History – Schoemann

17/03/202616/03/2026

Myths debunked

There has been careful research on the use, or not, of color in classical Greek sculpture. More than 40 years of research have documented that what was long believed as monochrome sculptures, have in fact been very colorful specimen. The collection and researchers linked to the “Liebieghaus Sculpture Collection” can be inspected with experimental versions of the colors of the classical Greek time. “Gods in Color”, an exhibition by the Liebieghaus, provides a view of the rich colors of classic statues like the “archer” using the chemicals of the time to produce more or less durable or resistant colors. See also the archaic Greek Sphinks at The Met Museum.
Brinkmann and Koch-Brinkmann have spent close to 50 years on this research and attempts to convince the public of the “monochrome myth” of Greek sculptures. Research alone did not convince people, they seemed to need to see the colorful versions eye to eye to believe. The broader social science interest is to realise how much time it can take to re-establish scientific facts once they have been “eradicated” previously. (Image: Statuettes of classic Greek actors, lower row, BNF Paris)

12/03/202611/03/2026

Fukushima Commemoration

The date of 2021-3-11 is marked by an event that according to science should not have been realistically expected by anybody. The probability of a meltdown of a nuclear reactor due to an earthquake and tsunami in Fukushima were simply beyond a “normal” statistical probability. And yet, it did happen. The consequences are still visible and the nuclear waste has to be dumped somewhere and lots of contaminated water has to be dealt with as well. 90.000 persons had to evacuate the area. Many of them have no interest in returning to the devastated area. Moreover, the psychological damage to the perceived security causes continuous trauma. The psychiatrist Ryoji Arizuka, interviewed for the French newspaper Liberation, reports that victims find it easier to cope with the “natural disasters” of the exceptional earthquake (9.0 on Richter scale) and the tsunami than with the man-made disaster of the meltdown of the nuclear reactor. Whereas the former disasters can be attributed to external forces, the latter example of a the explosion of the reactor is due to a failure to estimate the risk (technical, human and political) of an explosion properly by engineers and subsequently by politicians.
The commemoration of Fukushima by its governor Masao Uchibori in 2026 is a reminder that more risky technological progress comes potentially with higher costs to society as well. These “risks for societies” will have to carried by some selected regions. Solidarity with people who carry disproportionate amounts of risk should be “addressed” right from the beginning of the decision to use a risky technology, as an attempt to “internalise” the likely costs to society, eventually. Perceived cheap technology turns out to be very costly using different probabilities of associated even unlikely risks. (Image: Global stone project).

04/03/202603/03/2026

National interest

Especially in times of international conflicts, it is customary that politicians refer to “the national interest” as a justification for their actions beyond the state borders, commonly named foreign policy. There is a huge literature on the subject, in which the concept of the national interest is useful, (1) because it suggests some higher ranking political goal, (2) because it clarifies and prioritizes a country’s goals, particularly at times of military interventions and (3) because it “arouses the support necessary to move towards a realization of the goals” (Rosenau 1968, Int. Encycl. p.34).
A critical assessment of this concept in international relations should start with the democratic perspective that a country’s government is subject to regular elections, whereby the goals a previous majority had put forward, might substantially change as a new majority takes the lead. Continuation of the same foreign policies is not excluded, but at least subject to revision. In authoritarian regimes the definition of the national interest is probably more stable, because authoritarian leadership does not hesitate to define the national interest in “splendid isolation” from its people.
Overall, the concept appears to serve mainly communication purposes, both internally as well as towards the outside as in communicable foreign policy goals. Conflicts between countries can thus be named and become subject to diplomacy and international treaties. But we have to fill this with substance over and over again as new topics arise like climate change and global warming.

03/03/202602/03/2026

Interconnected multipolarity

In a very long-term anthropological perspective on the balance of power on the globe, the period that mankind lived on this globe has been characterised by an unconnected multipolarity. People lived in their more or less isolated communities before the Egyptian, Roman, Chinese, Australian, African or Japanese empires and people of the world became connected through new means of transport and communication networks.
In the 21^st century the world wide web has broad us closer together and suddenly we realize that unipolarity or bipolarity might be options again through the unipolar dominance in airspace and radio frequencies. Even if unconnected multipolarity has been by far the longest period of mankind, the new developments in international politics resemble more a world of interconnected multipolarity than an American dominated unipolar or bipolar world of the Cold War period until the collapse of the Soviet Union. Stephen Walt (2026) and Raja Mohan (2026) discuss the concept of multipolarity in the same issue of Foreign Affairs (Vol. 105 Nr.2). Whereas Walt emphasises the USA as a “predatory hegemon”, Mohan describes the USA as being tempted and actually currently going it alone in international politics.
The current military image of world politics seems to be dominated by unipolarity again, maybe just before the longer run realities of economic, demographic, financial, trade and productivity developments, already reflected already in such data, take the upper hand again. The spectrum of the unipolar, bipolar, multipolar world privots around multipolarity in the long run, even if bipolar or unipolar intermezzi are part of the historical evolution.
(Image: view of Obzorno-geografceskij globus, Moskau 1994, Stabi Berlin 2026-1)

28/02/202627/02/2026

Silence revisited

In most cultures, particularly western ones, we are less and less used to silence. Keeping silent for 1 hour is almost framed as an exercise of meditation. In the presence of other persons silence is often misinterpreted as not being interested or even intelligent enough to contribute to the conversation or discussion. Therefore, the title of the exhibition “Seeing silence”, which rediscovers and honors the paintings of Helen Schjerfbeck. Her Finish, Swedish speaking roots, with a broad European training in the arts, made her an accomplished painter in the impressionist’s tradition with a focus on painting portraits. The catalog from the exhibition (THE MET 2025) gives a great overview of her paintings when silence of her models tell stories. Portraits of women are particularly powerful examples of tranquility, and reading, but also uneasy silence in rocking chairs. The biographical sketch of Helen Schjerfbeck by Dita Amory sums up the vocation as “All I desire to do is paint” (p. 15). Towards the end of the 19th century and the 1st half of the 20th century this meant work in silence and she chose to work on silence as well. (Image: catalog in library Brussels 2026-2)

25/02/202625/02/2026

Peace and war again

“If you want peace, prepare for war”. This is one of the famous citations from Vegetius an early Roman general. For centuries we have been aware that peace and war are not opposites in a broader sense. Preparation for war can resemble war, if a country’s economy is already heavily turning towards production of weapons and intensifies research in dual use technologies. Political terminologies that shift to a vocabulary using more belligerent language may also be interpreted as a early signs of a shift in balance between peace and and early warnings on war. 4 years of the war of Russia on Ukraine territory have left traces in our vocabulary as well as budgets devoted to the preparation of a defense in Europe.
More countries of the EU state openly what is in their “national interest”, as if they were ready to go to war (Charap & Haukkala 2026) to in case major elements of the national interest were endangered. In going back to Clausewitz’s writing, a long historical line can be drawn from the Crimean War(s) to Putin’s imperialist war of 2014 and 2022 trying to capture Ukrainian territory, irrespective of enormous human losses.
Another lesson from these historical events might be: Let’s not forget to prepare for peace during the hot conflict.

21/02/202620/02/2026

Cyprus Aphrodite

The legendary tales about Aphrodite and Cypriote cultural heritage have inspired not only a series of conquerors, but also composers of the romantic period in the 19th century. Somehow in praise of monarchy, Fromental Halevy composed the Opera “La Reine de Chypre”, inwhich the last Queen of Cyprus had to abdicate in the medieval era. As a formidable example of French opera style, Richard Wagner transcribed it for salon-type recitals for voice and piano. The ballet music by Franz Schubert “Rosamunde, Fürstin von Zypern“ is yet another romantic piece built on the legendary associations with the island and its history. The exhibition “Cyprus at the BNF” in Paris proposes a transversal view across centuries based on their multiple collections. The western bias of what we in the western hemisphere of the world defined as being of interest becomes visible and transparent. The oriental perspective has been complemented by a small selection of exhibits from the Bank of Cyprus Cultural Foundation. A critical perspective on what enters our collections and archives is a great scientific accomplishment, at times when biased views from politicians have become more common again.

18/02/202617/02/2026

Rule and divide leadership

We have known the leadership style, which has been coined as “rule and divide”, at least since the Roman imperial period. In conquered countries it was a strategy to rule by way of creating divides between peoples or regions within a conquered country. The struggle for power within a country is likely to avoid that a powerful opposition to the occupant can build up. What is well researched in the history of international politics, has also been applied to the realm of management strategies. Anthony Galluzzo demonstrates that the strategies of management often attempt to split the workforce in at least 2 different camps in order to better keep employees and their trade unions under some sort of control. For society as a whole, so-called dual labor market theories have hypothesized the existence of such management strategies since the 1980s. With the labor practices in food and grocery deliveries as well as in taxi services such management strategies are applied again. “Old wine in new bottles”, but still seems to sell and catch on. (Image: extract from Butler Charles, 1637, Monarchia faeminina)

15/02/202614/02/2026

Time in Leadership

We identified already the importance of monitoring in democracies. The same theoretical considerations hold for an analysis of leadership irrespective of the organizational context, be it a government, governmental organization, non-governmental organization, association or private enterprise. In democracies, it is in most cases a constitutional rule that leadership positions are limited in time and it is “best practice” to have clear rules about renewable terms of office as well.
In private enterprises this seems to be of lesser importance, but the issue deserves more close scrutiny, not only by shareholders in case of a shared ownership or stocks. A particular person in the leadership position might be a good match for a company at times of growth or scaling of a start-up, but the same leadership is less likely to be an equally good match for the period of eventual stagnation or shrinkage.
Therefore, as an alternative hypothesis it might be wise to adopt leadership rules similar to filling leadership positions with politicians. Fixed-term and 1 renewal could be worth testing at the leadership level (like in presidential republics, USA or France), even if this does not preclude close monitoring of leadership processes. As a starting point for empirical research, Vogel, Raes, Bruch (2022) offer a toolkit to assess organizational energy and leadership trajectories. Learning from democracies as well as democratic procedures might be a worthwhile leadership model to follow. (Image: ceiling painting in chateau Vaux le Vicomte)

08/02/202606/02/2026

Time and power

Who commands our time? Who commands your time? Both macro- and micro-level analyses of power relationships related to time need to be investigated. Time policies are most obvious when it comes to regulations of working time, permissions of business hours or so-called bank holidays. On the micro or individual level, it is often the question of who spends more time on work, care and repair. Hourly wage rates have been claimed by economists to guide or decide societal time spent on one or the other activity. An extension of this rationale with an overriding objective of happiness might considerably change the impact of power relationships on time. Longer time perspectives on health shall also shift the view of how power impacts the time spent on various activities. Time sovereignty is a precious value in its own right.
The power play between employers and employees keeps shifting the balance, albeit the overall trend over the last 100 years has been towards a reduction of working time and increased time sovereignty of employees as a form of democratization of working life. This constitutes one form to share the benefits of productivity gains over decades as well. (Image clock on Berlin City Council building on labor day 2025).

05/02/202604/02/2026

Democracy in art

The depiction and imagery about democracy in the history of art is according to my own anecdotal evidence and visits across Europe much less frequent than depictions of royalty, mystery like religion or autocratic rulers. Therefore, visits of museums on art history, let us say prior to the impressionists, have to be approached with an obvious skepticism. The impressionist art movement rebelled against the official art academy and started their own salon and are still much acclaimed for this as well as the fight for their own vision of art. The worst authoritarian backlash came from the Nazi-terror, which annihilated large parts of democratic ideas in and about art. A second major issue is about who visits the museums in contemporary societies. Democratizing the crowd who visits art museums is a steep task. Ease of access also beyond costs of entry, they still pose barriers of access to reach a representative sample of a population to participate in art. (Image Kunstforum new barn in construction).

31/01/202629/01/2026

German Cinémathèque

The “Deutsche Kinemathek” in Berlin has moved to its new location in the old E-Werk. There is room for temporary exhibitions and screening on all walls. Small boxes (3 seats) give a brief overview of the history of television. The library is accessible again to the public. In order to research what went wrong in the history of mass media and cinema in Germany during the 1930s and 1940s can get access to the archives as well. In the age of new digital media technology the study of historical approaches helps to be aware of the power of persuasion of this form of mass communication. A critical thinking perspective on the material presented and the long history of cinema can bring generations together through the exchange of experiences with different media.

30/01/202629/01/2026

Paper and Scissors

In order to produce art it is not always necessary to have expensive materials at your disposal. Henri Matisse has demonstrated that paper and scissors can go a long way. With this in mind, the work by Johanna Beckmann, shown in the upper hall of the “Kulturforum” in Berlin, is quite astonishing. Beckmann relied on just paper and scissors, in addition to her paper and pencil work, to illustrate her own texts as well as collections of fairy tales. Her paper cuts of some hobbit stories might be remembered by a whole generation of children and even some of today’s world. Paper cuts and theatre based on such figures have been a cross-cultural treasure. The illustration of stories, but also the creation of own characters might be derived from such cuts using just paper and scissors. The “Kunstbibliothek” and the “Lette-Verein”-academy in Berlin joined forces for this exhibition and they both continue to transmit this creative craft to students actively involved in this “intergenerational exhibition”. Please bring your (grand 😉 children.
All those who travelled to Paris recently will be well aware that at “Montmartre” you can still have your profile cut these days. At this exhibition there is a “do-it-yourself” section, not only reserved to children.

29/01/202628/01/2026

Holocaust commemoration

The commemoration of the Shoa or the Holocaust is part of an international remembrance of atrocities against humanity. It needs to be present in countries beyond Germany, even if Germany under Hitler’s rule caries the sole responsibility for the ruthless execution of a plan and the murder of 4 million of its own people of Jewish decent and additional 2 million Jewish people of neighboring countries. In the speech by Tova Friedman, a Shoa survivor, she pointed to the perceived threat which children posed to the Nazi-regime as witnesses of mass murders. There she is. In front of the whole nation she testifies for what seems like a distant past, but for many this past is still not over. Responsibility of Germany does not stop after a certain number of years, maybe in judicial terms, but a moral obligation to act against denial of these atrocities is primordial. 20 years after the inauguration of the memorial of the holocaust in the center of Berlin and the exhibition center “topography of terror” (image below, 2026-1-27) we should start an initiative to make the International Day of the commemoration of the holocaust a national day, of commemoration, where all daily routines are paused in Germany to give people time to act and reflect on what can be done that such atrocities will never happen again.

26/01/202625/01/2026

Timely timeless

It is very timely to discuss timelessness. Some inventions or artwork appear to have a timeless value. The creation of books has this feature as we have known also a lot about the conservation and restoration of books across centuries. Timelessness is about an open-ended vision of time. In mathematics it is a usual part of the differential equations‘ calculus to handle infinity as an operationalisation or a form of a projection of time into timelessness. Humans have made considerable efforts to create material and, most of all, immaterial goods which try to exist independently from time. Geek or Roman philosophy are with us for more than 2000 years and we still benefit from returning to this original concepts. Egyptian culture and the wall paintings in caves still speak to us, thousands of years afterwards. Each clock suggests that time is advancing, but some treasures achieve the level of a timeless beauty, art or conceptual masterpiece. The more we talk about time, the more we shall cherish timelessness. (Image: Neue Nationalgalerie, Berlin 2026-1, The clock screening)

23/01/202622/01/2026

Time reference

Times serves as a point of reference. We often refer to precise points in time, like dates 1^st of May Labour Day, or a specific hour as a reference point. If we talk about 5 minutes before 12 o’clock, we convey a kind of urgency – before it is, presumably – too late. In the arts, particularly poetry, prose or drama, and even beyond the romantic period, the reference to seasons as “emotionally loaded” terms is widely used. Subsequently, there are many compositions in music, which make use of such references as programmatic titles. Through the reference to a specific duration, the scene appears to be set and the reader or listener prepared for a less surprising experience. You might even go full circle like in Vivaldi’s composition of “The 4 seasons”.
The writer, poet and Shakespeare translator Thomas Brasch (Link to publications) has written the poem “Der schöne 27. September” (1980) with an exact reference to a point in time, but reporting in 10 lines, what he didn’t do on that date (own translation).
“I didn’t read a newspaper.
…
I didn’t write a single line of text.
I didn’t set something in motion.”
(Extract from Thomas Brasch poem see above;
image below, Global stones project)

16/01/202617/01/2026

Social time

What does the „social“ have to do with time. Well, time is a perfect case of a social construction or a fundamentally social construct. The definition of time as „Greenwich mean time“ is nothing but a useful socio-political statement to synchronize time across the world, or previously an imperium. Points in time, as shown on a clock(s), can be helpful to synchronize human behavior. We might want to show up on the same point in time to start or end work. Of course there are thousands of ways in which such synchronization might go awfully wrong. This makes for splendid drama and movies have a long history to capture our attention on this matter. Social expectations, a social, psychological, and even a biological concept in extreme cases (Pavlov effect) make many of us to get a bit itchy, if time is getting short to meet other persons or an expected event is going to happen. A lot of social pressure is transmitted through the ticking away of time. The mechanism to internalize social patterns (for example prayer), via time and the clock, is quite powerful and has been used in movies throughout the history of the cinema. Even the individual endpoint in time is in almost all cases a shared social experience and turns into a kind of socially relevant time. (Take your time to watch The Clock by Christian Marclay).

12/01/202611/01/2026

Futures for Amazonia

Diversity is the treasure of humanity. This was and remains a permanent challenge as thinking in multiple perspectives is taxing our minds. Simplicity can be a value in science or mathematical proofs, but cybernetics teach is also about the usefulness of a “requisite variety”. The exhibition Amazonia at the Quai Branly in Paris takes us on a journey through richness of the Amazonas, its people, biodiversity and landscapes. First of all the curators Varison and Baniwa manage to accompany us in opening up our minds to non-western concepts, which have for centuries been considered as less developed, but only from a western point of view or imagined sort of cultural superiority. Even nowadays the West seems to be convinced that for the liberation of, for example Venezuela, only a western power can achieve this. The 300 different indigenous peoples of Amazonia have lived through hundreds of years of threats to preserve their cultures. They have managed and they have inherited and still develop multiple ideas about “futures” of the Amazonas region. In just 100 days this exhibition has reached more than 100.000 visitors. Most of them will be convinced of a future and, yes, futures for Amazonia.

11/01/202613/01/2026

Time – The Clock

Time keeps puzzling us. The 24 hours of concatenated clips from well-known cinema films are a bit overwhelming or even lengthy. However, this spurs lots of time to reflect on time, on a kind of meta level. We see the clock or clocks ticking in all sorts of situations and environments. Nearly all emotional states can be interpreted relative to a time stamp provided by a clock. Christian Marclay’s oeuvre is screened at the Neue Nationalgalerie in Berlin at a time when we feel multiple clocks ticking at the same time. For the sociologist, there is time on the macro-societal level, like overall socioeconomic development, but also individual time. A single person or a single moment in time may have very different macro-social implications. The possibility to live through the cineastic interpretations of ten to, as opposed to, ten past the hour, are interpreted by us with very different meanings. In a longer or historical sense, the timing of time does not matter that much. Point in time or time as duration, that is the question. Art in cinema can play with this like rock around The Clock. Don’t ask me how much time I spent watching, thinking and feeling through time in this movie exhibition, Should we always measure time with a clock. Want it or not, we measured by our smartphones all the time and on multiple timelines.

09/01/202609/01/2026

Konzerthaus Organ

In the Espresso Concert series we have had the chance to listen to young talented musicians. On 2026-1-7 Julian Emanuel Becker charmed the audience with 5+1 pieces in the “Großer Saal“ on the Jehmlich Organ (4 manuals, 74 registers, 5811 pipes). The program ranged from Bruhns, Bach, Mendelssohn Bartholdy to 2 pieces by Jehan Alain, which made for an interesting surprise. Mastering this huge Konzerthaus organ with impressive skills at just 20 years of age caught the attention of the Berlin audience including the tourists on visits. The enthusiasm of Julian Emanuel Becker for his instrument and the brief introductions he gave himself to each piece created a unique learning as well as musical experience for the entire audience irrespective of age and prior expertise. The „Espresso addicts“ of the Konzerthaus even took the chance to chat with the young organist to learn more about the marvelous instrument and the next steps in his promising career. The studies in Paris at the Conservatoire have been important steps in the careers of formidable pianists and composers for more than 200 years. Becker will surely return to Berlin to give concerts again. Try to catch a seat, if you can. (Image: Julian Emanuel Becker 2026-1-7 at the Konzerthaus Jehmlich Organ)

06/01/202605/01/2026

Rotational energy

We all know rotational energy from our bicycles. lighting used to come from a small rotational energy source attached to a wheel (dynamo light) which produced sufficient electricity to lighten a front and back light. The use of rotational energy, however, is much older than the application on the bicycles, which have been largely replaced by batteries and LED-lights. The first so-called Post-mills stem from Normandy as well as the Rhine riversides around 1200. It took about 800 years to make a splendid comeback as energy source in the age of the „All electric society“ of the 21st century in the making. The „Deutsche Museum of Technology“ in Berlin has great examples of such rotational energy sources on display in the museum‘s park. You can walk a path through the past and future of rotational energy sources.

01/01/202631/12/2025

Saint-Simon Utopia

Towards the end of the 18th century and during the early 19th century, the early signs of what the industrial revolution would mean for the working people became visible. Saint-Simon had lived through the ups and downs of the French revolution himself and had been to the Americas with La Fayette before he developed his utopian socialist vision of a unified class of working people, which for him included blue as well as white collar workers. At the advent of the 2nd industrial revolution through general and agentic Artificial Intelligence (AI) in 2025, we shall most likely witness a renewed interest in utopian scenarios and grand ideas of what the future of technology, society and humanity might be like. In 2026 we shall re-read Saint-Simon quite a bit in order to learn about ways to make sense of arising trends and how to come up with a positive utopia that can motivate people to thrive again for more equality within and between societies.

30/12/202529/12/2025

Positive negative Utopia

We have been used to distinguish between a positive or a negative utopia. The idea of a paradise is usually associated with a positive utopia, however, from the perspective of mankind being unable to live together without the idea of God being the ultimate arbitrator, this is more like a negative utopia. The industrial revolution and communism as the utopia to spread wealth equally across generations and all people, have been turned into negative utopia by dictatorships and authoritarian regimes. The fascist ideas of superiority of a race has also turned into negative horror and Nazi-terror. Hence, skepticism is in order, if either form of utopia is advocated. There are numerous examples of unintended or not explicitly stated consequences that have to be considered as well. (Image: Extract from Salvador Dali, Looming Danger Alarm, 1934, Neue Nationalgalerie, Stiftung Pietzsch)

23/12/202523/12/2025

Good or bad

We have been taught by Shakespeare “to be or not to be, that is the question”. In political science we have pondered the question in a slightly augmented form. “to be good or bad, that is our question”. The basic image of women and men in society has been a subject throughout the history of ideas. For those who believe in the good nature of mankind, they tend to find reasons to believe that eventually mankind will find a way towards a peaceful cohabitation on our planet (there is no planet B yet for humans). On the other hand, each outbreak of violence and war are considered as a confirmation that mankind will always recur to some form of violence, even after extensive periods of peaceful cohabitation. According to the evidence presented by Meller, Michel, van Schaik, referring back to Kant, trade between people and nations is likely to prevent more violent relationships (p. 330). One of the major conclusions over the long term view of mankind is, that the periods of war have been far shorter and more rare than a focus on the last 3000 years seems to suggest. Maybe, “to be good or bad” is just a question of demographics of being too many at the same time in the same place. Population growth and population density might be a powerful driver of “being good or bad”. (Image: Delacroix, Last words of Marc Aurel)

22/12/202521/12/2025

How could this have happened

The latest thorough reflection on how the Nazi-terror could have stopped or being prevented remains an important question in our time. The more we see countries descend into the authoritarian regime types, the more we have to know our lessons from previous historical experiences. Götz Aly made a great contribution to this literature. He points our attention to the collective euphoria the Nazis (NSDAP) managed to make people believe, by at the same time blaming others for the past crises. People just wanted to believe the fake narrative of a promising future (p. 175) for a society based on social exclusion. The pattern, unfortunately, seems to find its replication in other parts of the world nowadays. This is a very slippery road which often leads to disaster rather than relief. Easy or catchy answers are preferred by many people rather than the nuances of well-informed differentiated options. Patience in social development is a collective virtue, but often misunderstood as a form of conservatism, which is is something very different.

19/12/202518/12/2025

Rilke’s Advice

One of the poems by Rainer Maria Rilke is entitled “You don’t have to understand life”.
And the first line of the first paragraph just repeats the programmatic sentence of the quite revolutionary romantic movement. Following a century of the enlightenment, which narrowly developed and focused on rationality and Kant’s “Critic of pure reasoning”, the authors of the romantic movement were eager to explore the world beyond reasoning again.
“Du mußt das Leben nicht verstehen,
dann wird es werden wie ein Fest.”
Rilke brings back the exuberant, Dionysian element into literature and captured the new spirit of his time. After a period of fast innovation in the sciences and applications of them in day-to-day life, Rilke revels in the innocent days and years during childhood, where youth is simply asking for more without hindsight. In doing so: “Life will be a like a feast”. So be it, we should like to add. (Rilke wrote a poem « Das Karussell » with subtitle Jardin du Luxembourg, Image below)