception are transformed into a power-play via images and distribution channels. We are all transformed into “Beeple Deeple People” without noticing it, aren’t we?. About time that social science or sociology of the visual recons with these not so new facts of communication in the 2020s.































