Category: History

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Deep reading

Rembrandt depicted in the 17th century not only the university professor Sylvius, but the reader and presenter based on his readings as well as professional experience. The combination of studies in medicine and philosophy have confronted the lifelong reader with lots of unresolved issues at that time. Nevertheless, he seems ready to argue with his profession, students public or the public. His hand is shown with an outreaching gesture. The scientist is not depicted in the reading pose next to lots of other books in the background or in a library. The image chosen by Rembrandt stresses the discourse and discussion as part of the scientific or research and teaching process. (Image BNF, 2025 exhibition “L’Europe partagé”). 

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Colette nature narratives

In the 21st century we know that posting images of cats and dogs yields thousands of likes on the digital social media. Long before today, writers have tried to make us understand our existence through the narratives among animals, also beyond cats and dogs.
Embedded in nature, stories unfolded through the interaction of these animals. Transfigurations and lessons were derived from such fables as well as the tales constructed around the interaction of nature, animals and humans. The commemoration of Colette in the park of the Palais Royal in Paris combines all those aspects.
She grew up in the countryside, wrote “La Chatte” and lived in an apartment at the Palais Royal with a splendid view of the park later in her life.
It is a tiny spot of cultivated nature in the heart of Paris, even a bit isolated from the busy surroundings. Certainly, these days in the centre of Paris you are more likely to meet “Aristocats”, maybe from the 5 star hotels around, rather than the ordinary cat passing by.
(Image, bench in park of Palais Royal, Paris: inscription is a citation from Colette 1925 letter)

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The Beast is dead

The BNF and the gallery Auguste Rondel celebrate the acquisition of the original drawings of “La bête est morte” by „Calvo“ at the fabulous Richelieu site. The appearance of the story and cartoon in 1945 was a landmark in artistic achievements for several reasons. (1) Calvo made it possible for whole families to talk about the horrors of war and the Shoa by use of text and images in an form of an animals’ world, well known in France. (2) Because all generations are familiar with the fables written by Jean de la Fontaine, the story set in the world of animals is both appealing and yet a bit more distant than drawing human faces on this traumatizing reality. (3) The cartoons managed to overcome the barriers to understand the beginning and ending of World War II and the geographical spread.
Uderzo, the well known cartoonist of “Asterix” did small services for Calvo when he was still an adolescent in 1945. Learning from the best of a field can give you a head start later on.  (Extract of Image  by Calvo 1945). 

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Colette Bewitched child

The English translation of the libretto written by Colette “L’enfant et les sortilèges” is translated to “the bewitched child”. The first representation was performed in Monte-Carlo in 1925 before it was represented in Paris at the Opéra Comique in January 1926.  The printed edition of Ravel’s orchestration classified the work as Fantaisie Lyrique based on a poem by Colette. This opus constitutes a forgotten forerunner of the much more popular musical “Cats” . In the end of Colettes narrative the animals call the child her “mama” and praise the good and wise child. It probably remains a forgotten 100’s anniversary, despite the fact that the topic of humans and animals, or nature in more general terms, have become more and more unbalanced over the last 100 years. 

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Colette Home

  1. The home of Colette, the French writer of the first half of the 20th century, is an interesting example of the high attributed value for her later creative career. The home and the gardens around, seemingly had a huge and lasting impact on her imagination.Her writings are firmly embedded into not just her home of childhood and adolescent years, but also the changoof homes and contexts literally made Colette. The documentation of this in the “Musée Colette”, which presents the different phases of her life course, allows to get a better understanding of the interconnected world of experiences and artistic work. It takes an especially broad set of influences to form such a polyartist. The libretto for an opera orchestrated by Maurice Ravel or a model for Matisse, stand for the openness to new experiences and take risks when she embarked on new creative endeavors. (Image Musée Collette catalog p. 6)  

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Polyartist Colette

It is a complex task to do justice to a polyartist like Colette. The curators of the exhibition “Les mondes de Colette” (BNF 2025) Bouvard, Dimerman, Le Bras do a great job to present the biography of Colette, the writer, journalist, dancer in music halls, model (for Matisse) and entrepreneur in all facets of her activities. The role model of an emancipated women as early as the 1910s, 1920s and 1930s. The struggle of women artists in the early years of the 20th century to make a living from art is well documented already. To make a living of writing has always been a challenge if you do cherish your independence and liberty of expression. Versatility in artistic production is one escape route. Colette made a strength of this in diving into different forms of art and professional activities close to the artistic and creative world. In a quite unique way, she became her own muse for her own artistic work; and a character and inspiration exploring many facets of live. The economic misfortune experienced her parents became a source and force of inspiration.
Contrary to the expectations of the market of arts and literature, she did not feel like sticking to just one activity. Her most lasting achievements, probably, were her literary accomplishments for most people, although Matisse immortalized her in his specific style of abstraction.
Polyartists just like Polymaths, make more comprehensive contributions to our experiences.
(Image:Lithographie by Henri Matisse of Colette, exhibition Colette at BNF 2025).

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Social Anthropology

Dina Dreyfus, married several years to Claude Lévi-Strauss, has shared with Claude the long anthropological expedition to Brazil in the 1930s. They jointly studied the social organization of indigenous people across Brazil. Their abundant notes of field studies have now been digitized and the BNF is making this accessible.
Additionally, an exhibition on these field studies reveals the close collaboration of both partners. Returning to France in 1939 meant that soon after the return due to their Jewish decent had to interrupt their academic careers in France and some notebooks were lost during the Nazi occupation of France. After the war both separated and Claude Lévi-Strauss embarked on the drafting of the structuralist theory, Dina became influential in the field of the philosophy of education and teaching philosophy herself.
Besides all these lasting achievements, the exhibition shows the typewriter which had accompanied them for many years. The German language layout is quite remarkable as this asked for an additional mental versatility in putting their thoughts and experiences into the form of a manuscript. According to Claude Lévi-Strauss the use of this technical device allowed him to detach himself emotionally from his analytical work.
(Image: Exhibit: typewriter Claude Lévi-Strauss, BNF 2025-10)

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Place of the Church

What is the place of the church(es) or religion in society? Some would answer that the answer depends very much on the historical period which you focus on. Social scientists would zoom in on the changes that have taken “place” and the reasons as well as major actors of these societal changes. Churches are highly symbolic places with exposed visibility and demonstrations of power. Therefore, it is interesting to follow the changes in the architecture of churches. Whereas biblical communities gained in wealth and power over the centuries, they moved from the backyards to the city centres and the market places for centuries.
In the early 20th century many cities have grown so rapidly that in newly built suburbs new churches were considered an obvious extension of the places where churches belonged as well. In several instances the planning of a city’s extension was still being organised around the idea that a church should be the (new) focal point. At the same time the ideas of democratisation entered into churches as well leading to the deviant choice of round shapes rather than the traditional linear structures. The hotel became visible from all angles and was positioned as the mid point and rayons or beams could be imagined to reach into the newly built suburban areas. Frequently the road traffic was organised accordingly. Saint Augustine church in Forêt Brussels is a prominent catholic architectural example of this.
Another example of a round shape church with a place defining architectural function is the evangelic Königin Luise Gedächtniskirche in Berlin. Much smaller in size and in the axes that originate from there, the “Place of the Church” aims to fulfil a similar function, a central place in the new suburbian area.

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Modernist Urban planning

Saint Augustin in Brussels is one of the lesser known defining architectures in Brussels. It is visible from far away much beyond the immediate surroundings. Situated on Altitude 100 it is on the highest hill in Brussels with a 58 meters high Campanile built out of concrete in 1933 in a predominantly art nouveau style. The order of the St. Augustines in the center of Brussels was terminated and at the outskirts of Brussels as a new city suburb was being built starting in the late 19th century An appropriate way to demonstrate continuity despite discontinuity was the placement of the church in the middle of a roundabout and a star-like organisation of roads des descending from the top. The form of an equal length (orthodox) cross is in the spirit of the unity of the Christian churches. Even despite the prominent and exposed situation, most people pass by with little concern for the innovative, architectural features of this edifice. (Image: View from capanile St Augustin Brussels). On a small scale this urban planning concept resembles the Paris of the « Arc de Triomphe » and the views and corridors which we designed and implemented.

 

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Deus ex machina

The term “deus ex machina” used to be applied more in its figurative meaning. With the rise of digital tools like chatbots, facilitated and enhanced through AI, God is speaking to us not only in multiple languages, but also from our pockets through our smartphones and headsets. This is a rather recent form of “deus ex machina”, which we did not expect some years ago. The bible as e-book or pdf-file has been around for some decades, but only more recently we can enter conversations with God through chatbots as another version of “deus ex machina “ about almost everything (and pay for it via digital credit card). Programming of such an AI-tool is easily achieved. AI will prepare a weekly or daily sermon or prayer for you, following your predilections of your favourite quotes of the bible. An interesting twist to the programming is to use authorized as well as unauthorized translations of the bible across several centuries.
Another interesting enlargement of the input data base is the inclusion of interpretations and discussions not only within your own religious community, but beyond. Maybe the discussion of several different religious chatbots with each other could prevent aggressions due to differences in basic beliefs. These “dei ex machina” might further our understanding of what makes us humans different from machines and machine-based solutions of human conflicts.
As genetic clones of ourselves have become already technically more feasible, our digital alter-egos (the comprehensive collection of traces in the internet and digital images, plus social scoring) help to empower those “dei ex machina”.
This kind of “Brave New World” asks us to be rather brave ourselves.
(Image: interior St Denis Basilique Cathedral Paris 2024)

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Marc Aurel Memorials

The depiction of Marc Aurel as Emperor has become a trade mark in the history of art and politics. As an emperor with good horse riding skills, Marc Aurel was the first emperor to be portrayed as riding on a horse without saddle whilst, of course, in perfect skill to master the horse and give orders or strategic commands. Many subsequent emperors, Napoleon or Friedrich have had their power positions “immortalised” as such, which served at the same time to make them appear taller and “in command” of something.
Travelling by horse has  also been for a long time the fastest mode of transport, yet another symbol of social status used in media campaigns of those times. The memorials in honour of Marc Aurel had already during the ancient time the function to transmit an image, the emperor wanted history to keep in mind, rather than the view of ordinary people in the Roman empire. Memorials of political leaders have been a demonstration of power for centuries before and for centuries to come.
(Image: Trier Marc Aurel exhibitions 2025-9)

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Marc Aurel critics

In the literature on and about Marc Aurel (Brenan 1882, pp. 484) the end of the ancient world is mentioned frequently. This refers to the beginning of the end of the Roman empire and the rise of Christianity to be become more influential. What caused the decline? The nepotism in the governance structure through the placement of family members to influential positions and as successor alienated many followers who previously believed in the high moral standards advocated by Marc Aurel.
Justifications of superiority by social origin are standard at the time of writing, but Marc Aurel did not see the potential of a more equitable distribution of offices. Women were relegated to subordinate or no public positions and are not mentioned with respect to  the importance of reasoning or social competence either, none but one in his acknowledgements (Book 1). The discrepancy between the formulation of virtues as well as ideal standards versus own practices of hierarchical leadership, recourse to slavery and brutal upholding of the empire should not go unmentioned.

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Marc Aurel Advice

The study of Marc Aurel’s Meditations offers advice on how to conduct one’s private and public life. The role as advisor or teacher is an important part of his writings, albeit quite indirect. In going back to Book 1 and his acknowledgements of his own advisors, teachers and good examples indicate the motivation and intention to write down his meditations. “People exist for one another. You can instruct, or endure, them” (Book 8, paragraph 59, see also Barrientos 2020). Marc Aurel does not shrug away from the treatment of general concepts of humanity like justice. In his view “… justice entails the exercise of wisdom, kindness, and fairness in our relationships with others both individually and collectively.” This includes already tolerance as a part of justice as in Book 4 paragraph 2, according to Robertson (2020). The idealistic view of humanity, following Platon’s philosophy and other Stoic authors, still serves as a benchmark against which many leaders are measured today (compare Le Monde 2025-9-25 p. 26).

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Marc Aurel Book 12

The closing book of Marc Aurel’s Meditations is taking issue with his own posterity. As a guideline for others, he formulated the claim not to care so much more about the opinions of others, but to stand by own reasoning and trust in one’s own opinion. “I have ofetn wondered how it is that everyone loves himself more than anyone else, but rates his own judgement of himself below that of others. … So it is that we have more respect for what our neighbours will think of us than we have for ourselves.” (Paragraph 4, Penguin Classics).
Of course, in the age of “philosophy as discourse” (Habermas), we are used to criticism of books and their authors. For the emperor philosopher this was less obvious, albeit the Socratic tradition of exchanges between teachers and their scholars was a kind of precursor of 20th century philosophy.
His writings in ancient Greek, however, remained little known and debated until its first Latin publication. Ever since, it has been a prominent work on ethics and leadership. The exhibition in Trier featured the copy of Helmut Schmidt, as the long reach of stoic writings on virtues and leadership.
(Image: Stadtmuseum Trier, Model of Villa in Welschbillig)

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Marc Aurel Book 11

Throughout the Meditations, Marc Aurel concerns himself with the idea and importance of the common good. Based on his experience as Consul and Roman Emperor, the common good is of primary concern. At least in his thinking and writing these concerns play a very prominent role just like the “social“. In order to ensure his own successor, as described by Katherine Kennedy (2020 through www.classicalwisdom.com) he was only the 2nd Roman Emperor  to appoint a biological heir as his successor, which met a lot of criticism already at that time. Nevertheless, in his philosophical thinking and leadership guidelines he cherished the common good above all. “Have I done something for the common good? Then I too have benefited. Have this thought always ready to hand: and no stopping.” (Book 11 paragraph 4, Penguin Classics edition). This is in contrast to the predominant utilitarian thoughts many centuries later where the pursuit of your own benefit will further the benefit for society. The reversal of the logical sequence in later thoughts is particularly remarkable as well. The process of individualisation seems to be another additional factor in the lack of concern for the common good in the 21st century. Raising the awareness to further the common good is a continued challenged in most societies.

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Marc Aurel Book 10

Book 10 offers some referrals to previous books and topics: Marc Aurel defends a wholistic vision as in book 10 paragraph 17: “Keep constantly in your mind an impression of the whole of time (χρόνον) and the whole of existence (οὐσίαν)…” (Penguin Classics version, also in Greek original/French translation). In the same vein, he wants all this knowledge and considerations to be “actionable”. This reads in his words: “No more roundabout discussion of what makes a good man. Be one!” (book 10, paragraph 16 in the same two editions). As the late Marc Aurel’s writings progress, he becomes even more “exigent” in the sense of demanding ever higher standards (of himself). “Whole-ism” paired with a request to, nevertheless, be ready for action at any time is not only a high cognitive demand, but also a reminder to leave procrastination behind. The virtue of a stoic leadership style remains an ambitious challenge.
(Image: Trier Exhibitions on Marc Aurel, 2025-9)

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Marc Aurel Book 8-9

In book 7 paragraph 38 the stoic wisdom is exemplified in the the the short phrase „If you have sharp sight, use it: but, as the poet says, add wise judgment“. Being sharp in your reasoning or data collection is only part of the human endeavor. A wise judgement is, however, an ambitious aim as judgments have different short term and long term consequences. Intergenerational considerations as for climate change ask for respect of other species, biodiversity and to take into account very long time horizons.  The quote from book 8 paragraph 5 appears very modern or post-modern in this context. „There can often be wrongs of omission as well as commission.“ (both citations from Penguin Classics edition) Not acting on behalf of future generations and disappearing species is the most crying omission of our time.

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Marc Aurel Book 7

In paragraph 63 Marc Aurel refers to Plato as one of his sources: “No soul”, says Plato, “likes to be robbed of truth” ( and continues himself) “– and the same holds of justice, moderation, kindness, and all such virtues. Essential that you should keep this constantly in your mind: this will make you more gentle to all.” The remarkable reasoning is to transform the own generalized experience into a behavioural recommendation. It may be argued that Marc Aurel starts from a kind of Aristotelian empirical study of persons in different life domains to derive an empirical fact. Based on this he develops a more Plato inspired “idealistic picture of mankind”. He is very much preoccupied with the philosophical question, how is a good life for all possible. In a previous paragraph (55) he outlined his 3 guiding fundamentals: (1) “The main principles in a man’s constitution is the social; (2)… resistance to the promptings of the flesh, like impulses; (3) judgement unhurried and undeceived”.
With such a claim for a “rational constitution” of man, he puts himself into the footsteps of previous philosophers of the ancient Greek tradition and, therefore, his writing in Greek rather than Latin is also a homage to this philosophical heritage.
(Image: parts of Installation by Fujiko Nakaya in Neue Nationalgalerie Berlin 2025)

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Marc Aurel Book 6

Some passages of Book 6 can be understood like quotes of much later works, even like writings of the enlightenment period. Take this one: “If someone can prove me wrong and show me my mistake in any thought or action, I shall gladly change. I seek the truth, which never harmed anyone: the harm is to persist in one’s own self-deception and ignorance.” (para 21 in Penguin Classics version, also in Greek original and French translation).
The same passage in historic English: “If anybody shall reprove me, and shall make it apparent unto me, that in any either opinion or action of mine I do err, I will most gladly retract. For it is the truth that I seek after, by which I am sure that never any man was hurt; and as sure, that he is hurt that continueth in any error, or ignorance whatsoever.” (Para XX in Gutenberg.org online reader).
Why is this already an enlightened vision of truth? In the search for truth, he is open to criticism or doubt by others (maybe even irrespective of societal standing) and, moreover, ready to change his conviction and action. Religious doctrines of the time and many centuries after his writings would not have accepted such a doubtful mind who might change due to (scientific) reasons. Long before “Cogito ergo sum” (René Descartes, (1637), I think, therefore I am, of the early enlightenment, Marc Aurel might be summarized in this paragraph as “Cogito, ergo dubio”, I think, therefore I doubt – and I may change accordingly.
(Image: Ossip Zadkine, Forêt humaine, Musée Zadkine Paris)

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Marc Aurel Book 2-5

There are several translations of Marc Aurel. In the Shakespeare English translation from the Greek original of the Meditations a passage (Book 5 paragraph XXIII) describes or idealises humans as a “reasonable and sociable creature, regulated and directed.” The same short quote of this paragraph in the English translation by Martin Hammond (Penguin Classics p.43) reads: “…my wish is to follow the nature of a rational and social being.” Of course, both translations are pretty similar at first glance, but the difference of “reasonable” versus “rational” and “sociable” versus social” mark very important differences that had and have different impacts throughout the following centuries up to today. As in many other instances going back to the original version in Greek (book link) might clarify the issue, however, the entry barrier is access to the bilingual version and use of an ancient Greek dictionary.
With almost 2000 years of advances in rational approaches and its tools like mathematics, the scope of the rational is huge and the behavioural turn in the social sciences demonstrates the limitations of human’s use of rationality (λογικός) in decision-making. Reasonable seems to come closer in today’s “post-enlightenment” world.
There is also quite a divergent connotation in the simply “sociable” (κοινωνικός) being or the “social” being, which has a wider scope attached to it. Hence, lets be aware of the implicit interpretations of translations. For a start the parallel reading of translation and original (Link) might enhance our understanding and spur even new translations and interpretations, which speak with the classic originals to today’s audiences (with or without AI).
A witty joinder of both previous translations is “And my will is the will of a reasonable and social being”. (Link Book V, paragraph 29 bottom).
From the Greek to French in book V (Link)  with an even broader understanding of the social as “la société universelle”.

(Image: Camille Claudel 1905: “Persée et la Gorgone, Lucile Audouy collection Paris, exhibited in Berlin 2025, Alte Nationalgalerie)

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Marc Aurel AI

In the 21st century it is possible to chat with Marcus Aurelius. Part of the exhibition at the Simeonstift is a chatbot you may freely consult and questions with or about Marc Aurel. Based on your questions the animated screen image of Marc Aurel will reply based on his own writings like the Meditations and (probably) other secondary literature on Marc Aurel. Questions about feminism or slavery are answered based on the original texts. Some of these answers  appeared rather modern like the basic equality of all including women or slaves. The Meditations are an idealistic vision of mankind in the stoic tradition. In practice such ideals have proven very ambitious for the many and growing temptations in the day-to-day lives of ordinary people including their political, religious, business and military leaders. The AI is confronted with the issue to give answers to ethical questions which refer to the time of the author, but not all can apply to today’s ethical standards and basic human rights. Reading the original source, therefore, remains the preferred choice. 

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Marc Aurel Philosopher

2025-9 marks an additional landmark in the achievements of the late Marc Aurel. In the Roman built city of Trier, 3 museums offer exhibitions on the life, ideas and imperial governance style of Marc Aurel. Libraries and bookshops around the city portray a wealth of books and studies by and about Marc Aurel as well in many languages (image below 2025-9). The stoic author and practitioner has served as an example of a leadership style which became for many subsequent leaders a hard-to-achieve precedent. The writing style of Marc Aurel in short paragraphs and aphorisms proved highly accessible, although his readership swell only after a Latin translation of his Greek original appeared in the 16th century. The title “Meditations” in English, “Pensées pou moi-même” in French or “Selbstbetrachtungen” in German demonstrate the difficulty to get to grips with the author’s intention and objectives in writing down these reflections on life, ethics, humanity and good governance. Through the use of Greek rather than Latin he puts himself in the line of Greek philosophers rather than the succession of Roman emperors. As the numbers of bad leaders still outnumber the good governance style advocated by Marc Aurel, these exhibitions in the Simeonstift, the Landesmuseum and the Stadtbibliothek are a perfect opportunity to demonstrate that good governance is something that can be studied and learned even in the distant Roman history.  

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Vacation Waves

One of the most popular choices for a vacation is in connection with waves. There seems to be something mystical or romantic related to waves, which touches many people irrespective of their background and across continents. This goes much beyond what we know about waves from physics or maths and this is already a fascinating scientific story in itself. Sailing adepts will be able to tell marvellous tales about waves, too. Coming back from a vacation near the sea or a lake, you surely may add another story to the already rich inventory of waves in art or literature. The imagery about waves started early as well, ever since sailors started to conquer the world.

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500 years Motherhood

The history of art is full of depictions of motherhood. The catholic church has largely contributed to this phenomenon. Sandro Boticelli created in 1478 his painting of Maria and the child surrounded by singing angels. As Maria is said to know about the tragic fate of her child, her facial expression is rather sad or apprehensive than full of joy. The public acclaim has lasted already for more than 500 years. The women and people who sympathize with this depiction seem to share some of the worries about the future of both mother and child. Apparently, this has not changed over the course of the centuries. In the 21st century such concerns still have a co-determination effect on women to lead to lower fertility rates in most parts of the world. Fertility depictions in art history might serve as early indicator of behavioral changes. Some take centuries to play out. Technological,  medical devices or social policies can amplify such seminal trends. (Image: Sandro Boticelli and disciples , 1478, Gemäldegalerie Berlin)

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Raffael Madonna

„Mary and the child“ has been the success painting of Raffael around the years of 1500. 3 variants on this topic are presented at the Gemäldegalerie Berlin. Each pose varies only slightly, but each tells a very different story. The Madonna changes the regard from beyond the child, on the child, then to another child. An interesting sequence as such, which puts the relationship with the child also in perspective. The child develops over the sequence from the fast learner into the person with „power grip“ to the one that is spreading benevolence. The different stages of the life course are somehow taking place within a short period of the child. (Image: Raffael, Mary with Child, Gemäldegalerie Berlin)

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Gentileschi Gentileschi

There are 2 Gentileschis that entered the history of art. Orazio the father and his daughter Artemisia. Orazio painted many scenarios based on the bible. The incestuous relationship between Lot and his daughters is difficult one to portray and to do justice to the moral concerns involved. Artemisia, similarly, did not shun away from difficult stories of the bible and added a personal twist to these stories in putting her face into the biblical depiction. The cruelty of the stories become more explicit this way and maybe also her deviant position to the biblical narrative. (Image: Orazio Gentileschi‘ (1622/23) „Lot with his daughters“ Gemäldegalerie Berlin)

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Caravaggio Gentileschi

The „Gemäldegalerie“ in Berlin features in the permanent exhibition the famous Caravaggio painting of „Cupid as Victor“ (1601) in the same room with  Orazio Gentileschi‘ (1622/23) „Lot with his daughters“. The paintings show the same technique of painting with the stunning effects of light and shade. Gentileschi‘s own daughter became equally successful as painter applying the same technique and maybe even more recognized as her father. Berlin and Paris jointly allow to trace interesting new perspectives on the history of art from a gender perspective. The male domination in art of the 16th and 17th century was pervasive, but Artemisia Gentileschi a formidable exception. (Image: Caravaggio „Cupid as Victor“, 1601, Gemäldegalerie Berlin)

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Claudel & Hoetger

It is well known that artists joined other artists and groups to get inspired. The entangled relationship between Camille Claudel and Auguste Rodin has become a special example of the tricky relationship between learning and co-creation or inspiration. The role of galerists in building a reputation for artists is less well understood. The “Alte Nationalgalerie“ in Berlin opens up this black box a bit through juxtaposition of Camille Claudel, Bernhard Hoetger as disciples of Auguste Rodin. The influences are rather obvious, yet each disciple developed her/his unique style. The emancipation was not without frictions. The galerist Eugène Blot organized a joint exposition of both disciples in 1905 in Paris, which is partly reproduced in Berlin 2025. Great work by the curators of the exhibition Yvette Deseyve and Sintje Guericke who managed to bring together unique sculptures from 3+ museums and a great explanation of the links between the artists as well as the proximity of ateliers. (Image: view of showroom in Alte Nationalgalerie Berlin, Claudel & Hoetger 2025)

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Jewish Heritage

In the Germany of the 21st century, we have to dig deeper into history to understand the Jewish heritage due to the horrific terror of the Nazi-regime and it’s millions of supporters. The traces can be found in some historic photographs even in the countryside. Marie-Louise Conen and Hilde Weirich (2010) have thoroughly studied such documents for the Moselle village of Lösnich. The little annex to a house served as a Synagogue (image below). The village has a history of Jewish settlements which extended to neighboring villages as well. Interestingly, the heritage of Napoleon’s occupation of the Rhine and Moselle regions brought equally for all men (not yet women) and the separation of the state and religion making Jewish life, property acquisition more easy. The tolerance of the 19th century was then reversed by Nazi Germany again. History is present in many places, where we do not seem to expect it nowadays. 

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Napoleon legacy

It is huge historical project to try to summarize the legacy of Napoleon Bonaparte. AI is by design less hesitant to come up with any length of a summary statement some with good references on which the statement is based. In combination with a visit at Fontainebleau and a first hand impression of the environment of the autocratic ruler, the remainders like the introduction of a Civil Code to guide also administrations to lawful conduct, we still see influences of this legal innovation in many other countries across the globe. The recognition of Jews as equal citizens and to allow equal access to property and many professions have been influential across Europe mostly in occupied territories. Military service for Jews in Napoleon’s army was another consequence, which spread into the Prussian army and the 1st world war. It is in the 21st century that we see shifts towards more authoritarian governance styles spreading again, we did not want to see this happen until Russia‘s war in Ukraine. (Image: La Chair de la forêt, Frénésie des Géants by  Wang Keping Fontainebleau 2025-8)