Category: History

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Electric Fun

The 60s, 70s and 80s have been fantastic precursors of the “All electric society” because of the electric music 🎶 industry that became a mass phenomenon. First of all the electric guitar allowed a wave of new music to take hold of a whole generation and probably keeps its adepts until today. E-pianos, keyboards, drum machines and synthesizers made music playing more accessible as well. You just need to plug in your instrument and you were able to produce an overwhelming sound. Other electric pleasures might include water pumps for water heaters and sprinklers. Electronic games and gadgets soon took over in children’s rooms. Of course, calculators as precursors of mobile phones and computers were another step in the progress towards the “All electric society”. Electronics are about to govern large parts of our lives and society. We better take a serious look at what we gain and what we might lose. 

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Climate Awareness

The Musée d’Orsay has prepared a wonderful walk through its permanent exhibition of late 19th and early 20th century installations to reflect upon climate and climate change. Raising awareness about the treasures lost and those we are about to lose in the next few years. Impressionist painters have depicted landscapes, cities and monuments covered in snow, which the next generations will no longer be able to enjoy the same way. The roofs of Paris covered with snow has become a feature of a distant past. Additionally, the impression of the massive steam trains crossing metal bridges appear as the daunting future of technical progress. Mixed feelings of fascination and risk associated with those machines were captured by those painters’ eyes. Nowadays we are aware of the consequences of this technical progress for our planet. The walk through museum with a focus on climate related paintings is eye opening indeed. (Image: Extract of Éduard Veuillard, Le jardin des Tuileries, Musée d’Orsay, Paris) 

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Music Lunch

The possibility to pass a lunch break with live music inspiration is, unfortunately, quite rare. The Brussels festival “midis minimes” has created a popular format for classical music to be performed in easy to reach venues in the city center. Working in the center allows to hop into a 45 minutes performance of varying artists, instruments and music styles. The “Cercle Royal Gaulois” offers enough seats. Even without a reservation it is feasible to forget about work and get inspired by musicians. and the composers and arrangements they propose. Gaëlle Solal and Juliette Hurel offered short digestible pieces by Bartok, Ravel and Piazzolla with a focus on their popular dance tunes often based on previous folk tunes. We virtually traveled from Romanian tales to La Habanera and Tango and back to work for some.

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Korean Epilogue

The exhibition on the Korean Provisional Government closed with a stimulating epilogue. The call on visitors to spread the message of peace resembles religious practices. The long struggle for Korean independence and freedom for the people in South Korea leaves them wishing the same for all Korean people and beyond 75 years after the beginnings of the Korean War. From a German and Eastern European perspective this unaccomplished wish resonates a lot. The small stickers with messages from visitors propose short thought pieces like “South and North Korea shall be together” and “Peace starts with inner peace”. The wisdom in these statements lies in not giving up on ideals, however distant they may appear. There is always the possibility of small steps ahead.

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Korean Independence

The independence of a country is sometimes a long struggle. At particular points in time, a window of opportunity may open up, which allows to change the course of history. In many cases the opportunity to gain independence has been prepared for several decades, at least from 1919 onwards to come to fruition only after the end of the Pacific war, shortly after the Nazi-regime was defeated. The long and relentless preparation of the Korean Provisional Government ensured that a consensual constitution was ready to be adopted and elections to be held. The resulting division of Korea into 2 parts (South and North), just like East and West Germany, is rather long lived on historical time scales. For that matter, the hope of a peaceful unification needs to be reiterated again and again. The informative exhibition of the Korean Cultural Center to Belgium and the EU highlights the continued “Dream of Peace” which continues even after more than 100 years.

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Preventive War

The term “Preventive War” is staging a revival in international politics. The recall of the famous quote “war is the continuation of politics with other means” from Clausewitz encompasses the idea of a pre-emptive strike and entering into war to avoid an enemy to grow too powerful at a later stage. In the age of weapons of mass destruction and the non-proliferation of nuclear weapons, an intervention to limit the spread of nuclear weapons has taken the form of a preventive war. The international community has been quite unsuccessful to limit the spread of nuclear weapons so far. Research shows that democracies are less likely to go to war than authoritarian regimes and dictatorships.
The preventive war strategy (Levy, 2008), however, is a means for democracies to defend their survival against the spreading and warmongering of authoritarian regimes. However, preventive war, by definition, is a war. The preventive aspects derives from the logic to avoid a much more devastating later war. There is a longitudinal assessment at the base of the calculation to enter now into a preventive war, rather than later into a more difficult defence. In anticipation of the defense, a pre-emptive strike is undertaken. In international politics the lack of a “policing of treaties and international agreements” has initiated the return of the neoclassical concept of national interest as a guiding principle for nation states. A continued threat to the survival of a state, Israel as an example, by the Iranian dictatorship makes the application of a preventive war strategy more likely.
Historically, democracies have applied such military strategies as a continuation of politics and diplomacy with other means. In this sense the 21st century is apparently no different from previous centuries. The revival of “Realpolitik” has been spurred by Putin and his war on Ukraine territory since 2014. How and when to return to the negotiation table is the litmus test of the preventive war strategy.
(Image: Paris, Hotel de la Marine, Le salon diplomatique 2025).

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Ohm … Ohm

In the 21st century most people will interpret “Ohm … Ohm” as the exhalation in yoga  (Hatha yoga). Therefore, take a deep breath, hold it for a while (twice as long) and then exhale (thrice as long), for example. Now you are perfectly set up to read about Georg Simon Ohm (1789 – 1854), the physicist after whom Ohm’s law was named. In the “All electric society” Ohm’s law still plays a fundamental role for all households. The understanding of electric circuits is quite easy, just apply the basic relationship of Ohm’s law. In a resistor the current and voltage are proportional. The sign (SI) for resistance (R in physics) of a conductor is the Greek letter Ω. The proportionality is expressed as R = V/I where V is the Voltage and I the current through the conductor. The units are Ω, Volt V, Ampere A. All you need to know additionally is the calculation of the power P in Watt W where P = V x I for example. If you want or need to dig deeper into your home electricity just study a bit of electrical technology on the basics.
In our homes, apartments or offices we can apply this 200 years old knowledge to guide the safety and energy consumption of our electric installations. Maybe with the help of a spreadsheet programme like excel etc.

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Satie Popular

Erik Satie has been quite involved with the surrealist and Dada movement of his time. He personally knew the main proponents ranging from Breton to Magritte. He became one of the major figures applying the ideas of surrealism to music. His early compositions like the Gnossienne (extract of Nr. 1 below) are admired for their simplicity. They became popular only years later and have entered popular music repertoire through many retakes of the original tune in various styles ranging from jazz to rap. Many of Satie’s formative years he spent playing and performing popular music in the animated cafés, bars and shows of Montmartre in Paris. The making of a living based on music can be a challenge. Satie had to bear the full risk of a life in poverty at times to reserve sufficient time for his creative work.
He remained very much connected to the working class as his later membership of the Communist party after the Great War testifies. Composing for children and transmitting music to the next generation was equally close to his heart and mind, especially in his later years.
For him, popular music constituted a fountain of original tunes and a test with an intuitive audience rather than the academic circles. Maybe, with this attitude, he followed the footsteps of Flotow, Offenbach, Ravel and many others later on until pop music became the vastly dominant music in the late 20th and 21st centuries.

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Erik Satie Satisfied

The collection of letters from Erik Satie contains more than 1000 letters amongst them some in exchange with the best artists of his time. The range is largely due to the circle of artists who met at Montmartre in Paris before and during the Great War. We discover letters to Maurice Ravel, Claude Debussy, Pablo Picasso or Henri Matisse. For some artists there are 100+ letters preserved like to Jean Cocteau. In the 1920s he composed music for shows at Montmartre, where the scenario was painted by Pablo Picasso and costumes designed by Coco Chanel. The sculpture by Brancusi must have been familiar to him, just as much as the cubist paintings by Georges Braques, as there are also letters or references to such letters in the impressive 1000+ pages collection. Like Ravel he was rejected by the Conservatoire de Musique de Paris in his early days as student. Montmartre allowed to live and create at the same time while living on a minimal budget. Erik Satie signed his letters with ES. In German this denotes a “neutrum”, maybe, beyond male or female differentiation, but also a tonality in music (E flat). There is no trace that this was a conscious choice. It is just another unresolved puzzle about the self-declared “Gymnopédiste” and composer of the “Parade” and the popular piano music the “Gnossienne”. 100 years after his death on 1925-7-1 he (ES) could be rather satisfied with his impact on the course of music in the 20th century and beyond.

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Musician Historian

Musicians are usually perceived as “part of history” rather than being historians themselves. However, recent research on Bob Dylan has extended that view to portray Dylan in his role as historian as well. The issue here is more with the historical periods and references the musician, composer and song writer builds on and interprets historical events. Thereby, his thoughts and impressions on living through historical events enter into his work as an artist. Dylan is literally “doing history”. He puts events of past and present into perspective of his own making and reached authority through the non-conformist perspective, which connected him to as a performer to his various audiences. His approach to doing history consists in the re-presentation and re-creation of historical narratives. Nina Goss (2024) in her book review highlights the “irruptions of the past into the present unique in popular culture”. The re-arrangement of fact and fiction encourages us “to inhabit, question, and revise historical narratives and tropes” (p.399). Several musicians have specific ways of reflecting, sometimes critically, on history in their artistic work. Bob Dylan certainly is a very prominent example of this an has been honoured for this by the Nobel Prize for literature. It remains an interesting perspective to review composers and their choice of libretti for operas as a way of doing history. The shifts from royal drama to revolutions and popular scenes are in this line of interpreting musicians also as historians.