Category: History

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Self-publishing as resistance

Self-publishing has been the title of a historical account of the Czech publishing since the Nazi occupation of Czechia since 1939 (mfk-frankfurt.de). Forced into exile or clandestine underground publishing, many publishers and authors had no other option than to go it by themselves. The underground press during the Soviet union dominated communist rule in Czechia had to rely on similar methods, since censorship as well as persecution were a consequence of illegal writing and publishing activities. In the 21st century self-publishing has become much easier, but the persecution even beyond national borders continues to be a threat in many parts of the world.
Platforms that enable a visibility beyond publishing houses and institutional support broaden the scope for authors to reach various audiences as part of  democracy’s vitality and preparedness. Who knows about the grip on publishing of authoritarian and autocratic regimes in advance and their thirst to curb alternative opinions? Historical evidence points to the need to have self-publishing and publishing in exile as an important additional defence mechanism of democracies (Image: Czechia pavilion at Frankfurt book fair 2026)

Czechia pavilion Frankfurt book fair publishing 2026
Czechia pavilion Frankfurt book fair publishing 2026
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Gaps in Mirror

The legendary figure of “Till Eulenspiegel” (name is a composition of “owl” and “mirror”) is still attracting attention, largely because of his way to reach and sometimes expose ordinary anomalies. We have mirrors all around us, as well as explicit historical details, but we tend to overlook or create voluntarily gaps into mirrored images of the past and their reflections into the present. The novel “The Gaps” (Die Lücken) by Shida Bazyar exemplifies, why dealing with history on a local level is of utmost importance for societies to be aware, deal and transmit fundamental human values. Till Eulenspiegel of the 21st century has a migration background and experience of care work, 2 fields at the cutting edge of humanity. Dealing with the gaps in narratives of locals enters visually into the novel as well. We ar caught t “automatic lly” read ov r the g__s before we realize how huge the gaps in narratives and our mirrors of the past can be. The novel is a great reminder to actively deal with our own gaps. Check the mirrors as well, there might be gaps that blur images of the past.

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Dream Peace

To dream about peace is as old as humanity. However, the people who work on the development of weapons and train to use them vastly outnumbers those who think or dream up peace. The strategies and advice about warfare ranging from Aurel to Clausewitz have been studied carefully and the short-cut summary “if you want peace, prepare for war” sounds like a plausible solution to many problematic war-like situations (hybrid wars) even today. Let’s give it a try and dream up peace. There exits already an extensive literature on peace-keeping (forces) an the difficult role of the UN in these efforts. How about a challenge to this conventional wisdom. Voting in the UN should be weighted. The weights are inverse-proportional to a country’s amount of production and trade in arms measured over the last 10, 50, 100, 251 or 2501 years. The probability to favour peace in such a reformed voting system of the UN would shift further peace rather than arms trade and use of weapons in conflict. Of course, a crucial point is the definition of what is a weapon. Hybrid war and dual-use technologies could undermine the new balance of power at the UN. If countries with no arms production and arms trade get the upper hand at the UN decision-making, the peace-keeping force could still be mandated and delegated to joint forces. This could work as a disincentive for Trump to try to sell arms and enter into large-scale arms trade between the US and China. (Image: Ikarus-by-Picasso-at-UNESCO-headquarters-2024-Paris).

Ikarus-by-Picasso-at-UNESCO-headquarters-2024-Paris.jpeg

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Solution problem

We all tend to agree that if there is a problem we shall try to find a solution. Once we seem to have the solution, after a lot of time has elapsed. we no longer sure what the original problem was. It may turn out that the solution shall be in search for a problem it still fits. Listening to the speeches at the UN General Assembly in 2026-9 there are still many problems the UN can address and is the solution or at least part of the solution. However, there are many problems on earth, the institutional setup of the UN no longer fits (The responsibility to protect is one of the discussed problems, Brunnée &Toope 2008).
The UN Security Council with its split into permanent members, with veto powers, and 10 elected other members is an example where a previous solution to the post 2WW international conflicts was a legitimate working solution, but the 21st century’s crises asks for new solutions and arenas for negotiations, which take into account a wider spectrum of countries and topics in a multipolar world. Middle powers shall have to take more active roles within or beyond the current UN institutions. 

Many Kites flying on a beach festival 2026-9

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Cultural Identities

The cultural identity of a cross-border region, like Tyrol, is subject to influences from several nation states. Historical developments have led to creation and reshaping of (internal) borders repeatedly. The exhibition in the “Museum of European Cultures” traces the many links the region and culture of Tyrol has to Austria, Italy and Bavaria, Germany. Specific crafts and designs of furniture (see below) or folk fashion have played a considerable role in the making and survival of Tyrol and its cultural identity despite globalization. Tourism has become the major source of revenue. The challenges of climate change, increase in transport across the Alps and over-tourism are hard to reconcile in this hot spot of the confrontation of traditional and modern values. The idyllic panorama of “Der Wilde Kaiser” appears frequently in cinema and photographs about the region. For some, such images may become a kind of second home or escape route. Literature on the region or dealing with the region complements the reflections about cultural identity or identities.

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70s revival

Brussels celebrates each year the “Car free Sunday” as final part of the mobility week. On 2026-9-20 this event coincides with the very high oil prices again. Just like in the oil crises of the 70s in 1973 and 1979 saving energy for mobility and transport is high on the political agenda in many countries. Just think of the benefits of such events. Less consumption will reduce “greed-flation” and upward pressure on prices. Pollution levels of fine particles and noise are drastically reduced. Children feel safe while riding their bicycles, scooters or skateboards. Parents are no longer on permanent alert due to the risk of accidents. For those who remember or lived during the 70s, they might have a “déjà vu” experience and enjoy a revival of the 70s. The roller skates are up for a revival as well. 

Brussels Car free day 2026-9-20

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Glass wall

A glass wall remains a wall even if it is transparent. The glass and steel construction of the Neue Nationalgalerie by Mies van der Rohe has large windows which allow light to flow into the building and create an illusion of transparency as well as openness. However, for most exhibitions “paywalls” are erected to limit access. The Cattelan installation in the gallery erected another light barrier before the official opening in form of the ribbon barring entrance. For those who had experienced the real wall in front of or behind the Brandenburger Tor”, a certain allergy against walls is probably a leftover from those days or years. Hence, Klaus Biesenbach and Maurizio Cattelan tear that wall down!
Thanks go to the Volkswagen Group “Art-4-All” sponsorship which allows free entry on Thursday evenings already. Public-private partnerships are way forward and “Mäzene” can accompany such journeys in multiple ways. 

Cattelan Maurizio at Neue Nationalgalerie Berlin 2026-9

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Modern Cathedral

For a long time we have argued here that museums are the cathedrals of modernity. Maurizio Cattelan has taken this claim literally. In a bit of a cheeky way, he turned the “Neue Nationalgalerie” into a cathedral of German modernity. Who are the Gods then? Our cultural heritage comprises beyond our German language classics, the novel “Die Blechtrommel” by praised and then disgraced Günter Grass. The figure serves as the “campanile” sitting above the entry. Well, the small scale “Brandenburger Tor” serves as the entry portal into a wide open space, with past pieces of adoration in a transfigured sense. This modern cathedral holds pieces of art similar to small chapels in a cathedral dealing or inviting to remember historic events or eminent persons. The modern aspect consists in its temporality. The show must not go on forever. Like surrounding every cathedral, lots of immortalised pigeons accompany our visit, just sitting around. There is no longer just one “holy spirit” or “peace dove” but so many. Welcome to the temporary modern cathedral in Berlin.

Cattelan-Berlin-2026-9-Neue-Nationalgalerie

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VCs shun SA

Venture Capitalists have an eye on long-term safety of investments. Political upheavals, unrest or instability can deter investments as much as risks to the safety of the workforce. The abbreviation “SA” in Germany has at least 2 meanings. (1) Historically, it refers to the “Sturmabteilung”, which was important in the rise of the Fascist movement and Nazi-terror in the 1920s, 1930s. Foreign investors were right to shun away from investments during the rise of the Fascists in Germany as a total loss of the investment was to be expected. (2) In 2026-8 the abbreviation “SA” in Germany stands also for “Saxony-Anhalt”, one of the Federal States of Eastern Germany, formerly the GDR between 1949-1990.
The “Wallstreet Journal”, which is read by many international investors showed on its title page of WSJ 2026-9-7 a report by Bertrand Benoit on the disastrous election in Saxony-Anhalt giving the extreme right-wing party AfD close to an absolute majority of votes. The abandoned investment by Intel into a chip-production near the capital of SA, Magdeburg, has been in retrospect a rather wise investment decision. The internationality of the employees, who build and operate such plants, might have contributed to them feeling rather unsafe in a hostile environment towards foreign workers.

intel processor logo

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Notre-Dame Organ

Paris, particularly Notre-Dame de Paris, is a great place to listen to pipe organs. It just needs a little preparation to find out time and place of a concerts. There are actually surprisingly many. At times of official services you might also get an impression of the capacity of organs and organists knowing how to make the pipes sound from soft, melodic to broad, majestic, even overwhelming. In Notre-Dame de Paris the original organ was built by Aristide Cavaillé-Coll and accomplished in 1868. An “electric blower” (1924) certainly enhanced and prolonged the sound capacities of the already rich orchestration features. Despite the electric enhancement the mechanics remain the primary features of the sound of pipe organs. Olivier Latry at Notre-Dame manages to the audiences into the 21st century’s sound spectrum based on traditional, but adapted variations of classical compositions. Bringing in new talent, like at the “Konzerthaus“, will guarantee that future generations can still enjoy the many worlds of sound that organs open up for us. Short sound impression Notre-Dame de Paris organ play 2026-8.