Tag: artists

Posted on

Music Lunch

The possibility to pass a lunch break with live music inspiration is, unfortunately, quite rare. The Brussels festival “midis minimes” has created a popular format for classical music to be performed in easy to reach venues in the city center. Working in the center allows to hop into a 45 minutes performance of varying artists, instruments and music styles. The “Cercle Royal Gaulois” offers enough seats. Even without a reservation it is feasible to forget about work and get inspired by musicians. and the composers and arrangements they propose. Gaëlle Solal and Juliette Hurel offered short digestible pieces by Bartok, Ravel and Piazzolla with a focus on their popular dance tunes often based on previous folk tunes. We virtually traveled from Romanian tales to La Habanera and Tango and back to work for some.

Posted on

Hallucinations serious

There serious hallucinations by AI and there are funny hallucinations by AI. Do we want our various AI models, from time to time, to crack a serious or funny joke? Well, that’s a bit the spice of life. However, not knowing when the machine is joking and when it is serious, this is more likely to seriously disturb most of us. This reminds us of our school days were teachers were not amused some pupils not taking them seriously in their efforts to transmit information. Now we know that a good atmosphere is conducive for better learning progress. AI as teaching and learning assistance could well work best in a “fearless“ classroom. Repeating a lesson several times and at your own learning rhythm will help independent of the seriousness of your teacher. Self-directed learning with a little help by AI might do the trick for many to advance how and when they feel ready for it. Hallucinations rates are a standard test for AI models. They range from 1% to 25% of queries.  This is not in itself a problem. It has become tough to find out about the 1% -2% models because you no longer expect them to give wrong information. These are the 1-2 out of a hundred of cases where we are confronted with serious hallucinations, seriously.
(Image: extract from „cum Polaroids“ from Eva & Adele, Hamburger Bahnhof, Berlin 2024-5-22)

Posted on

Satie Popular

Erik Satie has been quite involved with the surrealist and Dada movement of his time. He personally knew the main proponents ranging from Breton to Magritte. He became one of the major figures applying the ideas of surrealism to music. His early compositions like the Gnossienne (extract of Nr. 1 below) are admired for their simplicity. They became popular only years later and have entered popular music repertoire through many retakes of the original tune in various styles ranging from jazz to rap. Many of Satie’s formative years he spent playing and performing popular music in the animated cafés, bars and shows of Montmartre in Paris. The making of a living based on music can be a challenge. Satie had to bear the full risk of a life in poverty at times to reserve sufficient time for his creative work.
He remained very much connected to the working class as his later membership of the Communist party after the Great War testifies. Composing for children and transmitting music to the next generation was equally close to his heart and mind, especially in his later years.
For him, popular music constituted a fountain of original tunes and a test with an intuitive audience rather than the academic circles. Maybe, with this attitude, he followed the footsteps of Flotow, Offenbach, Ravel and many others later on until pop music became the vastly dominant music in the late 20th and 21st centuries.

Posted on

Erik Satie Satisfied

The collection of letters from Erik Satie contains more than 1000 letters amongst them some in exchange with the best artists of his time. The range is largely due to the circle of artists who met at Montmartre in Paris before and during the Great War. We discover letters to Maurice Ravel, Claude Debussy, Pablo Picasso or Henri Matisse. For some artists there are 100+ letters preserved like to Jean Cocteau. In the 1920s he composed music for shows at Montmartre, where the scenario was painted by Pablo Picasso and costumes designed by Coco Chanel. The sculpture by Brancusi must have been familiar to him, just as much as the cubist paintings by Georges Braques, as there are also letters or references to such letters in the impressive 1000+ pages collection. Like Ravel he was rejected by the Conservatoire de Musique de Paris in his early days as student. Montmartre allowed to live and create at the same time while living on a minimal budget. Erik Satie signed his letters with ES. In German this denotes a “neutrum”, maybe, beyond male or female differentiation, but also a tonality in music (E flat). There is no trace that this was a conscious choice. It is just another unresolved puzzle about the self-declared “Gymnopédiste” and composer of the “Parade” and the popular piano music the “Gnossienne”. 100 years after his death on 1925-7-1 he (ES) could be rather satisfied with his impact on the course of music in the 20th century and beyond.

Posted on

Artist Development

For many artists it takes years before they find their idiosyncratic style. Testing different forms of art before zooming in on a particular style of art is the  common trajectory for most artists. Maybe the art marker and collectors of art are in search of a “defining style” for an artist so the uniqueness becomes more easily identifiable. Being part of a group of artists has been beneficial as well. The “Neue Nationalgalerie” in Berlin makes this development of an artist, in this case Lygia Clark transparent through the organization of a retrospective devoted to her evolution from abstract paintings towards participative and more organic forms of art. Berlin offers to interact with the pieces at the exhibition. You become part of the exhibition and the happening of art instantaneously. The form stays the same, the persons interacting change permanently. The piece of art is never the same. Just the idea of it thrives. In the Corpo Colletivo the performers wear an overall, all of them are linked to each other and movements happen organically as a group rather than individually. This is like a tutorial in sociology as individuals move as part of a collective body and feel the embeddedness and multiple links to other persons (Image: Corpo Collectivo 1970, exhibit in Berlin 2025)

Posted on

Odessa Berlin Odessa

With a sense of partnership, it is possible to travel between Odessa and Berlin in the “Gemäldegalerie” in Berlin 2025. Due to the war of Putin in Ukraine the “Museum of Western and Eastern Art” in Odessa had to relocate its treasures to safe places. The Gemäldegalerie offers a chance to view the splendid collection nevertheless. The curators’ team in a spirit of “art intelligence” propose, in a splendid way, most oeuvres from Odessa next to an example by the same painter from the Berlin collection. The visitor leaves the exhibition enriched by an experience of “jumelage” (engl. sister cities) of partnerships between museums, cities and their people.
In fact, we have shared the same imagery or visual heritage in Europe for centuries . The collections of paintings ranges from the 16th -19th century art  or from Frans Hals to impressionist influences.
We shall cherish the return of the collection to Ukrainian Odessa as soon as possible. The image below shows the places of origin (yellow dots) of the art works of the Odessa collection across centuries (map from the exhibition).

Posted on

Dépaysé in gallery

The installation ar the Neue Nationalgalerie in Berlin entitled „Fog Sculpture“ takes us from the sculpture garden of the Gallery into a tropical forest atmosphere. Just changing the humidity and visibility through the artificial production of fog transforms the perception of the artworks. A kind of Asian flair surrounds the western sculptures in the garden. The fog installs also a mystification whoch we know in art from the romantic painters like Caspar David Friedrich for example. All long-term followers shall appreciate the new perception of the artworks thanks to Fujiko Nakayo. It’s definitely more than old wine in new bottles. The artwork brings a more global twist to the preexisting sculptures and reminds us in Berlin even of the wrapping and unwrapping of the  Reichstag building by Jeanne-Claude Christo. We see the sculptures or architecture differently after they disappeared temporarily and reappear again.

Posted on

Dream together

„Dream together“ is the title of the exhibition of Yoko Ono at the „Neue Nationalgalerie“ in Berlin 2025. The title is an invitation or even an incitement to dream jointly with others. We need to dream of peace on all sides or parties in a war. Start with the dream and then move on to working together on it. The participatory art projects of Yoko Ono are a recurring event in Berlin and at the Neue Nationalgalerie (Cut piece). The installation „Wish Tree for Berlin“ in front of the gallery is popular with visitors who leave hundreds of written wishes to the windy spring days. Origami folding, stone assembling or a simultaneous chessboard playing with all white pieces and fields encourage to imagine a world differently, beyond the treaded belligerent paths. For more inspiration and imagination just continue to the Martin Gropiusbau for more artworks from Ono or just watch the clouds pass by changing the lighting of the olive tree carrying lots of wishes.

Posted on

Lviv Ukraine

Small galleries can make a real difference. In Berlin the gallery “streulicht” has a selection of photos in an exhibition that portraits artist from Lviv in Ukraine. Hans Hugo Hoffmann manages in his photographs to depict the extraordinary resilience of Ukrainian creative persons who live through a protracted war of their country against the Russian aggressor. The persons embody the strength of resisting through their art work despite the wounds inflicted on their families or the people of Lviv and the whole of Ukraine due to the war. The persons portrayed try to continue their normal day to day work, knowing that nothing is normal anymore in Ukraine. “Bizarre Normality” characterizes our perspective on these artists, who are thrown into a world of events that we no longer thought might be possible in Europe. Bucha and other crimes by Russian soldiers in this Russian aggression leave traces in the faces of Ukrainian people and even beyond. We all wish that the people of Ukraine can return to “normality” as soon as possible, although we know that nothing will be normal as it was before the Russian invasion.

Posted on

Tchaikovsky home

During the time before the “Zeitenwende” it was easy to visit the home of the composer Pyotr Ilyich Tchaikovsky in St. Petersburg. Therefore, we refer to our memory of the visit and the already 10 years ago restrained liking and appreciation of the Russian officials for the aristocratic composer, even accused to not be sufficiently Russian in his music compared other Russian composers. The composer had diverse love affairs, which were also not conform to official doctrines. The world wide success of his compositions, mostly known for his ballet music, remains popular in the 21st century. Similar to Beethoven, the biography by Malte Korff (Tschaikowsky, in German), highlights the final symphony as his masterpiece. The seems to be a reason to study “the last works” of composers specifically. The mature compositions appear to reflect on previous work and build or comment on previous work. The 6. symphony “Pathétique” was completed in his last year of his life, only at age 53. The final IV-th piece of it is entitled “Adagio lamentoso” and ends in very calm tempo and almost silence like a withering away heart beat. To my surprise I found a similarly very quiet ending in one of his early piano composition when he was only 28 years old “Romance Opus 5, Andante cantabile”. This early piece also ended “più lento” and from pp to ppp. (compare extract of image of notes below).

Posted on

Beethoven Home

The home of Beethoven in Bonn is nicely preserved and full of objects related to his life and his creative work. For the musician and composer musical instruments have accompanied him throughout his life. The visit of his home of birth offers a chance to dive into the extraordinary accomplishments of this great figure of the late 18th and early 19th century. His 9th symphony is strong as ever and the European anthem has just more than 200 years since the first performance now. The visit of the museum is still the highlight of Bonn and the App of the Beethoven House offers unique insights into and listening of his manifold compositions. Handwritten notes and a pocketbook of preparations for the symphony demonstrate the all encompassing nature of music for Beethoven. From romantic letters to the romantic music pieces, the museum has it all. Even it is a rather tiny house from the outside the inner life is as huge as it can be. It is advisable to take at least half a day for the visit much more than you would usually take for visit of a museum. The link between the biographical information and listening to linked musical pieces with a chronological context are a unique experience. This spurs the interest to listen or listen again to some of the romantic masterpieces. The App is great also to listen directly to some of the music.

Posted on

Intimate housing

The housing of famous persons has always attracted a lasting fascination. The “esprit des lieux” or the experience of the surroundings of an artist, composer, author or otherwise famous person, where most of the work had taken place is of general interest. In today’s language we would describe this as the context of creation. Biographical information and references to specific objects central to the process of creation play a crucial role in understanding what is behind human creation as it is district from AI. There are objects ( compare MAD Paris) and there are the social networks of creators. Modern biographies include both, some even in graphic forms similar to ancestry diagrams. 

The design of intimate living spaces for private life or the adequate environment for creativity are becoming more clear with the consciousness of the importance of dedicated designs of furniture, accessories and even scent. Our brains are multimodal and working as well as processing lots of information even beyond our conscious realizations. This black box of creativity is rather unique to the human brain and AI will probably take decades to emulate such complex processing. The MAD exhibition reveals that intimacy is also related to housing design and interior design. It doesn’t seem to be a random process, but habituation is part of the continued creative process. 

Posted on

Body Soul Membrane

The 40 art works from the Pinault Collection on display at the “Bourse de Commerce Paris” deal with a depiction of the body and soul in the broadest sense. The range of works from paintings, sculptures and video installations is impressive. The link between the body and the feelings or emotions is obvious. Contexts leave deep impressions on bodies and frequently embodiments do not fit emotions. The membrane between the two instances creates an additional barrier or chance to align both instances. Racism and discrimination are recurrent topics in the exhibition. This makes the exhibition a welcome antidote against the increasing risks of violence in many societies. Artists have a subtle emotional connection to suffering of people and their art work does not shun away from confronting us with violence experienced by large groups of society. Body and soul membranes are also an internal or intimate affair, which words can only address with difficulty. Many artists therefore chose other ways than writing or drawing to express or cope with this reflexive relationship of body and emotions. We do not leave the exhibition unmoved, maybe even a bit unsettled in our emotional state of mind. Our own membrane might be moved or become unbalanced after the visit. 

Posted on

Wall Membrane

Walls are meant to separate persons. In certain circumstances, however, they work more like a membrane, which allows for example sound to pass walls. We are sometimes surprised to find out that we might hear almost every word that is spoken in a neighboring apartment or home. Listening without seeing is in fact a perfect set up for a comedy to evolve around this theme. Unintentional listening might turn into noisy listening and 2 lives start to intermingle. This is predestined for a comedy to evolve as does the theatre play by Lilou Fogli “mur mure”. The turning tripartite scenario by Jérémie Lippmann makes the 2 rooms arrangement visible where listening and seeing both separated actors a delightful experience. Understanding without seeing is better than seeing without understanding. Misunderstandings are frequent with the focus on appearances of persons. It is somehow the opposite of what our social media platforms suggest with their focus on stylized images and AI-enhanced photo editing. Hearing maybe the better seeing. In that sense the theatre play is in the emancipating tradition of authors like Ibsen or Chekhov, emancipating us from the dominant and overwhelming presence of selfies and self promotion.

Posted on

Art from India

Indian music, art and performances have had a difficult time in traditional western cultures. Based on the historical collections and donations in the BNF, this WEIRD bias is challenged a bit. The focus on performances and art from India of centuries old traditions of high standards could have been a major source of inspiration to wider audiences already. The narrative language of for example dance as Bharatanatyam is a sophisticated ritual of expression. It appears to us like a spiritual performance which reaches our emotions much like our modern ways of expressing and performing. It seems amazing how the western world has omitted looking and listening to other continents. 

Of course, archers have played an important role in Indian culture as well. Such depictions have been common across cultures in previous times. These images can reflect the shared human heritage and this with a global perspective on art history. Flora Willson (2024 in Die Musikforschung) refers to this Indian cultural heritage in her book review and why Italian Opera never really became popular in India. 

(Image BNF, Paris Richelieu in Rotonde 2025).

Posted on

Great Petit Palais

The Petit Palais in Paris was built together with the Grand Palais for the World Exhibition in 1900. The great architecture of both buildings is complemented by great interiors. The Petit Palais has also been the home of donations to, as well as commissions by, the city of Paris since 1870. This means that a sizable collection of sculptures and paintings has accumulated since then. In spring 2025 the visit of these collections is free of charge and gives honor to the donors and artists exhibited. Over time the collections spread more than 2500 years of art history similar to the exhibition at the BNF gallery Mansard. In the 21st century the exhibition of a piece of art, which stems from the North of Syria reminds us that art is a treasure that can last even if the civilization has been lost or at interrupted for many centuries. This is an important aspect of taking a long term perspective on international politics and history. The breadth of the collection allows a stroll through art history in a splendid setting. Romanticism and impressionism receive a little bit of attention, but the architecture of the Petit Palais invites you to delve into lesser known territory. This, probably is the specific merit of the joint presentation of otherwise necessarily eclectic collections of donors across centuries.

(Image: Anse de chaudron Syrie du Nord 700 years before our time, Petit Palais Paris).

Posted on

Known Unknown

Many musicians and poets remain unknown to larger audiences. “A complete unknown“, young singer, musician and songwriter Bob Dylan has reached fame and fortune with his poetry and popular songs that marked a whole generation. He became the best known unknown of country music in the USA who found sympathy for his expression of protest across the world. „How many times must the canonballs fly, before …“. At the time of renewed militarization of the Western states to defend our way of life, the protest song is oriented towards Russia to stop its war in Ukraine.
The poster in Berlin to advertise the biographical movie on a „Litfaßsäule“ (round sign posting column) dating back to the 1920s in Berlin brings us back into the historical state of mind of crucial crossroads in history. Retreat from war, preventing war and aggression remain topics for us today as well. Peace might be the happy time in between wars marking history.
Berlin is a great place to walk through more than a century of war and aftermath. Rebuilding takes decades and is part of the Berlin state of mind. as well as a sign „to overcome“ conflicts.

Posted on

Democracy ART

The European Parliament co-sponsored a remarkable art exhibition in 2023 entitled „Art in Democracy“ The catalogue of the exhibition offers insights into the many preconditions of art. A democratic environment constitutes a non-negligible precondition for most of the works of art. Artists thrive within democracies. Many artists flee authoritarian regimes as their work environments rely on a real freedom of expression irrespective of the will and belief of ruling politicians.
Artists who do not flee in time for whatever reasons have suffered tremendously under Nazi terror in Germany. Authoritarian leaders don’t respect the various forms of expression by artists. Europe and the European Union provide safe havens for many artists to continue their careers in art. This has become a real value of our way of life. Many countries envy us in this respect. We take this for granted in the EU, but 70% of the world population endures authoritarian control. A reminder of this, from time to time, justifies a lot of expenses to support art and artists even beyond our borders.

The romantic setting of the image below is set against the surrealist open window (of opportunities) in an almost Magritte-style dreamland.
(Image: Rafal Olbinski, La Pologne dans l’UE, created for the occasion of adhesion to the EU)

Posted on

Revealing masks

Masks can have multiple functions. During the Covid-19 pandemic from 2020 onwards we developed a hate-love relationship to wearing masks. Carnival traditions give wearing masks yet another touch. The painter James Ensor added other meanings to a mask. They do not disguise the person wearing them, but might make otherwise difficult to see features of a personality more visible. In a donation initiative and auction to raise funds to fight cancer Yves Delplace made the biggest contribution through his donation of the painting „Intrigue année 2024. Le preneur de selfie”  of which we represent only a partial extract below. In 2025 this depiction of 3 leaders of big countries has gained unexpected relevance. The US and Russia partying jointly while people still die on the  battlefield die to Russia‘s invasion of Ukraine has been turned into a cynic depiction. James Ensor and the surrealists in general would have appreciated this application of their way to deal with or foreshadow coming events. For some people you think it is about time to take off their masks or somebody to take it off. For others like Putin, the friendly looking mask has become apparently a frozen expression despite of the underlying ruthlessness.

Image taken at KBR Brussels 2024 exhibition of donations for auction and jury awards, by YvesDelplace.

Posted on

Antique Drama

Modern drama and performances have their roots in antique drama. This is evident in literature from the time and some rare artefacts that have survived until today. Masks and statues give an amazing impression of the high standards already attained more than 2.000 years ago.
Many performances have been linked to mystical rituals and religious ceremonies, but beyond those instances there has also been a depiction and interpretation of for example the Greek mythology. Dionysos inspired many artists and people of that time and philosophers equally found inspiration in performances and the representations in temples, arenas and market places. The treasures of the BNF in Paris, galerie Mazarin and rooms next to it like “la salle des colonnes” (Image below), allow to travel back in time into an antique setting in the room of columns.
Taking the world as horizon is the title of the rotating exhibition from the treasures of the BNF. The beginnings of philosophy and major milestones in arts and mysticism across the world figure in this exhibition. In the spacious setting it feels like travelling back in time for a while, just to build on these foundations.

Posted on

Endless Questions

The winner of the Niépce prize 2024 has been awarded to Anne-Lise Broyer and features prominently at the BNF in Paris. The exhibition of the professional photographer reflects by way of photographic “still images” on the historic fate of the mediterranean basin. Each and every image has no answers, but keeps posing questions. In the long alley of the BNF in honor of Julien Cain, we walk through history of more than 2 thousand years in photographs up until today and even beyond. Let’s keep asking the most fundamental questions again and again. The exhibition entitled “Est-ce-là que l’on habitait ?” invites us to ask ourselves about the historic origins of so-called Western culture in the mediterranean basin. Ancient philosophy and arts are the foundations even of our current ideas of democracy and freedom.
However, what has become of this in the 21st century? The original statue of freedom has suffered badly. What has become of the freedom of mobility at a time of barbed wire fences rising between countries that influences each other over thousands of years? How about nature? How about religion and freedom of expression? Where is progress? Where is regression?
For centuries we have sought answers in libraries starting from the Library of Alexandria to the treasures of art and knowledge of today across the world. Let’s make more intensive use of these treasures where we shall find answers to most of our questions of the past, to the past and of future interest.

Posted on

AI Images

The creation of images using any AI system is fast and easy. Many people have tested the systems and experimented with the more or less explicit prompting needed for LLMs to come up with several suggestions. Through the use of AI in the creation of images you are indirectly become your own curator of these creations as you choose among many suggestions of AI for the same prompt. The next step in the process of these artifacts it to assemble several ones and submit your selection of images to a gallery for an exhibition. If you have a coherent approach or a specifically interesting creative idea you might get selected in a competition to show your AI assisted images in a gallery with a reputation to  exhibit photography.  The Brussels Photo Festival (2025) presented the submissions to a call for AI images with a broad range of AI assisted imagery. The focus of this project was on „historical events and figures“. In situations where images are absent such a newly created imagery might be helpful in re-creating narratives about undocumented wars or conflicts. Speculative fiction about other historical options or „roads not taken “ have found their way into museums of history even. Decolonizing imagery is an interesting aspect to get a grip on another way to view historical evolutions. Projecting biological growth processes into the future with pervasive bio-engineering allows is to imagine potential future scenarios. As AI in biology, pharmacy and nutrition is only about to rake off, the AI artists play an interesting role of new avantgarde in the 21st century before we shall be submerged by AI images on all social media platforms. (Image taken at Hangar.art 2025)

Posted on

Existence as Eggsistence

Artists have their own ways of hallucinating. They don’t need an AI to generate ideas beyond the normal, even allowing for 2 standard deviations off the usual. As a result of the thorny question about your existence, Ram Katzir came up with the impressive statement about his „eggsistence“ being subjected to a squeezed experience. Ever increasing shares of the labor force would subscribe to this statement about the modern workplace. Each turn of the screw risks to crack up the egg‘s shell. Rather focus on the egg, try to get a grip on the screw. There are thousands if not millions who crack up under the excessive pressure of economic and political circumstances. The new platforms of food, grocery and parcel delivery at home have become the latest example of AI-assisted and algorithmicly managed screws. What is driving your eggsistence. It is about time to  ask fundamental questions again. (Image: Eggsistence, by Ram Katzir 2021 in Brussels, Galilas Collection Belgium)

Posted on

Ukraine Chanson

The Russian war in Ukraine is not limited to the military killings. From the earliest period in 2014 already Russia initiated a war on Ukraine culture and Ukrainian cultural heritage. Therefore, it is great to witness the efforts by Ukrainian musicians not only to retrieve their rich heritage for example in the field of chansons, but to develop traditional songs with new formats. Jazzy versions of children’s songs have been sung with an admirable soft voice by singer and composer Viktoria Leléka and her band.
Most people might think of children’s songs as an insignificant niche of music. The importance of singing songs for children and babies is a scientifically well documented finding. Early bonds are created and a sense of belonging and comfort, particularly during difficult times of life. Comforting music is also an intergenerational issue. Transmission of emotions and values across generations is the very fabric of societies. The recent album “Kolysanky” and the song “Ne Zhal” is a great reminder that it is the children that count not the, maybe, broken cradle.
During the war time with many absent fathers, chansons can bridge the emotional hardships. The movie “The Chorist” had demonstrated the power of children songs for children, their parents and all generations involved. Chansons have a much longer “half-time of life” than war.
From an unknown French composer the cradle song “Fais dodo Colin …” and Brahm’s Wiegenlied are classics many people in Europe will remember from their childhood and still transmit them today. Great news that Ukraine continues this tradition with new, innovative adaptations of their own lively cultural heritage.
(Image: extract of lyrics Ne Zhal’, from webpage)

Posted on

Artists networking

Creating a network between rather idiosyncratic artists is no easy task. The more they develop a unique style separate from other painters mixing with other artists can be a challenge because you might find yourself in the position to continually defend your new style. Therefore, building a network of artists that understands the concept or emotion that drives you is a great advantage. In the catalog of the Caillebotte exhibition in the Musée d’Orsay Paris the map of living and working spaces of Caillebotte and his artists’ friends like Claude Monet is a great way to demonstrate the degree of networking and creative spaces that propelled the impressionist movement. The galleries and greater exhibitions of the impressionists took place in the vicinity of the established art institutions, but were not admitted into the traditional exhibition centers like the Louvre. The map from the catalog provides insights into the cognitive map of Paris which Caillebotte had in mind at his time. Artists see cities as opportunity spaces which facilitate or impede the creative processes.

Posted on

Drawing Drafts

The exhibition “Drafts – From Rubens to Khnopff” at the MRBAB offers an art historian’s view on the role of drafts in the creation of art across centuries. You will not be surprised to discover that drafts played and play a crucial role in creative works. With a restriction to drawings, paintings and sculptures, the exhibition highlights the “creative gesture” originating in a sketch of a detail of a body, a face, the body, compositions of forms or perspectives on space. In some instances, infrared reflectographic camera technology or similar techniques were used to reveal the so-called underdrawing of a painting to allow the comparison of a draft with the “finished” or “published” version as an oil painting. The time span across centuries allows to stress the importance of drafts and drawing rather than the spontaneous creation of a unique piece of art. The 20th and 21st century saw this process of creation challenges by several artists and performative versions of art. The basic creative process, however, remains an important pedagogical access to better understand art and its creation.
The curators of the exhibition Bücken and Maréchal (MRBAB) encourage visitors to use pencils and paper to try out the technique of pencilling or just to try to a sketch of something of interest. This certainly contributes to let the message and encouragement to create yourself sink in to the memories of visitors. All in all a very modern view on old and not so old masters.
(Image: Triple view of Jacques Jordeans, Allegory of fertility of the earth, 1623-25 MRBAB).

Posted on

Wellness Sickness

There appears to be some kind of a relationship between the 2 conepts of wellness and sickness. Some would argue that the more sick you are, the more you seek wellness. Sickness seems to be the precursor of wellness for many people. Wellbeing or happiness are even higher order concepts which are only indirectly related to wellness. In an almost 600 pages science and fiction novel, Nathan Hill (Link) constructs his plot based on the psychological research on the placebo effect. With a sufficient aura around a pseudo-medication administered in a wellness clinic, the clients or some figure near the 50% random positive effects are treated with at least no negative side effects. On page 152 we find the more explicit description of how to induce a placebo effect in participants. Context, expectations, faith, symbols, metaphors and story are all ingredients for a placebo effect to work. Sometmes without knowing we receive a treatment in our childhood or throughout the life course that we work on using placebo effects to overcome them. The novel by Hill (2024) is a well researched psychological as well as sociological fiction including a bibliography, which reminds us „If you cling too hard to what you want to see, you miss what’s really there.“ (p. 496).

Posted on

Zerreissprobe

The term „Zerreissprobe“ has been chosen by the curator team of the Neue Nationalgalerie In Berlin for the Retrospective of „Art between politics and society“ in the years 1945-2000. In this time period after the 2nd World War until the other „fin du siècle“ the politics of creating a new world order, the cold war and the liberalization of societies had profound impacts on art as well. The positioning of art in the dynamic context and conflicts of these decades is quite well reflected in the title of the exhibition. The English title „extreme tension“ suggests somehow that these years were rather extreme compared to ?, probably today? Although on the territory of Ukraine we witness a hot war rather than a cold war initiated by Putin‘s Russian imperial illusions. The cited work of Günter Brus „Zerreissprobe“ is translated as „stress test“. And maybe, this translation characterizes the post war period even better as these years are a forerunner of what happened after 2000. We continue to be put to tests in politics and societal developments. Accomplishments from the last century are put to crude tests again. Solidarity of people and nations are under pressure to demonstrate their reliability under extreme tension or stress. Art throughout the 5 decades of the last century was a precursor of stress tests for politicians and challenged society in its basic understandings. The comments on the notice board next to the exhibition show the themes of tension in the 2020s. Tensions in families and partnerships, often more extreme around christmas trees, have taken center stage for younger visitors of the exhibition. Sociological research has observed such trends and coined this societal phenomenon „individualization“.  Art embedded in society seems to be part of that evolution as well. Art movements are less visible as collective movements. Artists appear more individualistic or ideosyncratic nowadays, just less inclined to be part of a defining larger group. If artists are no longer avantgarde but rather followers of societal trends, the whole „raison d‘être“ of art changes as well. We are likely to witness yet another „ Zerreissprobe“. Cuts to art and culture budgets constitute an additional „ Zerreissprobe“ in the original sense of the word and of art between politics and society in 2024/2025.

Posted on

Art Physics

Art is a matter of perspectives. In physics the change of perspectives and even theories about perspectives using optical instruments or illusions enlightens our understanding of the universe. 2D or 3D perspectives by V. Vasarely add yet another dimension through the oppositional hanging facing the Hollow Mirror Objects (convex and concave) by A. Luther (see images below). The curators succeeded in putting both art works with their incorporation of physical principles in an enriching dialogue. Art speaks to us in many languages. In more general terms, there is an underexploited aspect of exposing art. Rather than focusing on a single artist or school of artists in particular, exhibitions may focus on the interrelationships and new ways of combining or communicating images. This is human intelligence. Artificial intelligence will do this without prejudice and my own private collection of images of art works as a similar fountain of innovation as well. (Image Exhibition Neue Nationalgalerie Berlin 2024-12).

Posted on

Films of Stills

The exhibition of multimedia artist Nan Goldin at the Neue Nationalgalerie (New National Gallery) in Berlin presents a retrospective of her work using slideshows of stills including soundtracks (Image below). The topics and narratives range from autobiographical work on own traumatic experiences to works entitled „memory lost“. The sequences of stills are a form to deal with trauma through art like overcoming the suicide of a family member. Drug or sexual dependency enter the stills and it becomes clear that stillness is part of the coping mechanism she employs. It is hard to watch, sit still and endure the films of stills. However, there is a kind of therapeutic experience to be gained in coping with trauma through art. The installation in several tents increases the reclusive atmosphere and entering the still rooms invites is, somehow including a warning of what kind of chilling experience we are up to throughout the exhibition. The almost therapeutic experience needs to be handled with care and a visit with friends or family is highly recommended in my view. Community and communication are key to coping with these experiences and even still images contribute to building resilience.