Tag: culture

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Democracy in Nepal

Nepal has witnessed a peaceful revolution in which the young generation of Nepalis has “out-smarted” the previous rulers of Nepal. With close to a 2/3 majority of seats in parliament (Nepali Times), the RSP as the party of a somehow charismatic musician and performer has a 5 year mandate to tackle the many challenges to bring real change for Nepali people. The hopes are running high that corruption will be contained and enough jobs inside Nepal can be created for the young. The positive sign, that many Nepalis migrant workers who had left the country now return to Nepal, encourages further support by international donors and investors.
Running a democratic election in a country that comprises the Himalayan mountainous region is confronted with a particular challenge to make every vote count as communication with remote areas takes additional time and effort. Campaigning through social media can be more effective only if even remote areas have reliable access to the internet. Inter-generational assistance is often a precondition of timely access to information. The Himalayan region experiences already the effects of global warming as melting of glaciers. It is the youngest generation that will have to confront the consequences. Time to take government in their own hands, and beyond a one man show. (Image: ESA Himalayan Mountains, ESA Standard Licence) 

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Silence revisited

In most cultures, particularly western ones, we are less and less used to silence. Keeping silent for 1 hour is almost framed as an exercise of meditation. In the presence of other persons silence is often misinterpreted as not being interested or even intelligent enough to contribute to the conversation or discussion. Therefore, the title of the exhibition “Seeing silence”, which rediscovers and honors the paintings of Helen Schjerfbeck. Her Finish, Swedish speaking roots, with a broad European training in the arts, made her an accomplished painter in the impressionist’s tradition with a focus on painting portraits. The catalog from the exhibition (THE MET 2025) gives a great overview of her paintings when silence of her models tell stories. Portraits of women are particularly powerful examples of tranquility, and reading, but also uneasy silence in rocking chairs. The biographical sketch of Helen Schjerfbeck by Dita Amory sums up the vocation as “All I desire to do is paint” (p. 15). Towards the end of the 19th century and the 1st half of the 20th century this meant work in silence and she chose to work on silence as well.  (Image: catalog in library Brussels 2026-2) 

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Democracy in architecture

Over centuries we have pondered how to bring more democracy into architecture. This very idea is different from designing parliaments or other democratic institutions like courts or the representation of executive power in a democracy. Bottom-up or direct participation, beyond the pseudo open participation in a competition for the chosen best design, could take the form of voting by and/or listening to the people before any realization. Rather than relying on the choice of elected representatives, we may envisage the observation of people’s choices. Such a kind of bottom-up approach has been chosen by Anna Jung and Lea Krueger who let persons chose, where they wanted to take a rest at the Kulturforum in Berlin by moving chairs to a  specific place or a nearby location. Rather than yet another grand design people could freely choose their favorite niche for 1 or 2 chairs. Sometimes just looking for shadow next to a wall or under a tree, sometimes desperate for a little green spot. Democracy in architecture can simply mean to think architecture from the people’s perspective or an observed user’s experience. Democracy in architecture could resemble a bit more the internet revolution and think in terms of user interface, UX-design. With the construction of the “Berlin Modern” well under way, such green niches shall be appreciated by many people passing by and those who would like to rest for a while.  

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German Cinémathèque

The “Deutsche Kinemathek” in Berlin has moved to its new location in the old E-Werk. There is room for temporary exhibitions and screening on all walls. Small boxes (3 seats) give a brief overview of the history of television. The library is accessible again to the public. In order to research what went wrong in the history of mass media and cinema in Germany during the 1930s and 1940s can get access to the archives as well. In the age of new digital media technology the study of historical approaches helps to be aware of the power of persuasion of this form of mass communication. A critical thinking perspective on the material presented and the long history of cinema can bring generations together through the exchange of experiences with different media. 

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Timely timeless

It is very timely to discuss timelessness. Some inventions or artwork appear to have a timeless value. The creation of books has this feature as we have known also a lot about the conservation and restoration of books across centuries. Timelessness is about an open-ended vision of time. In mathematics it is a usual part of the differential equations‘ calculus to handle infinity as an operationalisation or a form of a projection of time into timelessness. Humans have made considerable efforts to create material and, most of all, immaterial goods which try to exist independently from time. Geek or Roman philosophy are with us for more than 2000 years and we still benefit from returning to this original concepts. Egyptian culture and the wall paintings in caves still speak to us, thousands of years afterwards. Each clock suggests that time is advancing, but some treasures achieve the level of a timeless beauty, art or conceptual masterpiece. The more we talk about time, the more we shall cherish timelessness. (Image: Neue Nationalgalerie, Berlin 2026-1, The clock screening)

 

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Art Station

Mobility takes time. All people who travel frequently know the long waiting times at train stations. Be for commuting between places or long distance travel, we can hardly escape from the moments when time gets long and longer. The Paris train station Gare de l’Est has brought art in form of posters to the station as a kind of accessible micro-exhibition. The cooperation with the Petit Palais in Paris allows to give more people a taste or at least an appetizer to art work. Most people rush by, but some spend some minutes reading, inhaling exhaling, and continue to their destination or next date. In the battle for attention such initiatives like art in the station hold societies together. People with very different horizons cross each other for short moments in time.

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Futures for Amazonia

Diversity is the treasure of humanity. This was and remains a permanent challenge as thinking in multiple perspectives is taxing our minds. Simplicity can be a value in science or mathematical proofs, but cybernetics teach is also about the usefulness of a “requisite variety”. The exhibition Amazonia at the Quai Branly in Paris takes us on a journey through richness of the Amazonas, its people, biodiversity and landscapes. First of all the curators Varison and Baniwa manage to accompany us in opening up our minds to non-western concepts, which have for centuries been considered as less developed, but only from a western point of view or imagined sort of cultural superiority. Even nowadays the West seems to be convinced that for the liberation of, for example Venezuela, only a western power can achieve this. The 300 different indigenous peoples of Amazonia have lived through hundreds of years of threats to preserve their cultures. They have managed and they have inherited and still develop multiple ideas about “futures” of the Amazonas region. In just 100 days this exhibition has reached more than 100.000 visitors. Most of them will be convinced of a future and, yes, futures for Amazonia. 

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БЪЛГАРИЯ Bulgaria

The expectations of the entry of Bulgaria into the EURO-Zone are high towards the end of 2025. On the 1st of January 2026 we have new coins circulating in the Euro-countries. The addition of a country to the European currency yields insights into this country’s own cultural heritage. Piece by piece we learn, if we want to, to take a closer look into the more and more obsolete practice to handle currency in form of coins.
I cherish some of the coins with specific meaning to me (see image below, city of Trier, Willy Brandt, Chalk coast on Baltic sea). My small collection of coins from Greece allow me to refresh my Greek alphabet, words and historical landmarks of democracy. The circulation of Euro-coins with Bulgarian inscriptions in the Cyrillic alphabet will broaden our horizon again. Beyond the national features, we cherish the regional or federal organization in some countries, that feature their regional hotspots within this European cultural heritage. With a highly mobile Bulgarian population, not only within the EU, we shall soon see more Eastern Euro-coins with Cyrillic letters in our pockets and collections. … can’t wait for it … Ukraine in 202x, maybe 203x. 

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Freedom of art

Some depictions or statues of the 16th century quite expressive and average expressions of their time. An angel who is playing the lute in a rather extroverted way is amongst the remarkable artifacts we can discover in the Berlin Bode Museum. The Angel playing the lute is an oeuvre by Hans Brüggemann from 1520 in Husum. The angel certainly performed holy music with interesting postures, which resemble more rock stars of the 20th century or youth performing an act of “air guitar”. Artists always tested the limits of the freedom of art and expression. (Image from Brüggemann Angel playing the lute, Bode museum Berlin, 1520) 

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Typewriter history

The history of the typewriter and typewriter is comparatively short compared to the history of literature or other technologies as partners in the creative process. With the advent of AI (here as part of infografix, see image below) the skills of using and mastering a typewriter have become almost obsolete. The original design by Remington (timeline below) has dominated for almost 100 years the technology of typewriters. Then came the electronic IBM technique with an automated correction type, which was not only faster, but also more forgiving of “typos”, short for typing errors.
The craft of handwriting had suffered a tough blow, despite its almost intimate touch to it. Knowing the typewriter outline by heart allowed typing with closed eyes or a focus on another text or image as well as a parallel thought process. Scientists and writers (Claude Levi-Strauss) reported on their creative process as intrinsically being linked to their typewriter.
QWERTY outlines for English language typewriters still dominate the keyboard typing today. With the AI interaction on the rise, we might move away from typing as a “Kulturtechnik” a technology of our cultural era and focus more on human-machine interactions via our voice and microphones. The underlying question, however, remains the same: What is the best technology to enhance our thought process? This, in fact, tends to be a very personal human choice, where technology plays only a subsidiary role.