Tag: Europe

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Comprehensive Conflict

In a recent paper Mara Karlin (2024 Foreign Affairs LINK) has stated the need for the Western World to understand and even prepare for comprehensive conflict. Particularly in response to Putin‘s war on Ukraine’s territory and the threats and potential use of the full range of weapons including cyber warfare, destruction of energy resources and military production sites the current war comes close to total war. Several European countries have made significant steps to increase budgets for the new forms of comprehensive conflict management. This starts with adequate discussion in public on the dramatically changed security situation after the „Zeitenwende“ caused by Putin. The forceful Ukrainian response with much financial assistance from the West has pioneered drone counter strikes and by this put an end to the Russian progression into its territory. In order to match the total war ideology Putin is implementing in Russian society the Western world will have to rethink production models and strategic defense capabilities in all areas to match the rather real threats by Russia. The prevention of the spreading of comprehensive conflict is of utmost importance since the risk of an expansion of Russian influence and suppression of any internal resistance in Russia has devastating consequences. The 2024 book by Tatjana Tönsmeyer „Under German Occupation, Europe 1939-1945“ (own translation of German title) demonstrates what it meant to live under the domination of an inhuman dictatorship which is ready to use all out war and violence at any occasion. We have to confront this, even if we don’t want to face it. Nevertheless, the Russian aggression is also strongly targeted on its own people not to take risks of separation from Russia as this would mean devastating destruction to those regions and people who dare to do so. External explosions are therefore for Putin a prevention of implosion of the Russian Federation similar to the Soviet Union previously. Comprehensive Conflict extinguishes any remaining internal opposition as intended collateral damage. In Western countries, however, we shall have to argue with opponents and build majorities through understanding the issues at stake not through silencing opponents and opposition. The debate about comprehensive conflict is only about to start, but it is likely to last for several election cycles. (own image, Contemplation on infinite landscapes, Berlin 2024)

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Fiscal Union

European Integration is slow and hard to come by. For others it is moving too fast (Brexit). Cultural diversity is a real asset of the EU. The economy or the economies are powerful on an international scale. Nevertheless, the diversity concerning the tolerance of fiscal deficits is still widely spread across the Member States of the EU (see image below). Some states seem to play it cool and run relatively high deficits compared to the EU averages. In OECD comparisons most of the above average fiscal deficits are closer to or even below OECD averages over time (link to pdf-file OECD, 2024). Within the EU differences in government expenditure as % of GDP or the indicator of Gross public debt according to the Maastricht Criteria range from 20% to 160% as percentage of GDP. This entails a different level of resilience to future crises. After we managed to leave the previous 3 crises (financial, Covid-19, energy) it is time to prepare for what might come next in terms of challenges. Preparing public deficits to be able to soften economic shocks is essential to be able to sustain yourself and support others. We seem to be a bit off-target to coordinate fiscal deficits across the Union. Eastern and Northern countries have suffienct scope to support expansionist fiscal policies, be it in the realm of a defence union or to address climate change. Southern Europe will find it more difficult to raise additional funds to prepare now for future challenges. Fiscal deficits might even be not only an economic phenomenon, but a cultural one as well. If we compare Japan with a deficit running at 240% with South Korea with 50% Asia is showing even larger diversity in terms of fiscal preparedness.
An economist’s stance on fiscal policy and fiscal union might depend much more on her/his region or country of origin than economists might want to believe.
Images: OECD Economic Surveys: Belgium 2024, OECD Publishing, Paris, https://doi.org/10.1787/c671124e-en. p.17.

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Segregated Estonia

In cities of Estonia the segregation between the majority of Estonian speaking persons and Russian speaking persons has a long tradition. The Russians built new housing as part of their occupation of Estonia and housed their own persons there and sent their children to Russian speaking schools in these neighborhoods. The paper by Kadi Kalm et al. (ESR, 2024, 208ff) demonstrates the persistence of this “colonial” segregation over generations. However the authors show that desegregation of schools is a remedy to such previous housing and education policies. Learning the majority language is a definite step towards later integration into society just as (marital or household) union formation or labor market success do. The Baltic states have managed to escape from the Russian occupation but the Russian neo-imperialism is not entirely tamed. This explains a great deal of the anxiety of Estonia and other previously Russian occupied Eastern European states of a Russian backlash. Military commitment and a strengthening of the European Defence Union is a consequence. (Image Medieval Town Hall Tallinn Estonia 2024)

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Broken Promises

In a library catalogue, the entry of « broken promises «  returns more than 3000 times that the title has been used. « Promises kept » is almost as popular. A rapid inspection of titles reveals that the former titles suggest more factual analyses, whereas the latter is frequently used in the form of an imperative in combination with “should be kept”. The book by Fritz Bartel “The Triumph of Boken Promises …” (2022) demonstrates the importance of the concept of broken promises in the social sciences. The rivalry between socialism, capitalism and the rise of neoliberalism is strongly influenced by the way they handle the breaking of promises made to their respective societies. The promises of increasing wealth and wellbeing have been part of all political regimes. To keep these promises is a completely different story. Especially since the first and second oil crises and many other kinds of crises, it has become much harder to keep these promises. Working hours, retirement ages or minimum wages are all at risk to no longer live up to the promises made in earlier periods. This has put welfare states under pressure that millions of voters perceive politics as a “game” of broken promises. Socialist political regimes like Russia are ready to use physical violence to shut up people that remind leaders of these broken promises. In democracies the ballot box is often used to sanction governments that do not live up to expectations of previous promises. A lot is about public infrastructure which is failing people. Migration, education, social and labor reforms are on top of the political agenda if it comes down to broken promises. The elections of the European Parliament gave many a chance to express their discontent about various broken promises. Maybe democracy is better in providing forms of letting off steam early and protracted protests rather than the Russian way to suppress any critical analysis, let alone opposition movements. Just like the move from industrial production to services as production models, with AI we are likely to see similar problems and probably also broken promises. The challenge is huge and promises should be made with an eye of what promises could be kept.

Public swimming pool closed for reconstruction 2024
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European Voters

Elections of the European Parliament are more about a learning and participation experience than about crucial political influence. This seems to be the lesson learned from the relatively low voter turnout in many countries in 2024-6. Belgium reached by far the highest percentage (90%) of participants, but it had federal and regional elections at the same time. Croatian voters could not be bothered with these elections with just 21% of turnout. Many countries hovered around the 50% participation mark like France, Spain, Italy, Ireland and Sweden. Germany reached almost 65% which is relatively high, but due to its population size, it sends the most MEPs to Brussels later on. The most surprising result is the extremely low turnout in the former Eastern, Southern Eastern and Baltic states of the European Union. Apparently, the voters in these countries care little about their political option to vote for MEPs. This should worry all other parts of Europe profoundly as we invest billions in infrastructure and social cohesion to keep the European Union an open house for all East and West, South and North. The challenges for the next 5 years are huge. The expectations are high, but the commitment to democratic procedures like voting and decisions through the ballot box are not to be taken for granted throughout Europe. (Image European Parliament 2024-6-11)

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Schostakowitsch Revival

Je mehr Putin sich unablässig in seinem Angriffskrieg gegen die Ukraine und gegen seine eigenen Leute versteift, umso mehr werden die musikalischen Werke von Dmitri Schostakowitsch aktuell. Schostakowitsch hatte viel unter Stalin zu leiden. Sein Werk konnte kaum Gefallen bei der stalinistischen Führung finden, aber dennoch haben voele der Russen seine Werke geliebt. Insbesondere die sogenannte „Leningrader“ Symphonie, die das Volk einte vor den Radioempfängern, selbst mitten im Krieg gegen Nazi-Deutschland. Die Berliner Symphoniker haben diesem Werk eine neuere Ehre erwiesen mit einer Aufführung in Berlin 2024-5. Das Interview dazu mit dem Dirigenten Yannick Nézet-Séguin wurde geführt von Matthew Hunter, Bratschist der Berliner Philharmoniker. Es beschreibt diese eindrückliche Auswahl hervorragend. Die Berliner Philharmoniker haben eine lange Tradition, Werke von Schostakowitsch aufzuführen und einzuspielen. Die Digital Concerthall hat eine umfangreiche Sammlung mit Werken von Schostakowitsch. Oftmals etwas schwere Kost, aber durch das Ausspielen des ganzen dynamischen Spektrums von pp bis ff nie langweilig. Eine kleine Filmmusik „Volksfest“ (Sylvesterkonzert 2022) ist leicht beschwingt oder gar etwas beschwipst. Der musikalische Nachwuchs hat die Tiefe der Werke erkannt und gewinnt international anerkannte Preise mit Vorträgen von Werken Schostakowitschs. So geschehen zum Beispiel beim „Concours de la Reine Elisabeth in Brüssel 2024-5. Der Ukrainer Dmytro Udovychenko würdigte Schostakowitschs Leben und Werk inklusive des Existenzkampfes und gleichzeitig seine Heimat die Ukraine mit dem Belgischen Nationalorchester mitten in Europa. 

Example Audio Playlist on Spotify or Videos on DCH
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Family Kafka

100 years after Franz Kafka’s death nearly all facets of his life and writings have been analyzed. The archives of the editor Wagenbach and the publishing house have now opened an exhibition at the “Stabi Ost” in Berlin adding a family picture book description of Kafka’s life (Curator Hans-Gerd Koch). This is of interest because Kafka himself had written an extensive letter to his father (Brief an den Vater) in which he tries to understand his intricate relationship with his father and other family members.
Nowadays, some people would try to analyze Kafka’s life through the parapsychological technique of family constellations. The far-reaching and pan-European family networks of the Kafka (father) and Löwy (mother) families were more than just an excellent source of inspiration. 2 younger brothers died in their first year. 3 younger sisters followed more traditional evolutionary patterns within families. The television series on Kafka’s life add to the understanding of his sources of inspiration and “parallel worlds” he created and lived in. The exceptional “fictionalization” of his own life and existence in the spirit of André Breton’s surrealism remains a milestone in the history of literature.
Kafka himself thought he was not really “instagrammable”at the time, but his image has reached and still reaches millions of people (Link to Picture archive). He himself would probably have defended the thesis that the most powerful images are within us. … and they are hard to escape from.
(Image from Exposition in Staatsbibliothek Berlin 2024-4, QR-code links to reading in originals!)

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Opera Politics

We know that sports and international politics have ample links. This holds true for Opera performances, either due to the way they are presented or due to the content of the libretto. The opera Jeanne d’Arc (Giovanna  de Arco, Jungfrau von Orléans) by Guiseppe Verdi was composed in 1844 and had its Premiere at La Scala in Milano 1845. The libretto is based on the drama written by the playwriter Friedrich Schiller. Later in the 19th century musical pieces followed that dealt with the court judging Jeanne d’Arc. The opera by Verdi creates a strong female voice and character which outperforms men around her. Obviously, she was and remains for many a quasi-mythological heroine. In short, this constitutes great plots for drama and operas. This is centuries old despite the rare occasions of more recent performances of Jeanne d’Arc in form of Verdi’s opera or other forms.
The Opera as arena of politics is currently tested in the Opera at Tallinn Estonia. Due to the aggression and occupation of Ukranian territory by Russia the plot of Jeanne d’Arc regained another European location of potential application. Ukraine pushed back the Russian invasion and struggles to win back its territory from the invaders. The performance of the Opera recreates an impressive Jeanne d’Arc in the person of Elena Brazhnyk who was trained at the National Tchaikovsky Music Academy of Ukraine. The evening inspired hope in many respects. Talents from Ukraine or trained in Ukraine reach out into to the world. Similarly, we have much reason to be inspired by courageous acts. Operas do politics. “Bravi”, as they say in Italian.
(Image: Opera Tallinn-Estonia2024-4-18)

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Electricity

We all use electricity, not only daily but continuously. But do we really know or remember how it works? Surprisingly, we care very little about the energy provision or the physics behind it. Therefore, from time to time it is useful to dive into the details of generating electricity and thereby energy and how it arrives at our doorsteps or desks. In science museums you can literally walk through the history of power generation. A fine example is the Energy Discovery Centre in Tallinn, Estonia. Even for those you did all at school turning the handles of generators is a playful reminder of the basic principles of electric power generation. The efficient use of it, is a topic that needs to be covered as well. Searching the web for demonstration videos is fine as well, but the physical activity of moving induction coils and releasing sparks is difficult to rival. Opening up your mind for the physics of our lives yields a better grip on the challenges of electricity grids and local production of electricity. Are you already a prosumer? Combining electricity production and consumption in one household is surely a forward-looking strategy. Raising awareness for these topics concerns all generations. Take time for a power play, it is truly enlightening. For teaching professionals or want to be there are exciting programs out there, too. Just one suggestion for 2024 in Colorado, US.

Energy Discovery Centre Tallinn
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Schachliteratur

Es gibt sie noch, die Personen, die Schachbücher lesen und kaufen. In vielen Sprachen existiert die Niche der heimlichen Strategen. „Teaching old dogs new tricks“ oder ist es eher „teaching young dogs old tricks“. Das ist eine empirische Frage. Nicht nur Zeitungen für sogenannte BildungsbürgerInnen haben noch kleine Spalten zumeist mit Schachproblemen. Manchmal findet sich Schachspielen sogar als Schulfach. Lesestoff zum Schachspiel findet sich reichlich. Schach in der Literatur ist jedoch verschieden von der Schachliteratur, die sich mit Strategien und Tempi befasst.

Das Lesen von Schachliteratur mit Meisterpartien hervorragender Spielenden ist vergleichbar dem Lesen einer Partitur einer Symphonie oder Oper. Das Kino spielt sich dabei überwiegend im Kopf ab. Gelegentliche unvermittelte Gesten oder Ah-laute sollten den Spielenden ihrer Verzückung wegen entschuldigt werden. Vielleicht sollten die Schulen diese Kulturtechniken mehr vermitteln. Macron‘s Vorschlag Theaterspielen mehr in den Schulen zu vermitteln erscheint in diesem Vergleich als ein Entgegenkommen an die „Generation der sich ständig selbst inszenierenden“. Mehr Spielen ist aber schon mal ein wegweisender Vorschlag.

Schachbücher 2024