As all of us use GPS systems to navigate across the world or just in your city, “degré zéro” might nowadays be associated first of all with the prime meridian 0° longitude, which runs through Greenwich near London and around the globe.
In « Le degré zéro de l’écriture », Roland Barthes (1953) challenges the bourgeois kind of writing of literature. He introduced the pertinent distinction of the verticality of writing styles in the sense of social classes as well as the horizontal form of spoken language He further distinguished écriture as a person’s style which is embedded into the historical and social context of her/his time. As a radical change, Barthes proposed to use scriptor instead of writer as the latter expression is too much loaded with the historical package of the person. Barthes inserts the scriptor as écrivain into her/his time and insists on the intellectual and social context of writing or the author.
As the scriptor (p. 26) does not escape to become a writer « écrivain «, the degree zero de l’écriture postulates a homogeneous society, which obviously is an ill-conceived vision of reality. Language and texts, therefore, are not universal in kind, but bound to situations, which are defined in historical time and space (p. 67). Semiotics was a major field of his analyses of literature and language.
Whereas in a talk you might focus on the person you are talking to, in a written text the other person is « the many » readers, wherever they are and maybe at a much later time as well. There is a qualitative difference and yet modern “voice to text” transcription makes all spoken words immediately available as written document or “compte rendu”. (Source: Roland Barthes: De la parole à l’écriture. in Le grain de la voix, Entretien 1962-1980. p. 12).
Let’s watch our language as we follow the longitude or latitude around the globe and even small deviations from degree zero matter a lot. 
Société du Spectacle
In 1967 Guy Debord published “la société du spectacle”. The content of the book and Debord’s original thoughts are presented in 221 numbered paragraphs, just like blog entries, with a table of contents with 9 chapters each introduced with a quotation. The first paragraph reads: “Toute la vie des sociétés … s’annonce comme une immense accumulation des spectacles. Tout ce qui était directement vécu s’est éloigné dans une representation.” Modern societies are conceived as a huge accumulation of events. What used to be experienced directly, has become only a distanced representation. The spectacle or the events society has moved beyond the state of being just a part of society to become the defining element of society. At the same time, events in the broadest sense are an instrument of unification (para. 3). Events constitute social links between persons, which are mediatized through images (para. 4). It is a “Weltanschauung, which has become effective and through the force of images (including faked ones) creates an “objectivation”, a kind of imagined reality.
This society of events, following Debreu, creates a positivism with a reflexive structure. Only things get attention that are great events (instagramable, make headlines, clicks), and only great events will receive broader attention (para 11). The result is a tautological character of the events society and it has become self-referential. Society shifts from the definition of (1) être = to be, (2) avoir = to have, to (3) paraître = to appear. It is the appearance that counts. A person’s individualism becomes socially mediated by its ways to appear in front of others (para 17). Social power then derives from the form of representation that can be achieved.
The final entry of the 1st chapter (para 34) states. “Le spectacle est le capital à un tel degré d’accumulation qu’il deviant image”. Events form a kind of capital, which through its accumulation becomes an image or the image of society. 
Parallel Universe
Sometimes, it might well be before during or after presidential elections, you feel like living in a parallel universe. Especially after the U.S. presidential election many people beyond the U.S. have the impression that millions of people have rather strange views of how our living on earth could be worthwhile for all, rather than a few. In a crude and rude election campaign many people in the U.S. must have been alienated from what they imagine a peaceful living together in a country or on our planet. Faced with the brutal language it is soothing and comforting to read books again. Already in 2023 adult fiction has outperformed on the book market in the U.S. “Romantasy” and narrative non-fiction (are the new bestsellers beyond travel books, cooking, children books and comics according to circana.com.
Uncertainty, complexity and plurality, apparently, have destabilised many persons to the extent that foundation texts of religions, predominantly the bible, have become bestsellers again with more than 14 million book sales in the U.S. in 2023 and up to November in 2024. Printed copies as well as specialised editions for children go to new first time readers and buyers as well as replacing older copies. The need to find simplifying answers to basic questions of humanity is on the rise again.
Some persons might wish to find the existence of a parallel universe in studying the bible, others just a retreat from the horrors of daily news on TV and social media, we all consume more than ever before. We are no longer surprised to find the first church in Switzerland, which offers an AI in church which listens and answers to your confessions. Bible apps offer detailed search functions and reading aloud in case you prefer listening.
There are even unauthorised historical translations of the bible on the market in antiques book shops, which achieve exceptional prices.
Of universes, there seem to be many, overlapping and in parallel.
(Image: Reading Magritte on surrealism)
On Complexity
The famous quote from Marc Bloch on complexity with reference to history states that history is always more complex than a single perspective or interpretation suggests. Therefore, it is advisable to consider several perspectives on the same subject and, maybe, add another one. In maths the term complexity is probably primarily understood in the sense of complex numbers that go well beyond the arithmetic of counting. Many dimensions of a complex problem might, first of all, necessitate a thick description of the problem to then identify (scientific) disciplines that might contribute to disentangle the intermingled lot. Most of the time it is assumed that a single discipline could resolve the issue, but as in the example from Marc Bloch on complexity in historical research, different perspectives like the cubist art movement practiced a complex approach to painting and depicting a figure. Accept complexity as the rule rather than the exception and here we are in the middle of today. Unfortunately, too many people want to escape from the complexity around us by pretending to have easy answers to complex issues. (Image: Le Penseur by Rodin, background paintings by Monet, Berlin Alte Nationalgalerie, 2024)
Comprehensive Conflict
In a recent paper Mara Karlin (2024 Foreign Affairs LINK) has stated the need for the Western World to understand and even prepare for comprehensive conflict. Particularly in response to Putin‘s war on Ukraine’s territory and the threats and potential use of the full range of weapons including cyber warfare, destruction of energy resources and military production sites the current war comes close to total war. Several European countries have made significant steps to increase budgets for the new forms of comprehensive conflict management. This starts with adequate discussion in public on the dramatically changed security situation after the „Zeitenwende“ caused by Putin. The forceful Ukrainian response with much financial assistance from the West has pioneered drone counter strikes and by this put an end to the Russian progression into its territory. In order to match the total war ideology Putin is implementing in Russian society the Western world will have to rethink production models and strategic defense capabilities in all areas to match the rather real threats by Russia. The prevention of the spreading of comprehensive conflict is of utmost importance since the risk of an expansion of Russian influence and suppression of any internal resistance in Russia has devastating consequences. The 2024 book by Tatjana Tönsmeyer „Under German Occupation, Europe 1939-1945“ (own translation of German title) demonstrates what it meant to live under the domination of an inhuman dictatorship which is ready to use all out war and violence at any occasion. We have to confront this, even if we don’t want to face it. Nevertheless, the Russian aggression is also strongly targeted on its own people not to take risks of separation from Russia as this would mean devastating destruction to those regions and people who dare to do so. External explosions are therefore for Putin a prevention of implosion of the Russian Federation similar to the Soviet Union previously. Comprehensive Conflict extinguishes any remaining internal opposition as intended collateral damage. In Western countries, however, we shall have to argue with opponents and build majorities through understanding the issues at stake not through silencing opponents and opposition. The debate about comprehensive conflict is only about to start, but it is likely to last for several election cycles. (own image, Contemplation on infinite landscapes, Berlin 2024)
History’s Weight
The artist Damien Deroubaix is currently exposed at the BNF.fr in its historic site Richelieu. Together with and next to some of the historic treasures of the BNF collections the unique exhibition allows to experience history’s weight on our current existence. The work of Deroubaix is following and pursuing historic art trajectories with a special historical and ethical consciousness. Techniques of art are insensitive to the moral compass of the painter in history. The collections of the BNF like all major European collections have to handle their colonial past and immoral depictions throughout history. Deroubaix accomplished to liberate techniques of art of their colonial linkages and imagination of emperors focusing on humanitarian values. War is horror, in the past and in the present. Genocide in Rwanda is war crime and dealing with the memories of people an honorable way to look forward conscious of the past. Hybrid forms of art allow multiple contextualizations of his work. In the Galerie Mansart and Pigott of the BNF the historical embedding enriches the art and vice versa. Art allows us to rise beyond the ashes mankind has and continues to inflict on us. (Images: extracts of Damien Deroubaix at BNF, Paris 2024)
Theatre Artists
Performances in the theatre are called pieces. The artists performing are actors of a play. The « Théâtre de la Madelaine », which celebrates its 100th anniversary in 2024 puts on a new production in celebration of the biography of the famous painter Claude Monet.
«Dans les Yeux de Monet » is the inspirational title of the play written by Cyril Gely and scenario by Tristan Petitgirard. Looking through the eyes of Monet puts you into the sometimes tormented head of the great artist. The challenge Monet faces is his very own perspective on a new vision for painting. In order to capture the impression of the cathedral of Rouen on him, he experiments with colours and lighting to capture just the right moment in time. Interesting to remember, there is not just one single moment he paints, but many versions of it with each realization offering a special insight or impression. Just on the sideline we learn about the importance of plurality rather than the one and only unique moment in time.
His own personal difficulties of sufficient funding for his art work and the depression he struggled with are well represented in the script and by the actors.
Galerists as well as donors (Mäzene) encourage artists, but somehow may also contribute to the pressure on artists to produce more creative work. Precariousness of living and living conditions are often a corollary of creativity or the creative process. This is a usually forgotten part of the biography of many past and present artists. Artists have and still contribute so much to humanity, but in most countries the public or private support for artists is sketchy. This remains a societal challenge particularly during times of employment and skill shortages in OECD countries.
Masculinity Photos
After the turn of the millennium we keep questioning us about basic principles of humanity, previously called mankind as well. The Zeitenwende has occurred through Putin and other male warriors and warmongers 2 years ago. This is reason enough to keep asking us what is behind the male visions of life and living together. Any hints from social sciences, biology and media studies are helpful to broaden and deepen our understanding of what constitutes masculinity and how it evolves over the life course and within or between societies. The collection of photographs from Jérôme Prochiantz currently exposed at the BNF enlightened the issue. Ever since Max Frisch wrote „Homo faber“ we are aware of the technological transmission process a man might be subjected to. Capturing single moments or arrangements with a lot of care for details shows maybe otherwise hidden male predilections and leaning towards abstraction. An idea or undefined vision, maybe an illusion are depicted in this revelation of masculinity at the turn of the century. Creative and destructive forces are jointly presented in this continuous questioning of masculinity. (Image: BNF, exhibition 2024-11 Jérôme Prochiantz)
Forced Living Space
The „Topography of Terror“ hosted the book launch of the research project on „Zwangsräume“ (forced living space or forced homes). The cooperation of an impressive network of organizations (Aktives Museum Faschismus und Widerstand in Berlin e.V., Koordinierungsstelle Stolpersteine Berlin, Alfred Landecker Foundation, Metropol Verlag) has achieved to uncover the forced relocations of thousands of German jewish people from rented place to another one, thereby regrouping and cramping Jews into ever smaller living spaces in predetermined houses within Berlin. Through this horrible step by step expropriation and extermination terror was present and visible all over Berlin. The online documentation and data access allowed citizen science projects to accompany the research and actively contribute to enlarge the data investigated, analysis and dissemination of the findings. The continuation and extension of the project is already in preparation and seeks additional funding and volunteers. The traditional book publication helps to provide an insight into the thorough historical research which started with a more adequate definition „Zwangsräume“ than the previously used term of so-called „Judenhäuser“, since the houses had and kept a mixed population sharing the living spaces until deportations of the jewish persons forced into ever smaller living spaces before. The property of the deported persons was recovered by officials from sealed apartments and sold mostly as bargains on auctions or just redistributed among officials in need or with special merit for the Nazi-movement. This adds an intergenerational dimension to the project that is also worth looking into in the next phase of this extremely valuable project based on large online archives from original register information and other documents. (Image: The map shown below in the presentation has blue signs that have already been traced and hundreds of red signs where the histories are not yet retrieved).
Nazi Reinterpretations
Even almost 80 years after the end of Nazi terror and the 2nd World War started by Germany, we witness attempts to reinterpret the lives and careers of many Nazi officials. In the same realm, the crimes committed to pull out „Stolpersteine“ try to negate the horrible crimes committed by the Nazi leadership and their followers. The special exhibition at „Topography of Terror“ on „Reinhard Heydrich. Career and Violence” allows to study the biography of this high ranking and convinced Nazi official. After the usual career trajectory of a marine soldier he entered the Nazi secret police and made his career moving up the ranks showing readiness to use above average violence. This seems to have been a precondition to qualify for fast career trajectories. These personality traits have been demonstrated for thousands of Nazi officials in their professional life. This exhibition has additional merits to provide shocking evidence that the wife of Heydrich even many years after the end of the Nazi terror and 2nd WW does not show any signs of regret for what were her husband’s crimes against humanity. They had a splendid life and lived in a palace near Prag before her husband died after an attack by partisans. This is a great lesson to sharpen our awareness of those trying to reinterpret the lives of Nazi leaders and many of their followers. It is a timely reminder to not focus on rosy pictures of the Nazi time without the acknowledgment of the responsibility for millions of people who died. (Image: Extract of exhibition on Heydrich, Topography of Terror, Berlin 2024, book publication).
