Category: History

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Reason for war

In his “Propositions on Happiness”, the French philosopher Émile-Auguste Chartie, called in short Alain (1925), takes issue with the strange predilection for war. In his proposition XLII Agir, he writes on war: “Je crois assez fort que ce qui plaît dans la guerre c’est qu’on la fait”. In later paragraph   XLVII on Aristotle, he takes up his recurrent concern to explain happiness with the importance of agency in one’s own life and actions. “Faire et non pas subir, tel est le fond de l’agréable“. In taking both quotes together, we understand that for Alain the reason for war consists primarily in the desire to demonstrate agency. In order words, the position of power, of being in charge, being in control of the political situation are the prime reasons to go to war. With the first quote stemming from 1911 Alain had already a sound understanding of what would happen decades later in the 1st and 2nd World War. Even Putin‘s war in Ukraine is probably a cynic demonstration of agency in a seemingly otherwise rather paralyzed country. With this in mind, Putin‘s wars in the 21st century appear as another chapter in the endless pursuit of cynic reasoning. (Sloterdijk, 1983). (Image: Throne Room at Fontainebleau since 17th century). 

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Classic Farces

Molière’s theatre pieces were popular pieces. Born with the name Jean-Baptiste Poquelin and son of a rich “tapissier” of the rue Saint-Honoré in Paris, he made a tough choice to devote his life to touring as a ”farceur” and comedian, having studied also law in Orléans before. Only after his first successful performances, farces and theatre plays, he could afford to buy the theâtre du Palais Royal, despite a bankruptcy about 20 years earlier with his own theatre. The much later title “Troupe du Roi” (of Louis XIV) and a pension by the King assured a financial and political independence rarely found in this period of classic theatre.
Molière’s “Les fourberies de Scapin” was written towards the end of his life and as a classic farce in the 17th century. The story is full of funny scenes and witty dialogues, which make it a great “intergenerational” theatre play even today. The plot about the institution of marriage addresses a cleaving social and legal construct “marriage”, which continues to excite all generations and across centuries.
(Source: Histoire de la littérature française XVII siècle. Robert Horville  in (Georges Décote series editor)

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Sociology in Theatre

Thanks to the inspiring direction by Denis Podalydès of Molière’s “Les fourberies de Scapin” we can experience the fruitful application of sociology to classical theatre production. This combination of thoughts has been performed at the “Comédie Française” for more than 7 years in 2025-11. The accompanying booklet of the performance mentioned the ample inspiration of Denis Podalydès by the French sociologist Pierre Bourdieu. Personalities in Molière’s theatre are represented as incarnations of the “habitus” each character stands for. Such an interpretation of the roles in the theatre play, raises awareness about the subtle differences between personalities. Even two rich men may differ in their habitus, because their fortunes are of different size or kind, yet they may share even more personality traits. Molière was a particularly crafted author, director and actor to stage such subtle differences, which are embedded into societies often across generations.  

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Codes of Emperors

Even in the 21st century we spot the ancient codes of emperors. In Brussels the statue of King Albert, who ruled until 1933 and celebrated the first centenary of the Kingdom of Belgium in 1930, shows the Emperor riding a horse without saddle. This iconic position was started as a symbol of a powerful leadership by Marc Aurel and continued by Napoleon’s reign as well as several other ones.
The position on the elevated podium of the emperor on the horse, which further raises him beyond the level of the people, all contribute to the idealized perception of the king above the people. Such a vertical or hierarchical perspective on society or even mankind, including the colonial approaches of the emperors, are the lasting attributes of those times.  According to Els Witte et al. who wrote on the political history of Belgium, King Albert I was also named King Knight by some.
The portrayal and self-portrayal played an important role already centuries ago. No surprise that democracy has brought about an avalanche of idealized self-portraits or “selfies”.

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Racine Andromaque

The representation of Jean Racine’s “Andromaque” in Brussels at the Theâtre des Martyrs in 2025 has been an interesting choice, because the revival of a 17th century tragedy dealing with the intricacies of the Greek and Trojan war (mostly remembered for the Trojan horse). Jean Racine turned French theatre back to tragedies with his Andromaque (Résumé and analysis in French!), rather than the comedies or tragi-comedies of previous great authors like Molière.
The literary analysis of Andromaque by Roland Barthes (“Sur Racine”, 1963) identified 3 separate locations: chamber, anti-chamber and exteriors. The real power seems to live in the chamber as the place of respect, but also terror. (Compare also Mithridate). The anti-chamber is the place of diplomacy and the place of exchange of ideas, information and strategies. The exterior world is mostly closed off through walls or balconies as views from above. For Barthes this “symbolizes” even the prison inside or the pure heroic life inside the walls.
Besides this 21th century interpretation of 17th century theatre, Racine is remembered for his tragic love stories where A loves B, but B loves C and, maybe C falls in love with A. (Compare Robert Horville, 1991) The Condorcet paradox (Science of it) described only formally in the 18th century enlightenment, many decades later, had proven mathematically that such combinations of personal preferences are impossible to resolve. Hence, these confusions are great stuff for tragedies to evolve live on stage.  

 

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Popular Sociology

Sociology, like other social science disciplines, has often difficulties in reaching bigger audiences. However, in combination with a museum which specializes in the history of a big city like Paris, the insights can suddenly become very popular. The “Musée Carnavalet of the history of Paris” has mounted an exhibition, which builds on the population censuses of 1926,1931 and 1936. The access to the complete original records of 3x about 2 millions of people has become a national treasure for social scientists and the public at large.
People flock to the exhibition. Some do it to learn about the past of their districts or streets. Others to learn about historical facts, which are sometimes linked to the family anecdotes and broader historical narratives. Out of this interest grows an understanding of macro- and micro-level social processes, which makes use of basic statistics.
People ask themselves: Is your (family) story unique or is it part of a more general pattern or social process like urbanization or social mobility.
(Image: original census recording sheet – Paris)

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Opera design

France celebrates 150 years of the National Opera Garnier in Paris. The exhibition in the splendid building traces the history of the building from the competition for the design to the legendary performances and celebrities attending. The stairs outside and even more so inside are built to enhance the glamour around operas and dance. The drawings by Garnier are a highlight as much as the videos about celebrities walking up the stairs of an Opera building.
Charles de Gaulle, as many French Presidents before, dressed and took the famous stairs to impress the official invitees. The image of de Gaulle together with Konrad Adenauer is another interesting example of opera politics showing the authentic friendship after the fierce fighting of the 2 WW, the Nazi-terror and Shoa.
The design of the Paris Opera 150 years ago made for an impressive ritual performance of state diplomacy enhancing international reputation.
(Images: 150 years of Opera Garnier Paris – 3 designs, winning design by Garnier on the right).

 

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Fighting the Beast

The earliest post 2nd WW cartoon stems from Calvo in France, published in its first edition in 1945. After the first part entitled “When the beast became unchained”, the second part could report on the happy ending “When the beast was overturned”. Amongst the admirable comprehensiveness to talk about the preparation of war, the battles and atrocities committed by the wolves, the allied forces of animals gained the upper hand. The role of women in the fight against the beast takes almost a whole page in the historically precise narrative of the 2 WW. With a fine sense of necessary historical detail, the reporting of British women (the female dogs in the cartoon) as essential part in the war effort to win the war against the beast(s). Women exercised professions were not previously allowed to enter. Gender awareness as early as the mid 1940s was rather advanced at the time.
Great topics to talk about with your children or grand-children.

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Deep reading

Rembrandt depicted in the 17th century not only the university professor Sylvius, but the reader and presenter based on his readings as well as professional experience. The combination of studies in medicine and philosophy have confronted the lifelong reader with lots of unresolved issues at that time. Nevertheless, he seems ready to argue with his profession, students public or the public. His hand is shown with an outreaching gesture. The scientist is not depicted in the reading pose next to lots of other books in the background or in a library. The image chosen by Rembrandt stresses the discourse and discussion as part of the scientific or research and teaching process. (Image BNF, 2025 exhibition “L’Europe partagé”). 

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Colette nature narratives

In the 21st century we know that posting images of cats and dogs yields thousands of likes on the digital social media. Long before today, writers have tried to make us understand our existence through the narratives among animals, also beyond cats and dogs.
Embedded in nature, stories unfolded through the interaction of these animals. Transfigurations and lessons were derived from such fables as well as the tales constructed around the interaction of nature, animals and humans. The commemoration of Colette in the park of the Palais Royal in Paris combines all those aspects.
She grew up in the countryside, wrote “La Chatte” and lived in an apartment at the Palais Royal with a splendid view of the park later in her life.
It is a tiny spot of cultivated nature in the heart of Paris, even a bit isolated from the busy surroundings. Certainly, these days in the centre of Paris you are more likely to meet “Aristocats”, maybe from the 5 star hotels around, rather than the ordinary cat passing by.
(Image, bench in park of Palais Royal, Paris: inscription is a citation from Colette 1925 letter)

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The Beast is dead

The BNF and the gallery Auguste Rondel celebrate the acquisition of the original drawings of “La bête est morte” by „Calvo“ at the fabulous Richelieu site. The appearance of the story and cartoon in 1945 was a landmark in artistic achievements for several reasons. (1) Calvo made it possible for whole families to talk about the horrors of war and the Shoa by use of text and images in an form of an animals’ world, well known in France. (2) Because all generations are familiar with the fables written by Jean de la Fontaine, the story set in the world of animals is both appealing and yet a bit more distant than drawing human faces on this traumatizing reality. (3) The cartoons managed to overcome the barriers to understand the beginning and ending of World War II and the geographical spread.
Uderzo, the well known cartoonist of “Asterix” did small services for Calvo when he was still an adolescent in 1945. Learning from the best of a field can give you a head start later on.  (Extract of Image  by Calvo 1945). 

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Colette Bewitched child

The English translation of the libretto written by Colette “L’enfant et les sortilèges” is translated to “the bewitched child”. The first representation was performed in Monte-Carlo in 1925 before it was represented in Paris at the Opéra Comique in January 1926.  The printed edition of Ravel’s orchestration classified the work as Fantaisie Lyrique based on a poem by Colette. This opus constitutes a forgotten forerunner of the much more popular musical “Cats” . In the end of Colettes narrative the animals call the child her “mama” and praise the good and wise child. It probably remains a forgotten 100’s anniversary, despite the fact that the topic of humans and animals, or nature in more general terms, have become more and more unbalanced over the last 100 years. 

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Colette Home

  1. The home of Colette, the French writer of the first half of the 20th century, is an interesting example of the high attributed value for her later creative career. The home and the gardens around, seemingly had a huge and lasting impact on her imagination.Her writings are firmly embedded into not just her home of childhood and adolescent years, but also the changoof homes and contexts literally made Colette. The documentation of this in the “Musée Colette”, which presents the different phases of her life course, allows to get a better understanding of the interconnected world of experiences and artistic work. It takes an especially broad set of influences to form such a polyartist. The libretto for an opera orchestrated by Maurice Ravel or a model for Matisse, stand for the openness to new experiences and take risks when she embarked on new creative endeavors. (Image Musée Collette catalog p. 6)  

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Polyartist Colette

It is a complex task to do justice to a polyartist like Colette. The curators of the exhibition “Les mondes de Colette” (BNF 2025) Bouvard, Dimerman, Le Bras do a great job to present the biography of Colette, the writer, journalist, dancer in music halls, model (for Matisse) and entrepreneur in all facets of her activities. The role model of an emancipated women as early as the 1910s, 1920s and 1930s. The struggle of women artists in the early years of the 20th century to make a living from art is well documented already. To make a living of writing has always been a challenge if you do cherish your independence and liberty of expression. Versatility in artistic production is one escape route. Colette made a strength of this in diving into different forms of art and professional activities close to the artistic and creative world. In a quite unique way, she became her own muse for her own artistic work; and a character and inspiration exploring many facets of live. The economic misfortune experienced her parents became a source and force of inspiration.
Contrary to the expectations of the market of arts and literature, she did not feel like sticking to just one activity. Her most lasting achievements, probably, were her literary accomplishments for most people, although Matisse immortalized her in his specific style of abstraction.
Polyartists just like Polymaths, make more comprehensive contributions to our experiences.
(Image:Lithographie by Henri Matisse of Colette, exhibition Colette at BNF 2025).

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Social Anthropology

Dina Dreyfus, married several years to Claude Lévi-Strauss, has shared with Claude the long anthropological expedition to Brazil in the 1930s. They jointly studied the social organization of indigenous people across Brazil. Their abundant notes of field studies have now been digitized and the BNF is making this accessible.
Additionally, an exhibition on these field studies reveals the close collaboration of both partners. Returning to France in 1939 meant that soon after the return due to their Jewish decent had to interrupt their academic careers in France and some notebooks were lost during the Nazi occupation of France. After the war both separated and Claude Lévi-Strauss embarked on the drafting of the structuralist theory, Dina became influential in the field of the philosophy of education and teaching philosophy herself.
Besides all these lasting achievements, the exhibition shows the typewriter which had accompanied them for many years. The German language layout is quite remarkable as this asked for an additional mental versatility in putting their thoughts and experiences into the form of a manuscript. According to Claude Lévi-Strauss the use of this technical device allowed him to detach himself emotionally from his analytical work.
(Image: Exhibit: typewriter Claude Lévi-Strauss, BNF 2025-10)

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Place of the Church

What is the place of the church(es) or religion in society? Some would answer that the answer depends very much on the historical period which you focus on. Social scientists would zoom in on the changes that have taken “place” and the reasons as well as major actors of these societal changes. Churches are highly symbolic places with exposed visibility and demonstrations of power. Therefore, it is interesting to follow the changes in the architecture of churches. Whereas biblical communities gained in wealth and power over the centuries, they moved from the backyards to the city centres and the market places for centuries.
In the early 20th century many cities have grown so rapidly that in newly built suburbs new churches were considered an obvious extension of the places where churches belonged as well. In several instances the planning of a city’s extension was still being organised around the idea that a church should be the (new) focal point. At the same time the ideas of democratisation entered into churches as well leading to the deviant choice of round shapes rather than the traditional linear structures. The hotel became visible from all angles and was positioned as the mid point and rayons or beams could be imagined to reach into the newly built suburban areas. Frequently the road traffic was organised accordingly. Saint Augustine church in Forêt Brussels is a prominent catholic architectural example of this.
Another example of a round shape church with a place defining architectural function is the evangelic Königin Luise Gedächtniskirche in Berlin. Much smaller in size and in the axes that originate from there, the “Place of the Church” aims to fulfil a similar function, a central place in the new suburbian area.

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Modernist Urban planning

Saint Augustin in Brussels is one of the lesser known defining architectures in Brussels. It is visible from far away much beyond the immediate surroundings. Situated on Altitude 100 it is on the highest hill in Brussels with a 58 meters high Campanile built out of concrete in 1933 in a predominantly art nouveau style. The order of the St. Augustines in the center of Brussels was terminated and at the outskirts of Brussels as a new city suburb was being built starting in the late 19th century An appropriate way to demonstrate continuity despite discontinuity was the placement of the church in the middle of a roundabout and a star-like organisation of roads des descending from the top. The form of an equal length (orthodox) cross is in the spirit of the unity of the Christian churches. Even despite the prominent and exposed situation, most people pass by with little concern for the innovative, architectural features of this edifice. (Image: View from capanile St Augustin Brussels). On a small scale this urban planning concept resembles the Paris of the « Arc de Triomphe » and the views and corridors which we designed and implemented.

 

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Deus ex machina

The term “deus ex machina” used to be applied more in its figurative meaning. With the rise of digital tools like chatbots, facilitated and enhanced through AI, God is speaking to us not only in multiple languages, but also from our pockets through our smartphones and headsets. This is a rather recent form of “deus ex machina”, which we did not expect some years ago. The bible as e-book or pdf-file has been around for some decades, but only more recently we can enter conversations with God through chatbots as another version of “deus ex machina “ about almost everything (and pay for it via digital credit card). Programming of such an AI-tool is easily achieved. AI will prepare a weekly or daily sermon or prayer for you, following your predilections of your favourite quotes of the bible. An interesting twist to the programming is to use authorized as well as unauthorized translations of the bible across several centuries.
Another interesting enlargement of the input data base is the inclusion of interpretations and discussions not only within your own religious community, but beyond. Maybe the discussion of several different religious chatbots with each other could prevent aggressions due to differences in basic beliefs. These “dei ex machina” might further our understanding of what makes us humans different from machines and machine-based solutions of human conflicts.
As genetic clones of ourselves have become already technically more feasible, our digital alter-egos (the comprehensive collection of traces in the internet and digital images, plus social scoring) help to empower those “dei ex machina”.
This kind of “Brave New World” asks us to be rather brave ourselves.
(Image: interior St Denis Basilique Cathedral Paris 2024)

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Marc Aurel Memorials

The depiction of Marc Aurel as Emperor has become a trade mark in the history of art and politics. As an emperor with good horse riding skills, Marc Aurel was the first emperor to be portrayed as riding on a horse without saddle whilst, of course, in perfect skill to master the horse and give orders or strategic commands. Many subsequent emperors, Napoleon or Friedrich have had their power positions “immortalised” as such, which served at the same time to make them appear taller and “in command” of something.
Travelling by horse has  also been for a long time the fastest mode of transport, yet another symbol of social status used in media campaigns of those times. The memorials in honour of Marc Aurel had already during the ancient time the function to transmit an image, the emperor wanted history to keep in mind, rather than the view of ordinary people in the Roman empire. Memorials of political leaders have been a demonstration of power for centuries before and for centuries to come.
(Image: Trier Marc Aurel exhibitions 2025-9)

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Marc Aurel critics

In the literature on and about Marc Aurel (Brenan 1882, pp. 484) the end of the ancient world is mentioned frequently. This refers to the beginning of the end of the Roman empire and the rise of Christianity to be become more influential. What caused the decline? The nepotism in the governance structure through the placement of family members to influential positions and as successor alienated many followers who previously believed in the high moral standards advocated by Marc Aurel.
Justifications of superiority by social origin are standard at the time of writing, but Marc Aurel did not see the potential of a more equitable distribution of offices. Women were relegated to subordinate or no public positions and are not mentioned with respect to  the importance of reasoning or social competence either, none but one in his acknowledgements (Book 1). The discrepancy between the formulation of virtues as well as ideal standards versus own practices of hierarchical leadership, recourse to slavery and brutal upholding of the empire should not go unmentioned.

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Marc Aurel Advice

The study of Marc Aurel’s Meditations offers advice on how to conduct one’s private and public life. The role as advisor or teacher is an important part of his writings, albeit quite indirect. In going back to Book 1 and his acknowledgements of his own advisors, teachers and good examples indicate the motivation and intention to write down his meditations. “People exist for one another. You can instruct, or endure, them” (Book 8, paragraph 59, see also Barrientos 2020). Marc Aurel does not shrug away from the treatment of general concepts of humanity like justice. In his view “… justice entails the exercise of wisdom, kindness, and fairness in our relationships with others both individually and collectively.” This includes already tolerance as a part of justice as in Book 4 paragraph 2, according to Robertson (2020). The idealistic view of humanity, following Platon’s philosophy and other Stoic authors, still serves as a benchmark against which many leaders are measured today (compare Le Monde 2025-9-25 p. 26).

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Marc Aurel Book 12

The closing book of Marc Aurel’s Meditations is taking issue with his own posterity. As a guideline for others, he formulated the claim not to care so much more about the opinions of others, but to stand by own reasoning and trust in one’s own opinion. “I have ofetn wondered how it is that everyone loves himself more than anyone else, but rates his own judgement of himself below that of others. … So it is that we have more respect for what our neighbours will think of us than we have for ourselves.” (Paragraph 4, Penguin Classics).
Of course, in the age of “philosophy as discourse” (Habermas), we are used to criticism of books and their authors. For the emperor philosopher this was less obvious, albeit the Socratic tradition of exchanges between teachers and their scholars was a kind of precursor of 20th century philosophy.
His writings in ancient Greek, however, remained little known and debated until its first Latin publication. Ever since, it has been a prominent work on ethics and leadership. The exhibition in Trier featured the copy of Helmut Schmidt, as the long reach of stoic writings on virtues and leadership.
(Image: Stadtmuseum Trier, Model of Villa in Welschbillig)

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Marc Aurel Book 11

Throughout the Meditations, Marc Aurel concerns himself with the idea and importance of the common good. Based on his experience as Consul and Roman Emperor, the common good is of primary concern. At least in his thinking and writing these concerns play a very prominent role just like the “social“. In order to ensure his own successor, as described by Katherine Kennedy (2020 through www.classicalwisdom.com) he was only the 2nd Roman Emperor  to appoint a biological heir as his successor, which met a lot of criticism already at that time. Nevertheless, in his philosophical thinking and leadership guidelines he cherished the common good above all. “Have I done something for the common good? Then I too have benefited. Have this thought always ready to hand: and no stopping.” (Book 11 paragraph 4, Penguin Classics edition). This is in contrast to the predominant utilitarian thoughts many centuries later where the pursuit of your own benefit will further the benefit for society. The reversal of the logical sequence in later thoughts is particularly remarkable as well. The process of individualisation seems to be another additional factor in the lack of concern for the common good in the 21st century. Raising the awareness to further the common good is a continued challenged in most societies.

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Marc Aurel Book 10

Book 10 offers some referrals to previous books and topics: Marc Aurel defends a wholistic vision as in book 10 paragraph 17: “Keep constantly in your mind an impression of the whole of time (χρόνον) and the whole of existence (οὐσίαν)…” (Penguin Classics version, also in Greek original/French translation). In the same vein, he wants all this knowledge and considerations to be “actionable”. This reads in his words: “No more roundabout discussion of what makes a good man. Be one!” (book 10, paragraph 16 in the same two editions). As the late Marc Aurel’s writings progress, he becomes even more “exigent” in the sense of demanding ever higher standards (of himself). “Whole-ism” paired with a request to, nevertheless, be ready for action at any time is not only a high cognitive demand, but also a reminder to leave procrastination behind. The virtue of a stoic leadership style remains an ambitious challenge.
(Image: Trier Exhibitions on Marc Aurel, 2025-9)

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Marc Aurel Book 8-9

In book 7 paragraph 38 the stoic wisdom is exemplified in the the the short phrase „If you have sharp sight, use it: but, as the poet says, add wise judgment“. Being sharp in your reasoning or data collection is only part of the human endeavor. A wise judgement is, however, an ambitious aim as judgments have different short term and long term consequences. Intergenerational considerations as for climate change ask for respect of other species, biodiversity and to take into account very long time horizons.  The quote from book 8 paragraph 5 appears very modern or post-modern in this context. „There can often be wrongs of omission as well as commission.“ (both citations from Penguin Classics edition) Not acting on behalf of future generations and disappearing species is the most crying omission of our time.

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Marc Aurel Book 7

In paragraph 63 Marc Aurel refers to Plato as one of his sources: “No soul”, says Plato, “likes to be robbed of truth” ( and continues himself) “– and the same holds of justice, moderation, kindness, and all such virtues. Essential that you should keep this constantly in your mind: this will make you more gentle to all.” The remarkable reasoning is to transform the own generalized experience into a behavioural recommendation. It may be argued that Marc Aurel starts from a kind of Aristotelian empirical study of persons in different life domains to derive an empirical fact. Based on this he develops a more Plato inspired “idealistic picture of mankind”. He is very much preoccupied with the philosophical question, how is a good life for all possible. In a previous paragraph (55) he outlined his 3 guiding fundamentals: (1) “The main principles in a man’s constitution is the social; (2)… resistance to the promptings of the flesh, like impulses; (3) judgement unhurried and undeceived”.
With such a claim for a “rational constitution” of man, he puts himself into the footsteps of previous philosophers of the ancient Greek tradition and, therefore, his writing in Greek rather than Latin is also a homage to this philosophical heritage.
(Image: parts of Installation by Fujiko Nakaya in Neue Nationalgalerie Berlin 2025)

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Marc Aurel Book 6

Some passages of Book 6 can be understood like quotes of much later works, even like writings of the enlightenment period. Take this one: “If someone can prove me wrong and show me my mistake in any thought or action, I shall gladly change. I seek the truth, which never harmed anyone: the harm is to persist in one’s own self-deception and ignorance.” (para 21 in Penguin Classics version, also in Greek original and French translation).
The same passage in historic English: “If anybody shall reprove me, and shall make it apparent unto me, that in any either opinion or action of mine I do err, I will most gladly retract. For it is the truth that I seek after, by which I am sure that never any man was hurt; and as sure, that he is hurt that continueth in any error, or ignorance whatsoever.” (Para XX in Gutenberg.org online reader).
Why is this already an enlightened vision of truth? In the search for truth, he is open to criticism or doubt by others (maybe even irrespective of societal standing) and, moreover, ready to change his conviction and action. Religious doctrines of the time and many centuries after his writings would not have accepted such a doubtful mind who might change due to (scientific) reasons. Long before “Cogito ergo sum” (René Descartes, (1637), I think, therefore I am, of the early enlightenment, Marc Aurel might be summarized in this paragraph as “Cogito, ergo dubio”, I think, therefore I doubt – and I may change accordingly.
(Image: Ossip Zadkine, Forêt humaine, Musée Zadkine Paris)

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Marc Aurel Book 2-5

There are several translations of Marc Aurel. In the Shakespeare English translation from the Greek original of the Meditations a passage (Book 5 paragraph XXIII) describes or idealises humans as a “reasonable and sociable creature, regulated and directed.” The same short quote of this paragraph in the English translation by Martin Hammond (Penguin Classics p.43) reads: “…my wish is to follow the nature of a rational and social being.” Of course, both translations are pretty similar at first glance, but the difference of “reasonable” versus “rational” and “sociable” versus social” mark very important differences that had and have different impacts throughout the following centuries up to today. As in many other instances going back to the original version in Greek (book link) might clarify the issue, however, the entry barrier is access to the bilingual version and use of an ancient Greek dictionary.
With almost 2000 years of advances in rational approaches and its tools like mathematics, the scope of the rational is huge and the behavioural turn in the social sciences demonstrates the limitations of human’s use of rationality (λογικός) in decision-making. Reasonable seems to come closer in today’s “post-enlightenment” world.
There is also quite a divergent connotation in the simply “sociable” (κοινωνικός) being or the “social” being, which has a wider scope attached to it. Hence, lets be aware of the implicit interpretations of translations. For a start the parallel reading of translation and original (Link) might enhance our understanding and spur even new translations and interpretations, which speak with the classic originals to today’s audiences (with or without AI).
A witty joinder of both previous translations is “And my will is the will of a reasonable and social being”. (Link Book V, paragraph 29 bottom).
From the Greek to French in book V (Link)  with an even broader understanding of the social as “la société universelle”.

(Image: Camille Claudel 1905: “Persée et la Gorgone, Lucile Audouy collection Paris, exhibited in Berlin 2025, Alte Nationalgalerie)

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Marc Aurel AI

In the 21st century it is possible to chat with Marcus Aurelius. Part of the exhibition at the Simeonstift is a chatbot you may freely consult and questions with or about Marc Aurel. Based on your questions the animated screen image of Marc Aurel will reply based on his own writings like the Meditations and (probably) other secondary literature on Marc Aurel. Questions about feminism or slavery are answered based on the original texts. Some of these answers  appeared rather modern like the basic equality of all including women or slaves. The Meditations are an idealistic vision of mankind in the stoic tradition. In practice such ideals have proven very ambitious for the many and growing temptations in the day-to-day lives of ordinary people including their political, religious, business and military leaders. The AI is confronted with the issue to give answers to ethical questions which refer to the time of the author, but not all can apply to today’s ethical standards and basic human rights. Reading the original source, therefore, remains the preferred choice. 

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Marc Aurel Philosopher

2025-9 marks an additional landmark in the achievements of the late Marc Aurel. In the Roman built city of Trier, 3 museums offer exhibitions on the life, ideas and imperial governance style of Marc Aurel. Libraries and bookshops around the city portray a wealth of books and studies by and about Marc Aurel as well in many languages (image below 2025-9). The stoic author and practitioner has served as an example of a leadership style which became for many subsequent leaders a hard-to-achieve precedent. The writing style of Marc Aurel in short paragraphs and aphorisms proved highly accessible, although his readership swell only after a Latin translation of his Greek original appeared in the 16th century. The title “Meditations” in English, “Pensées pou moi-même” in French or “Selbstbetrachtungen” in German demonstrate the difficulty to get to grips with the author’s intention and objectives in writing down these reflections on life, ethics, humanity and good governance. Through the use of Greek rather than Latin he puts himself in the line of Greek philosophers rather than the succession of Roman emperors. As the numbers of bad leaders still outnumber the good governance style advocated by Marc Aurel, these exhibitions in the Simeonstift, the Landesmuseum and the Stadtbibliothek are a perfect opportunity to demonstrate that good governance is something that can be studied and learned even in the distant Roman history.