L’Albatros

Charles Baudelaire has immortalized the albatross in his poem entitled “L’Albatros”. For me it appears like a poem about the beauty of the sea and sea life. The marvelous creatures that populate the sea and its surroundings sometimes seem strange to us. The albatross with its large wings unable to move properly on earth is one of these special animals. They are threatened by human beings in their very survival up to extinction even. A dedicated website to “Les fleurs du mal” with multiple English translations of the same poem may give us the impression that all those who translated the poem wanted to feel this little moment of sublimation like a poet just forgetting for a little while the weight of our earthly existence. The gospel tells us a similar story of life up in the air. It must be so much better to be free and not to be bound to restrictions of gravity. As gods would prefer to stay away from earth just somewhere up in space. The albatross and the sea keep teaching us lessons beyond their physical appearance. (Image bird “dodo” now extinct, model in Berlin Natural History Museum 2024)

Mehr vom Meer

Wir sollten uns mehr um das Meer kümmern. Länder ohne Küsten finden meistens wenig Gründe, warum sie sich um das Meer bemühen sollten. Es ist doch so weit weg. Weit gefehlt. Erderwärmung erhöht die Meerestemperaturen und das wiederum beeinflusst massgeblich die Regenfälle im Inneren der Kontinente. Wir sitzen buchstäblich alle zusammen in einem Boot. Historisch betrachtet war das Meer mindestens seit der Antike Teil des machtpolitischen Kalküls der Beherrschung der Welt und der sie Bewohnenden. Wirtschaftliche Interessen waren ebenfalls Bestandteil der Erkundung und Eroberung des Meeresraums. Die Hansestädte in Europa bieten dazu noch heute gute Beispiele. Nach dem Sklavenhandel sind heute die Überseekabel und Rohstoffe des Meeres die begehrten Schätze des Meeres. Der Artenreichtum der Tiefsee wird erst seit kurzer Zeit intensiver erforscht. Externalisieren von Kosten des Umweltschutzes zu Lasten unserer Meere hat noch wenig Berücksichtigung in Wirtschaft und Gesellschaft gefunden. Tourismus- und Migrationsströme zum Meer, auf dem Meer und über das Meer stellen uns vor große Herausforderungen. Wir werden sicherlich mehr über das Meer reden müssen, und das ist keine Mär. Image aus „Europa und das Meer“ (DHM).

Disappeared

We talk a lot in abstract terms of the loss of biodiversity. In the Museums of Natural History, like the one in Berlin, we can follow the trajectory of extinction of species. The dinosaurs are for most children the greatest attraction. No surprise, they are the biggest ones we have had on our planet. But there is a huge collection of disappeared species represented in the museums which we admire as a lost treasure or species threatened with extinction. Evolution had also created this rather big bird-like creature of the “dodo”. It couldn’t fly anymore and was inhabiting the splendid island of Mauritius. Hungry colonists passing have most likely literally eaten up this rather defenseless animal. Many other extinct species can be admired now only in museums and children feel naturally attached to some species that seem to have human expressions. Panda bears and gorillas rank high on such a list, but also some fish, especially if they smile or look at you straight into your eyes. This should help us take biodiversity and biodegradation more seriously. Children feel intuitively attracted to animals as natural companions. Something we have lost as adults and most of do not even realize this as a deficiency. The Nobel price winning author frm Mauritius has published a collection of short stories „Avers“ which captures the spirit of the island and the loss of species. J.M.G.Le Clézio seems to look at us through the eyes of children or a disappeared species. Magic moments are an escape as well as reason for hope.

Natural History Museum Berlin 2024

Symbol

What is it that makes an object a symbol? Probably, it is the widely shared perception of the meaning of a symbol that turns an object into a symbol. The etymology of the word symbol refers back to the Greek word σύμβολον. The earliest philosophical refer back to the Greek philosopher Aristoteles who deals with symbols when he writes about interpretations. Written words have become powerful symbols in the ancient world. We still have them all around us today. The interpretations of the words as symbols, however, may change considerably over time. Some symbols keep their designation and significance over centuries. Maps are well known to contain lots of symbols for roads, railways, tunnels or height. We learn about these symbols and interpret them in a specific societal context. Science is making ample use of symbols, e.g. chemistry. Different cultures define and apply their own symbols. Colonialism has been a form to impose symbols upon other societies. Throughout history symbols of power have changed as well. Each of those topics is an interesting field of application in itself. Young generations create their own symbols to establish a specific cultural identity or subculture. Urban spaces have been invaded by graffiti that tend to spread symbols as messages or symbols for their own sake.
Sociology has taken up the challenge to identify “status symbols” of groups of society. Possession of gold and silver have long ago been symbols of being rich. Maybe, even today such easily visible symbols play a role in how a person’s role is perceived in societies. Not only for priests etc. dresses have been applied as a symbol. Modern fashion is full of symbols as well. Interpretation of the meaning or even no meaning is an act of becoming conscious of the world around you. From the seriousness of symbols, we have come to the playing around with symbols as expressions of ourselves.
No matter whether we use the word, like water, we all know the chemical symbol H20. An image or art work using the symbol in whatever form will be decoded by us accordingly. However, the meaning we attach to water depends on the environment as well as specific context we (or the artists) are using it in. Cross-cultural competences consist in the awareness that symbols grow out of contexts and need to be interpreted accordingly. It needs a lot of openness, willingness to learn about differences and careful consideration in our everyday world to handle symbols. Doing culture is doing symbols.(Image of art work by Anderegg, Andi taken in 2016)