Herta Müller hat bereits 2012 in „Das Chinesische Glasauge“ sehr treffend die Funktion von Mangel und Armut in Diktaturen beschrieben. Sowohl der ständige Mangel als auch die Armut dienen als Instrumente der Macht. Sie sind quasi die Fortsetzung von Ideologie zur Beherrschung der Massen. Zusammen bilden sie die Umgebung, den Kontext in dem dort gelebt wird. Die Herrschenden jedoch haben Privilegien, die sie von der Allgemeinheit absetzen. Diese knappe Beschreibung und Einleitung zur Kurzgeschichte haben eine große Portion Allgemeingültigkeit. In Mangel und Armut können kleine Vergünstigungen eine viel größere Wirkung entfachen. Sehnsüchte nach mehr werden nahezu zwingend hervorgebracht. Allein die Aussicht auf ein teilweises Stillen der Erwartungen oder nach mehr entfachen weiteres „höriges“ Verlangen. In Diktaturen werden die Personen, die unaufhörlich auf die Armut und den Mangel hinweisen meist geächtet oder sogar ins Exil gezwungen. Solche Störenfriede sind nicht gern gesehen. Das Russland unter Putin braucht Leute der herrschenden politischen Klasse zujubeln und bereitwillig in den Krieg ziehen oder an der Kriegsmaschinerie mitwirken. Wir sind mehr als eine Dekade weiter, aber diese Zusammenhänge bestehen ebenfalls weiter. Schmuck in der Mangelwirtschaft ist bereits eine Provokation. Das offene Tragen der Provokation kann im schlimmsten Fall das Leben kosten.
(Image: Herta Müller, 2023, Eine Fliege kommt durch einen halbern Wald, Carl Hanser Verlag, “Das Chinesische Glasauge”, S.50-61) 
Competence Gardening
Primary Schools in Berlin have the possibility to participate in the “Gartenarbeitsschule”, the school with learning goal of gardening. It is an interesting option to go out into the real world and deal with nature, sustainability, consumption, climate and many other topics. Voltaire could complement the curriculum in philosophy with his biographical links to gardening. The access to the fields is easy next to one of the central train stations and a larger urban reforestation project as just one example of the 15 overall in Berlin in 2024. (Südkreuz, Südgelände). Hands-on experience of gardening can address multiple forms of problem-solving competencies. Beyond the use of AI, a major advantage is the possibility to train collaborative problem-solving. Beyond the multifactorial approach in determining what to plant, the organization of the implementation and individual contributions towards the realization, all these elements are learning goals. The scope of learning qualifies gardening for learning well beyond primary school as well. It is a nice example of lifelong and lifewide learning even a hundred years after their wider applications in Berlin.
Competence Handwriting
The acquisition of handwriting as a competence has been important for centuries. In primary schools this technique is exercised as a foundation for the performance in other cultural techniques like language writing and even calculus. Therefore, it has been beneficial to make sure children acquire basic competences in handwriting. This has not changed much, although the time devoted to perfection of the technique has been reduced over generations. We still have some memories of people who have made the handwriting or the pencils used a case of distinction. At the enlightenment period a lot of authors drafted their thoughts and manuscripts in handwriting and our museums or biographies are proud to show off handwriting of authors, artists or composers. In some of those we are able to retrieve the thought process behind the writing. The editing, crossing out, adding sentences or correcting words are traces to dive deeper into these creative processes.
Currently, we are less sure, whether in the age of AI we should still rely much on this old technique of handwriting. If we just treat it as one of many competences to be or become creative yourself, we are on the right track. The PISA studies by OECD include problem-solving as a crucial competence. Handwriting or drafting first steps of a solution might still be useful. A handwritten sketch of a solution might guide the elaboration of the more encompassing solution.
Another interesting feature of handwriting is the cross-cultural element of it. We feel easily compassion for a handwritten document. The psychomotor competence of handwriting is fascinating across continents. It has distinguished us from other species as well. The evolutionary steps are important elements of a learning process. Nostalgic feelings about handwriting do not help anybody, but children are well-advised to still keep an eye on their handwriting competence as part of or first step in problem solving, even if it is just to formulate the question they are interested in. 
Patient Empowerment
The empowerment of patients is a well-established practice in the treatment of diabetes. Measuring your own blood sugar and adjusting your medication to the self-monitored data is common practice. For patients with high blood pressure this patient empowerment is less prevalent. A medical study carried out in Valencia (Spain) by Martínez-Ibáñez et al. (2024) has tested the effects of such a self-monitoring and self-medication experiment.
The results publishes in (JAMA) gave rise to considerable attention in the profession as the empowerment of patients is one way out of the likely increasing shortage of medical professionals in aging societies. Whereas other studies found that total costs to the medical system might increase, the study in Spain provides evidence of the cost-reduction effect of such an empowerment. 24 months after the beginning of the trial. After the establishment of a “medication based on an individualized prearranged plan used in primary care” the self-administering participants achieved a significant decrease in their blood pressure that lasted until the end of the study after 2 years. The drop-outs of the study seem to follow a random pattern.
The conclusion gives support to the potential of patient empowerment in the widespread treatment of higher blood pressure beyond the regular visits of medical doctors. The monitoring of changes in lifestyle add to this to keep the costs of health care under control in aging societies. 
Jury Competition
We can enjoy a lot of competitions in the field of the arts. In each of these competitions there is a different kind of rationale about how to judge the performances of candidates. The composition and competence of the members of the jury are of particular importance. We all tend to agree on this. However, the basic aim or direction of the competition needs to be defined or even redefined from time to time. Some perceive a competition useless if for example nobody takes notice of the results or the event. A good fight or drama within the jury helps to attract attention to it even if candidates suffer at times. The Belgian Music competition „Concour de la Reine Elisabeth“ has an annual major competition of young musicians competing for the beginning of a career as soloist. All phases of the competition are up for streaming so we all can watch and form our own opinions on the many candidates. It is not just the solo performance which counts but also the team performance with orchestra and the openness to new compositions in the realm of classical music. There is no vote of the public (yet?) like in the widely followed „European song contest“ but public acclaim does not leave a jury unmoved I believe. Tough work for jurors to single out small differences of fairly high standards to even enter the competition. The success of a jury has probably another evaluation criteria which consists in the follow up of candidates 5 or 10 years after the event or the awards. The making or destroying of careers as solo performers might hinge on very small differences on a single day. One competition with several prizes awarded is an encouraging way to promote musicians or other artists.
Dietrich Gabin
In French cinema Jean Gabin is a much adored person. Equally, Marlene Dietrich had, probably an even more far reaching international career. Both were accomplished and successful actors long before the 2nd world war broke out. In the U.S both fell in love and had a long lasting romance together. Their war time activities and “engagement” in fighting Nazi-Germany were extraordinary. It meant that both took active roles to use their charisma to mobilize people and soldiers to fight for freedom.
Shortly after the war then, both made a last attempt to work together in a movie production, but it could not unite the couple again. The “Deutsche Kinemathek” displays currently a page from the Diary of the “Diva” to underscore to what extent “Dietrich” was depressed about the break-up of their longer lasting love affair. Some say Gabin was the only person who quit her, all (most?) other relationships were terminated by the Diva. The junctions of biographies are hard to predict. The circumstances of the 2nd world war and internalized civic obligations to fight for freedom and democracy were wholeheartedly shared by both, but eventually they grew apart nevertheless. Tough experiences even for the much adored persons on the forefront of the stages worldwide. There seem to be many instances of repetition of the same story not only in movies, but also in real life.
Image: Deutsche Kinemathek Museum 2024-5 
Image History
The archives of the history of movies and/or television show to us the multiple ways how images capture our attention and memories. Visual narratives are an own category of our personal and collective memory. The wide range of visual experiences are a powerful way to influence. Not only the movies and stories matter, but the whole range of images associated with the cinema world. Poster collections, newspapers and today the so-called social media multiply the original images. The Deutsche Kinemathek allows a special, critical understanding of image history as Germany has been using and abusing images and movies in a very manipulating manner historically. The message is: do not take images for face value. The ways and techniques to manipulate images have been widely used and are all around us today. Whereas the mass media in previous decades have dominated the collective memories we have entered into an era with many more subcultures that evolve within their own bubble of images. An original attempt to cut 65 movies of German film history into less than 4 minutes is presented in the exhibition (Milkowski and Simbeni). It focuses on gestures and “les regards”, “Blicke”, how the actresses and actors seem to look at us. Eyes capture attention, and this as soon as we open our eyes as children. Our brain works as image recorder and our memory algorithms tend to favor image recognition while processing images continuously. We do not know much about our own image sorting algorithm or algorithms yet. Research on aging of the brain gives some hints. With declining short term memory the images stored in long term memory take the upper hand. This makes an understanding of the history of images even more important.
Deutsche Kinemathek
Just in the vicinity of the Potsdamer Platz in Berlin you’ll find the Deutsche Kinemathek, the museum movies, actors, actresses, directors and the history of cinema in Germany. There is a small specialized library in the Kinemathek that allows to dive not only into journals and books, but also video material, scenarios and accessories. Of course, you will find a lot of material on all sorts of movie stars (heroines) over more than a hundred years. The “Divas” of the industry take up a large part of the exhibition. “Marlene Dietrich” much more than “Hildegard Knef“, the former born and the latter lived for a long time in Berlin-Schöneberg (Berlin-Pretty-Hill as some locals call it nowadays). The 2 Divas probably caused the funny translation. Anyway, the hall in the Kinemathek which is exclusively devoted to Marlene Dietrich impresses with a lot of glamour and mirrors around.
For those with not only a biographical, but also life course interest in cinema cherish the public access to the library. The most impressive table there is the desk with access to the Ukrainian movies and about cinema in Ukraine. A list with QR-codes allows you to readily approach the recent developments before and during the Russian aggression on Ukraine (See image below). After all Potsdamer Platz in Berlin was a hot-spot of the cold war period in the divided Berlin. A little bit of a “Metropolis-atmosphere” can still be felt. The Kinemathek explains well what this is all about. 
Deutsch Deutscher
In English grammer we use comparative adjectives to express that something or someone has changed or undergoing change. Germany might have become more German. The second usage is to make comparisons not only between two points in time, but between two statuses or of two artefacts more generally. The statement “Deutschland wird deutscher”, therefore, intends to describe an ongoing process or the transition process from one state to the other. This statement as such does not offer any explanation or definition of the original state, nor of the second point of reference. It might just describe the dynamics or the direction of the dynamics. In this example it deals with social dynamics. Germany in the 21st century is posing more questions about its identity and future directions than some time ago. The artist Katharina Sieverding has put up this reflection as a poster on walls to provoke discussions about the way to identify and deal with German identities in the early 1990s, shortly after re-unification of the 2 parts of Germany (Image below from “Nationalgalerie für Gegenwartskunst, Hamburger Bahnhof, Berlin” 2024-5).
30 years later we are scared by a ruthless right-wing extremist and brutal movement that takes to the streets and commits crimes.
It is no surprise that the Higher Administrative Court in Cologne has confirmed that the “BfV’s classification of the party AfD and of its youth organisation as a “Verdachtsfall” (subject of extended investigation to verify a suspicion) as well as the publicising of this classification to be lawful“.
It is a step ahead to become “deutscher” if we battle out such decisions in courts rather than by force on the streets, although this has failed once in German history already. The poster action by Katharina Sieverding is a reminder to monitor and deal with these topics continuously, albeit the knifes may be coming in closer than before. Being frightened is no option in order to defend democratic values. 
Camparing Covid-19
In the middle of May 2024 we tend to believe the Covid-19 pandemic is over. However, towards the beginning of the year 2024 in the U.S. we observed at the peak about 2500 deaths per week. 
In Germany deaths/week amounted to 250. Compared to the overall population size killing is more pervasive in the U.S. than in Germany. The map of the specialized agency “Centers for Disease Control and Prevention” (CDC) in the U.S. shows the coastal regions to be more affected than the center. Population density seems to be still a driver of the spread of infections, illness and deaths. The timeline of deaths due to Covid-19 infections for Germany follows a broadly similar pattern, albeit on a lower level even if roughly accounting for population size (RKI-data). As we tend to forget what the pandemic caused as social and economic disaster in societies, we have to stay alert as the major prevention of Covid-19. Learn to live with the virus around us. This means to keep up our preventive levels of hygiene as well as monitoring of trends.
Many thanks to all those who do the sometimes boring number crunching for us. This includes the medical doctors who bother to do the timely reporting of new infectious diseases on a regular basis.
