The exhibition of multimedia artist Nan Goldin at the Neue Nationalgalerie (New National Gallery) in Berlin presents a retrospective of her work using slideshows of stills including soundtracks (Image below). The topics and narratives range from autobiographical work on own traumatic experiences to works entitled „memory lost“. The sequences of stills are a form to deal with trauma through art like overcoming the suicide of a family member. Drug or sexual dependency enter the stills and it becomes clear that stillness is part of the coping mechanism she employs. It is hard to watch, sit still and endure the films of stills. However, there is a kind of therapeutic experience to be gained in coping with trauma through art. The installation in several tents increases the reclusive atmosphere and entering the still rooms invites is, somehow including a warning of what kind of chilling experience we are up to throughout the exhibition. The almost therapeutic experience needs to be handled with care and a visit with friends or family is highly recommended in my view. Community and communication are key to coping with these experiences and even still images contribute to building resilience. 
Cumulative Mandates
Since 2010 and with 18 volumes the documentation of perpetrators assistants free riders during the Nazi rule in Germany has been valuable and reliable source of information (Kugelberg Verlag). The book series defines the perpetrators as the persons excuting crimes themselves or were in command of those who committed the crimes or gave orders to do so. It is not surprising to find evidence of many crimes, but rather that it took such a long time until the documents were published and the descendants were confronted with the facts and the difficult heritage. There are still many who undertake all efforts to deny the facts or try to minimize the guilt of perpetrators. With the real dangers of new right-wing extremism on the rise across Europe and even beyond, it becomes more important to uncover the strategies and biographies of the perpetrators. Certainly the members of the SS were executives and in command of atrocities, so-called NSDAP party officials were also mostly convinced followers of Nazi doctrines and instrumental in the implementation of crimes. Additionally, several professions (line soldiers or medical doctors) were key in the process to ensure the power of the totalitarian regime until the final days. Some persons were cumulating roles and became thereby inescapable spiders in a web of control and crimes. The lessons for today consist in hindering excessive cumulation of mandates, political, professional, military and in other work or civil society related functions. Distribution of power is one form to safeguard the survival of democratic structures. 
Conducter Careers
The careers of conductors during the 1930s and 1940s have been propelled by joining the NSDAP on Germany. Even if not too outspoken as conductors on Nazi discriminatory policies many openings arose only due to banning Jewish conductors and musicians from performing in public. The acceptance of vacancies due to such restrictions advanced the careers of Karl Böhm as well as Herbert von Karajan. A theatre play Böhm at the Deutsches Theater in Berlin takes up this topic and puts the professional career in perspective of an anti-humanist leadership style. Karajan has also come into critic, because of his role in selecting musicians who were conform to the prevailing Nazi-antisemitism. It is important to work on these biographies and their implications for hundreds of lives of other musicians. Many careers have been destroyed due to these two prominent conductors ready to do almost anything to advance their careers. It puts their interpretation of music in a different light knowing about their instrumentalist approach to music, their own careers and the disrespectful Nazi doctrines. Image New Berlin Philharmonic, View from Kunstgewerbemuseum 2020. 
Victim Perpetrator
Research on the Shoa and the Nazi crimes has a clear cut separation into millions of victims and millions of perpetrators. There is only a very small group of persons who risked their lives in their attributed or chosen role of perpetrators and saved lives. Most of those persons received recognition later, some decades later. The vast majority of persons were oblivious to their prior roles and some even tried to defend them themselves through a variant of victim blaming in recurrent attempts to reduce their guilt. Another frequent excuse is to recur to a perpetrator’s own experience as a victim of abuse or tough childhood. In a static perspective this might work, but the learning and reflection ability of humans apply to all persons irrespective of age, if they show the willingness to do so. victimization is powerful tool to justify a role as perpetrator later on. Criminal courts assisted by psychologists statements accept guilt reduction. After all those considerations the basic classification into victim or perpetrator remains a valid differentiation, only very few cases allow for a more nuanced assessment of the case. (image extract of Rachel Baes MRBAB Brussels) 
Sociology in Art
Sociologists study and teach a lot about social capital. James Coleman and Pierre Bourdieu each have coined social capital as a major foundation of societies. Therefore, the exhibition of the artist Rirkrit Tiravanija “happiness is not always fun” in the Martin Gropius Bau (Image below) is interesting beyond a justification art for art’s sake.
What does Tiravanija tell us about happiness and social capital we did not know before? The artist went to a Chicago based art school, hence, it is likely that he has been confronted with the concept of “social capital” by Chicago sociologist James Coleman. The Berlin exhibition of Tiravanija can be walked along and experienced through the lens of the creation of social capital as a form of art. Art raises awareness to the importance of social capital for the ways we live together and form communities. The Berlin exhibition, meeting place or play ground is worth multiple visits as the participatory experience changes each time. In each of the rooms we reflect on our cultural practices like sports, music, printing or cooking as forms to create community. Each time we take home a little bit of social capital as well. “Happiness is not always fun”, but for sure You’ll have many happy moments throughout the visit of the exhibition. The guided tour by curator Yasmil Raymond (2024-12-19) added yet another little bit of spice to the exhibits. For a few moments we felt like a strong link between Chicago and Berlin, just like those sociologists in Berlin who studied and continue to study James Colemen’s foundations of social theory.
Reconciliation
European history is a long history of atrocities committed against humanity. The Documentation Centre for Displacement, Expulsion, Reconciliation in Berlin (Image below) captures this history in a comprehensive manner. We are quickly overwhelmed by this weight of history and the implications this has for the understanding of the people on the globe. This relatively new learning centre has, beyond the memorable permanent and temporary exhibitions, a room of silence to recover from the hard work of remembrance, always in view of reconciliation.
The library allows personal search and research of migration documents and biographies. All centuries have their history of displacements, but the Nazi terror surpassed all prior records and forced millions into displacement or death. We are still working on this heritage and the enlightenment of how these atrocities could take place. Full consciousness of the terror and horror of the 30s and 40s is necessary to guard against the many attempts to falsify historical events or discard the sorrow of millions of people and their families.
Reconciliation remains a continuous challenge. A large part of diplomacy has to deal with reconciliation beyond concerns of daily affairs. It is not just a matter for head of states and days-off during a year. Stillness helps to deal with the challenge, especially if it is very difficult to find adequate words. 
Kids Space
Political claims to reserve more space for kids in cities have a tough time. Kindergardens or child care in general are scarce and the lobby for kids is often limited in time and extent, since it is the parents that usually are the ones to advocate while their children are small. Jointly parents and children of young age experience the tough atmosphere to find, preserve or extend the space for kids.
The Gropius Bau in Berlin has opened up an exhibition space reserved to children 3+ as part of an art project “BauBau” designed by Kertin Brätsch 2024. A colorful room and installations as “loose parts” are the starting point to delve into a real/fantastic world were kids reign. There are a few so-called “playworkers”, who accompany the endeavours, if need be. At the end of the day the room was still in pretty good shape I would say assuming that “children set the tone and decide what happens in this place”. Safe and supportive environments for children are scarce and parents are always challenges in their attention to watch out for risks of all sorts in public city spaces.
Even if the “play space” is free of charge, it takes parents or kindergarden managers to reserve the space.
An early experience of a museum from the inside is likely to have lasting effects on children and the parents. They might have fond memories of a museum as an exciting space also for them. It constitutes a nice continuation of the outdoor “radical playground” project during summer 2024.
Health Tech
Health technology assessment (HTA) is an interesting scientific field. The new digital opportunities allow people to participate in medical and medication trials in their homes or even in bed. Their health data and the administration of medication is also encouraged and sometimes supported through digital devices. The pharma and health industries have many devices ready to go. The differences to the traditional forms of medical trials, however, is an issue as we want to compare the results from both kinds of trials. Participants of trials, might prefer or struggle with these novel kinds of study designs. In any case the results will be impacted in several forms (Study Link). In the best of all worlds for the researcher the effects will cancel out each other, but is rather unlikely. Some participants will reach more positive effects with the use of digital tools, whereas others are challenged and might even abandon during the trial. Monitoring during the study (for example through digital inhalors) is another advantage of such distributed trials. Rather than taking adherence to a trial medication for granted, digital tools allow a more precise monitoring of subgroups as well. Data and effort invested in the trial is preserved through the easier access to person’s information, assuming continuous readiness to stay on in the trial.
Our own smartphones are still underexploited in terms of health monitoring and use in research designs. The possibilities to link data to other external data sources shall further advance the research potentials in many interesting ways. Data protection and data security become even more important with the ever smarter phones and connected devices.
Health data
2025 will be a crucial year for health data across the EU. Germany introduced the electronic patient card, which can store basic information to then access data in the health insurance cloud for medical doctors, hospitals and other related health services. Potentially this is a great step ahead as some tests do not have to be repeated if they had been completed recently before already.
In pseudomised form, research may draw samples from such databases to enhance our science based understanding of disease. The evaluation of public health interventions becomes easier and medium and long term efficiency of measures can be assessed in many instances.
The Belgian research using health data has met to discuss the potential and limitations to link health data to other data sources to allow more complete and more complex analyses of health and disease processes. Another extensive data source sits on our smartphone. Collection of steps walked, sleep patterns or heart beats give valuable insights into a person’s own contribution and care about personal health. Although data are frequently incomplete, researchers are used to estimate missing data on the basis of existing or comparable person’s data. The basis for improving health for all are quite promising, data handling and linking them will be a challenge to the competence of all stakeholders and everyone involved in better health. It will be stressful before it becomes a routine. 
String Quartets
There is a plural form of Quartet. Philip Glass has composed a piece for 3 string quartets. Thanks to the Kronos Quartet performing and celebrating in Brussels, modern compositions are continuously added to the repertoire written for and performed by string quartets. Contrary to received wisdom the tradition of string quartets is still alive and kicking. At Bozar (Brussels) the marathon performance of 27 quartets, not all at once, but spread over a day and several locations, afforded a great free-of-charge opportunity to wipe off the dust from the sometimes rather introverted form of string quartets. Despite the high share of young musicians who performed well at the occasion, the afternoon focused more on new compositions. Concerning the audience, however, there is still an older age bias in listeners, more the standard Bozar clientele so far.
The afternoon reminded me on listening CDs entitled: “I don’t like classic music, but this one I do”. Many people came for art exhibitions at Bozar, but then (re-)discovered on the sideline the atmosphere of chamber music at this occasion. Closing the age and social gap in classical music is quite a challenge. It is surely more like a marathon than just a few sprints here and there. The new format at Bozar in cooperation with the Kronos Fifty for the Future Marathon will sooner or later find extended audiences beyond the happy few this time. I would recommend listening to string quartet music more often until the “Transcranial direct current stimulation (tDCS)” will be the new hype. 