Category: History

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Emotional history

The making of emotional memories of a city is an art in itself. Many cities have professional photographers who accompany all major events in a city over years. Paris has had the chance that artist photographers and film makers have contributed greatly to the emotional history of the city. Agnès Varda was such a formidable person whose images and movies moved people and allowed to share emotions about the city’s busy and diverse neighborhoods. The « Musée Histoire de Paris Carnavalet » combines an autobiographic perspective with the emotional depiction of live in Paris from the 1950s onwards into the late 20th century. (Image: Agnès Varda, 1950 self-portrait, MEP Paris). 

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Gentileschi Heroine

The choice of a woman as heroine in a painting beyond religious topics was innovative in the early 17th century. Artemisia Gentileschi chose Cleopatra as her character in the ultimate scene of Cleopatra‘s life. The heroic act of guiding the poisonous snake to bite her under her arm is the ultimate act of Cleopatra to have served her country and people. As history books are full of male heros Artemisia Gentileschi succeeded in drawing attention to the biased gender stereotypes in art and art history beyond the 17th century.

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Gentileschi Selfie

Today the production of „selfies“ is all around us. Selfies are shot almost instantaneously and several times a day by use of modern smartphones. About 400 years ago the first woman to produce a selfie was Artemisia Gentileschi. As (one of) the first female painter in art history to have created a painted image of herself (which is transmitted today) Artemisia Gentileschi made history. Her unique biography, style and craftsmanship of the early 17th century in Italy made herself a renowned painter. Her choice to depict herself rather than somebody nobel or rich was quite unusual for the time. The audacious choice of herself as her „sujet“ became even her trademark. Later paintings by her with biblical topics were also subject to her reinterpretation based on herself as the female character in the narrative and image. In this respect her work appears so much ahead of her time that her impressive work speaks to all generations today. (Image: extract of Jael and Sisera by Artemisia Gentileschi 1620, Musée Jaquemart André“ in Paris 2025-8)

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Gentileschi Iconologia

Ever since the publication of Cesare Ripa’s „Iconologia“ (1593) the codes of art had become subject of a coded production and interpretation of art. Attributes of power or wealth like palms, scepters or crowns, decorated with gold and diamonds spoke a language easily understood by onlookers irrespective of time periods. Orazio and his daughter Artemisia applied this Iconologia throughout their work. The apparently simple depiction of bad weather became a sign of trouble ahead in a person‘s life, office or reign. From the success of Caravaggio‘s paintings, the application of light and shadow became another stylistic feature of especially Artemisia‘s work. Whereas the application of these techniques is a sign of craftsmanship, the own contributions like a more emotional and emancipatory repertoire of Artemisia make her an artist of her own kind. (Image Artemisia Gentileschi, Madelaine pénitante 1625, Musée Jacquemart André“ in Paris 2025-8) 

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Women artists

The history of art has been dominated in public opinion for centuries by men. However, recently art historians have drawn our attention to the numerous works of women who took Centre stage with their art during the last 500 years. Flavia Frigeri (2019, 2024) begins her history of women artists with Lavinia Fontana (1552-1614) followed by Artemisia Gentileschi (1593-1652). Both painters produced extraordinary paintings which brought their own touch to the paintings at a time when an independent expression through art was still largely reserved for men. The subjects of Gentileschi were greatly influenced by her experiences as a woman in a male dominated society in the 17th century in Europe. Her choice of subjects for her paintings added a female vision and depiction of biblical and historical narratives that were unique. The „Musée Jacquemart André“ in Paris featured a great retrospective of her art work in 2025. The catalog of the exhibition allows to enter into the art and wit of this early woman artist. 

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Zadkine museum

In the middle of Paris you will find a small former atelier of Zadkine. Transformed into a museum, the place is a cosy place to learn about sculpture and the different materials used. The preparations in form of designs or smaller trials with other materials are common practice to arrive at the sometimes monumental pieces. The visit of the permanent collection is even free of charge. A splendid experience in a surprising spot of silence next to buzzing city streets. Depicting musicians and musical instruments has been Zadkine’s shared passion with Valentine Prax. Great that he managed to reach the USA in time before the Nazi persecution could reach him. However, exile often means hardship as well. 

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Zadkine Prax

Ossip Zadkine and Valentine Prax once had their atelier next door to each other at art school. This established a lasting link between the 2. Whereas Zadkine became best known for his sculptures, Prax became famous as a painter. It appears that influences from one to the other are present in the works and several sculptures or preparations for sculptures were collected by Prax and found their way into the permanent exhibition of the museum. Intertwined biographies of artists are an inspiring reminder that art is not created only within a single mind, but many references or inspirations come from joint conversations or just working next to each other for some time. The social part of creating art is visible in this exceptional exhibition. Valentine Prax is honored with a presence in the Zadkine museum as well.

Image: Valentine Prax

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Water fountain

The design of water fountains is a bit of technology and a lot of art work. The provision of water for larger basins in castles was pioneered by garden architect Le Notre in France as early as the 17th century. He took ideas from Italian designers to integrate them in his French squared designs and surprising perspectives. Vaux le Vicomte is a splendid example and a source of inspiration for many even centuries later. Listening and watching the water fall from level to level downwards calms the spirit. Worth exploring yourself.

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Electric Fun

The 60s, 70s and 80s have been fantastic precursors of the “All electric society” because of the electric music 🎶 industry that became a mass phenomenon. First of all the electric guitar allowed a wave of new music to take hold of a whole generation and probably keeps its adepts until today. E-pianos, keyboards, drum machines and synthesizers made music playing more accessible as well. You just need to plug in your instrument and you were able to produce an overwhelming sound. Other electric pleasures might include water pumps for water heaters and sprinklers. Electronic games and gadgets soon took over in children’s rooms. Of course, calculators as precursors of mobile phones and computers were another step in the progress towards the “All electric society”. Electronics are about to govern large parts of our lives and society. We better take a serious look at what we gain and what we might lose. 

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Climate Awareness

The Musée d’Orsay has prepared a wonderful walk through its permanent exhibition of late 19th and early 20th century installations to reflect upon climate and climate change. Raising awareness about the treasures lost and those we are about to lose in the next few years. Impressionist painters have depicted landscapes, cities and monuments covered in snow, which the next generations will no longer be able to enjoy the same way. The roofs of Paris covered with snow has become a feature of a distant past. Additionally, the impression of the massive steam trains crossing metal bridges appear as the daunting future of technical progress. Mixed feelings of fascination and risk associated with those machines were captured by those painters’ eyes. Nowadays we are aware of the consequences of this technical progress for our planet. The walk through museum with a focus on climate related paintings is eye opening indeed. (Image: Extract of Éduard Veuillard, Le jardin des Tuileries, Musée d’Orsay, Paris) 

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Music Lunch

The possibility to pass a lunch break with live music inspiration is, unfortunately, quite rare. The Brussels festival “midis minimes” has created a popular format for classical music to be performed in easy to reach venues in the city center. Working in the center allows to hop into a 45 minutes performance of varying artists, instruments and music styles. The “Cercle Royal Gaulois” offers enough seats. Even without a reservation it is feasible to forget about work and get inspired by musicians. and the composers and arrangements they propose. Gaëlle Solal and Juliette Hurel offered short digestible pieces by Bartok, Ravel and Piazzolla with a focus on their popular dance tunes often based on previous folk tunes. We virtually traveled from Romanian tales to La Habanera and Tango and back to work for some.

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Korean Epilogue

The exhibition on the Korean Provisional Government closed with a stimulating epilogue. The call on visitors to spread the message of peace resembles religious practices. The long struggle for Korean independence and freedom for the people in South Korea leaves them wishing the same for all Korean people and beyond 75 years after the beginnings of the Korean War. From a German and Eastern European perspective this unaccomplished wish resonates a lot. The small stickers with messages from visitors propose short thought pieces like “South and North Korea shall be together” and “Peace starts with inner peace”. The wisdom in these statements lies in not giving up on ideals, however distant they may appear. There is always the possibility of small steps ahead.

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Korean Independence

The independence of a country is sometimes a long struggle. At particular points in time, a window of opportunity may open up, which allows to change the course of history. In many cases the opportunity to gain independence has been prepared for several decades, at least from 1919 onwards to come to fruition only after the end of the Pacific war, shortly after the Nazi-regime was defeated. The long and relentless preparation of the Korean Provisional Government ensured that a consensual constitution was ready to be adopted and elections to be held. The resulting division of Korea into 2 parts (South and North), just like East and West Germany, is rather long lived on historical time scales. For that matter, the hope of a peaceful unification needs to be reiterated again and again. The informative exhibition of the Korean Cultural Center to Belgium and the EU highlights the continued “Dream of Peace” which continues even after more than 100 years.

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Preventive War

The term “Preventive War” is staging a revival in international politics. The recall of the famous quote “war is the continuation of politics with other means” from Clausewitz encompasses the idea of a pre-emptive strike and entering into war to avoid an enemy to grow too powerful at a later stage. In the age of weapons of mass destruction and the non-proliferation of nuclear weapons, an intervention to limit the spread of nuclear weapons has taken the form of a preventive war. The international community has been quite unsuccessful to limit the spread of nuclear weapons so far. Research shows that democracies are less likely to go to war than authoritarian regimes and dictatorships.
The preventive war strategy (Levy, 2008), however, is a means for democracies to defend their survival against the spreading and warmongering of authoritarian regimes. However, preventive war, by definition, is a war. The preventive aspects derives from the logic to avoid a much more devastating later war. There is a longitudinal assessment at the base of the calculation to enter now into a preventive war, rather than later into a more difficult defence. In anticipation of the defense, a pre-emptive strike is undertaken. In international politics the lack of a “policing of treaties and international agreements” has initiated the return of the neoclassical concept of national interest as a guiding principle for nation states. A continued threat to the survival of a state, Israel as an example, by the Iranian dictatorship makes the application of a preventive war strategy more likely.
Historically, democracies have applied such military strategies as a continuation of politics and diplomacy with other means. In this sense the 21st century is apparently no different from previous centuries. The revival of “Realpolitik” has been spurred by Putin and his war on Ukraine territory since 2014. How and when to return to the negotiation table is the litmus test of the preventive war strategy.
(Image: Paris, Hotel de la Marine, Le salon diplomatique 2025).

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Ohm … Ohm

In the 21st century most people will interpret “Ohm … Ohm” as the exhalation in yoga  (Hatha yoga). Therefore, take a deep breath, hold it for a while (twice as long) and then exhale (thrice as long), for example. Now you are perfectly set up to read about Georg Simon Ohm (1789 – 1854), the physicist after whom Ohm’s law was named. In the “All electric society” Ohm’s law still plays a fundamental role for all households. The understanding of electric circuits is quite easy, just apply the basic relationship of Ohm’s law. In a resistor the current and voltage are proportional. The sign (SI) for resistance (R in physics) of a conductor is the Greek letter Ω. The proportionality is expressed as R = V/I where V is the Voltage and I the current through the conductor. The units are Ω, Volt V, Ampere A. All you need to know additionally is the calculation of the power P in Watt W where P = V x I for example. If you want or need to dig deeper into your home electricity just study a bit of electrical technology on the basics.
In our homes, apartments or offices we can apply this 200 years old knowledge to guide the safety and energy consumption of our electric installations. Maybe with the help of a spreadsheet programme like excel etc.

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Satie Popular

Erik Satie has been quite involved with the surrealist and Dada movement of his time. He personally knew the main proponents ranging from Breton to Magritte. He became one of the major figures applying the ideas of surrealism to music. His early compositions like the Gnossienne (extract of Nr. 1 below) are admired for their simplicity. They became popular only years later and have entered popular music repertoire through many retakes of the original tune in various styles ranging from jazz to rap. Many of Satie’s formative years he spent playing and performing popular music in the animated cafés, bars and shows of Montmartre in Paris. The making of a living based on music can be a challenge. Satie had to bear the full risk of a life in poverty at times to reserve sufficient time for his creative work.
He remained very much connected to the working class as his later membership of the Communist party after the Great War testifies. Composing for children and transmitting music to the next generation was equally close to his heart and mind, especially in his later years.
For him, popular music constituted a fountain of original tunes and a test with an intuitive audience rather than the academic circles. Maybe, with this attitude, he followed the footsteps of Flotow, Offenbach, Ravel and many others later on until pop music became the vastly dominant music in the late 20th and 21st centuries.

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Erik Satie Satisfied

The collection of letters from Erik Satie contains more than 1000 letters amongst them some in exchange with the best artists of his time. The range is largely due to the circle of artists who met at Montmartre in Paris before and during the Great War. We discover letters to Maurice Ravel, Claude Debussy, Pablo Picasso or Henri Matisse. For some artists there are 100+ letters preserved like to Jean Cocteau. In the 1920s he composed music for shows at Montmartre, where the scenario was painted by Pablo Picasso and costumes designed by Coco Chanel. The sculpture by Brancusi must have been familiar to him, just as much as the cubist paintings by Georges Braques, as there are also letters or references to such letters in the impressive 1000+ pages collection. Like Ravel he was rejected by the Conservatoire de Musique de Paris in his early days as student. Montmartre allowed to live and create at the same time while living on a minimal budget. Erik Satie signed his letters with ES. In German this denotes a “neutrum”, maybe, beyond male or female differentiation, but also a tonality in music (E flat). There is no trace that this was a conscious choice. It is just another unresolved puzzle about the self-declared “Gymnopédiste” and composer of the “Parade” and the popular piano music the “Gnossienne”. 100 years after his death on 1925-7-1 he (ES) could be rather satisfied with his impact on the course of music in the 20th century and beyond.

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Musician Historian

Musicians are usually perceived as “part of history” rather than being historians themselves. However, recent research on Bob Dylan has extended that view to portray Dylan in his role as historian as well. The issue here is more with the historical periods and references the musician, composer and song writer builds on and interprets historical events. Thereby, his thoughts and impressions on living through historical events enter into his work as an artist. Dylan is literally “doing history”. He puts events of past and present into perspective of his own making and reached authority through the non-conformist perspective, which connected him to as a performer to his various audiences. His approach to doing history consists in the re-presentation and re-creation of historical narratives. Nina Goss (2024) in her book review highlights the “irruptions of the past into the present unique in popular culture”. The re-arrangement of fact and fiction encourages us “to inhabit, question, and revise historical narratives and tropes” (p.399). Several musicians have specific ways of reflecting, sometimes critically, on history in their artistic work. Bob Dylan certainly is a very prominent example of this an has been honoured for this by the Nobel Prize for literature. It remains an interesting perspective to review composers and their choice of libretti for operas as a way of doing history. The shifts from royal drama to revolutions and popular scenes are in this line of interpreting musicians also as historians.

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Archers destroyed

In the attempt to explain modern warfare to people, the Roman and medieval languages are staging a comeback. The archers have found their way from warfare into art history and back again. George Barros explains recent defensive actions by Ukrainian military forces as the strategy to put the archers out of power rather than the arches.
Destroyed or unfit air planes can no longer launch missiles or bombs. The Russian reserves are, however, fairly numerous, but the air strikes on the modern archers have demonstrated an astonishing military intelligence on the Ukrainian side. The technological advances of the Ukrainian military services may shift the balance or raise the costs of war to Russia, considerably.

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Memories updated

In Berlin and many other German cities it is a regular practice to scrutinize the memory inscribed into street names. In order to correct the honors given to persons with a past as fascist or responsible for mass killings street names were changed at several points in the history of the city. Streets named after battle fields, for example, are a continuous point of discussion. It is important to keep the perspectives of victims in mind. Therefore, changing street names is a little contribution to rethink the role of places and persons. Such changes are sometimes very controversial as people become accustomed to names, some might even not care much at all. Recognition and responsibility, however, have a lot of currency in historical perspective. Overpainting like in the paintings from Gerhard Richter has an important function in society and can be one way of coping with the demons of the past.

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Draft Lottery

For decades the “intergenerational effects of the Vietnam draft on risky behaviors” has been overlooked. Deza and Mezza (2025) identified several changes in parenting styles (PS) due to existence of a draft lottery. PS like uninvolved, permissive, authoritarian become more frequent. Similarly, risky behaviors of their children like smoking, drinking and drug abuse tend to increase. According to this new evidence on an old strategy to recruit military personnel the effects are not only directly on the persons drafted, but have lasting consequences onthe next generation as well. This increased overall the burden of going as well as preparing for war in the societies concerned. In view of the Russian aggression on Ukraine territory the consequences for both countries are considerable and shall be transmitted to future generations as well. Even neighboring countries fear and feel the heat of recruitment for armed conflict.

 

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Odessa Berlin Odessa

With a sense of partnership, it is possible to travel between Odessa and Berlin in the “Gemäldegalerie” in Berlin 2025. Due to the war of Putin in Ukraine the “Museum of Western and Eastern Art” in Odessa had to relocate its treasures to safe places. The Gemäldegalerie offers a chance to view the splendid collection nevertheless. The curators’ team in a spirit of “art intelligence” propose, in a splendid way, most oeuvres from Odessa next to an example by the same painter from the Berlin collection. The visitor leaves the exhibition enriched by an experience of “jumelage” (engl. sister cities) of partnerships between museums, cities and their people.
In fact, we have shared the same imagery or visual heritage in Europe for centuries . The collections of paintings ranges from the 16th -19th century art  or from Frans Hals to impressionist influences.
We shall cherish the return of the collection to Ukrainian Odessa as soon as possible. The image below shows the places of origin (yellow dots) of the art works of the Odessa collection across centuries (map from the exhibition).

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Robot repairs

Robots have been used mostly in industry for assembling, transport or sorting tasks. There is also a role in disassembling to enhance circularity. To repair electric or mechanic devices there is an enhanced version needed which starts with a diagnosis of the problem. Algorithms can sort out promising from dead end routes of repairs. However, the recognition of objects into things that can be repaired and those without repair potential is a worthwhile assistance. Beyond the economic and ecological rationale for repairs, there is an emotional or nostalgic sense to it as well. Maybe, from a life course perspective any object related to the teenager years of a person qualify for nostalgic value. Even simple robots or AI-assisted objects may qualify for this in future. Artificial friends will be like tamagotchis in need of repairs.

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Maison de santé 1861 Berlin

In the middle of the 19th century Berlin was a small city. The area of Schöneberg (pritty hill) was still perceived as the rural outskirts and featured the first botanical garden next to the town center. A little bit more outside of Berlin the “Maison de santé” was founded as early as 1861 to cure mainly respiratory diseases and what later became the first private clinic proposing a new way to treat psychiatric disorders. Dr. Eduard Levinstein was the founder and the clinic had continued its operations for almost 50 years with his wife and sons taking the lead later on. Prof. Wilhelm Griesinger, known for the scientific approach of psychiatry was a proponent of the non-restrained approach to psychiatric disorders, which allowed persons move more freely while being supervised. The documents and the publication (1877) shown in the exhibition at Museum Schōneberg demonstrate the scientific approach to the treatment of addictions, most notably morphine, which had been widely used during the war of 1870 as tranquilizer and pain relief. The wave of addictions needed hospitals and clinics to treat these addictions. The “Maison de santé” had been established as a retreat and cure for other addictions as well. The memory of the early scientific approaches is an inspiring place and reminder to take care of all forms of addiction. Taking care of body and mind is still the state of the art approach today.

The Exhibition catalog is forthcoming, but the visits and material on display of interest beyond the inhabitants of the „Pritty Hill“. Exhibition catalog is forthcoming

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Margot Friedländer memorial

Berlin has been honored by the return of Margot Friedländer who had survived the Shoa in 2010 at the age of 88. Her whole family was murdered in concentration camps by the Nazis. Ever since her return and especially after her biography had been published she was a restless ambassador in the fight against hate, exclusion and the neo-fascist movements. She has been engaged in interreligious dialogue and even through the ceremony after her death, she tried to bring together different Jewish communities in Berlin.
Irrespective of a person’s background she met everybody on an equal level.
A great example to thousands of people, she managed to meet in her life. Each time she met with pupils or students to speak about her horrific experiences she lived through the same traumatic experiences again and again, but turning this into the strength to “vaccinate” people against the deadly virus of fascism.
The day after she had been buried in her family’s grave in Berlin Weißensee people still had to queue to sign the book in her memory in the Berlin town hall. She will be remembered and missed for her unrivalled humanity and generosity. She became engaged to fight for humanity and remained an activist until her very last day at 103 years of age.

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Leber JA

In Berlin Schoeneberg there is a memorial in preparation for the courageous couple of Julius and Annedore Leber. Julius Leber has been incarcerated several times by the Nazi officials, tortured and finally executed in Berlin. A link to the group of people trying to overthrow the NS regime (1944-7-20) caused his arrest and execution in January 1945. His wife Annedore published several accounts of the resistance movements, which existed during the NS regime. These people were aware of the fact that they were risking their life with such activities, but persisted nevertheless. We owe Julius and Annedore Leber a decent commemoration as we need to remember that such courageous examples existed even until the last few months of the NS dictatorship. The site allows for a building and learning center which could serve as an archive and encouragement to fight for democracy. It is less obvious than we thought it would be.

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Local history

In Berlin and many other big cities in Germany like Munich and Hamburg there are local history projects which tell the stories of specific places or a house linked to liberation day or deportation or courageous acts during the Nazi  grip on Germany and terror across Europe. The initiative « Denkmal am Ort » has become a kind of citizen science project which brings people together to raise awareness again for the cruelties committed under the dictatorship of Hitler and the fascist political movements. Remembrance is not a passive form it can take many active forms as well by simply trying to find an answer to the question what happened during the 30s, 40 and 1950s in the house you are currently living in? Access to archives of cities and small towns can tell very surprising stories about local history. It is a great inter generational experience as well and sometimes the unspoken history turns into a great conversation about history and responsibilities. History is everywhere you just need to keep your eyes and mind open.

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Constitutional Responsibility

The memory of horrors caused by Nazi-led Germany before and during the 2nd World War is our constitutional obligation in the Federal Republic of Germany since its beginnings in 1948. 80 years after the unconditional surrender this has become a state responsibility. Since the shift of tone introduced by Richard von Weizäcker on 8th of May 1985 framing the end of the 2nd WW as liberation day in Europe and Germany. On the same day, 40 years later, the top 5 political instances of democracy in Germany, president, chancellor, presidents of the parliament (1st chanber), the council of the regions (2nd chamber) as well as the constitutional court. The constitutional and moral responsibility of the crimes is not reserved to a presidential address, but all pilars of democracy in Germany committed to the narrative of a liberation of Germans and Europeans at the end of the 2WW. It is a truly European topic to celebrate the end of war jointly in all countries. This is even more the case as the memories of the last survivors of the Shoa in Europe is less transmitted by the rare survivors until today due to very old age. The impressive unity of the top constitutional powers sets a the path for a far reaching renewal of the acknowledgement of a specific constitutional responsibility to counter extremist tendencies. The speeches by Frank-Walter Steinmeier and Julia Klöckner in the Bundestag (Link in German) were remarkable in explaining in plain language, why we are happy about this liberation also in Germany. The emphasis of the end of pervasive and endless oppression and suffering caused by the Nazi-regime are an essential part of this feeling of liberation. With this commemoration Germany today has become even more a European nation which takes its historical responsibility seriously.

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Gedächtniskirche Berlin

The church of commemoration „Gedächtniskirche“ in German has been chosen as the central place of commemoration on Liberation Day in Germany for the ceremony of all religions. All institutions of democracy were represented in addition to the president of the FRG. The church was destroyed, but not completely and the decision to keep the remainders as a permanent warning is visited by thousands of people each year. The public television broadcasts live from the ceremony and some regions of Germany have chosen Liberation Day as a bank holiday following many other European countries. The official end of fighting of the 2nd World War 80 years ago has spurred many events. The need to understand how this could happen and how to guard against extremism to take hold of a country and start a war have preoccupied following generations. The task is not accomplished yet as many people still deny the facts or try to rewrite historical facts with misleading interpretations. The commemoration is well worth a pause to reflect, for example, what were my grandparents doing during these years. Beyond the speeches on this day there are many ways to get involved in carrying the memories to the ones born later.

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Liberation Day

In Germany the celebration of the liberation day 2025-5-8 change years of mixed feelings about what happened during the 2nd world war. In Berlin this day is a bank holiday now and more and more people subscribe to the view that the liberation from Nazi-terror was a blessing for German people. The “Neue Wache” is the room of silence in honor of all victims. We shall always remember. Fighting the early tendencies remains the most effective strategy to avoid extremism of fascist groups. It is the task of Germans born also long after the war to keep the memory of the atrocities alive and to care about prevention of new ones.