History – Schoemann

16/06/202615/06/2026

Autonomy as Happiness

The French philosopher Émile-Auguste Chartier, better known as Alain, is a proponent of a rational approach towards fundamental issues. Therefore, we should expect from the reading of “Propos sur le bonheur” a thought-based conception of happiness. In his propositions on happiness, autonomous decision-making and autonomous actions play a decisive role. Rather than writing a voluminous “treatise” on happiness, he had chosen in the 1920s, the form of 93 about 2-page long propositions about happiness. These propositions are a bit more explicit than, for example, Nietzsche’s aphorisms, but they remain short without much literary context to the kind of rational analysis based on observations and anecdotal supporting evidence.
In propositions 42 “Agir” and 44 “Diogène” he deals with autonomy as subject. “on veut agir, on ne veut pas subir” (in short, “act, not endure”, own translation), that is his quintessence. “Tous les métiers plaisent autant que l’on y gouverne, et déplaisent autant que l’on y obéit.” (44). (All professions are pleasant if you govern, and are unpleasant if you have to obey). More than 100 years later, empirical studies on job quality, job satisfaction and happiness still build on this rationale.

12/06/202611/06/2026

Autonomous regions

In political science, autonomous regions have a hybrid legal form. Autonomous regions are a part of nation state, but have rights of own administration beyond what other regions have. The status quo of an autonomous region is more defined by the historical evolution than current political controversies. The hybrid state as being part of a larger nation on the one hand, but giving the impression of enjoying more autonomous decision making. The actual test of autonomy is in day-to-day decisions, particularly those that have cultural or financial implications. In order to preserve an own language and folk traditions the status as autonomous region is quite helpful. Whereas an own television channel or decisions about school curricula were essential for autonomous regions, the access to the internet and, for example, AI-assisted translations have made the preservation of cultural autonomy a bit easier in the 21^st century. In view of a pervasive globalization we witness at the same time an increasing local attachment of people. The “glocalism”, which combines global humanitarian values with a locally routed personal identity. This mechanism seems to be on the rise and continues to pose a threat to an outdated vision of a nation state. Beyond hybrid cars and hybrid war, we live more and more in hybrid nation states.

07/06/202605/06/2026

Press in the 1970s

In the 70s there were many so-called underground or alternative papers printed. For people in bigger cities or in cities with universities, the 70s flourished with independent journalism which addressed small audiences. Each access to printing materials and paper allowed to go it alone for groups of society that did not feel they were adequately represented by established media. Some of these “underground” papers published texts that could be considered going against the dominant legal principles. Topics like feminism, birth control, abortion or more left wing political statements against private property had to fight to reach their audiences. The cold war period created another overarching threat to the representation of all opinions. Hence some groups we t underground to function as they wanted and how they interpreted the freedom of expression and being published. (Image: BNF Exhibition Underground 2026-6).

05/06/202604/06/2026

Considerations about Space

As is true for most architects, for example Le Corbusier, they are mostly remembered for their actual realizations (Scharoun, Mies van der Rohe), rather than the grand designs prepared for an architecture competition. Henri Gaudin has not only left concrete implementations of his ideas, but also several books on his perception and ideas about “concepts of space” (“Considérations sur l’espace”), which comprises architectural ideas about “empty spaces“. Additional sources of inspiration were a relentless pursuit of drawing and designing what he saw, for example while travelling. The BNF has received the extraordinary donation of the journals of Henri Gaudin, which allow to trace his continuous search for innovative representations of what creates a space, the impression of space and the relationship between spaces.
His travels with the TGV in France filled a complete “carnet” (booklet). Architecture is surely not about concrete. In the best cases there is a lot of research happening “backstage”, sometimes in small spontaneous sketches that can have a very lasting impact on many people’s perception of space later on. His own landscape drawings were an interesting inspiration for his architectural work as well. “Image: Landscape drawings by Henri Gaudin, BNF Paris 2026-6, Galérie des Donateurs).

30/05/202630/05/2026

History as Science

There are persons entering history and there is the science of history. Whereas the former persons may sometimes enter for very dubious reasons into history, responsible for killing people, the science of history draws on a whole lot of evidence, social, economic or demographic, to evaluate a person’s legacy or the merits of an epochal change. In the development of this scientific approach towards history, rather than a purely chronological, family structure or narrative-oriented approach, Marc Bloch has been a central figure. His research and exemplary own biography as student of history at the ENS in Paris, teacher and later Member of “La Résistance” is honored by an exhibition on his life and time at this formidable French institution of teacher training. In an exhibition in the ENS library you can even inspect a list of the books taken out by Marc Bloch as a student as well as his experiences as a student in London or Berlin before the 1st World War. A strictly science-based approach to history made him an influential historian and social scientist beyond his lifetime. (Image: Salle Marc Bloch at ENS Library Paris 2026-5)

29/05/202630/05/2026

Nature as a concept

We all hold implicit or explicit concepts of nature in our minds. There are few countries that have “battled” over the course of history with changing and often “politicised” concepts of nature. The exhibition in the DHM “Deutsches Historisches Museum” on “Nature and German History, Faith – Biology – Power” is convincing with this cross-disciplinary approach to the subject. The chronological structure of the exhibition starts with Hildegard von Bingen’s vision of nature embedded into the huge diversity of plants with almost spiritual power. Admiration of plants and the animal world, however, became an economic resource just like gold and slavery during colonization, being followed by industrialization as the epitome of man’s power over nature. Counter movements have been on the rise in the 2nd half of the 20th century. Another power struggle over how and who defines the dominant concept of nature in the 21st century. As nuclear energy, bombs and waste redefined the long-term consequences of “treating” nature, the battles about the prevailing concept of nature intensify. The exhibition in Berlin 2026 is a fine example of a historical perspective on the relationship between society, nature and technology, where the concept of nature becomes a malleable concept between the other two players or systems. (Image: Metamorphosis of the silk moth, DHM 2026-5)

27/05/202626/05/2026

Magnifica humanitas

With the “Encyclical Letter” entitled “Magnifica humanitas”, Pope LeoXIV puts himself expressively into a long historical tradition of the catholic belief to be not only a religious leader, but also an institution that puts humanitarian values on the top of its agenda. As the catholic church is a globally active institution, which covers the whole life-course of individuals based on defined doctrines, the massive changes that are under way in the field of artificial intelligence asked for some guidelines to frame the church’s understanding of this relatively new “Deus ex machina” of the 21^st century. In the Encyclical, there are several mentions with respect to comparable socio-economic developments of the past. In choosing the name of “Leo”, the Pope referred, from the earliest days of his Pontificat, to Leo XIII as a particularly important predecessor for himself. The latter has made his reputation in the Christian Church with the Encyclical “Rerum novarum”, which raised awareness to the risks to humanity with an industrialization and capitalism being pursued at all costs. “Res novae” of our time, which is AI and all its fields of applications have a potential to affect the course of humanity for decades to come. Leo XIV doesn’t condemn it as the devil in machine form, but puts emphasis on the potential of AI to assist us to enhance the “Common good”. This is the task of many, not of only a few, as he refers to in his Encyclical of 2026-5-15.
(Image: Extrait: Saint Augustin, Les Confessions, book 13, chapter 28).

18/05/202617/05/2026

Litfaß Advertisement Column

Berlin has renovated some of its early say notice boards and advertising columns. The original „Litfaßsäule“ has already the round column shape where you clued a poster on the sirface so that it was visible to several persons interested to look and read. After more than 150 years after its invention, Berlin has digital advertising columns which resemble the original Litfaß design. Rather than the spectator walking around the column, the column now turns around in a steady manner so that nearby you can see the whole advertising content from all points in the neighborhood. Simple change, but a remarkable improvement in the reach of the advertisement. Retro-lighting increases the duration of the effects as well. Mass communication and commercial innovation can sometimes just improve on an existing marketing channel, and still reach a specifically targeted audience.

16/05/202615/05/2026

Post-sacred architecture

As with our human bodies, and in many instances already, sacred architecture follows a life course pattern. The thriving religious communities build and expand their faith to larger audiences. In these expansionary phases of the faith many monumental buildings, known as sacred architecture, as well as splendid interiors or artefacts enter the “built faith”. After the peak of membership and in periods of contraction, the question of how to scale down the splendors starts to arise.
Eventually, the ceding of the sacred architecture to the non-believing communities comes into consideration. The sacred architecture needs to find its place in the evolution of societies as well as urban and rural local space. Depending on the intentions and resources of communities, post-sacred architecture has to redefine its purpose for its own survival.
An interesting example of post-sacred architecture constitutes the “Friedrichswerdersche Kirche” in Berlin. The use as a historic exhibition space for sculptures of the 19^th century works particularly well in combination with an active program on art, architecture and history. The statue by Ludwig Winckelmann (image below) depicts the reflection on and about a miniature sculpture in space. The post-sacred use of this fine and luminous architecture continues to reach an enlightened audience.

14/05/202613/05/2026

Portrait of or about

In some galleries or for curators of an exhibition, the crucial question is not only the overall message, but the best positioning of artworks in the available space. In many national galleries what hangs next to another piece is rarely seen as an opportunity for exploration and experimentation. A recent visit to the “Gemäldegalerie“ in Berlin allowed to explore the vicinity of 2 paintings, which are very different in appearance. The one (by Pierre Subleyras 1740) is just entitled “Portrait of a woman”, the other one next to it, “Virgin and Child Enthroned, with Angels and Two Saints, Domenico Mondo 1773). The former portrait has almost a modern touch to it as the beauty consists in the simplicity of the person depicted, whereas the latter painting portrays a rather empty message of splendor and power. The conscious confrontation of portraits or paintings with each other is the high art of curatorship. It is even more pointed than a guided tour of a gallery as the simultaneous rather than the sequential confrontation is the issue.

13/05/202611/05/2026

Woman artist scandal

The painter Hermine Schmidt-von Preuschen, little known today, had to face strong forces in the established art community of her time. The skills and audacity she displayed at an early stage of her career as painter is epitomized in her work “Imperator Mors”. This painting dates back to 1887 and was rejected by the art academy in Berlin for their official exhibition. The woman artist was already at that time confident enough that her painting was of sufficient quality to deserve to be not only considered in the exhibition, but also to be seen by larger audiences. Similar to the refused painters of the impressionist movement, she decided to mount her own exhibition. The turnout to this proved to be quite a success according to the press cuttings presented as part of the exhibition in Berlin at the “Alte Nationalgalerie” 2026-5. Maybe it was the intended philosophical topic or message that killed the chances to be part of the art academy exhibition. “Imperator Mors” shows death or a skeleton to be the ultimate ruler of our fate. For all those who believe in some sort of life after death, this can be viewed as a “Scandal” in itself. The scandal created with such a depiction probably overshadowed the fact that the provocation came from a woman artist. Still very avantgarde for the end of the 19th century. (Image: Hermine Schmidt-von Preuschen and her painting Imperator Mors 1887)

12/05/202610/05/2026

Brancusi polyartist

The joint exhibition by the “Neue Nationalgalerie” Berlin and the “Centre Pompidou” Paris has the simple title “Brancusi”. The name of the artist Brancusi stands for a very singular approach to take sculpture into the 20^th century by way of abstraction. Brancusi used all sorts of materials like lime stone, bronze, wood and marble. Additionally, he was very conscious of the fact that especially for sculptures the “mise en scène” plays a vital role. Brancusi excelled in this in a rather unique way, mostly by confronting different materials with each other. Sculptures, for him, were architecture in miniature. Such a polyartist approach to sculpture pushed him to use photography and video to not only promote his own work, but to exploit these relatively new techniques to enhance the effect of his sculptures.
Maybe it took almost 100 years that by means of the “not-so-social media” not-instant, anytube and tikytok, this “modus operandi” would capture a whole generation of youth to follow in his footsteps without knowing it. The polyartist Brancusi is a unique milestone, not only using lime stone, on the trajectory of sculpture beyond the early 20^th century. The links to other innovative artists chosing abstraction, Picasso or Modigliani, as well as musicians like Eric Satie, reflect the importance of social networks for mutual encouragement when treading new paths in art.

05/05/202604/05/2026

Family Archaeology

The archaeology of family bonds is an interesting branch of both archaeology and genealogy. The mixing of hunter-gather populations with settled populations seems a rather ancient fact (study link). Analytical DNA comparisons reveal that nearby groups had indeed contact and even intermarriage occurred more than 5.000 years ago (Mattila et al. 2026). The evidence is based on data from a cemetery where several persons were buried in the same grave.
The study by Blöcher et al. (2026) demonstrates that in the late phases of the Roman empire along the Roman frontier in Germany a mixing of Romans with local populations a similar process took place. Whereas genetic structures persisted until the 6^th century, the Central European genome as we know it today refers back to the 7^th century. The inter-generational transmission seems to be an important driver of diversity. The high infant mortality together with an earlier mortality of women than men at that time show the accomplishments of modern medicine to safe infants and mothers from the hazards surrounding family formation and survival.

04/05/202604/05/2026

Given then Chosen

Family is first given and only later in life family becomes a matter of choice. This is a rather sequential perspective on family matters. A lot of ethnological as well as sociological research shows that the shadow of the given family can reach long into an individual’s later life. It is essential to be or become aware of the mutability of what constitutes a family. The ethnological variability across the globe of the norms and legislation that govern families is amazingly broad. The interference of religious beliefs and practices have always attempted to gain access to the nucleus of family life as an attempt to influence the “given part” of family.
It is a much more complex issue to understand and research the “chosen part” of partnership trajectories in a broader sense and from a life course perspective (Fasang et al. 2024). The social background and upbringing in a broad sense have a lasting impact on most people. However, there are enormous degrees of freedom to later on choose your friends, family or families. Societies across continents have chosen and invented particular rites of transitions between families and how to bridge networks. It is amazing that we tend to devote so little thought to this nucleus of our societies.

03/05/202604/05/2026

Pictures at an exhibition

The playlist on Spotify, which accompanies the exhibition “Unforgettable” in Ghent, is an interesting extension of the unforgettable artists into today and tomorrow. You may be inclined to share your opinion in the way Maria Iskariot does it in “Dat find ik lekker” or more like Sophie Straat in “Dansen met de dood”. Anyway, women artists are coming front stage and this is great news despite all the backlashes we, unfortunately, witness in the 2020s. The curator of the playlist Murielle Scherre has managed to take us, a bit like the exuberant Modest Mussorgsky in his “Pictures at an exhibition”, beyond the marvelous exhibition rooms to a broad exploration of contemporary women artists’ world of imagination in music, visuals and songs. A great intergenerational accomplishment.

02/05/202601/05/2026

Forgotten but Unforgettable

Many women painters and artists who worked during the 17^th and first half of the 18^th century have been forgotten until recently. The galleries of the time and many years later gave little attention to the women artists of that time. Most of them were relegated to be of minor importance in the course of art history. The exhibition of the Museum of the Fine Arts Ghent in Belgium has accomplished to rectify this place of women painters in art history. The fine pieces of art, ranging from painting to sculptures, were frequently signed by men, probably to achieve higher market values and become visible in the public sphere at all at their time.
The exhibition is a kind of a revelation of how difficult it was for women to move from an “object of art” to be the subject painting including painting themselves. This also dealt with the view or regard of others towards women. Additionally, the exhibition features a section on “Social Expectations”, which deals with the expectations of the Flemish and Dutch societies towards women. Family values, marriage, wealth and social status were of utmost importance.
These women painters were forgotten far too long, but have staged their comeback as “Unforgettable” in the 21^st century.
(Image: “Pictura at an exhibition” taken in the MSK Ghent 2026-4)

25/04/202624/04/2026

Individualism and beyond

For many social and political scientists it is interesting to look into the origins of our present day individualism. In a permanent drive to learn more about ourselves, millions of persons on social media try to visualize primarily themselves in different roles and life situations. Saint Augustine was the first philosopher who exposed his own personality and past choices of pleasures on earth in a journal like fashion named “Confessions”. Isn’t this what every person is somehow doing on facebook, tiktok or instagram? Thousands of entries deal with persons succumbing to earthly pleasures. Saint Augustine writes about his own very personal experiences and this invention of “the individual path” to philosophical, spiritual, religious ideas and convictions makes him a milestone in the history of ideas.
Maybe the original version of the text is further advanced than the Christian AI chatbot that has recently been released, because Saint Augustine proposes in the last paragraph of the Confessions 3 questions and finally 2 sentences to close his journey into his philosophical and religious mind.
(Image: Saint Augustin & Saint Monique, by Jean Boedts on Confessions Book 9, Ch. 10 on his mother dying, Church Saint Augustin, Brussels Altitude 100)

23/04/202622/04/2026

Writing to yourself

Over more than 2000 years, humans have written in various forms about and to themselves. The “Meditations” by Marcus Aurelius are one of the earliest and finest example of this tradition. Originally, the intention was to write something we call “journaling” today. Out of a motivation to understand yourself, others, your relationship with others and society’s evolution, Marc Aurel drafted in Ancient Greek (a kind of elite or secret code for his Latin-speaking contemporaries) originally with no intention to address larger audiences. The French translations and publications in 2026 still use as title for the Meditations “Pensées pour moi-même” (Τὰ εἰς ἑαυτόν). The kind of “inner dialogue”, or dialogue with yourself as a literary form, has become a philosophical tradition.
Roger-Pol Droit (2008) ascribes a similar literary style in his introduction to the “Confessions” by Saint Augustine in a recent French edition. In moving from a culture of oral traditions to a reading and writing tradition in Europe, the style of reflections about oneself and others shifts more and more to the printed formats. Originally reserved to some happy few, modern techniques of contemporaneous recording of sound and video enlarge the possibilities of input through transcriptions, editing, storage as well as analysis of own input.
The possibilities for a democratization of reflections of our own experiences have increased, and yet, AI might jump in very quickly to some already pre-established truths about ourselves in analyzing this data, which might be hard to fend off.

21/04/202620/04/2026

Gardening Evolution

Researchers continue to study the impact of gardening on biodiversity and survival of insects. The study published by Tscharntke, Batáry and Vidal (2026) points our attention to the importance of areas in our gardens that are allowed to grow without mowing for several years. In many traditional gardening projects even in the 21^st century, we observe a cut of grass-shoots in fairly regular time intervals, once a months for example. An English style lawn will be cut very short even more often than this. If we want to allow for an evolution of gardening and regaining biodiversity, we shall have to reserve substantial areas of a garden to allow grass-shoots to grow over several years (!). Such an evolution might be perceived in 2026 a bit like a revolution in gardening. Untidy spots are a response to “the need for unmown long-term refuges, protecting intact grass shoots for persistent insect populations” (Tscharntke et al. , 2026). The tree “Cercis siliquastrum” (Judas-tree) in the “Jardin des Plantes” in Paris dates back to 1785 and shows the impressive strength of nature to outlast changing gardening fashions even in a hotspot of gardening culture, history and evolution. Grass-shoots below might be allowed to last a couple of years as well.

19/04/202617/04/2026

Before and After

It is not always easy to precisely identify the state of before a transformation from the state of after a transformation. In human developments we can observe lengthy periods of for example puberty. Other transformations of biological changes might be more obvious to identify like a broken bone, but a broken heart transformation might be less obvious as it might occur gradually and progressively rather than abruptly. Much the same can be said about illnesses like diabetes or cancer. The task of science is to study the whole process and this includes the theoretical model of such transformations. The arts have dealt with this complexity before and many artifacts take care to show or make explicit the kind of transformation they have undergone. The woodwork by Birkenmaier (before 1687, in catalog of Metamorphosis exhibition, Amsterdam 2026. Image below) is an early example of being honest about original piece and the evolution of the piece of art into the transformed “oeuvre”.

18/04/202617/04/2026

Metamorphosis

In the antique writings of Ovid “Metamorphosis” there is an extensive description and mystery about the metamorphosis of several characters. The narrative about various forms of metamorphosis has influenced our perception of change as having a mystic component. The arts before the enlightenment have drawn lots of sceneries of metamorphoses across the centuries. Maybe in form of sculpture this narrative has continued to be present even into the 20th century. The exhibition at the Rijksmuseum in Amsterdam and the essays in the catalog testify to this long shadow of Ovid’s original narrative. No need to mention Kafka as another adept of “Verwandlung” or Rodin, who reveals persons as semi-detached from stone. Wood and the return to ashes shows us the come and go of metamorphosis of human beings. Imagining mankind as a sequence of metamorphoses is a metaphysical as well as sociological perspective of our presence on our planet. (Image: Daphne transformed into a Laurel tree, Bernard Salomon, 1557).

13/04/202612/04/2026

Mind mapping

The exhibition in Paris on “Cartes imaginaires” at the BNF regroups treasures of maps across centuries in an interesting way. The technique of putting together elements in a map has been developed and refined over long time spans. Map are mostly in our minds as depictions of geographical details allowing a broader overview amidst lots of detail. The mind mapping of today as a managerial or pedagogical tool is not much different even if AI might make is believe that it is a modern tool. The exhibit of “The island of Marriage” (image below BNF, “Cartes imaginaires”) in the middle of lots of distractions and potential distractions has a particular charm to it as it tells many tales and storylines for writing lives and novels. Our own lives or the depiction of life courses might be represented in a single map, maybe even comparable to a sequence analysis of events. The history and potential of maps and lives as mind maps is going to accompany us for quite some time as it already did for centuries.

12/04/202611/04/2026

Critique of Maps

From a sociological perspective on maps we learn for example, that maps are also instruments to reflect property rights. This can be past claims of imperialism or recent claims of independence. A depiction as a map has historical and societal implications. Superposition of maps according to political, cultural or linguistic communities often reveal contested areas of domination and liberation movements. The specialized field of the history of maps can sharpen the senses for a critical view of maps in the 21st century. (Image: Brankiza Zilovic, Nusquama 1984 exhibition “Cartes imaginaires’ BNF Paris).

11/04/202610/04/2026

Fact and Fiction on Maps

As a matter of fact, for centuries maps have played in both registers, fact and faction. In geography we expect maps to represent geographical facts, and yet based on a historical perspective on the subject, we realize that early cartographers had to brush over, at their time unknown, territories. What did many of them do? They imagined what could be the case.
In the early days of “creating a map” the artists had to rely on some sort of fiction or were intentionally creating a fictive image of the unknown world. Out of this “science and fiction” approach, a whole discipline of literature has evolved, science-fiction. The imagery of Manga-mania in the 2020s owes a lot to this drawing and mapping of fiction in form of stories.
Maps tell lots of stories. They are powerful in their neurological function, similar to mind maps that are a tool to structure our thoughts or story lines. The gesture to point at an area on a map of the Arctic, Greenland for example, can send shivers across the globe. Maps make stories and stories may lead (eventually) to shifts of attribution on maps. In the same vein: the mapping of power also reflects the power of maps, be they based on facts or fiction.
(Image: Exhibition: Cartes imaginaires, BNF Paris 2026-4-8, Gerardus Mercator, Map of North Pole 1595)

10/04/202609/04/2026

Interests in failures

Decades or centuries after a successful or unsuccessful innovation, an evaluation of the reasons and circumstances of a temporary or permanent failure is informative. In the energy sector we observe another round of a power play in 2026. The more decentralized energy production and energy consumption models have been quickly put aside shortly after the oil crises of 1973 and 1979. The innovations using wind energy or solar energy of the 1980s have been discarded and were commonly considered as failures to provide cheap and reliable energy. An open international economy with expanding global markets for energy were perceived as a superior conventional solution. A country’s balance sheet of imports of energy and exports of higher value goods and services was the predominant economic rational and standard knowledge of the mainstream theory of trade. Other solutions, like a distributed “prosumer” model of energy might have ecological benefits, but would not show up in national GDP-statistics as a large part is home-produced energy and not accounted for in statistical measures of GDP, just like the home produced meals, health and care provided by mostly women. Societies, however, have a choice and an obligation to evaluate the interests in failures as economic and social development hinges on it in the medium to long run.

07/04/202606/04/2026

Time dependent failure

The collection of failures has an ambiguous relationship with time. Some innovations that are celebrated at a specific point in time shall be considered failures at some later point in time. The Musée des Arts et Metiers has an early version of a solar panel on display dating back to 1996 (see image below, Photowatt 1996). This example reflects the cycles of public as well as expert opinions about technical innovations that either are en vogue or at disgrace. Ecological, design and economic considerations enter into the consideration of what constitutes a failure. Claims of European energy sovereignty may additionally enter into the failure equation. The time horizon over which energy savings are generated is yet another element in the judgement. The more general perspective should take sustainability and depreciation of quality of an object into consideration. The Flops exhibition just scratches a bit on the surface of an important and rather complex issue of the relationship of society, technology and innovation. Surely, there is more to come in terms of flops and failures, and this is okay in most cases.

05/04/202604/04/2026

Fail collection

The not-so-social media have been flooded with collections of failures. The success of this short video format is mostly due to its entertainment value. A quick laugh is guaranteed if a certain intention is turned into its opposite. You want to take a witty shortcut but effectively you end up with a lengthy or painful lesson of the opposite. The fail collection of the CNAM in Paris has a similar attraction. The “Flops” exhibition in 2026 exposes a larger number of technical innovations that either did not reach the mass markets or that were “flawed good ideas”. In fact to put an innovative idea or design into practice it takes a lot in addition to engineering intelligence and professional competence and experience. The collection of documentary evidence invites us to explore the topic of what constitutes a failure and why failure is an intrinsic part of the creative process of trial and error, fail, fail again and fail better. (Image Musée Arts et Metiers 2026).

01/04/202631/03/2026

Artificial flowers

The craft to imitate the beauty of flowers is in fact at least 200 years old. The skill linked to the production has been documented in a manual which seems to be forgotten by today. Real as well as artificial flowers have been an accessory in fashion for centuries. In 2025-26 they return again in high fashion in all shapes and colors. The technique has also been documented in textbooks that explain the “how to…” the craft and professionalism (see image below). The time consuming activity has been outsourced from Europe long ago, but the basic techniques still were refined and mass production prepared for the sharing of the pleasures. It is an interesting case study of the sociology of technology or the rise and fall of an industry which occasionally has a surprising comeback. To follow parts of the trajectory just visit the Musée de la Mode in Paris, Palais Galliera.

28/03/202627/03/2026

Antichambrer

In political circles it has been a common practice to “antichambrer”. It traditionally meant that topics are discussed in smaller circles before they are presented to the ruling royals or aristocrats. In modern democracies this role of more or less open “antichambre” (lobbying) is probably best translated as a form of consulting, which builds on personal contacts and small group discussions.
Scientists play a specific role in this political endeavor as they have to offer theories, hypotheses and evidence to support lines of argumentation to convince decision makers. Spin doctors, who know how to turn (around) an argument are, of course, present as well. All this represents the political, religious and business arena. All this happens in splendid locations that are part of the game of convincing, just as much as diplomacy.
The theater play “L’antichambre” by Jean-Claude Brisville, (produced by Alpha Théâtre in Paris 2026) sets the play in a historical 18^th century scenario to unfold the intricacies of “antichambrer”, less in the political arena, but in view of the personal turbulence in may engender. (Image: Château Chantilly Antichambre)