During the time before the “Zeitenwende” it was easy to visit the home of the composer Pyotr Ilyich Tchaikovsky in St. Petersburg. Therefore, we refer to our memory of the visit and the already 10 years ago restrained liking and appreciation of the Russian officials for the aristocratic composer, even accused to not be sufficiently Russian in his music compared other Russian composers. The composer had diverse love affairs, which were also not conform to official doctrines. The world wide success of his compositions, mostly known for his ballet music, remains popular in the 21st century. Similar to Beethoven, the biography by Malte Korff (Tschaikowsky, in German), highlights the final symphony as his masterpiece. The seems to be a reason to study “the last works” of composers specifically. The mature compositions appear to reflect on previous work and build or comment on previous work. The 6. symphony “Pathétique” was completed in his last year of his life, only at age 53. The final IV-th piece of it is entitled “Adagio lamentoso” and ends in very calm tempo and almost silence like a withering away heart beat. To my surprise I found a similarly very quiet ending in one of his early piano composition when he was only 28 years old “Romance Opus 5, Andante cantabile”. This early piece also ended “più lento” and from pp to ppp. (compare extract of image of notes below). 
Sovereignty of People
In France the judiciary has made an influential decision to ban a politician from the possibility to be elected after conviction of fraud. This is just what is to be expected from the 3rd power in the organization of a democratic state. It is surprising that there was a political debate about a person convicted for a crime to be eligible for public office. Several eminent scholars published columns in major newspapers to support the judicial decision. Pierre Rosanvallon focused both on the justification of the verdict and the constitutional role attributed to the judiciary to operate as a kind of memory of the “general will of the people”, the ultimate sovereign. In the struggle of power within a state the judiciary defends individual rights as well as moderates between the executive and the legislative branch. In the theory of democracy this creates a double bind situation in which the individual has a right to be defended against the state and individuals who ask for judgment of cases one against another one. Eric Halphen has also argued in favor of the often neglected role of the judiciary to stand up for the “general interest”, a notion which is not easy to define without historical references in each country and its historical trajectory of democracy. The short debate about the role of the judiciary has strengthened the defensive capacity of the French democracy. Other, even mature democracies may turn their eyes on the decision of the judges involved not to shun away from unpopular decisions. The independence of the judiciary is part of the sovereignty of the people and non-negotiable part of it.
Housing renovation
The huge amount of buildings that need renovation is a task for each generation. New constructions are relatively easy to realize even to the best available standards. Particularly energy standards asking nowadays for serious isolation of buildings are easy starting from scratch. Energetic renovations of existing buildings are much more challenging and have to take into account the various stages or predilections of previous generations. Repurposing of buildings raise additional questions like transforming a family home into a representative office building. New technologies like fiberglass instead of copper cables or copper or plastic tubes instead of other hazardous materials cause additional costs and worries. The use of asbestos for interiors of previous generations has created the greatest liability for existing buildings. Technological choices of the past and also of the present (heat pump or not) have lasting consequences and sometimes even health effects. To cherish old buildings and styles is a mixed blessing as the renovation of housing confronts home renovators with more tricky challenges than building a new home. Incremental repairs might do the trick rather than all in one go renovation, however, you might enter into a situation when renovations are always on your mind. Not only the times are a changing, but homes are a changing, too.
Private Intimacy
Intimacy has been reserved for private affairs for centuries. Although in the medieval ages formally the right of so-called noble men could be very far-reaching into intimacy of families when the permission to marry was quite restrictive. The private intimacy is the central theme of the Paris exhibition at MAD (Link) « Private Lives ». The organization into 14 almost private rooms around a larger center piece on design leads us through the major topics of intimacy. Maybe as a surprise to some, the exhibition starts with the major actors of change related to privacy and intimacy, i. e. women. Opening up enclosures gave women more room for intimacy and at the same time it made intimacy a conscious choice and decision. “A room of one’s own” is an important step in personal development of children particularly with respect to one’s intimate life. Restrooms are another issue of intimacy, just consider recent adaptations tor m/f/d people. A whole set of accessories are on display which previously were intimate products or even secrets prepared for public viewing. Of course odors are part of the experience with a test space of noble perfumes. The various manifestations of sexuality has brought about a growing number of pleasure objects, which might also be criticized as a growing commodification of intimacy as well. The connected bedroom and the risk of surveillance are raised to warn on overexposure on social networks. Intimacy in prisons or community shelters closes the exhibition before the final highlight the room on “conversations with oneself”. A whole literary form of keeping an intimate journal has arisen from the conversations not intended to be shared with others, at least not during one’s lifetime. After a person’s death for some persons of public interest even their private intimate journals will be published shifting the balance between the private and public parts of intimacy. (Image below from exhibition, photo bottom left, Matisse painting on wall while in bed in old age).
Intimate change
Society changes and with it so does intimacy. The major changes pass through the behavioral changes of persons and sooner or later the whole society adopts such changes as the new normal. Trends of individualization have moved over centuries as the exhibition in the Museum of decorative art (MAD) in Paris demonstrates. At the same time the changed individual approaches to intimacy have become more widely spread quickly over time. Social media have accelerated such new trends again. Social class is yet another intervening variable in this context which created different speeds of adjustment as well as sustaining differences in kind.
Religious beliefs and practices have made claims about how individuals should handle intimate relationships and affairs. Legal issues are defined by each society to guide moral practices as well. Hence, the sociology of intimacy is a huge topic and comparing societies an interesting topic. The development of intimacy over a person’s life course, however, is given little attention due to a lack of adequate longitudinal data. From the exhibition we are encouraged to think about the relationship of hygiene and intimacy. Bathrooms accompany us throughout our lives and privacy was originally a bourgeois concept. Over the life course we move from dependency to independence and maybe dependency again in very old age. The images (below) from the MAD exhibition range from basics of bath tubs to a painting of Edgar Degas in the background. Instagramer or YouTuber share lots of images and stylized arrangements of bathrooms on social media. It seems that intimacy is moving further into the public domain.
Aufklärung Enlightenment
The period of the enlightenment is a historically defined time period of the late 17th and the whole 18th century. Although often associated only with Europe as its origin, the American contributions and influences have been far-reaching as well, just thinking of the “Declaration of Independence“. This historical period is, however, most interesting through the unrivalled contribution and pivotal point to the history of ideas. The exhibition and catalogue on the “Aufklärung – Enlightenment” by the German Historical Museum in Berlin exposes many of the historical editions of books that “made the enlightenment”. Philosophical writings and readings (Immanuel Kant: Kritik der …) of the period (especially in German) are tough even for native speakers of German, unlike reading of French (e.g. Jean-Jacques Rousseau) or English (e.g. John Locke) contributions to the enlightenment. Maybe this is already one of the reasons why in France the revolutionary ideas were put into practice through population-wide political movements.
The historical period of the enlightenment came to a close in the early 19th century (1806 another pivotal year). The English or French terms of enlightenment or lumière maybe be interpreted in a way that other historical periods like the medieval ages were periods of darkness, even later periods again did not live up to the idealist prerogatives of the evolution of humanity. The German term “Aufkärung” has its etymological roots more in the action associated with “to enlighten”. This hints at the continuing process of the ideas of the enlightenment in modern terms the process of individualisation, tolerance and autonomy.
There many valuable short interviews shown in the exhibition and Jürgen Habermas contributed a short closing statement to the catalogue of the exhibition on the unfinished project of the “Aufklärung” inviting us to continue also with the “Kritik der Aufklärung”. After all the enlightenment did not save us from repeated events like “Apokalyses“.
(Image: Émilie du Châtelet, below book on Newton Physics in DHM Enlightenment exhibition 2025). 
Apocalypse Depicted
At the beginning of the 21st century we have a renewed interest in depictions of the Apocalypse. “L’Apocalisse di Giovanni” has been illustrated in various Christian monasteries and some traveled quite a bit. The version of the Apocalypse (Link) which was attributed to Cambrai is a copy of the older original version found in the City library of Trèves, which dates back to the year of about 825. A flemish version of the 16th century is to be found at the BNF in Paris. Throughout the centuries the “Apocalypsis”has been reworked. The version of Trèves has the “carolingish” depiction characteristized by a presentation of image on one page and text on another page. Nowadays we are used to futuristic images and have known even worse experiences of apocalyptic events (Nazi terror). Earth quakes or man-made climate change with heating of the planet, storms, draughts and floods testify for the renewed interest in the Apocalypse. Other man-made technological innovations like rockets. atomic bombs, chemical and biological weapons overshadow even the “natural” ones. The potential of AI to cause destruction is not fully assessed until today. Swarms of drones guided by AI might reach apocalyptic levels as well. We just remind ourselves of the bombing of walls of a water reservoir by Russia in Ukraine. The Apocalypse will remain the original example of a horror story and our strange fascination for such texts, images or movies is likely to stay. (Image: extract of anonymous 1st quarter of 9th century. Trier Stadtbibliothek, Schatzkammer. Wikipedia public domain).
Law and Witches
Medical and chemical authorities have been questioned for many centuries. As far back as Friedrich Spee (1591-1635) in the early 17th century there were even among the clergy men with enlightened views on what might be helpful ways to assist people on their journey to better health or simply pain relief. This did include many unhelpful or detrimental methods as well. Scientific rigor was not well established at that time, which opened up many doors for alternative diagnosis and treatment. From a historical and sociological perspective the closing procedures of professional organizations are interesting as well as opposition to them. Early moderators between hardliner positions are rare at the times of forceful and fierce competition between opinions and doctrines that characterized medieval history. In the absence of an independent judiciary earlier moderation could be influential in specific instances. A testimony for can be found in a documentation of the biography of Friedrich Spee and the society that promotes the memory of such exemplary behavior. 
Art from India
Indian music, art and performances have had a difficult time in traditional western cultures. Based on the historical collections and donations in the BNF, this WEIRD bias is challenged a bit. The focus on performances and art from India of centuries old traditions of high standards could have been a major source of inspiration to wider audiences already. The narrative language of for example dance as Bharatanatyam is a sophisticated ritual of expression. It appears to us like a spiritual performance which reaches our emotions much like our modern ways of expressing and performing. It seems amazing how the western world has omitted looking and listening to other continents.
Of course, archers have played an important role in Indian culture as well. Such depictions have been common across cultures in previous times. These images can reflect the shared human heritage and this with a global perspective on art history. Flora Willson (2024 in Die Musikforschung) refers to this Indian cultural heritage in her book review and why Italian Opera never really became popular in India.
(Image BNF, Paris Richelieu in Rotonde 2025). 
Great Petit Palais
The Petit Palais in Paris was built together with the Grand Palais for the World Exhibition in 1900. The great architecture of both buildings is complemented by great interiors. The Petit Palais has also been the home of donations to, as well as commissions by, the city of Paris since 1870. This means that a sizable collection of sculptures and paintings has accumulated since then. In spring 2025 the visit of these collections is free of charge and gives honor to the donors and artists exhibited. Over time the collections spread more than 2500 years of art history similar to the exhibition at the BNF gallery Mansard. In the 21st century the exhibition of a piece of art, which stems from the North of Syria reminds us that art is a treasure that can last even if the civilization has been lost or at interrupted for many centuries. This is an important aspect of taking a long term perspective on international politics and history. The breadth of the collection allows a stroll through art history in a splendid setting. Romanticism and impressionism receive a little bit of attention, but the architecture of the Petit Palais invites you to delve into lesser known territory. This, probably is the specific merit of the joint presentation of otherwise necessarily eclectic collections of donors across centuries.
(Image: Anse de chaudron Syrie du Nord 700 years before our time, Petit Palais Paris). 