Tag: history

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Marc Aurel Book 12

The closing book of Marc Aurel’s Meditations is taking issue with his own posterity. As a guideline for others, he formulated the claim not to care so much more about the opinions of others, but to stand by own reasoning and trust in one’s own opinion. “I have ofetn wondered how it is that everyone loves himself more than anyone else, but rates his own judgement of himself below that of others. … So it is that we have more respect for what our neighbours will think of us than we have for ourselves.” (Paragraph 4, Penguin Classics).
Of course, in the age of “philosophy as discourse” (Habermas), we are used to criticism of books and their authors. For the emperor philosopher this was less obvious, albeit the Socratic tradition of exchanges between teachers and their scholars was a kind of precursor of 20th century philosophy.
His writings in ancient Greek, however, remained little known and debated until its first Latin publication. Ever since, it has been a prominent work on ethics and leadership. The exhibition in Trier featured the copy of Helmut Schmidt, as the long reach of stoic writings on virtues and leadership.
(Image: Stadtmuseum Trier, Model of Villa in Welschbillig)

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Marc Aurel Philosopher

2025-9 marks an additional landmark in the achievements of the late Marc Aurel. In the Roman built city of Trier, 3 museums offer exhibitions on the life, ideas and imperial governance style of Marc Aurel. Libraries and bookshops around the city portray a wealth of books and studies by and about Marc Aurel as well in many languages (image below 2025-9). The stoic author and practitioner has served as an example of a leadership style which became for many subsequent leaders a hard-to-achieve precedent. The writing style of Marc Aurel in short paragraphs and aphorisms proved highly accessible, although his readership swell only after a Latin translation of his Greek original appeared in the 16th century. The title “Meditations” in English, “Pensées pou moi-même” in French or “Selbstbetrachtungen” in German demonstrate the difficulty to get to grips with the author’s intention and objectives in writing down these reflections on life, ethics, humanity and good governance. Through the use of Greek rather than Latin he puts himself in the line of Greek philosophers rather than the succession of Roman emperors. As the numbers of bad leaders still outnumber the good governance style advocated by Marc Aurel, these exhibitions in the Simeonstift, the Landesmuseum and the Stadtbibliothek are a perfect opportunity to demonstrate that good governance is something that can be studied and learned even in the distant Roman history.  

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Caravaggio Gentileschi

The „Gemäldegalerie“ in Berlin features in the permanent exhibition the famous Caravaggio painting of „Cupid as Victor“ (1601) in the same room with  Orazio Gentileschi‘ (1622/23) „Lot with his daughters“. The paintings show the same technique of painting with the stunning effects of light and shade. Gentileschi‘s own daughter became equally successful as painter applying the same technique and maybe even more recognized as her father. Berlin and Paris jointly allow to trace interesting new perspectives on the history of art from a gender perspective. The male domination in art of the 16th and 17th century was pervasive, but Artemisia Gentileschi a formidable exception. (Image: Caravaggio „Cupid as Victor“, 1601, Gemäldegalerie Berlin)

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Jewish Heritage

In the Germany of the 21st century, we have to dig deeper into history to understand the Jewish heritage due to the horrific terror of the Nazi-regime and it’s millions of supporters. The traces can be found in some historic photographs even in the countryside. Marie-Louise Conen and Hilde Weirich (2010) have thoroughly studied such documents for the Moselle village of Lösnich. The little annex to a house served as a Synagogue (image below). The village has a history of Jewish settlements which extended to neighboring villages as well. Interestingly, the heritage of Napoleon’s occupation of the Rhine and Moselle regions brought equally for all men (not yet women) and the separation of the state and religion making Jewish life, property acquisition more easy. The tolerance of the 19th century was then reversed by Nazi Germany again. History is present in many places, where we do not seem to expect it nowadays. 

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Napoleon legacy

It is huge historical project to try to summarize the legacy of Napoleon Bonaparte. AI is by design less hesitant to come up with any length of a summary statement some with good references on which the statement is based. In combination with a visit at Fontainebleau and a first hand impression of the environment of the autocratic ruler, the remainders like the introduction of a Civil Code to guide also administrations to lawful conduct, we still see influences of this legal innovation in many other countries across the globe. The recognition of Jews as equal citizens and to allow equal access to property and many professions have been influential across Europe mostly in occupied territories. Military service for Jews in Napoleon’s army was another consequence, which spread into the Prussian army and the 1st world war. It is in the 21st century that we see shifts towards more authoritarian governance styles spreading again, we did not want to see this happen until Russia‘s war in Ukraine. (Image: La Chair de la forêt, Frénésie des Géants by  Wang Keping Fontainebleau 2025-8)

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Fontainebleau time

In the Chateau Fontainebleau time seems to pass with a different speed compared to the busy times in Paris. Taking a stroll at the park, boating or horseback riding along the endless paths contributes to the perception of wide, open space and a different space-time experience. The measurement of time shown on a fine craftsmanship of a clock in the castle highlights the fact that there is more to time than just seconds and minutes. The hunch of the time that there is maybe a cosmic time beyond our calendar is a precursor of later scientific discoveries. Time in the early 19th century of Napoleon’s reign had just been restored from calendar of the French revolution. Whether time is counted as 2×12 hours or in 24 hours was also a matter of politics rather than rational decision making. The impressive clock in the Chateau Fontainebleau shows ambitious as much as awareness of defining and counting time, just like an absolute ruler might conceive it. 

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Paris Sorbonne

The history of the university on the left bank of “La Seine” dates back to 1257 when Robert de Sorbon an advisor to Louis IX was asked to create a unifying structure of several colleges which provided room and board already. The location on the left bank in Paris allowed these colleges to escape the religious doctrines and archbishop who dominated the right bank. The choice of the name of the advisor rather than the King was already showing early signs of independence which was cherished by generations of students and professors. The Colleges had individual names like “Collège des Bernardins” or “Collège de Navarre” and operated under the title of “La Sobonne”. The “Musée Histoire de Paris Carnavalet” shows an early design of the Collège de Navarre. Independent thinkers and writers were formed there who became very influential later on in their careers. Thomas d’Aquin was one of them.

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Paris Olympics history

The 2024 Paris Olympic Games will go down in history as the event that has achieved to put Olympic Games and Paralympic Games on an equal footing. At least this is the message the  museum of the history of Paris tries to transmit. In the “Musée Histoire de Paris Carnavalet” we find a vase from the Games from 1924 in Paris next to the 2 Olympic torches, one for the Paralympics and one for the Olympics 2024. Both torches are the same only a different logo on them, same message, same spirit. The impact of these games is likely to set an example for many years to come and other hosts of the Games will be measured against this benchmark. Making history is one thing, taking care of the posterior image another one. Paris has taken of this as well.

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Paris History

The “Musée Histoire de Paris Carnavalet” is the starting point for visitors of Paris and social scientists to better understand the making of this metropolitan city throughout centuries. The only common factor over the years is the astonishing determination to reinvent the city every 100 years whilst the best features of the previous periods are preserved. It is the concern for the very long-term time horizon that makes the city quite unique. Even a social revolution (1789) unlike most other countries managed to preserve most buildings, churches and royal palaces. Restorations are undertaken with a careful approach to shield its architectural and social heritage. Even the radical transformation by Haussmann over almost 20 years until 1870 to build large corridors in the city is subject to revision in modern visions of the future of Paris. The app of the museum is very helpful to learn more details about each chosen object of the permanent exhibition. The social fabric of the city can be studied further through app’s feature when representatives of local social organizations speak about their personal piece within the huge collection on display. The larger the “fundus”, the more the rationale for selecting pieces becomes an issue. (Image: Musée Histoire de Paris Carnavalet inner court 2025).

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Emotional history

The making of emotional memories of a city is an art in itself. Many cities have professional photographers who accompany all major events in a city over years. Paris has had the chance that artist photographers and film makers have contributed greatly to the emotional history of the city. Agnès Varda was such a formidable person whose images and movies moved people and allowed to share emotions about the city’s busy and diverse neighborhoods. The « Musée Histoire de Paris Carnavalet » combines an autobiographic perspective with the emotional depiction of live in Paris from the 1950s onwards into the late 20th century. (Image: Agnès Varda, 1950 self-portrait, MEP Paris). 

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Korean Epilogue

The exhibition on the Korean Provisional Government closed with a stimulating epilogue. The call on visitors to spread the message of peace resembles religious practices. The long struggle for Korean independence and freedom for the people in South Korea leaves them wishing the same for all Korean people and beyond 75 years after the beginnings of the Korean War. From a German and Eastern European perspective this unaccomplished wish resonates a lot. The small stickers with messages from visitors propose short thought pieces like “South and North Korea shall be together” and “Peace starts with inner peace”. The wisdom in these statements lies in not giving up on ideals, however distant they may appear. There is always the possibility of small steps ahead.

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History coined

It is an ambitious project to frame history of a country or continent according to the succession of coins. In the KBR such an attempt is currently on display in 2025. The history of a country in the center of Europe is reflected sometimes through different occupying forces who imposed their currency onto the occupied territories. The Greeks and Romans had an overriding impact on the development of coins in human history and society.  Precious metals were used as basis to embody lasting value into coins. The images on coins are also a way to reiterate the dominance of a new ruler or governance. From the Roman occupation there are nice specoin the KBR collection as Julius Caesar named one part of the 4 occupied territories “Belgica” beyond what we define as borders of Belgium in the 21st century. Control of your own currency means also to be able to produce unique pieces in your own foundries. The history of coins is also a history coined by those in power to enforce their political power onto the economy. (Image: KBR, The history of Belgium illustrated through coins, 2025).

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Musician Historian

Musicians are usually perceived as “part of history” rather than being historians themselves. However, recent research on Bob Dylan has extended that view to portray Dylan in his role as historian as well. The issue here is more with the historical periods and references the musician, composer and song writer builds on and interprets historical events. Thereby, his thoughts and impressions on living through historical events enter into his work as an artist. Dylan is literally “doing history”. He puts events of past and present into perspective of his own making and reached authority through the non-conformist perspective, which connected him to as a performer to his various audiences. His approach to doing history consists in the re-presentation and re-creation of historical narratives. Nina Goss (2024) in her book review highlights the “irruptions of the past into the present unique in popular culture”. The re-arrangement of fact and fiction encourages us “to inhabit, question, and revise historical narratives and tropes” (p.399). Several musicians have specific ways of reflecting, sometimes critically, on history in their artistic work. Bob Dylan certainly is a very prominent example of this an has been honoured for this by the Nobel Prize for literature. It remains an interesting perspective to review composers and their choice of libretti for operas as a way of doing history. The shifts from royal drama to revolutions and popular scenes are in this line of interpreting musicians also as historians.

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Memories updated

In Berlin and many other German cities it is a regular practice to scrutinize the memory inscribed into street names. In order to correct the honors given to persons with a past as fascist or responsible for mass killings street names were changed at several points in the history of the city. Streets named after battle fields, for example, are a continuous point of discussion. It is important to keep the perspectives of victims in mind. Therefore, changing street names is a little contribution to rethink the role of places and persons. Such changes are sometimes very controversial as people become accustomed to names, some might even not care much at all. Recognition and responsibility, however, have a lot of currency in historical perspective. Overpainting like in the paintings from Gerhard Richter has an important function in society and can be one way of coping with the demons of the past.

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Leber JA

In Berlin Schoeneberg there is a memorial in preparation for the courageous couple of Julius and Annedore Leber. Julius Leber has been incarcerated several times by the Nazi officials, tortured and finally executed in Berlin. A link to the group of people trying to overthrow the NS regime (1944-7-20) caused his arrest and execution in January 1945. His wife Annedore published several accounts of the resistance movements, which existed during the NS regime. These people were aware of the fact that they were risking their life with such activities, but persisted nevertheless. We owe Julius and Annedore Leber a decent commemoration as we need to remember that such courageous examples existed even until the last few months of the NS dictatorship. The site allows for a building and learning center which could serve as an archive and encouragement to fight for democracy. It is less obvious than we thought it would be.

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Local history

In Berlin and many other big cities in Germany like Munich and Hamburg there are local history projects which tell the stories of specific places or a house linked to liberation day or deportation or courageous acts during the Nazi  grip on Germany and terror across Europe. The initiative « Denkmal am Ort » has become a kind of citizen science project which brings people together to raise awareness again for the cruelties committed under the dictatorship of Hitler and the fascist political movements. Remembrance is not a passive form it can take many active forms as well by simply trying to find an answer to the question what happened during the 30s, 40 and 1950s in the house you are currently living in? Access to archives of cities and small towns can tell very surprising stories about local history. It is a great inter generational experience as well and sometimes the unspoken history turns into a great conversation about history and responsibilities. History is everywhere you just need to keep your eyes and mind open.

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Constitutional Responsibility

The memory of horrors caused by Nazi-led Germany before and during the 2nd World War is our constitutional obligation in the Federal Republic of Germany since its beginnings in 1948. 80 years after the unconditional surrender this has become a state responsibility. Since the shift of tone introduced by Richard von Weizäcker on 8th of May 1985 framing the end of the 2nd WW as liberation day in Europe and Germany. On the same day, 40 years later, the top 5 political instances of democracy in Germany, president, chancellor, presidents of the parliament (1st chanber), the council of the regions (2nd chamber) as well as the constitutional court. The constitutional and moral responsibility of the crimes is not reserved to a presidential address, but all pilars of democracy in Germany committed to the narrative of a liberation of Germans and Europeans at the end of the 2WW. It is a truly European topic to celebrate the end of war jointly in all countries. This is even more the case as the memories of the last survivors of the Shoa in Europe is less transmitted by the rare survivors until today due to very old age. The impressive unity of the top constitutional powers sets a the path for a far reaching renewal of the acknowledgement of a specific constitutional responsibility to counter extremist tendencies. The speeches by Frank-Walter Steinmeier and Julia Klöckner in the Bundestag (Link in German) were remarkable in explaining in plain language, why we are happy about this liberation also in Germany. The emphasis of the end of pervasive and endless oppression and suffering caused by the Nazi-regime are an essential part of this feeling of liberation. With this commemoration Germany today has become even more a European nation which takes its historical responsibility seriously.

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Gedächtniskirche Berlin

The church of commemoration „Gedächtniskirche“ in German has been chosen as the central place of commemoration on Liberation Day in Germany for the ceremony of all religions. All institutions of democracy were represented in addition to the president of the FRG. The church was destroyed, but not completely and the decision to keep the remainders as a permanent warning is visited by thousands of people each year. The public television broadcasts live from the ceremony and some regions of Germany have chosen Liberation Day as a bank holiday following many other European countries. The official end of fighting of the 2nd World War 80 years ago has spurred many events. The need to understand how this could happen and how to guard against extremism to take hold of a country and start a war have preoccupied following generations. The task is not accomplished yet as many people still deny the facts or try to rewrite historical facts with misleading interpretations. The commemoration is well worth a pause to reflect, for example, what were my grandparents doing during these years. Beyond the speeches on this day there are many ways to get involved in carrying the memories to the ones born later.

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Lasting memory

On the 8th of May 2025 we celebrate 80 days of liberation from the Nazi regime in Germany. It is the liberation of all those who survived the horrors of oppression and war. The Nazi terror intensified  after the power grip in 1933 and reached unprecedented levels throughout the ruling of the NSDAP until the Allied Forces managed to chase down the last fighting cells and Hitler hiding in a bunker before he killed himself. Liberation was the experience of survivors all across Europe. On this day and on many other commemorations it is important to remember the 60 millions of people who died due to the Nazi terror before and during the war. The “Stolperstein” initiative commemorates the millions of Jewish people who were deported or had to flee Germany and even neighboring countries to survive. In Berlin there are yearly activities to clean the “Stolpersteine” so that they are visible enough to remain a lasting memory of the horrors. (Image: Cleaning of Stolperstein in Berlin Schöneberg organised by Michael Biel on 2025-5-4). 

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Intimate change

Society changes and with it so does intimacy. The major changes pass through the behavioral changes of persons and sooner or later the whole society adopts such changes as the new normal. Trends of individualization have moved over centuries as the exhibition in the Museum of decorative art (MAD) in Paris demonstrates. At the same time the changed individual approaches to intimacy have become more widely spread quickly over time. Social media have accelerated such new trends again. Social class is yet another intervening variable in this context which created different speeds of adjustment as well as sustaining differences in kind. 

Religious beliefs and practices have made claims about how individuals should handle intimate relationships and affairs. Legal issues are defined by each society to guide moral practices as well. Hence, the sociology of intimacy is a huge topic and comparing societies an interesting topic. The development of intimacy over a person’s life course, however, is given little attention due to a lack of adequate longitudinal data. From the exhibition we are encouraged to think about the relationship of hygiene and intimacy. Bathrooms accompany us throughout our lives and privacy was originally a bourgeois concept. Over the life course we move from dependency to independence and maybe dependency again in very old age. The images (below) from the MAD exhibition range from basics of bath tubs to a painting of Edgar Degas in the background. Instagramer or YouTuber share lots of images and stylized arrangements of bathrooms on social media. It seems that intimacy is moving further into the public domain. 

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Apocalypse Depicted

At the beginning of the 21st century we have a renewed interest in depictions of the Apocalypse. “L’Apocalisse di Giovanni” has been illustrated in various Christian monasteries and some traveled quite a bit. The version of the Apocalypse (Link) which was attributed to Cambrai is a copy of the older original version found in the City library of Trèves, which dates back to the year of about 825. A flemish version of the 16th century is to be found at the BNF in Paris. Throughout the centuries the “Apocalypsis”has been reworked. The version of Trèves has the “carolingish” depiction characteristized by a presentation of image on one page and text on another page. Nowadays we are used to futuristic images and have known even worse experiences of apocalyptic events (Nazi terror). Earth quakes or man-made climate change with heating of the planet, storms, draughts and floods testify for the renewed interest in the Apocalypse. Other man-made technological innovations like rockets. atomic bombs, chemical and biological weapons overshadow even the “natural” ones. The potential of AI to cause destruction is not fully assessed until today. Swarms of drones guided by AI might reach apocalyptic levels as well. We just remind ourselves of the bombing of walls of a water reservoir by Russia in Ukraine. The Apocalypse will remain the original example of a horror story and our strange fascination for such texts, images or movies is likely to stay. (Image: extract of anonymous 1st quarter of 9th century. Trier Stadtbibliothek, Schatzkammer. Wikipedia public domain).

Apocalypse
Screenshot
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Law and Witches

Medical and chemical authorities have been questioned for many centuries. As far back as Friedrich Spee (1591-1635) in the early 17th century there were even among the clergy men with enlightened views on what might be helpful ways to assist people on their journey to better health or simply pain relief. This did include many unhelpful or detrimental methods as well. Scientific rigor was not well established at that time, which opened up many doors for alternative diagnosis and treatment. From a historical and sociological perspective the closing procedures of professional organizations are interesting as well as opposition to them. Early moderators between hardliner positions are rare at the times of forceful and fierce competition between opinions and doctrines that characterized medieval history. In the absence of an independent judiciary earlier moderation could be influential in specific instances. A testimony for can be found in a documentation of the biography of Friedrich Spee and the society that promotes the memory of such exemplary behavior.

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Great Petit Palais

The Petit Palais in Paris was built together with the Grand Palais for the World Exhibition in 1900. The great architecture of both buildings is complemented by great interiors. The Petit Palais has also been the home of donations to, as well as commissions by, the city of Paris since 1870. This means that a sizable collection of sculptures and paintings has accumulated since then. In spring 2025 the visit of these collections is free of charge and gives honor to the donors and artists exhibited. Over time the collections spread more than 2500 years of art history similar to the exhibition at the BNF gallery Mansard. In the 21st century the exhibition of a piece of art, which stems from the North of Syria reminds us that art is a treasure that can last even if the civilization has been lost or at interrupted for many centuries. This is an important aspect of taking a long term perspective on international politics and history. The breadth of the collection allows a stroll through art history in a splendid setting. Romanticism and impressionism receive a little bit of attention, but the architecture of the Petit Palais invites you to delve into lesser known territory. This, probably is the specific merit of the joint presentation of otherwise necessarily eclectic collections of donors across centuries.

(Image: Anse de chaudron Syrie du Nord 700 years before our time, Petit Palais Paris).

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Expo Disco

The combination of music and dance is a powerful, captivating experience. From folk dance traditions across the globe to ceremonial performances. In the past this combination has often related ro religious practices. Later manifestations include classical ballet, modern dance and disco music and dancing. History is full of examples that have been turned into mass culture. 

Rock on festivals and rap in clubs or hip hop outside have complemented this experience over the last few years. Each time the combination made the popular difference. Therefore the Disco exhibition in Paris just next to the Conservatoire de musique et de dance de Paris and in the building of the Paris Philharmonic is an appreciation and respect to the disco culture, popular mostly during the 70s and 80s. From a sociological perspective the throve by minorities for recognition of their cultural practices and diversity has been a driving force. Andrew Diamond has coined the expression of „disco at the intersection of minorities struggles“ (p.70 exhibition catalog). At the origin of the disco movement, there was the aftermath of the 60s power struggles. Black, women, gay and student protests asked for „all power to the people“. Music and dance were forming identities. Posing and showing off became part of disco. People created and lived their own utopia in glamorous lighting.

Image: Exhibition shop Paris Philharmonic 2025.

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Biography Memorial

Some biographies take the form of a memorial. Marie-Luise Conen and Zdravko Kucinar have erected a memorial for the researcher, author and Social Demokrat “Milian Schömann” from the “Moselle” region near Traben-Trarbach and Lösnich. The biography reads like a narrative of crimes, which goes without punishment, before and during the Nazi-terror and the power grip in rural areas in the late 1920s and early 1930s. Milian Schömann achieved his university entry qualification A-levels in Traben-Trarbach before he moved on to study German literature and philosophy in Heidelberg, Bonn and Berlin.
His studies and political engagement were driven by a humanist approach and his letters and publications as literary critic as well as his contributions to philosophy are partly reproduced in this biographical account. This allows to follow in the footsteps of the curious and open-minded person of Jewish descent. As a contributor and speaker at meetings of SPD-members and associated political movements, he risked and eventually lost his life for his humanitarian convictions in 1942 near Belgrade.
It is the merit of Marie-Luise Conen and Zdravko Kucinar to let Milian Schömann live on in our time through the reprinting of some of his work, which is embedded in a  well-written historical account of the political and family setting at that time. The professional psychological training of Marie-Luise Conen helps to reproduce the anxious atmosphere Milian Schömann has lived through, albeit he remained a productive writer despite the economic hardship and living in exile.
This biography accomplishes in a rather unique way to enter into the mind and thinking of the author Milian following his very personal perspective on the “history of ideas” and inner call to action. Similar to the appreciation of Viktor Ullmann in the Jewish Museum in Berlin, where the music of the composer lives on after his death, the writings of Milian Schömann survived extinction, despite that he was murdered. After more than 80 years we still feel the loss of potential other contributions to philosophy and literary studies. The recognition extends to Milian’s academic and personal mentors Oskar Walzel and Arthur Liebert, important sources to understand the reasoning and motivation of Milian.
(Image: Extract from Marie-Luise Conen and Zdravko Kucinar (2024) Milian Schömann, Paulinus Verlag, Trier, p. 139)

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Betrayal Politics

Most economists would hold that in free market economics there is no room for moral statements. Betrayal, therefore, is left out of most standard text book economics courses. However, more advanced courses that include strategies based on so-called “game theory”, where actors may breach prior commitments, betrayal has entered economic science. A “tit-for-tat” strategy is frequently the best “game-theoretic” solution to such strategic behavior to deter also repetition of defecting on agreed rules or bargaining outcomes. For real world applications beyond the simple strategic advice, the maths involved are quite challenging. We’ll check soon, how AI is changing that game.
Another popular economic theory is one of “gift exchange”. You gift a sum of money (or weapons for self-defense to a country) with no explicit consent that the money should be repaid (through rare earths) in peace time. A betrayal occurs, if a country suddenly asks things in return for the previous gifts. For politicians that understand themselves as “market marker” and “deal maker”, there will be a tendency to claim back a gift in order to come to some kind of gift exchange rather than an altruistic donation.
William A. Galston wrote in the WSJ (2025-2-26) naming the US political action of the 2nd Trump administration a “betrayal of Ukraine and American values”.
If free markets mean making ruthless use of “tit for no possible tat” and “gifts are always a gift exchange”, we move back to mercantile and medieval practices, where settles could claim land at gun point.
What way out of this? Adam Smith, champion of classical economics, wrote before his famous book on “The Wealth of Nations” a lesser known, precursor book on “The Theory of Moral Sentiments”. Actually, he was convinced that the one would not work without the other.
Maybe, going back to classical economics is much better than a Trump administration version of neo-classical economics in a new era of political economy 3.0.

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Antique Drama

Modern drama and performances have their roots in antique drama. This is evident in literature from the time and some rare artefacts that have survived until today. Masks and statues give an amazing impression of the high standards already attained more than 2.000 years ago.
Many performances have been linked to mystical rituals and religious ceremonies, but beyond those instances there has also been a depiction and interpretation of for example the Greek mythology. Dionysos inspired many artists and people of that time and philosophers equally found inspiration in performances and the representations in temples, arenas and market places. The treasures of the BNF in Paris, galerie Mazarin and rooms next to it like “la salle des colonnes” (Image below), allow to travel back in time into an antique setting in the room of columns.
Taking the world as horizon is the title of the rotating exhibition from the treasures of the BNF. The beginnings of philosophy and major milestones in arts and mysticism across the world figure in this exhibition. In the spacious setting it feels like travelling back in time for a while, just to build on these foundations.

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Hugo intergenerational

Well, this entry is not about Hugo Boss, whose name is probably known to more people worldwide nowadays than the French poet and writer Victor Hugo. The latter Hugo, however, is likely to be known to more generations to come than the former one. In his 19 years of exile with his family he had the unique chance to get to know his grand children a bit closer, which was rather unusual for the late 19th century. The romantic poet was charmed to an extent that he could help it, but to express himself in a longer poem. „L‘art d’être grand-père“ (The art of being grandfather)“. Victor Hugo experienced the death of own children and his wife before and his grandchildren surely gave him reason to believe in a more joyful tomorrow. Comments on this poem mention the idealised vision of the romantic regard on children and even more so on his own grandchildren. « Leur front tourné vers nous nous éclaire… … Ils trébuchent, encore ivre du paradis. » 

We forget all earthly quarrels just listening to the soothing sound like children’s rhymes. Hugo is a master of all literary classes and he ensured that his intergenerational legacy would be part of this.  (Image: Maison Victor Hugo, Paris, writing desk ro stand in front of)

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Nazis bipolar

Thanks to the exhibition « How Nazis photographed their crimes in Auschwitz 1944 » in the Mémorial(Link) of the Shoa in Paris, the biased photographer’s view of what happened in Auschwitz is evident. The inhuman, factory-like organization of these concentration camps were constructed and managed with the primary aim of humiliation of Jewish people and other inmates. Careful reading and interpretation of these images is necessary to spot the sometimes small signs of resistance to be taken on photo by a Nazi photographer.

The revelation of a kind of bipolar disorder of the Nazi murderers shows up in the seemingly normal family meal of officers in their nearby homes. You might be surprised that many of these family members even decades later report on normal and comfortable lives despite their pitiless exercise of mass killings by the Nazi officials and their hired staff. Bipolar disorder is maybe the result of such split personalities, although we already have ample evidence that doing drugs was quite common at the time as well.

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Shoa Memorial

In the neighborhood of the Paris City Town Hall you find the Mémorial de la Shoa. There is a constant flux of visitors and pupils with their teachers passing through the rooms. They all continue to be really moved by the shocking images and their efforts to try to understand the full extent of the Shoa and the terrible effects it had even on survivors of the concentration camps. The continuation of the memory of the memories of those survivors by young people is one of the strong points of this exhibition. The transmission of memories finds many new ambassadors against the tendency to forget or downplay the horrors committed by the Nazis. 

Of course it is overwhelming as an experience, but it all the more necessary to keep memories alive and guard against each tendency of denial. In the age of fake news and historical deep fakes, it will be all the more important to immunize people against any attempts of manipulation of historic truths. The availability of the information online and through youtube-videos is an indispensable next step in the preservation and dissemination of the documentaries. The Mémorial of the Shoa in Paris is an essential part of this commemoration as 76.000 Jewish persons were deported to concentration camps from France as well.(Image: Mémorial de la Shoa, Paris 2025)