There is a plural form of Quartet. Philip Glass has composed a piece for 3 string quartets. Thanks to the Kronos Quartet performing and celebrating in Brussels, modern compositions are continuously added to the repertoire written for and performed by string quartets. Contrary to received wisdom the tradition of string quartets is still alive and kicking. At Bozar (Brussels) the marathon performance of 27 quartets, not all at once, but spread over a day and several locations, afforded a great free-of-charge opportunity to wipe off the dust from the sometimes rather introverted form of string quartets. Despite the high share of young musicians who performed well at the occasion, the afternoon focused more on new compositions. Concerning the audience, however, there is still an older age bias in listeners, more the standard Bozar clientele so far.
The afternoon reminded me on listening CDs entitled: “I don’t like classic music, but this one I do”. Many people came for art exhibitions at Bozar, but then (re-)discovered on the sideline the atmosphere of chamber music at this occasion. Closing the age and social gap in classical music is quite a challenge. It is surely more like a marathon than just a few sprints here and there. The new format at Bozar in cooperation with the Kronos Fifty for the Future Marathon will sooner or later find extended audiences beyond the happy few this time. I would recommend listening to string quartet music more often until the “Transcranial direct current stimulation (tDCS)” will be the new hype. 
On Plurality
Most people are familiar with plurality under the term pluralism with respect to political parties or political systems. We have gotten used to have more than one political party tp represent the right or left in party politics. This is a challenge to people and parties as coalition formation can be a tough challenge to negotiate with a spectrum of parties rather than single representations of opinions and values. Plurality is, however, a more far reaching concept, which is applicable to many other fields of interest. Plurality of living styles are common fields of applications as well. Gender issues beyond binary gender identities qualify as yet another example for the pertinence of the concept. Nature has foreseen a wide variety of species even within subcategories of whatever classification system you apply, just think of trees. A broader variety of individuals is likely to increase the « requisite variety « of evolutionary processes as well. Plurality of modes of transport are another recent example of a widening of technological options available to reaching the same destination. A lot of progress and social progress is relying on allowing plurality to thrive before eventually narrowing down the spectrum. (Image: Sophie Taeuber-Arp, Composition with circles and rectangles, 1932, p. 256 from exhibition catalog 2024) 
Theatre Artists
Performances in the theatre are called pieces. The artists performing are actors of a play. The « Théâtre de la Madelaine », which celebrates its 100th anniversary in 2024 puts on a new production in celebration of the biography of the famous painter Claude Monet.
«Dans les Yeux de Monet » is the inspirational title of the play written by Cyril Gely and scenario by Tristan Petitgirard. Looking through the eyes of Monet puts you into the sometimes tormented head of the great artist. The challenge Monet faces is his very own perspective on a new vision for painting. In order to capture the impression of the cathedral of Rouen on him, he experiments with colours and lighting to capture just the right moment in time. Interesting to remember, there is not just one single moment he paints, but many versions of it with each realization offering a special insight or impression. Just on the sideline we learn about the importance of plurality rather than the one and only unique moment in time.
His own personal difficulties of sufficient funding for his art work and the depression he struggled with are well represented in the script and by the actors.
Galerists as well as donors (Mäzene) encourage artists, but somehow may also contribute to the pressure on artists to produce more creative work. Precariousness of living and living conditions are often a corollary of creativity or the creative process. This is a usually forgotten part of the biography of many past and present artists. Artists have and still contribute so much to humanity, but in most countries the public or private support for artists is sketchy. This remains a societal challenge particularly during times of employment and skill shortages in OECD countries.
Book Performance
Some texts are written in view of a performance, a theatre performance or an opera in mind. We have had dance performances and choreographers emancipate themselves from the music to claim dance is an art in its own right. Books are books in their own right. However, the hybrid forms of performance of a book was on display in the 2024 edition of the Wiels Art Book Fair in Brussels. It is common practice to invite speakers and authors for a book launch event. It is more rare to invite a choreographer and dancer to perform a book. This is exactly the what the publishers of A.R.D.V.L. did. Garance Debert put the editorial work and conceptual work on a book into a moving performance. There is much more to a book than just the letters and paper. The „mise en page“ turns into a „mise en scèene“ by an artist. The Wiels Art Book Fair has raised our attention to the larger creative potential of books, certainly art books, but also beyond books on art. Performative readings and book performances will enrich our repertoire of interacting with printed materials. Just before we might believe this is the next big hype, remember the bible is probably the book with the most theatrical performances linked to it.
Wave Length
The links between art and science are manifold and run in both directions. Artists challenge science or the outcomes of science and scientist refer to or maybe inspired by the work of artists. If artists challenge scientists by proposing an alternative theory they become subject to empirical scrunity like the unfortunate fate of the theory of colors of J.W. Goethe. The physics of colors has long been established and the theory of colors and light are best represented in science using wave lengths as the unit of measuring different colors. Hence, in this theory of colors or light the spectrum of colors runs from violet, dark blue, indigo (short wave lengths) passing yellow (medium wave length) to orange and red (longest wave lengths).
The painter Ellsworth Kelly has also challenged the science-based view of colors in “Spectrum IX” from 2014 currently part of the exhibition “Ellsworth Kelly. Formes et couleurs, 1949-2015” at the Fondation Louis Vuitton in Paris (extract of image below). As a provocation to the scientifically trained vision Spectrum IX breaks up the running from short to long wave length to take the scientific linear colors of the spectrum and split the spectrum in the middle (yellow) and join the ends upside down. Alternatively, take the spectrum and glue both ends of the color spectrum together to a circle and cut in the middle of yellow to form again a seemingly linear evolution of colors.
Now, let’s meditate in front of this new spectrum of colors and follow your senses. The challenge of the theory of colors is a provocative statement of all those imaginative potentials we exclude through a solely science-based view of colors. Art opens up virtual space and fills it sometimes with abstract reflections on colors. It is raising the question of beauty versus science, beauty in science or beauty through science. (Image: Ellsworth Kelly. Spectrum IX in exhibition Formes et couleurs, 1949-2015″)
Phase Shifting
The Berlin “Hamburger Bahnhof Nationalgalerie der Gegenwart” recently acquired “Phase Shifting Index” by Jeremy Shaw. As part of an exhibition of new acquisitions, Sam Bardaouil, the director of the museum and curator of this exhibition has installed the large-scale video and sound installation at the end of the long corridor of the “Rieckhallen”. The impressive, even overwhelming art work was created in 2020. It was first shown at the Centre Pompidou in Paris. 
The piece consists of seven large suspended screensand creates a space like in dance club, discotheque or dance studio. The visual and sound experience is allmost psychedelic. The near obsessional dancing shown on the screens represent different periods of dancing with their particular patterns of movements and choreographies. The phase of the electromagnetic waves is shifting from one screen to the other and towards the end of the performances it becomes clear, that they all follow a similar wave or rave pattern. Sublimation or ecstasy are the underlying index-like common traits. Each period or decade 50s, 60s, 70s, 80s, 90s, all had their peculiar dance and movement patterns. The video-installation is like a history of art of expression through body movement, amplified and indexed through rhythm and sound.
Electromagnetic waves can be characterized through wave shifting in various forms. This work gives us a feeling for the fascination of movement and phase shifting emotions. Don’t worry, the immersion ends after 10+ minutes and, if you like, you might read up on the physics of electromagnetic waves and phase shifting to calm you down.
Images: “Phase Shifting Index” by Jeremy Shaw, 2020, Berlin, Hamburger Bahnhof, 2024-9
Innovation Painting
Innovations have fascinated painters just as much as photographers. The impressionists have painted trains and steel bridges as well as modern city life. Innovations change the atmosphere of a situation and new forms of transportation have been admired for many decades. Artists and painters have dealt with this phenomenon in various ways. Either the innovations have puzzled the normal vision of people or things or the artists hinted at curiosities or incompatibilities. Gustave Courbet has depicted in a unique style (Realism), as early as 1865, a seated woman with a paddle on something similar to a catamaran. It is maybe surprising that the modern form of stand-up paddling looks a little bit like the „podoscaphe“ painted by Courbet. Innovations in sports continue to evolve and become part of Olympic Games as well. Some disciplines make it into the Olympic canon rapidly, others never make it. The exhibition of „Artists and Sport“ gave ample opportunities to reflect on the the relationship of artists and innovations as well. (Image Musée Marmottan Monet, Paris 2024, Extrait de Gustave Courbet, Femme au Podoscaphe. 1865)
Painter Sociologist
In going to a gallery and exhibition of paintings from the 17th century (Gemäldegalerie Berlin) you do not really expect to attend a class of sociology. However, this is exactly what the Flemish painter Frans Hals does with his paintings of various genres of society of his time. His sociological categories are for example unmarried young persons, married couples or pensioners living in a shared home. Other social categories of interest to him are a caregiver or, more common for the time, persons from noble or wealthy families. His painting „The Regents of the old men’s Almshouse” (ca 1660), the male pensioners home is one of his last paintings when he himself was already about 80 years old. Similar to a College of students the elderly home was run by a house father and house mother who took care of the daily living. The paintings of Frans Hals covered the entire life course with a cross-section perspective of society at his time. From few of his supporters he painted even several images moving towards a kind of longitudinal perspective on a person’s life course. Certainly, with “Oude-mannenhuis” (image below) he was interested not only in individual life courses, but of the conditions, forms or images of aging at his time. He probably was one of the first to challenge the negative stereotypes of aging.
Theatre Archives
The process of creation in the realm of theatre performances has manifold facets. The French National Library (BNF) in Paris has received the archives of the „Théâtre du Rond-Point” in 2023 and honors the donation with a fascinating exhibition on the immense creativity of the author, scenarist and director Jean-Michel Ribes. (Image below) The professional diaries of Jean-Michel Ribes and the documentation through photographs from the performances and video extracts allow an intimate view into the hard work of producing theatrical performances, popular television shows and comedies. Jean-Michel Ribes took notes of all sorts and kept extensive lists of potential collaborators, actors, daily occurrences and just nice sounding phrases. From just a simple phrase heard on the streets he developed a small piece to be performed in shows. Listening to the people and enriching this with great actors in superb scenery made his popular success. The creativity seems to derive from ample note taking and coming back to them eventually.
Lost Objects
Project yourself into the future more than a hundred years from today, maybe even more than a thousand years from today. Some archaeologists will work on the planet earth to uncover the story behind the disappearance of the once very advanced species of homo erectus. They start drilling near some of the mystical sites of this civilization, the cities where mass celebrations were held called Olympic Games. These archaeologists use huge drilling machines to take samples at previous Olympic sites and uncover the remains of the thought to be modern civilizations on earth. Amongst all these samples they find all sorts of artifacts and layers left over. Plastics and metal structures appear in the samples as well as other forms of „artificializations“, transformations of earth’s principal „natural“ raw materials. The inhabitants of earth apparently lost or destroyed the planet‘s capabilities of CO2 storage and eventually became extinct. After fighting for survival on another planet the archeological expedition on earth saved this block of the remains of a doomed civilization. All this is pure science fiction, yet the specimen sample is exposed on the roof of the futuristic Fondation Louis Vuitton building near the Jardin d‘Acclimatation in Neuilly sur Seine. (Image of „Where the slaves live“ of Adrian Villar Rochas, 2014).
