Tag: artists

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Painter influencer

In modern terminology we could say Edgar Degas has been an influencer for many other painters, gallerists, art collectors and our way to look and interpret paintings or drawings. Max Liebermann wrote an appreciation of the work of Degas for a German audience in an attempt to bridge the gaps in the understanding of modern art between France and Germany towards the end of the 19th century. Cassirer as editors facilitated the publication and jointly they achieved to build a remarkable collection of impressionism before the atrocities of war took over in the first half of the 20th century. Fates can change quickly and painter influencer may become discredited due to more forceful political influences. (Image: Booklet by Max Liebermann 1898 on Degas in Cassirer exhibition in Berlin) 

Max Liebermann on Edgar Degas published by Cassirer

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Splendid networks

The art of gallerists is to blend networks. Some of them manage to create splendid networks that make history in the best sense of the words. The exhibition on the gallerist Cassirer made this argument in a forceful manner. He had a large network of persons interested in art and modern ideas as well as access to a network of artists who challenged the conventional arts of the time, later coined as the impressionists. The overlap of interests created a special market of art which met in his gallery in Berlin Tiergarten. Lots of take home lessons for us. 

Cassirer exhibition Neue Nationalgalerie Berlin 2026-8

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Healing in museum

The topic of healing has a long tradition in museums. For example, in the Paintings Gallery (Gemäldegalerie) in Berlin “The healing of Tobit” (1630) by a follower of Caravaggio depicts the healing of eyesight with the aid of angel Raphael (extract of image below). The Bode museum also in Berlin in the vicinity of the Charité hospital proposed workshops to test or experience the healing through meditation techniques in the museum sitting on cushions while focusing on a statue for a while. Guided mindfulness workshops or own meditation sessions could be held during the visit. Museums can work as healing places to calm anxiety or release from stress.

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Gone birding

Birding is fascinating science and hobby. The recent advances in bird song recognition allow to compare the sometimes complex melodies across species. The support by many citizen scientists who collect data on sound, images and environment, made it possible to identify 8 major types of sound snippets. These constitute the basis from which to study or imitate the major bird songs, if you like. The scientific paper by Bacquele et al. (2026) shows that in dense forests the songs are more complex, whereas in open space simple tunes allow to travel far across space. Mating potentials seem to play an interesting role as well. But birding does not stop there. The Brancusi exhibits in the „Neue Nationalgalerie“ in Berlin deal also with the fascination about birds by the artist (image below). We also find depictions of the „bird-man“ in mythology more than 3000 years before our time and ever since. Flying probably brings together our science and dreams about birds and mankind. Science fiction is full of examples of that kind.

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Ensor Home

There are few artists who stayed in their home for almost all their life. James Ensor was a personality who was profoundly attached and continually attracted to his native city of Ostend. After a short and unsuccessful spell at the Brussels art academy, he returned to his parents’ home and due to a heritage from an uncle, he could live in a nearby house, which also served him as his atelier. Although I did not come across documents that showed he had traveled a lot, nowadays his art work is spread across the globe. The seaside resort of Ostend was a real tourist destination and, therefore, many famous people of the 1st half of the century passed by and met with Ensor there. Not only fellow artists, but also scientists like Albert Einstein. Critical minds and people searching beyond the trodden paths must have been attracted to him, a personality who dared to challenge conventional painting and techniques of his time. A reconstruction of his atelier and several animations give a lively modern touch to his work and living style. My take home message from the Ensor Home: The search for inspiration might be just around the corner. 

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Gone reading

From time to time we should reflect on our scope of reading experiences. Over time, a certain bias for probably predominantly Western European or western parts of the world is likely. Therefore, it is an interesting experience to consciously choose authors from a broader geographical background.  The reading, which originates or takes its motivation from an exhibition, is a good start to broaden reading, particularly if images enliven the reading experience. The art work by Yinka Shonibare CBE on display in Berlin at the Palais Populaire manages to make this point in a colorful, compelling fashion.
It is difficult to assess what we have missed so far without having embarked on a longer reading journey. (Image: extract from Yinka Shonibare CBE, 2022, “The African Library Collection (Poets)”

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Hybrid art

Bringing together 2 kinds of art makes hybrid art. Just as other fields of art have combined for example music with text to create the art form of songs as of the medieval ages, for example, the emancipation of another form of hybrid art is gaining prominence, text incorporated into or in cooperation with painting. The incorporation of text into paintings, sculptures or installations represents a drive to ise multiple channels of communication with an audience. Each might be sensitive to a specific word or sound, which creates an entry to gain attention or enlarge awareness for some cause. The “Palais Populaire” in Berlin displays the combination of the collection of the Deutsche Bank Art collection and the “Written Art Collection” to make this point with some forceful pieces of hybrid art focusing on text in art. (Image: Extract from “Map of utopia” by Qiu Zhijie, shown at “Seeing words, reading imagesSeeing words, reading images” at the Palais Populaire” in Berlin 2026-5). 

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Latent social structure

In empirical approaches to sociology we occasionally apply “latent variables analyses”. The aim is to uncover links between data that are not obvious in standard analyses of data. We are pretty convinced by evidence that age correlates with the probability of death. However, most tragedies are created around exceptional counter examples to this “rational expectation”. We also somehow have an intuition about the positive effect of social networks or the social fabric in a more general sense on living and survival. In some of those latent variable models we find evidence for an underlying factor without being able to properly name or frame it. Hence, as social scientists we continue to be interested in ways to make latent social structures more visible. With such an approach in mind I visited the exhibition by author and photographer “John Kolya Reichart” in the “Schöneberg Museum” entitled “Die Kette” (The Chain, 2026-5). The start of the chain is a familiar person in your neighborhood who leads you to the next person and so on. It is explicitly a non-random procedure, which complements proceedings of strictly random sample selection of survey methodologies. The sources for bias outcomes are multiple, however, an underlying or latent social fabric of a friendship and support mechanisms can be shown. Besides the b/w portraits and audios, giving a justification for the choice, the documentation of the process of production gives more insights into the risks and potentials of this form of insights into latent social structures.
(Image: Schoeneberg Museum, “Die Kette” by John Kolya Reichart)

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Taking a break

The time a researcher spends reading is still above average, I suppose. Even in times of AI doing astonishing summaries of documents and texts in general, we still need to check the output by reading as well. Taking a break from data compilation and writing, it’s time to do other reading. The Staatsbibliothek tries to lure people studying and researching there into their „Reading Lounge“. In 2026-5 the proposed reading is poetry. Based on the recommendations by an expert group 10 titles of German and 10 translations of poetry are available with direct access for onsite reading. The shift from on screen reading to paper based reading gives your eyesight a break. Your mind wonders off to something else. Much better concentration and new synapses afterwards. Why is still so difficult to take a break this way? We are working on it. 

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Valuable Donations

The of a donation to a national gallery is often a curse but may reveal only much later as a blessing. More galleries across the world give due credit to their generous donors. The collection of impressionist paintings by Caillebotte figures today very promising in the Musée d’Orsay in Paris. The fine collection by Chistoph Müller endowed to today‘s “Kupferstichkabinett” exposed in the Gemäldegalerie in Berlin has been on display in a small room. The „Kräuterblätter” (herbes on paper) by Kolbe 1815/1824 are fine pieces of etching with a focus on what might get lost in our biodiversity in coming years. Old trees were surely on his list (Oak trees 500+ years old). A collection of depictions of herbs and flowers a part of an ecological treasure which the generations after the painter and eventually the collector Christoph Müller began to value a lot. Some collectors are far ahead of their time by treasuring the past. (Image: Extract of „Kräuterblatt mit Schnitterin“ Kolbe 1815/24 Donation Christoph Müller shown in Gemäldegalerie Berlin 2026-5)