Category: History

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Nazi SS Terror

The permanent exhibition „Topography of Terror“ in the middle of Berlin is always a place that receives a lot of attention from tourists. This is great news. The central location is certainly part of the success story. The Brandenburg Gate and the boulevard„Unter den Linden“ nearby allow to combine historic interests and site seeing. Many groups from schools gain a visual impression of the terrorism the Nazi dictatorship and its para-military organizations have exercised during the years 1933-1945. The years after the 1st World war until the full dictatorship were crucial to attempt to stem the Nazi tide rolling across Germany from the original Munich-based headquarters. The information on the „Establishment of the Führer‘s Dictatorship“ (image below) is a warning to all of is today to guard against the beginnings of similarly extreme movements and parties today. We shall always remember and we shall never surrender.

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Book Performance

Some texts are written in view of a performance, a theatre performance or an opera in mind. We have had dance performances and choreographers emancipate themselves from the music to claim dance is an art in its own right. Books are books in their own right. However, the hybrid forms of performance of a book was on display in the 2024 edition of the Wiels Art Book Fair in Brussels. It is common practice to invite speakers and authors for a book launch event. It is more rare to invite a choreographer and dancer to perform a book. This is exactly the what the publishers of A.R.D.V.L. did. Garance Debert put the editorial work and conceptual work on a book into a moving performance. There is much more to a book than just the letters and paper. The „mise en page“ turns into a „mise en scèene“ by an artist. The Wiels Art Book Fair has raised our attention to the larger creative potential of books, certainly art books, but also beyond books on art. Performative readings and book performances will enrich our repertoire of interacting with printed materials. Just before we might believe this is the next big hype, remember the bible is probably the book with the most theatrical performances linked to it.

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Of or about

There exists a fundamental difference between taking a picture of something or someone as opposed to taking a picture about someone or something. With the term about we denote or refer to a more abstract category of trees, animals or human beings. The use of of, however, refers to a specific realization within a specific category. Painters or photographers have applied this distinction for a long time. It is similar to social scientists who consider persons or relationships as belonging to more general categories. Gender is such a category which has preoccupied us for years before concluding that just 2 gender categories are not enough to come up with reasonable descriptions and predictions of behavior. The realizations of gender are manifold and not necessarily or only binary in nature as well appearances. Eventually social categories are enlarged to fit empirical patterns in more adequate ways. The image of someone/something therefore is something very different from an image about someone/something. (Image of: Children’s corner at Musée Rodin Paris. Image about: Pedagogic approaches to art, here sculptures « Le penseur », Rodin 19th century)

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Wave Length

The links between art and science are manifold and run in both directions. Artists challenge science or the outcomes of science and scientist refer to or maybe inspired by the work of artists. If artists challenge scientists by proposing an alternative theory they become subject to empirical scrunity like the unfortunate fate of the theory of colors of J.W. Goethe. The physics of colors has long been established and the theory of colors and light are best represented in science using wave lengths as the unit of measuring different colors. Hence, in this theory of colors or light the spectrum of colors runs from violet, dark blue, indigo (short wave lengths) passing yellow (medium wave length) to orange and red (longest wave lengths).
The painter Ellsworth Kelly has also challenged the science-based view of colors in “Spectrum IX” from 2014 currently part of the exhibition “Ellsworth Kelly. Formes et couleurs, 1949-2015” at the Fondation Louis Vuitton in Paris (extract of image below). As a provocation to the scientifically trained vision Spectrum IX breaks up the running from short to long wave length to take the scientific linear colors of the spectrum and split the spectrum in the middle (yellow) and join the ends upside down. Alternatively, take the spectrum and glue both ends of the color spectrum together to a circle and cut in the middle of yellow to form again a seemingly linear evolution of colors.
Now, let’s meditate in front of this new spectrum of colors and follow your senses. The challenge of the theory of colors is a provocative statement of all those imaginative potentials we exclude through a solely science-based view of colors. Art opens up virtual space and fills it sometimes with abstract reflections on colors. It is raising the question of beauty versus science, beauty in science or beauty through science. (Image: Ellsworth Kelly. Spectrum IX in exhibition Formes et couleurs, 1949-2015″)

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Phase Shifting

The Berlin “Hamburger Bahnhof Nationalgalerie der Gegenwart” recently acquired “Phase Shifting Index” by Jeremy Shaw. As part of an exhibition of new acquisitions, Sam Bardaouil, the director of the museum and curator of this exhibition has installed the large-scale video and sound installation at the end of the long corridor of the “Rieckhallen”. The impressive, even overwhelming art work was created in 2020. It was first shown at the Centre Pompidou in Paris.
The piece consists of seven large suspended screensand creates a space like in dance club, discotheque or dance studio. The visual and sound experience is allmost psychedelic. The near obsessional dancing shown on the screens represent different periods of dancing with their particular patterns of movements and choreographies. The phase of the electromagnetic waves is shifting from one screen to the other and towards the end of the performances it becomes clear, that they all follow a similar wave or rave pattern. Sublimation or ecstasy are the underlying index-like common traits. Each period or decade 50s, 60s, 70s, 80s, 90s, all had their peculiar dance and movement patterns. The video-installation is like a history of art of expression through body movement, amplified and indexed through rhythm and sound.
Electromagnetic waves can be characterized through wave shifting in various forms. This work gives us a feeling for the fascination of movement and phase shifting emotions. Don’t worry, the immersion ends after 10+ minutes and, if you like, you might read up on the physics of electromagnetic waves and phase shifting to calm you down.
Images: “Phase Shifting Index” by Jeremy Shaw, 2020, Berlin, Hamburger Bahnhof, 2024-9

 

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Innovation Painting

Innovations have fascinated painters just as much as photographers. The impressionists have painted trains and steel bridges as well as modern city life. Innovations change the atmosphere of a situation and new forms of transportation have been admired for many decades. Artists and painters have dealt with this phenomenon in various ways. Either the innovations have puzzled the normal vision of people or things or the artists hinted at curiosities or incompatibilities. Gustave Courbet has depicted in a unique style (Realism), as early as 1865, a seated woman with a paddle on something similar to a catamaran. It is maybe surprising that the modern form of stand-up paddling looks a little bit like the „podoscaphe“ painted by Courbet. Innovations in sports continue to evolve and become part of Olympic Games as well. Some disciplines make it into the Olympic canon rapidly, others never make it. The exhibition of „Artists and Sport“ gave ample opportunities to reflect on the the relationship of artists and innovations as well. (Image Musée Marmottan Monet, Paris 2024, Extrait de Gustave Courbet, Femme au Podoscaphe. 1865)

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Painter Sociologist

In going to a gallery and exhibition of paintings from the 17th century (Gemäldegalerie Berlin) you do not really expect to attend a class of sociology. However, this is exactly what the Flemish painter Frans Hals does with his paintings of various genres of society of his time. His sociological categories are for example unmarried young persons, married couples or pensioners living in a shared home. Other social categories of interest to him are a caregiver or, more common for the time, persons from noble or wealthy families. His painting „The Regents of the old men’s Almshouse” (ca 1660), the male pensioners home is one of his last paintings when he himself was already about 80 years old. Similar to a College of students the elderly home was run by a house father and house mother who took care of the daily living. The paintings of Frans Hals covered the entire life course with a cross-section perspective of society at his time. From few of his supporters he painted even several images moving towards a kind of longitudinal perspective on a person’s life course. Certainly, with “Oude-mannenhuis” (image below) he was interested not only in individual life courses, but of the conditions, forms or images of aging at his time. He probably was one of the first to challenge the negative stereotypes of aging.

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Olympic Criticism

The Olympic Games are, like every international organization, subject to criticism. In democracies this is part of the DNA of democracies that you can voice your criticisms openly without being threatened by persecution or arrest. The Olympic Games have since its beginning in ancient or modern times favored sport disciplines that have a link to warfare. The spectrum of disciplines has been extended recently to blur a bit this belligerent image of the Games. However even the break dance is performed in a kind of battle or competition between two adversaries. This is the reason why totalitarian states have (had) a predilection to show off their state sponsored warriors in the Olympic Games. Nazi Germany and the Berlin 1936 Games were the worst example of how the Games can get abused only to demonstrate a country’s force through athletes. Dictatorships of our times are not much different in this regard. Showing how many successful athletes (soldiers) you are able to produce is somehow an indicator of your professional training system of elite performance. Now, add to it the top performance in the Paralympic Games like Paris 2024 and you can even demonstrate how well you are able to care for and train potentially even also for mutilated warriors. Criticism of preparations of warriors and war masked through sport competitions are maybe unfair or utterly displaced here. It is, nevertheless, much better to compete on the sports-field rather than with loaded weapons. Only in retrospect, we often understand, why some nations made such enormous efforts to demonstrate a commitment to win as much as possible. With a growing enthusiasm for the Olympic Games the critical reflections rise as well.

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Paralympic Happiness

It is with great pleasure that we watch the paralympic athletes in Paris compete for Olympic medals. For many the emotions of participation and being applauded by so many people in a sport arena are great experiences. Happiness derives from such great games and audiences. The accomplishments of the athletes and their supporting teams are truly outstanding. The progress towards such high skill levels is remarkable for each of them. The adaptation to what appears to be a handicap with adequate support and technique allows to surpass limitations. Well exercised skills like swimming are possible to be performed with great skill to achieve incredible performances. The Paralympic Games in Paris 2024 are a great reminder that besides the athletes some artists had to struggle with handicaps, but achieved some of the finest pieces of art. Matisse, for example, is called frequently “le peintre-du-bonheur”, the painter of happiness. In his last few years he faced a severe handicap to paint, however the pursuit of abstraction helped him to continue to create masterpieces. The rather radical pursuit of abstraction and maybe simplification are uncovered in the exhibition “Matisse: The red studio” at the “Fondation Louis Vuitton”. This marks an important step in the artistic life course of Matisse and enabled him to continue his work in later life when his health made it very difficult to pursue his artistic work. (Image at Fondation Louis Vuitton 2024-9-1 exhibition Matisse).

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Olympic Nature

Nature and its biodiversity can teach us many lessons. This is made very explicit in the small exhibition in the “Jardin des Plantes” in Paris. The treasures of (lost) biodiversity are exposed in the adjacent “Muséum National d’Histoire Naturelle”. In a pleasant environment within Paris you can stroll along rare flowers and trees to pass the posters that demonstrate the astonishing achievements of some species (Les champions of nature). For example ants would surpass us in weightlifting in relationship to own weight. A marathon of 42 km is a very short distance for birds flying across continents with rest. High jump or long jump is rather easy for frogs, but we struggle already to jump a little bit higher than our own body length. Lots of other examples are shown the exhibition and should make us a bit more humble concerning the sport accomplishments of humans. Beyond Darwin and Mendel there is a lot to see and experience in the Great Gallery of Evolution. After the question remains whether we are really at the top of the evolutionary ladder. In terms of marketing our successes irrespective of many species disappearing with rapid speed, we still appear rather unique in the evolution. Learning from other species as in bionics is a powerful strategy which is also quite effective to empower humans compared to other species.