The period of the enlightenment is a historically defined time period of the late 17th and the whole 18th century. Although often associated only with Europe as its origin, the American contributions and influences have been far-reaching as well, just thinking of the “Declaration of Independence“. This historical period is, however, most interesting through the unrivalled contribution and pivotal point to the history of ideas. The exhibition and catalogue on the “Aufklärung – Enlightenment” by the German Historical Museum in Berlin exposes many of the historical editions of books that “made the enlightenment”. Philosophical writings and readings (Immanuel Kant: Kritik der …) of the period (especially in German) are tough even for native speakers of German, unlike reading of French (e.g. Jean-Jacques Rousseau) or English (e.g. John Locke) contributions to the enlightenment. Maybe this is already one of the reasons why in France the revolutionary ideas were put into practice through population-wide political movements.
The historical period of the enlightenment came to a close in the early 19th century (1806 another pivotal year). The English or French terms of enlightenment or lumière maybe be interpreted in a way that other historical periods like the medieval ages were periods of darkness, even later periods again did not live up to the idealist prerogatives of the evolution of humanity. The German term “Aufkärung” has its etymological roots more in the action associated with “to enlighten”. This hints at the continuing process of the ideas of the enlightenment in modern terms the process of individualisation, tolerance and autonomy.
There many valuable short interviews shown in the exhibition and Jürgen Habermas contributed a short closing statement to the catalogue of the exhibition on the unfinished project of the “Aufklärung” inviting us to continue also with the “Kritik der Aufklärung”. After all the enlightenment did not save us from repeated events like “Apokalyses“.
(Image: Émilie du Châtelet, below book on Newton Physics in DHM Enlightenment exhibition 2025). 
Präludium Prélude
Learners of how to play the piano are likely to pass the composition of J. S. Bach entitled Präludium in German and Prélude in French. Maybe that influences the approach to the piece of music. The title sounds different in each language. It is interesting to follow the Präludium Prélude throughout the history of composition. The pianist Jan Lisiecki has just recorded and released a disc with Deutsche Grammophon following the historic evolution of this genre. The rather easy-going beginnings by Bach (see below for extract of first motive) have turned out to become rather complex preludes with subsequent composers. We may ask ourselves at this occasion: a prelude to what? Your own associations are welcome. In international politics we can observe strategic movements of countries and their military equipment as a prelude of war, but also of peace. Small aggressions may turn into wars. In philosophy Nietzsche praised the dawn (Morgenröte) and focused a lot on new beginnings. Composers might be the best forecasters of what is to come in the following years. Certainly the preludes have foreshadowed some of their later work. Nowadays, many LLMS in AI build on algorithms that predict what is the next word to write or task to do. Even in composition AI is moving ahead fast. Hence, we e are likely to study preludes much more for several reasons now.
(Image: extract of first motive from J. S. Bach Präludium Nr 1) 
Biography Memorial
Some biographies take the form of a memorial. Marie-Luise Conen and Zdravko Kucinar have erected a memorial for the researcher, author and Social Demokrat “Milian Schömann” from the “Moselle” region near Traben-Trarbach and Lösnich. The biography reads like a narrative of crimes, which goes without punishment, before and during the Nazi-terror and the power grip in rural areas in the late 1920s and early 1930s. Milian Schömann achieved his university entry qualification A-levels in Traben-Trarbach before he moved on to study German literature and philosophy in Heidelberg, Bonn and Berlin.
His studies and political engagement were driven by a humanist approach and his letters and publications as literary critic as well as his contributions to philosophy are partly reproduced in this biographical account. This allows to follow in the footsteps of the curious and open-minded person of Jewish descent. As a contributor and speaker at meetings of SPD-members and associated political movements, he risked and eventually lost his life for his humanitarian convictions in 1942 near Belgrade.
It is the merit of Marie-Luise Conen and Zdravko Kucinar to let Milian Schömann live on in our time through the reprinting of some of his work, which is embedded in a well-written historical account of the political and family setting at that time. The professional psychological training of Marie-Luise Conen helps to reproduce the anxious atmosphere Milian Schömann has lived through, albeit he remained a productive writer despite the economic hardship and living in exile.
This biography accomplishes in a rather unique way to enter into the mind and thinking of the author Milian following his very personal perspective on the “history of ideas” and inner call to action. Similar to the appreciation of Viktor Ullmann in the Jewish Museum in Berlin, where the music of the composer lives on after his death, the writings of Milian Schömann survived extinction, despite that he was murdered. After more than 80 years we still feel the loss of potential other contributions to philosophy and literary studies. The recognition extends to Milian’s academic and personal mentors Oskar Walzel and Arthur Liebert, important sources to understand the reasoning and motivation of Milian.
(Image: Extract from Marie-Luise Conen and Zdravko Kucinar (2024) Milian Schömann, Paulinus Verlag, Trier, p. 139) 
Beyond ART
Is there anything beyond art? Well, maybe there is. ART in German language is an abbreviation of “Allgemeine RelativitätsTheorie”. In other words the General theory of relativity developed by Albert Einstein is in its shortest form a one line mathematical expression, but with lots of equations included in the general statement, which grew out of his much earlier special theory of relativity. The textbook by Michael Ruhrländer provides a step by step approach to get to grips with the mathematics involved to reach a better understanding of what “ART” is about. Take your time to digest it and brush up a lot of maths beyond your A-level maths.
The abbreviation ART suggests a lint to art in popular understanding. Indeed, it needs able artists to show insights of ART to more people than the restricted scientific circles. An understanding of a 4-dimensional system of time-space has some more accessible features than waves of gravitation and the many puzzles that can be solved through ART.
Decades later quantification has build upon ART and takes us further into fabulous world of mathematical and physical imagination as well as real world applications. 
Wave and Particle
The history of ideas in physics has been evolving or revolving a lot around the wave-particle-duality. Even if the basic debate by now is about a century old, we still need to come to grips with this challenging notion that light is not just a beam and nice colors through a prism yielding a spectrum of frequencies, but it can emit material matter called photons that have a non-zero value(s) of energy.
Max Planck came up with the formula E = h × f, where h is the Planck constant, E the energy and f the frequency of the photon. The synthesis of Einstein’s light quanta and De Broglie’s matter waves became the foundation of quantum mechanics.
The exciting evolution of physical ideas results in the state of the “art” view that, for example, light can take both forms, wave and particle, at the same time. Quantum mechanics has become a thriving field in physics and is currently transforming the world of computing in the 21st century. The amounts of funds invested in the race of applications of quantum computing across the globe are “astronomic” and have become part of dual-use spending of research funding. Encryption of information or access codes are of growing importance for civil (banking, mobility, health info) or military purposes. The speed of quantum processors will allow cracking of codes much faster and therefore new dangers are looming in many fields. It is a rather competitive field, which has evolved a lot from the original wave and/or particle vision of the world (of physics).
For social scientists there are several examples of applications of the concepts of quantum mechanics to social and behavioral sciences (Link 1, Link 2). Hard to predict, whether the wave and/or particle view will dominate the social applications of elements of the history of ideas in physics. New concepts in science challenge our traditional science-based thinking about time, space and space-time with implications even for our understanding of causality and covariance.
(Image of Dice icoshahedron (animated 3D image) from Egypt, dated to 2nd century before our time, BNF, Paris) 
Negative time
In 2025 an experimental setting has come up with a demonstration of negative time. This is a mind-blowing mental exercise to imagine the science fiction like framework to allow time to be negative as well.
This invites several epistemological questions as well. Can we imagine or live with a reversible concept of time? Maybe music has given us clues. In composition of music, we can easily play the notes of a basic theme just in reverse or mirrored order. Modern rhythms like in beat music as accompaniment by a drum use for example a rhythm like (use your hands or drum sticks!)
“left left right left /
right right left right”, (redo faster if you internalized the rhythm).
A reversal of the beat (its inversion) like replays of rhythms in reverse order seem to return the energy. This beat pattern is perceived as forward moving and is advancing in chronological time. It has fascinated a whole generation and spurred crazy movements to accompany the rhythm.
A simple tune might be played in reverse order as well. Just take a piano scale and play 1 2 3 1 fingers, and then 1 3 2 1 in a mirrored fashion (1231 1321). Even 1 2 3 1 as 3 2 1 3 gives an impression of inversion. Through this composition technique you get a bit of a feeling for the potential of a reversal of time or what negative time might feel like.
The innovation through quantification challenges our concepts of time more and more. The direction of time is subject of a fundamental revision. Theoretical concepts have predicted this for a long time.
(Image: Muséum national d’Histoire naturelle, Paris)
Quantification
The most obvious association with quantification is the attempt to quantify in the sense of measurement of situations, locations or social phenomena. This has taken considerable steps with the availability of smartphones that measure and thereby quantify all sorts of wanted and unwanted information about us. The distances walked are among the easiest to quantify. There have been many accounts and discussions about this kind of quantification. The results have been a further push towards self-optimization assisted by a quantification of almost all aspects of life. That is daily business of social sciences.
Quantification has another well-defined meaning to it, which is in physics. The revolution of the early 20th century has been to deviate from classical physics which assumed continuous processes in time and continuous measurements to the new world of quantum physics, another kind of quantification. This allusion is due to the Alain Aspect’s inspiring book “Si Einstein avait su” (2025) and his efforts to make quantum physics understood to a broader public. For me one of the merits of the book is the reminder that experimental physics can contribute and resolve many epistemological questions.
(Image: my popularized approximation of Schrödinger’s cat in Berlin Zoo)
Time Concepts
Tell me about your concept of time. How do you define time? Answers to this question are likely to depend on your upbringing, affinity to a specific scientific discipline or epistemological belief(s). Aristotle defines time to be subordinate to the more basic principle of change. To understand change we need the concept of time. Two points in time define time, intermediate points are possible, which might be interpreted as a precursor of infinitesimally short spells of time. To explain change, Aristotle refers to his concept of time. Other concepts of time build on the notion of succession of events or sequences of events.
Clocks going round in circles have been used to show the progression of time independent of events. Beams of atoms later allowed for more precision of time keeping. The prevalent concept of time still is dominated by the idea of time as an arrow, usually depicted in some diagram resemblance based on the Cartesian coordinate system, but usually starting at 0 or a particular point in time as diagrams in economics.
Following on from the old concept of change and time, we still claim for causality in most day-to-day experiences or for social processes the link to a chronological progression of time. In statistical analyses building on time-stamped occurrences we may use event history analyses or stochastic differential equations to analyze (social) change depending on one or several (earlier) factors. Even the theory of deterministic chaos, which is applied in weather forecasts for example, arises from the sequence of point of measurements.
Mainly since Isaac Newton we cherish the notion of a universal time, which helps us to coordinate different locations on our planet with reference to the Greenwich mean time. Other concepts of time make use of infinity of time and how to deal with this. Life before, or life after death, are human constructs trying to make time understandable or at least manageable for us beyond our own living time. Depictions of time in the arts, paintings or music opens up yet another vast space of thinking about, as well as, experiencing time. We did have and still do have a great time thinking about time. 
Endless Questions
The winner of the Niépce prize 2024 has been awarded to Anne-Lise Broyer and features prominently at the BNF in Paris. The exhibition of the professional photographer reflects by way of photographic “still images” on the historic fate of the mediterranean basin. Each and every image has no answers, but keeps posing questions. In the long alley of the BNF in honor of Julien Cain, we walk through history of more than 2 thousand years in photographs up until today and even beyond. Let’s keep asking the most fundamental questions again and again. The exhibition entitled “Est-ce-là que l’on habitait ?” invites us to ask ourselves about the historic origins of so-called Western culture in the mediterranean basin. Ancient philosophy and arts are the foundations even of our current ideas of democracy and freedom.
However, what has become of this in the 21st century? The original statue of freedom has suffered badly. What has become of the freedom of mobility at a time of barbed wire fences rising between countries that influences each other over thousands of years? How about nature? How about religion and freedom of expression? Where is progress? Where is regression?
For centuries we have sought answers in libraries starting from the Library of Alexandria to the treasures of art and knowledge of today across the world. Let’s make more intensive use of these treasures where we shall find answers to most of our questions of the past, to the past and of future interest.
Text to Image
Long before everybody started to discuss Artificial Intelligence, which in many applications takes the form of transformation of a textual prompt into an Image, Photographers have had literature or quotations in their mind that shaped their images. This was a kind of poetic imagery not always easy to recognize. The exhibition in the „Institut de France“, Bibliothèques Mazarine (LINK), with photographs by Nicolas Fève (LINK) offfers a great insight into this way to conceive of an image and its realization through photography. Exposing the sources of inspiration as well as the photo is like adding textual citations to an image in a much more inspirational and transforming manner than AI is doing these days in 2025.
Text to image is only one out of the many ways texts might guide imagination, but it is a powerful and gripping one. The history of literature is full of other forms like videos based on novels, comic strips to make classic texts in Latin more accessible. As we shall ask AI products like texts and images to cite their sources and honor authorship, photography as art and science might enhance the literary experience by adding citations to an image. This has the additional advantage that more people will follow up on the sources of inspiration. 
Existence as Eggsistence
Artists have their own ways of hallucinating. They don’t need an AI to generate ideas beyond the normal, even allowing for 2 standard deviations off the usual. As a result of the thorny question about your existence, Ram Katzir came up with the impressive statement about his „eggsistence“ being subjected to a squeezed experience. Ever increasing shares of the labor force would subscribe to this statement about the modern workplace. Each turn of the screw risks to crack up the egg‘s shell. Rather focus on the egg, try to get a grip on the screw. There are thousands if not millions who crack up under the excessive pressure of economic and political circumstances. The new platforms of food, grocery and parcel delivery at home have become the latest example of AI-assisted and algorithmicly managed screws. What is driving your eggsistence. It is about time to ask fundamental questions again. (Image: Eggsistence, by Ram Katzir 2021 in Brussels, Galilas Collection Belgium) 
Question Tomorrow
« Tomorrow is the question ». This is the imprint on the 8 table tennis tables in the Martin Gropius Bau 2024. As part of the Contemporary art exhibition by the artist Rirkrit Tiravanija, the tables are very busy throughout the day and invite people to meet, play and greet. If tomorrow is the question, today is the answer. Is it? Maybe the answer is the day after tomorrow? Time appears to be the answer and the question. Such questions touch on basic philosophical questions about our relationship to and concept of time. Future orientation or even the belief in life after death touch upon basic religious beliefs. Intergenerational transmission is useless if there is no tomorrow or concept of tomorrow. Sustainability is most relevant if we are convinced there will be a tomorrow. Fatalists or warmongers rate today so much more than tomorrow that everything is subordinated to the urgency of now. Not easy to strike the right balance between „for now“ and „for tomorrow“. Simple financial discounting of benefits which accrue only tomorrow do not solve the urgency issue of behavioral concerns. My personal discounted value of ice cream tomorrow might be superior to ice cream now, but it is based on the tacit assumption that the shop still exists tomorrow or any other time in the future. The exhibition invites people not only to play table tennis but also to discuss the question of tomorrow across language barriers and across tables and cultures. 
Cupid at Work
The last 11 entries in this blog focus on conceptual thoughts as a contribution to the history of ideas with an extension to modern concepts. Our societies, management of companies and personal development are conceived under the conceptual framework of these concepts. Take the 1st letter of each term and it reads like “cupid at work“, easy to remember and enumerate.
Take each term as a prism through which you frame your life course, an enterprise or a society. The 3 levels by 11 concepts matrix is a starting point to scan empirical examples for substance.
Complexity, Uncertainty, Plurality, Intersectionality, Dosage.
Woke-ability, Organics, Resilience, Keys,
(Image: Peter van Lint, Jupiter embraces Cupid, 1636, MRBAB 2024) 
On Temporality
Time is passing, or is it? We tend to confound time, with passing of time or an occurrence at a specific point in time. Time has a static use, which refers to a date of birth or date of death. Time refers to durations like the lifetime or time in office of a person or a political leader. In most such cases time is considered as a continuous and linear process. The concept of temporality questions these common perspectives on time to allow additional time perspectives in the description and understanding of time.
Temporality is linked to a more flexible view on the periodization of history. The time before and after the 12 years of Nazi-terror will then be part of the extended periodization of the Nazi-Regime in Germany and Europe. Similarly, temporality widens the perspective on social phenomena by linking historical events to the time before and maybe even to what follows, seen as a consequence of the temporal and spacial co-evolution.
A deviation from the static view of time and a rigid periodization of fascism allows to study the Russian male dominated political authoritarianism as a new wave of fascism in Europe, which negates the right of existence of the state of Ukraine in its neighborhood.
Temporality expresses the need to go beyond a simplel periodization to include a spacial dimension in the defintion of time, much like modern physics does in relativity theory. Temporality, therefore, opens up a “thought space” beyond just the timing of events, which may challenge many of our day-to-day experiences. Cultures with a different understanding of time or the pace of time become a “sound board” for our way of considering and being captured in a time space. Probably many artists are forerunners in playing with time and the way time is “treating” them. Most of them face(d) hardship during their lifetime, but have an extended “after life” in terms of reputation. Some contribute to the perodization in the arts and of their time. They all shape(d) temporality.
(Image: extract from Hans Bol, 1593 Ring Jousing in front of a pond inan imaginary city, MRBAB, Brussels)
On ambiguity
Ambiguity is defines as something which can have more than precisely defined meaning. In legal affairs or other domains this may cause confusion and invites discussions or clarification. It has become even a personality trait and a competence to endure ambiguity. If a manager distributes tasks, ambiguity creates a potential for misunderstanding. However, ambiguity may also leave room for self-organization that people might like or be afraid of. Hence. handling of ambiguity is something of a skill that you are able to operate in less well or even undefined situations or circumstances. In such cases you have make decisions yourself and take responsibility later on for your decision. Creating ambiguity or ambiguous situations is a technique in art as well. To throw into doubt what previously was the received wisdom challenges people and institutions. The ways to handle ambiguity become a challenge to the performance of individuals or institutions. In dialectic thinking you think of something as well as the opposite. The result is an ambiguity which you might want to resolve. Quantum physics created a similar challenge to classical physics as more than one kind of behavior of particles is possible. Ambiguity might be more the rule than the exception despite our continuous efforts to disentangle ambiguity. 
On Complexity
The famous quote from Marc Bloch on complexity with reference to history states that history is always more complex than a single perspective or interpretation suggests. Therefore, it is advisable to consider several perspectives on the same subject and, maybe, add another one. In maths the term complexity is probably primarily understood in the sense of complex numbers that go well beyond the arithmetic of counting. Many dimensions of a complex problem might, first of all, necessitate a thick description of the problem to then identify (scientific) disciplines that might contribute to disentangle the intermingled lot. Most of the time it is assumed that a single discipline could resolve the issue, but as in the example from Marc Bloch on complexity in historical research, different perspectives like the cubist art movement practiced a complex approach to painting and depicting a figure. Accept complexity as the rule rather than the exception and here we are in the middle of today. Unfortunately, too many people want to escape from the complexity around us by pretending to have easy answers to complex issues. (Image: Le Penseur by Rodin, background paintings by Monet, Berlin Alte Nationalgalerie, 2024)
Couch Cottage
As vacation time is approaching, we ask ourselves, whether to choose the comfortable couch or the remote cottage. This is the proposition of Roger-Pol Droit in “Le Monde Livres” (“Sagesse 2024: cabane ou canapé“, 28.6.2024 p.36) based on the reading of “Ma cabane sans peine” by Alain Guyard and “Philosophie du Canapé” by Stefano Scrima.
The couch stands for the lazy life or “vita contemplativa“, thinking about philosophical topics that need a certain form of laid back behaviour to allow your brain to sort out tricky questions or to ask yourself, what is, was or will be important questions. Many academics shut themselves away from the busy life outside to reserve more time for couch thinking. The usual products of this activity practised on chairs and couches is more or less digestable books. Some make a comfortable living out of this active inactivity.
The cottage approach follows another longstanding philosophical tradition associated with Dionysos. Living a simple life in a remote place, but full of life’s enjoyment allows to exalt in the dithyrambic atmosphere of the countryside.
Rather than the either, or issue: couch or cottage, I go along with the dialectics of Hegel, who forms out of thesis and antithesis the synthesis. In our example this is obviously equal to “take the couch to the cottage“, problem solved. Additionally Nietzsches version of “Die fröhliche Wissenschaft” seems to prolong the dialectic experience of going beyond the “neither, nor” dichotomy to combine both couch and cottage.
You sensed it. It will be a rather exciting summer break to pursue on the many roads to “Sagesse 2024” (Wisdom 2024). 
Infinite Landscapes
The “Alte Nationalgalerie” celebrates the 250th birthday of Caspar David Friedrich in Berlin. With a considerable effort to unite in one exhibition many paintings and drawings that stem from other collections of public and private origins. This particularly remarkable as a section of the exhibition is devoted to paintings that were intended originally to be seen next to each other (compare catalogue p. 233). Comparing 2 images from the same painter evolve into a narrative. This raises curiosity as in some instances the 2 paintings do not treat the same subject. Your very own interpretations and associations will make for an individual journey through the sheer endless spaces. The exhibition allows to grasp some of the many questions posed by the period of enlightenment not only in Germany. After “God is dead” what will happen? How is mankind defined? What is its relationship to nature? Are we just left alone or what comes after individualism? Even for painters, much like scientists, it is just as important to pose the right questions. Leaving the exhibition with more questions than answers will put you in the “Berlin state of mind” of 200 years ago. Greiswald, Dresden, Rügen and Copenhagen as well as nearby mountains were influential locations and landscapes for Caspar David Friedrich. Berlin 1906 „Jahrhundert Ausstellung“ made him famous again, despite decades of being forgotten. Yet another question to ponder and wonder about. An additional merit of the exhibition is the section on painting techniques and the use of his sketches and drawings for the preparation of the oil paintings. The final riddle to be solved is the price differential between the German and English version of the catalog in the bookshop next to the usual merchandising props.
L’Albatros
Charles Baudelaire has immortalized the albatross in his poem entitled “L’Albatros”. For me it appears like a poem about the beauty of the sea and sea life. The marvelous creatures that populate the sea and its surroundings sometimes seem strange to us. The albatross with its large wings unable to move properly on earth is one of these special animals. They are threatened by human beings in their very survival up to extinction even. A dedicated website to “Les fleurs du mal” with multiple English translations of the same poem may give us the impression that all those who translated the poem wanted to feel this little moment of sublimation like a poet just forgetting for a little while the weight of our earthly existence. The gospel tells us a similar story of life up in the air. It must be so much better to be free and not to be bound to restrictions of gravity. As gods would prefer to stay away from earth just somewhere up in space. The albatross and the sea keep teaching us lessons beyond their physical appearance. (Image bird “dodo” now extinct, model in Berlin Natural History Museum 2024)
Stillness
“Stillness is the key”. This is the title of the American bestselling book by Ryan Holiday (2019). The subtitle tells more about the contents. “An ancient strategy for modern life”. Ancient philosophers and authors have all praised stillness with multiple words. Today we consider people who lived at these times to have an easy time to escape from noisy environments. After all there were no motorways, railroads or other noisy forms of mass transport. However, stillness is more than the absence of noise. Free yourself from external disturbances and you might immediately discover how difficult it is to not have lots of things passing your mind. I enjoyed the shortcut phrase: “stillness is brilliance”. Make stillness the prime time of your day and you will see how it helps you to retreat from the entertainment overload of our everyday life. All religions believe and practice some form of silence as part of their rituals. They all attempt to capture attention and attraction through silent places or cathedrals only to fill them with impressive sounds as soon as many adherents have gathered. Christmas time is a rather sad example of the noisy entertainment function taking over for weeks rather than days. Singing loudly “silent night” is perhaps the most demeaned form.
Take your time to go through the table of contents of the book. Almost all chapters are kept to 6-8 pages before you will find your stillness again. Some examples of chapter titles will suffice to exemplify the road to take: “limit your inputs”, “slow down, think deeply”, “start journaling”, “cultivate silence”, “bathe in beauty”, “say no”, “take a walk”, “build a routine”, “beware escapism”. These are just a few and already too many of the imperatives presented in the book. One for every coming year will do for deep thinking as well.
(Image: what ever comes up when you close your eyes and ears now)
Only for Kids
We all have, hopefully, fond memories of children books. Sometimes authors are not so keen to tell that they are just writing books for children. This is often present in many biographies of authors of books for children. This is grossly unfair. Not only is the book market for children’s books one of the best- selling part of literature, but there are lots of interesting collaborations between authors and illustrators. Most books are expensive to produce, particularly if, additionally, translations are needed to reach more children and their parents. For small countries this might be a barrier. The Scandinavian countries have a tradition to translate and publish some selected children’s books in multiple Scandinavian languages and beyond. Therefore, it is no surprise to find a children’s book entitled “Kant” by Norwegian author Jon Fosse, illustrator Roj Friberg with the text translated into Swedish and published by the Danish Editor Carlsen, all in 1990.
The illustrations allow to understand the “bilderbok med text av Jon Fosse” using an enlightening imaginative visual language. From the cover already It is clear we deal with the universe and endless open space. There are black holes in it as well. Jon Fosse deals with “möjliga och omöjliga”, possibilities and impossibilities. Tackling such philosophical questions with children needs the best authors to address these issues. How to speak of the unspeakable, things we have hardly any words for remains a challenge. Relating to the world of dreams, appealing to children and their parents, does the trick. After all, you just need to close your eyes and you start to travel the universe and make lots of exciting encounters. The book has no page numbers, interesting. The image below is from page 25, just as an appetizer.
For more insights of how to deal with “nothingness” I refer to Friedrich C. Heller (2020) “Towards nothingness. Ideen der Reduktion in zeitgenössischen Bilderbüchern” (in Benner et al. editors 2020). Susan Sontag (2005) „die Ästhetik der Stille” (in Eugen Blume 2005, editor) will also help us along on the subject of stillness and minimalism. Maybe it is these essentials we should talk more about especially with our kids.
To continue the exploration of space and stillness just go to the webpage of the hubble telescope or the James Webb Space Telescope. The journey of your dreams will be hard to stop. 