Projections into the future, the painting of a futuristic image or an utopian narrative can be based on a quantitative or a qualitative approach. A quantitative projection into the year 2100, for example, is form of creating an utopian vision of quantitative developments. Projecting the small reduction of working hours into a very distant future will eventually approach zero hours (tous sublime). Alternatively, utopian scenarios for qualitative characteristics of work and employment range from full health and safety or “cure yourself by work” (?really, “Arbeit macht frei”) to AI and robots designed to solve major laborious tasks and challenges for us. It is important to differentiate between the qualitative and quantitative forms of utopian visions. The time frames matter, too. In politics various combinations of utopian perspectives have frequently been combined. The human mind’s capability to project itself into the future explains our tendency to come up with utopian ideas or scenarios irrespective of our ability for rationality. We better acknowledge these human characteristics rather than insist on an either, or image of ourselves.





























It is the merit of Marie-Luise Conen and Zdravko Kucinar to let Milian Schömann live on in our time through the reprinting of some of his work, which is embedded in a well-written historical account of the political and family setting at that time. The professional psychological training of Marie-Luise Conen helps to reproduce the anxious atmosphere Milian Schömann has lived through, albeit he remained a productive writer despite the economic hardship and living in exile.

