Modern drama and performances have their roots in antique drama. This is evident in literature from the time and some rare artefacts that have survived until today. Masks and statues give an amazing impression of the high standards already attained more than 2.000 years ago.
Many performances have been linked to mystical rituals and religious ceremonies, but beyond those instances there has also been a depiction and interpretation of for example the Greek mythology. Dionysos inspired many artists and people of that time and philosophers equally found inspiration in performances and the representations in temples, arenas and market places. The treasures of the BNF in Paris, galerie Mazarin and rooms next to it like “la salle des colonnes” (Image below), allow to travel back in time into an antique setting in the room of columns.
Taking the world as horizon is the title of the rotating exhibition from the treasures of the BNF. The beginnings of philosophy and major milestones in arts and mysticism across the world figure in this exhibition. In the spacious setting it feels like travelling back in time for a while, just to build on these foundations.
Hugo intergenerational
Well, this entry is not about Hugo Boss, whose name is probably known to more people worldwide nowadays than the French poet and writer Victor Hugo. The latter Hugo, however, is likely to be known to more generations to come than the former one. In his 19 years of exile with his family he had the unique chance to get to know his grand children a bit closer, which was rather unusual for the late 19th century. The romantic poet was charmed to an extent that he could help it, but to express himself in a longer poem. „L‘art d’être grand-père“ (The art of being grandfather)“. Victor Hugo experienced the death of own children and his wife before and his grandchildren surely gave him reason to believe in a more joyful tomorrow. Comments on this poem mention the idealised vision of the romantic regard on children and even more so on his own grandchildren. « Leur front tourné vers nous nous éclaire… … Ils trébuchent, encore ivre du paradis. »
We forget all earthly quarrels just listening to the soothing sound like children’s rhymes. Hugo is a master of all literary classes and he ensured that his intergenerational legacy would be part of this. (Image: Maison Victor Hugo, Paris, writing desk ro stand in front of)
Nazis bipolar
Thanks to the exhibition « How Nazis photographed their crimes in Auschwitz 1944 » in the Mémorial(Link) of the Shoa in Paris, the biased photographer’s view of what happened in Auschwitz is evident. The inhuman, factory-like organization of these concentration camps were constructed and managed with the primary aim of humiliation of Jewish people and other inmates. Careful reading and interpretation of these images is necessary to spot the sometimes small signs of resistance to be taken on photo by a Nazi photographer.
The revelation of a kind of bipolar disorder of the Nazi murderers shows up in the seemingly normal family meal of officers in their nearby homes. You might be surprised that many of these family members even decades later report on normal and comfortable lives despite their pitiless exercise of mass killings by the Nazi officials and their hired staff. Bipolar disorder is maybe the result of such split personalities, although we already have ample evidence that doing drugs was quite common at the time as well.
Shoa Memorial
In the neighborhood of the Paris City Town Hall you find the Mémorial de la Shoa. There is a constant flux of visitors and pupils with their teachers passing through the rooms. They all continue to be really moved by the shocking images and their efforts to try to understand the full extent of the Shoa and the terrible effects it had even on survivors of the concentration camps. The continuation of the memory of the memories of those survivors by young people is one of the strong points of this exhibition. The transmission of memories finds many new ambassadors against the tendency to forget or downplay the horrors committed by the Nazis.
Of course it is overwhelming as an experience, but it all the more necessary to keep memories alive and guard against each tendency of denial. In the age of fake news and historical deep fakes, it will be all the more important to immunize people against any attempts of manipulation of historic truths. The availability of the information online and through youtube-videos is an indispensable next step in the preservation and dissemination of the documentaries. The Mémorial of the Shoa in Paris is an essential part of this commemoration as 76.000 Jewish persons were deported to concentration camps from France as well.(Image: Mémorial de la Shoa, Paris 2025)
Text to Image
Long before everybody started to discuss Artificial Intelligence, which in many applications takes the form of transformation of a textual prompt into an Image, Photographers have had literature or quotations in their mind that shaped their images. This was a kind of poetic imagery not always easy to recognize. The exhibition in the „Institut de France“, Bibliothèques Mazarine (LINK), with photographs by Nicolas Fève (LINK) offfers a great insight into this way to conceive of an image and its realization through photography. Exposing the sources of inspiration as well as the photo is like adding textual citations to an image in a much more inspirational and transforming manner than AI is doing these days in 2025.
Text to image is only one out of the many ways texts might guide imagination, but it is a powerful and gripping one. The history of literature is full of other forms like videos based on novels, comic strips to make classic texts in Latin more accessible. As we shall ask AI products like texts and images to cite their sources and honor authorship, photography as art and science might enhance the literary experience by adding citations to an image. This has the additional advantage that more people will follow up on the sources of inspiration.
Apocalyptic Collection
As long as humanity exists we had to deal with the experience of apocalyptic horrors. First, mankind could not make sense of natural disasters. Second, after we understood many of the disastrous events on earth and even most cosmological events, we proceeded to create our own apocalyptic disasters.
One thousand years of unimaginable suffering and destruction are the subject of a unique exhibition at the BNF entitled Apocalypse. The documents start with biblical representations of it and continues throughout the centuries. The artists‘ attempts to depict and characterize the Shoa is part of the exhibition. The atomic bomb is another issue of the 20th century. In the 21st century artists try to move beyond the different forms of the apocalypse. The collection of various kinds of dealing with apocalypses constitutes itself an apocalyptic experience. We still have to go a long way to come close to understanding what drives disasters and what the role of mankind is on this way to seemingly endless destruction. The apocalyptic experiences remind us to keep asking some fundamental questions. (Image: Exhibition Apocalypse at BNF Paris, Center Piece by Otobong Nkanga, Unearthed)
AI Images
The creation of images using any AI system is fast and easy. Many people have tested the systems and experimented with the more or less explicit prompting needed for LLMs to come up with several suggestions. Through the use of AI in the creation of images you are indirectly become your own curator of these creations as you choose among many suggestions of AI for the same prompt. The next step in the process of these artifacts it to assemble several ones and submit your selection of images to a gallery for an exhibition. If you have a coherent approach or a specifically interesting creative idea you might get selected in a competition to show your AI assisted images in a gallery with a reputation to exhibit photography. The Brussels Photo Festival (2025) presented the submissions to a call for AI images with a broad range of AI assisted imagery. The focus of this project was on „historical events and figures“. In situations where images are absent such a newly created imagery might be helpful in re-creating narratives about undocumented wars or conflicts. Speculative fiction about other historical options or „roads not taken “ have found their way into museums of history even. Decolonizing imagery is an interesting aspect to get a grip on another way to view historical evolutions. Projecting biological growth processes into the future with pervasive bio-engineering allows is to imagine potential future scenarios. As AI in biology, pharmacy and nutrition is only about to rake off, the AI artists play an interesting role of new avantgarde in the 21st century before we shall be submerged by AI images on all social media platforms. (Image taken at Hangar.art 2025)
Korean Uprisings
With the recent Korean uprising against the imposition of martial law the world has witnessed a successful defense of democratic rule in South Korea. International politics has quickly moved on to other areas of the world where people’s struggle to obtain or sustain the freedom to vote and the freedom of expression.
However, the Korean history of uprisings goes back a least as far as the beginning of the Cold War period with the separation in 2 Koreas. The 1980 uprising of student protests in South Korea was extinguished with brutal force and mass killings. Can literature heal the wounds of uprisings? Only the best of literature can. The Korean female author and poet Han Kang (Nobel laureate 2024) has accomplished this. In the novel 소년이 온다 “Human acts” (English title), “Celui qui revient” (French), ”Menschenwerk” (German) the Gwangju Uprising 1980 is the historic backdrop against which the loss of human dignity during dictatorships is narrated. Han Kang manages to depict the empathy of family members who are confronted with the brutality of the military forces. It is tough on readers as they become the witnesses of the violence described as such and the sorrow of the whole social environment of the victims.
The Nobel Prize for literature 2024 honors the “world literature” aspect of Han Kang’s writings over many years. Many prizes have been allocated for representative writers (80+ % were men) of a country. The different titles of professional translators chosen for this novel reveal the potential to link to very different national narratives and connections to national memory of uprisings. Translating literature from different cultures can be challenging as readers frequently want the narratives somehow to relate to their own “endured” experiences. World literature, just like world history, goes beyond this and takes the reader by the hand and broadens emotional and human horizons.
(Image: Gallery Lee Bouwens, Brussels, exposed Jungjin Lee Voice #02, Voice #26 in 2025, inkjet pigment prints, Jungjin Lee)
Victims and Perpetrators
In addition to the annually proclaimed “We shall never forget the concentration camps and the murder of 6.000.000 Jews”, we should add: “We shall not be silent”. Silence about a crime can be interpreted as the “latent” continuation of hatred. Silence might just be a pretended ignorance of the genocide and the holocaust. We have to keep very alert amidst the spreading falsification and numerous falsification attempts of historical facts surrounding the ideation about the Nazi-time and Nazi-terror from the 1930s onwards culminating in the Shoa and systematic mass killings of civilians and any actual and deemed opposition.
Particularly in Germany there is a renewed need to go beyond the “Stolperstein-Initiative” and continue also sometimes own personal research of family histories in order to understand the logic and power of perpetrators. Some spectacular legal cases like “Klaus Barbie” or “Rudolf Eichmann” or the Nuremberg trials became historic events, but the crimes of many Nazis during these times remained below the radar of wider public attention.
In view of many disrespectful utterances of some politicians and even some business men the old and new perpetrators of antisemitic propaganda and acts should have to face more fierce opposition. This needs the commitment of the silent and sometimes shamefully indifferent people across the world. (Image: list of concentration camps, sign in Berlin Schöneberg, Richard von Weizäcker Platz).
Holocaust Remembrance
The 80th anniversary of the liberation of the concentration camp Auschwitz-Birkenau marks a very special kind of remembrance. As the number of survivors of Nazi-terror and genocide is shrinking the testimony of survivors is becoming more rare and more precious. According to the “Jerusalem Post” on 2025-1-28 (p. 9) the number of survivors that came back to the site of horrific crime has shrunk from 300 ten years ago to 50 in 2025. The strength and courage to continue to testify amidst having reached 90+ or even 100+ years of age is a “living memorial” of its own kind.
Many television stations across Europe have followed the example set by this special Holocaust remembrance day and focused equally on recorded testimonies or additional live interviews of survivors. Please keep repeating these testimonies to confront people with the outcome of Nazi-terror in Europe. The choice this year was a courageous one. Instead of speeches of sorrow and lip service to fight antisemitism by acting politicians, the focus on the testimony of survivors in public, on TV and to large audiences will encourage others to continue to give testimonial of these horrors.
(Image: extract of Pressreader newspaper titles 2025-1-27)

Synthetic opioids
Across the globe there are many tough lessons to be learned about synthetic opioids. These psychoactive substances fall under special legislation and can only be used with medical prescriptions. The strength of these substances is usually compared to heroin and the risk of addiction to these substances is very high.
A recent paper in International Review of the Armed Forces Medical Services (2024) has highlighted also “the abuse of the synthetic opioid U-47700” at times of military conflict. The power of these drugs to suppress the feeling of pain is helpful for medical operations. The abuse, however, may consist in the use of the drug to “keep fighting whilst pain is suppressed”. Such use of synthetic opioids increases the risk for addition and the fatal consequences of overdoses. The reporting of such occurrences in a specialized medical journal is an important warning against the conscious and willingness to abuse the drugs for war purposes.
The finding reminds us of the abuse that was already widely spread during the Nazi led 2nd World War (“Der totale Rausch“). The addictive potential was experiences even after the war time in terms of active combat was over. The costs to society of such abuse as well as use of supply chains of provision of opioids during peace times remain a problem for many years after the war. After a war, the war on drug abuse continues. Fighting addiction is a lengthy and painful process.
Ukraine Chanson
The Russian war in Ukraine is not limited to the military killings. From the earliest period in 2014 already Russia initiated a war on Ukraine culture and Ukrainian cultural heritage. Therefore, it is great to witness the efforts by Ukrainian musicians not only to retrieve their rich heritage for example in the field of chansons, but to develop traditional songs with new formats. Jazzy versions of children’s songs have been sung with an admirable soft voice by singer and composer Viktoria Leléka and her band.
Most people might think of children’s songs as an insignificant niche of music. The importance of singing songs for children and babies is a scientifically well documented finding. Early bonds are created and a sense of belonging and comfort, particularly during difficult times of life. Comforting music is also an intergenerational issue. Transmission of emotions and values across generations is the very fabric of societies. The recent album “Kolysanky” and the song “Ne Zhal” is a great reminder that it is the children that count not the, maybe, broken cradle.
During the war time with many absent fathers, chansons can bridge the emotional hardships. The movie “The Chorist” had demonstrated the power of children songs for children, their parents and all generations involved. Chansons have a much longer “half-time of life” than war.
From an unknown French composer the cradle song “Fais dodo Colin …” and Brahm’s Wiegenlied are classics many people in Europe will remember from their childhood and still transmit them today. Great news that Ukraine continues this tradition with new, innovative adaptations of their own lively cultural heritage.
(Image: extract of lyrics Ne Zhal’, from webpage)
Ukraine Poets
Difficult times have a long history in Ukraine. However, literature and poetry have flourished since the Ukrainian independence from the Soviet domination in 1991. Periods of hunger under Stalin, Nazi crimes in the 2nd World War, Tschernobyl radiation, Annexation of Crimea and now Russian war on Ukrainian territories, the endurance of hardship is part of Ukrainian culture and society. This has created a strength of resistance and resilience which is exemplary for all countries. The democratic countries stand firmly on Ukraine‘s side and support not only military defense efforts, but also artists and poets in such difficult times.
A collection of translated poems from Ukrainian into English has been published in 2027/2018, showing the horrors of the large scale war that was to come a few years later. In fact from the Ukrainian perspective the annexation of Crimea was the first war initiated by Russia although the Western world did not want to see this as a brutal aggression, which it was. The poems in the anthology are available online for everyone to read and understand that war changes personalities. Suddenly, dying of old age becomes a blessing as many young soldiers and people die on the battlefields (Died of Old Age, by Lyuba Yakimchuk translation by Anatoly Kudryavitsky) .
7 years after the translations where published the poems have kept their sorrow and the reminder for us to continue our support for Ukraine‘s fight for democracy, independence and freedom of speech and the arts. (Image: Front: from War Diaries, Brussels 2025, shown in Gallery of Katarzyna Napiorkowska).
Artists networking
Creating a network between rather idiosyncratic artists is no easy task. The more they develop a unique style separate from other painters mixing with other artists can be a challenge because you might find yourself in the position to continually defend your new style. Therefore, building a network of artists that understands the concept or emotion that drives you is a great advantage. In the catalog of the Caillebotte exhibition in the Musée d’Orsay Paris the map of living and working spaces of Caillebotte and his artists’ friends like Claude Monet is a great way to demonstrate the degree of networking and creative spaces that propelled the impressionist movement. The galleries and greater exhibitions of the impressionists took place in the vicinity of the established art institutions, but were not admitted into the traditional exhibition centers like the Louvre. The map from the catalog provides insights into the cognitive map of Paris which Caillebotte had in mind at his time. Artists see cities as opportunity spaces which facilitate or impede the creative processes.
Politician Cycles
In a bookstore which sells books in English or American language we find lots of biographies or autobiographies of politicians. As a politician you don’t even have to be out of politics when your biographical account or your own view is published, let alone be written. Publishers seem to hunt politicians who made headlines, no matter good or bad. Outside the EU you can always sell biographies at half price, if the volumes sit for too long on the precious shelves of bookstores. Most of the biographies are found in the history section of shops or libraries, however some show off in sections like politics (if not dead for too long) or in the business and management sections. Leadership is a big issue in the latter disciplines, but the psychological or sociological literature starts to meddle with the received wisdom of how single person leadership is in fact facilitated with the many great people around the sometimes outstanding single person. Maybe the focus on a single person is an easily understood and simplifying concept of leadership. In the case of Obama (2x) two single historical accounts complement the one person focus. In 2025 Michelle Obama skipped the funeral of Jimmy Carter where she would have had to sit next to Donald Trump (according to the Daily Telegraph and probably endure small talk). Politics appears to move in circles and politicians might find themselves encircled.
Drawing Drafts
The exhibition “Drafts – From Rubens to Khnopff” at the MRBAB offers an art historian’s view on the role of drafts in the creation of art across centuries. You will not be surprised to discover that drafts played and play a crucial role in creative works. With a restriction to drawings, paintings and sculptures, the exhibition highlights the “creative gesture” originating in a sketch of a detail of a body, a face, the body, compositions of forms or perspectives on space. In some instances, infrared reflectographic camera technology or similar techniques were used to reveal the so-called underdrawing of a painting to allow the comparison of a draft with the “finished” or “published” version as an oil painting. The time span across centuries allows to stress the importance of drafts and drawing rather than the spontaneous creation of a unique piece of art. The 20th and 21st century saw this process of creation challenges by several artists and performative versions of art. The basic creative process, however, remains an important pedagogical access to better understand art and its creation.
The curators of the exhibition Bücken and Maréchal (MRBAB) encourage visitors to use pencils and paper to try out the technique of pencilling or just to try to a sketch of something of interest. This certainly contributes to let the message and encouragement to create yourself sink in to the memories of visitors. All in all a very modern view on old and not so old masters.
(Image: Triple view of Jacques Jordeans, Allegory of fertility of the earth, 1623-25 MRBAB).
More Battles
In 2025 we continue with the same battles as in the previous year. However, the way armies fight military battles has evolved. New types of weapons like drones have entered the stage. These precision weapons (Horowitz, 2024) have the advantage to be not only less costly than other heavy mass and costly artillery, they can also be guided in swarms to their targets. A further advantage is the steering of drones needs differently qualified persons rather than advancing with heavy armored vehicles on battlefields. Upskilling of defense forces is an important side effect. Jamming technology of radio frequencies was applied before, nowadays this has turned into a crucial defense strategy to intercept and derail drones and rockets off their intended targets.
Other than heavy weight arms, even laser beams enter the arsenal of weapons, if targets are sufficiently static in nature. These high-energy beams are still more in the research and testing realm rather than used on the battle field, but it becomes clear that research capacities play and played an important role throughout military history. The next generation of robots, not only in production processes, but more those walking on the battlefields is likely to change wars to less manned interventions. The technological innovations shall further move the spiral of new generations of weapons forward. Fewer soldiers, but more robots in the air, at sea and on the ground might increase the risks of “restrained”, less costly, but longer duration conflicts across the globe.
I always thought of robots as rescue robots to save lives. The flip side of the coin, however, is destruction before rescue as well. Technology can be put to both purposes. It is us who decide, which one takes the upper hand.
Career Criminals
From a life course perspective it is not easy to define a colloquial term like career criminal. A person who has been convicted for a single crime and has served his/her sentence should be allowed full integration into society. Even a repeated offender should not be stigmatized or labeled as career criminal. However, this is exactly what the NS-state did (traveling exhibition across Germany and Austria: „Die Verleugneten“). These persons were subject to targeted charges for criminal offenses they „might“ commit eventually. The term „community alien“ or „asocial“ were also used to refer to persons that did not fit into the dominant Nazi doctrine of „Volk“. It took 75 years until these persons could receive a recognition and a recompense for their unfounded discrimination and incarceration. In concentration camps the so-called asocial or career criminals were at the highest risk of further prosecution and death. Great that the stumbling Stones include these victims as well, as a way to remember these crimes against humanity. Beware of definitions of social groups which are based on totalitarian ideologies.
Zerreissprobe
The term „Zerreissprobe“ has been chosen by the curator team of the Neue Nationalgalerie In Berlin for the Retrospective of „Art between politics and society“ in the years 1945-2000. In this time period after the 2nd World War until the other „fin du siècle“ the politics of creating a new world order, the cold war and the liberalization of societies had profound impacts on art as well. The positioning of art in the dynamic context and conflicts of these decades is quite well reflected in the title of the exhibition. The English title „extreme tension“ suggests somehow that these years were rather extreme compared to ?, probably today? Although on the territory of Ukraine we witness a hot war rather than a cold war initiated by Putin‘s Russian imperial illusions. The cited work of Günter Brus „Zerreissprobe“ is translated as „stress test“. And maybe, this translation characterizes the post war period even better as these years are a forerunner of what happened after 2000. We continue to be put to tests in politics and societal developments. Accomplishments from the last century are put to crude tests again. Solidarity of people and nations are under pressure to demonstrate their reliability under extreme tension or stress. Art throughout the 5 decades of the last century was a precursor of stress tests for politicians and challenged society in its basic understandings. The comments on the notice board next to the exhibition show the themes of tension in the 2020s. Tensions in families and partnerships, often more extreme around christmas trees, have taken center stage for younger visitors of the exhibition. Sociological research has observed such trends and coined this societal phenomenon „individualization“. Art embedded in society seems to be part of that evolution as well. Art movements are less visible as collective movements. Artists appear more individualistic or ideosyncratic nowadays, just less inclined to be part of a defining larger group. If artists are no longer avantgarde but rather followers of societal trends, the whole „raison d‘être“ of art changes as well. We are likely to witness yet another „ Zerreissprobe“. Cuts to art and culture budgets constitute an additional „ Zerreissprobe“ in the original sense of the word and of art between politics and society in 2024/2025.
Art Physics
Art is a matter of perspectives. In physics the change of perspectives and even theories about perspectives using optical instruments or illusions enlightens our understanding of the universe. 2D or 3D perspectives by V. Vasarely add yet another dimension through the oppositional hanging facing the Hollow Mirror Objects (convex and concave) by A. Luther (see images below). The curators succeeded in putting both art works with their incorporation of physical principles in an enriching dialogue. Art speaks to us in many languages. In more general terms, there is an underexploited aspect of exposing art. Rather than focusing on a single artist or school of artists in particular, exhibitions may focus on the interrelationships and new ways of combining or communicating images. This is human intelligence. Artificial intelligence will do this without prejudice and my own private collection of images of art works as a similar fountain of innovation as well. (Image Exhibition Neue Nationalgalerie Berlin 2024-12).
Cumulative Mandates
Since 2010 and with 18 volumes the documentation of perpetrators assistants free riders during the Nazi rule in Germany has been valuable and reliable source of information (Kugelberg Verlag). The book series defines the perpetrators as the persons excuting crimes themselves or were in command of those who committed the crimes or gave orders to do so. It is not surprising to find evidence of many crimes, but rather that it took such a long time until the documents were published and the descendants were confronted with the facts and the difficult heritage. There are still many who undertake all efforts to deny the facts or try to minimize the guilt of perpetrators. With the real dangers of new right-wing extremism on the rise across Europe and even beyond, it becomes more important to uncover the strategies and biographies of the perpetrators. Certainly the members of the SS were executives and in command of atrocities, so-called NSDAP party officials were also mostly convinced followers of Nazi doctrines and instrumental in the implementation of crimes. Additionally, several professions (line soldiers or medical doctors) were key in the process to ensure the power of the totalitarian regime until the final days. Some persons were cumulating roles and became thereby inescapable spiders in a web of control and crimes. The lessons for today consist in hindering excessive cumulation of mandates, political, professional, military and in other work or civil society related functions. Distribution of power is one form to safeguard the survival of democratic structures.
Conducter Careers
The careers of conductors during the 1930s and 1940s have been propelled by joining the NSDAP on Germany. Even if not too outspoken as conductors on Nazi discriminatory policies many openings arose only due to banning Jewish conductors and musicians from performing in public. The acceptance of vacancies due to such restrictions advanced the careers of Karl Böhm as well as Herbert von Karajan. A theatre play Böhm at the Deutsches Theater in Berlin takes up this topic and puts the professional career in perspective of an anti-humanist leadership style. Karajan has also come into critic, because of his role in selecting musicians who were conform to the prevailing Nazi-antisemitism. It is important to work on these biographies and their implications for hundreds of lives of other musicians. Many careers have been destroyed due to these two prominent conductors ready to do almost anything to advance their careers. It puts their interpretation of music in a different light knowing about their instrumentalist approach to music, their own careers and the disrespectful Nazi doctrines. Image New Berlin Philharmonic, View from Kunstgewerbemuseum 2020.
Nazi Doctors
The role of medical doctors during the Nazi domination in Germany has been revisited by the professional organization of statutory medical doctors (Kassenärztliche Bundesvereinigung KBV) in collaboration with the Center for Research on Antisemitism (ZfA TU Berlin). The exhibition entitled „Systemic Disorder“ first shown in the main entrance hall in front of a conference room offers a thorough review of the role of medical doctors throughout the Nazi period. Politically undesirable physicians were rapidly banned from the profession and promotions given to NSDAP party members. The totalitarian approach transformed the whole apparatus of the medical profession into a politically streamlined organization ready to commit crimes like forced euthanasia or selecting „insane“ persons for special medical treatments in other institutions. Selection of forced laborers for firms or declaring them unfit for work, which in many cases sent those persons to concentration camps, was part of the streamlined medical doctors. It took decades after the „Wehrmachtsausstellung“ in Hamburg that another profession has done its homework. Great to know that this important exhibition, documentation and catalog is traveling now across Germany for at least a year. It is another milestone in coming to understand how presumably intelligent people were part of a highly efficient selection and killing machine during the Nazi domination in Germany. (Image, Berlin KBV 2004, catalog p73, SystemerkrankungSystemerkrankung)
Famous Neighbors
Sometimes people believe they can catch a bit of fame, if they live in a prominent neighborhood. Next to a famous person or the glamor surrounding such a place is inspiring. In Berlin the honor or fame is transmitted for example with the street names of composers. Everybody knows Johann Sebastian Bach and around Christmas time many of his compositions will be performed again. Directly next to Bach street we find Flotow street. It needs a bit of info about music and music history to identify the honor for Flotow to appear next to Bach. Well, Berlin you are „wunderbar“. You have made my day just on one of the first few days of the direct train connection between Paris and Berlin started. We grow together in small steps.
Reconciliation
European history is a long history of atrocities committed against humanity. The Documentation Centre for Displacement, Expulsion, Reconciliation in Berlin (Image below) captures this history in a comprehensive manner. We are quickly overwhelmed by this weight of history and the implications this has for the understanding of the people on the globe. This relatively new learning centre has, beyond the memorable permanent and temporary exhibitions, a room of silence to recover from the hard work of remembrance, always in view of reconciliation.
The library allows personal search and research of migration documents and biographies. All centuries have their history of displacements, but the Nazi terror surpassed all prior records and forced millions into displacement or death. We are still working on this heritage and the enlightenment of how these atrocities could take place. Full consciousness of the terror and horror of the 30s and 40s is necessary to guard against the many attempts to falsify historical events or discard the sorrow of millions of people and their families.
Reconciliation remains a continuous challenge. A large part of diplomacy has to deal with reconciliation beyond concerns of daily affairs. It is not just a matter for head of states and days-off during a year. Stillness helps to deal with the challenge, especially if it is very difficult to find adequate words.
Air Concept
Well yes, this is the latest fart in design and architecture. The Berlin International University of Applied Sciences composed an exhibition on “Air Architectures” which takes air seriously. The international group of 7th semester students took Air Architecture seriously and developed their ideas in the context of a curated exhibition. Nice semester project.
Air is a fundamental precondition for humans to (co-)exist. The biology of air (breathing) or the chemistry of air (fine particle matter) have been studied extensively. The physics of air flows in cities receive more attention as well in architecture. Interior design has yet a lot to contribute in the age of heat pumps and air conditioning.
Let’s think architecture from the perspective of air and air flow. Depending on our cultural background we might have very different associations with air. Indian or Chinese practices like yoga or Tai Chi teach us to take air more seriously than Western practices. Most architecture in cold countries of the northern hemisphere aim to keep air to the outside of buildings. Yet, the percentage of humidity of air is a serious concern of architecture as well. Air flow and quality then becomes a key issue of construction and architecture, somehow through the back door.
Maybe in approaching architecture we might think first of what is or has been the architect’s concept of air or aerodynamics. 100 years after the death of Gustave Eiffel and the Olympic Games in Paris, we still gain from thinking about air (not only air pollution) and its dynamics. Looking forward to the next generation of air architects.
(Image: Exhibition, Air architectures, at Berlin International, University of Applied Sciences 2024-12)
Chinny Trait
In evolutionary biology there is still a discussion about the functional explanation of why humanoids developed a chin. A recent paper by Meyer-Rochow adds a new functional explanation for the evolution of the chin to the literature. Across cultures and sufficiently distant populations of humans, similar patterns of the use of the chin have been observed. In comparison to other species under the superfamily “Hominoidea”, our bites are only of minor strength and apes, Orang Utans have not developed a chin quite like us, homo sapiens. Origins of the chin as “weapon” in fighting and broader social selectivity remain hypotheses without sufficient proof of evidence.
In addition to the functional explanations of easier “mastication” or formation of words, chins might serve as an additional part of the body to hold items to the chest. This function, of holding tools or stuff could have been an advantage for our ancestors and became a favoured trait. During the pandemic our chins became a supporting or hindering reason in the struggle to wear masks for extended periods of time (see image below).
Nowadays, we ask ourselves about the social selectivity into becoming a violin player with this important function of the jaw and chin to hold the instrument. A rival hypothesis is, of course, that holding things with our mouth, like needles or screws, in sewing or handicrafts could eventually make the chin disappear. The bipedalism of hominids, freed our hands for other tasks and the evolution of a chin could similarly reinforce the efficient use of our hands.
Novel use cases for the chin, like holding your smartphone while typing on a keyboard or while opening doors, might enhance the chinny trait of hominids.
Over hundred of thousands of years the interaction of the bio->psycho->social (BPS) spheres of life may have interesting traits for us down (or up) the evolutionary line.
(Image: European parliament, Brussels 2020-7-23 address by Ursula von der Leyen in “masked assembly”).
Book Annotation
For most people book annotations are considered a nuisance. However, most pupils or students mark their so-called textbooks, which contain many images nowadays anyway. A good mindmap, summary of text, highlighting or critical comments may be part of their day-to-day working with a book. Some editors facilitate this using broad margins and more space between lines. Working through a text can take multiple forms and books have allowed over centuries different kinds of their usage.
There is yet another underexplored usage of books. On printed volumes annotations of previous readers may serve as a guide to a script of places, thoughts or material of particular importance. I have always found annotated copies of other readers interesting in their own right. Reading an annotated copy felt like reading another person’s mind, thought or learning process.
A modern view of books as a tool of communication might extend this perspective to study annotations of several readers on the same copy. Just like we comment today in word processing on texts from collaborators or students. Books are a means of communicating with other people or machines (AI) usually with the aim of spreading ideas, content, horror or pleasure.
Therefore, I am always happy to find annotated versions of a book, especially of prominent authors. It sometimes feels like reading a “partition”, a transcript of music which contains the comments or fingering of the reader or the performing musician. The BNF has a lot of such special copies in its archives, usually found in the donations of persons or prominent authors and their families to the archives. This can be put together to make an interesting exhibition of the process of thinking and writing and of special treasures – annotated books.
Image Bibliothèque nationale de France BNF, collection, “Annotations by Jean Racine on Homer “Ilias“.
Democracy in Korea
For all scholars of the theory of democracy the writings of Alexis de Tocqueville (1835) “De la démocratie en Amérique” are a major point of reference. The comparison of the democracy in America with the French king and both constitutions reveals comparative strengths and weaknesses of political systems. Korea after the 4th of December 2024 is yet another warning of what are the dangers to democratic systems. The attempted “coup d’état” by the president of Korea together with a former defense minister and several hundred soldiers has failed due to the speedy reaction of the elected members of parliament and an attentive and reactive public (Korea Times reports).
Tocqueville (p.130-131, French edition online) states, beyond the separation of powers (John Locke), the importance of the right to nominate key positions in a society also public opinion for the survival of democracy. Modern social media have increased the “reaction time” of public opinion and the “time to action” if need be. The combination of both elements of public opinion ensured that parliamentarians in Korea rushed to parliament and used their potentially last chance to vote against the imposed martial law, which started to seal off parliament already.
Several lessons for democratic systems derive from this. Separation of power remains key for democracy. The distribution of state functions on many shoulders under the control of parliament are essential. Legal mechanisms, in case of a spontaneous attack on the system, have to be able to react fast in order to avoid spreading fake news about legality/illegality of interventions. Public opinion, the people at large, should have their opinions distributed rapidly as well. This is necessary even beyond the traditional media of TV, radio and print. In Korea 2024 the attempted “coup d’état” tried also to block traditional media and prominent figures of the opposition with high power of influencing and reach on social media.
Tocqueville stated already that kings are threatened by revolution. Elected presidents have to fear public opinion. A lesson still valid beyond the US., France and Korea in the 21st century.
(Image: joint exhibition at “Traditional Korean Painting”, Korean Cultural Centre Brussels, 2024)
Degré zéro
As all of us use GPS systems to navigate across the world or just in your city, “degré zéro” might nowadays be associated first of all with the prime meridian 0° longitude, which runs through Greenwich near London and around the globe.
In « Le degré zéro de l’écriture », Roland Barthes (1953) challenges the bourgeois kind of writing of literature. He introduced the pertinent distinction of the verticality of writing styles in the sense of social classes as well as the horizontal form of spoken language He further distinguished écriture as a person’s style which is embedded into the historical and social context of her/his time. As a radical change, Barthes proposed to use scriptor instead of writer as the latter expression is too much loaded with the historical package of the person. Barthes inserts the scriptor as écrivain into her/his time and insists on the intellectual and social context of writing or the author.
As the scriptor (p. 26) does not escape to become a writer « écrivain «, the degree zero de l’écriture postulates a homogeneous society, which obviously is an ill-conceived vision of reality. Language and texts, therefore, are not universal in kind, but bound to situations, which are defined in historical time and space (p. 67). Semiotics was a major field of his analyses of literature and language.
Whereas in a talk you might focus on the person you are talking to, in a written text the other person is « the many » readers, wherever they are and maybe at a much later time as well. There is a qualitative difference and yet modern “voice to text” transcription makes all spoken words immediately available as written document or “compte rendu”. (Source: Roland Barthes: De la parole à l’écriture. in Le grain de la voix, Entretien 1962-1980. p. 12).
Let’s watch our language as we follow the longitude or latitude around the globe and even small deviations from degree zero matter a lot.