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Hugo intergenerational

Well, this entry is not about Hugo Boss, whose name is probably known to more people worldwide nowadays than the French poet and writer Victor Hugo. The latter Hugo, however, is likely to be known to more generations to come than the former one. In his 19 years of exile with his family he had the unique chance to get to know his grand children a bit closer, which was rather unusual for the late 19th century. The romantic poet was charmed to an extent that he could help it, but to express himself in a longer poem. „L‘art d’être grand-père“ (The art of being grandfather)“. Victor Hugo experienced the death of own children and his wife before and his grandchildren surely gave him reason to believe in a more joyful tomorrow. Comments on this poem mention the idealised vision of the romantic regard on children and even more so on his own grandchildren. « Leur front tourné vers nous nous éclaire… … Ils trébuchent, encore ivre du paradis. » 

We forget all earthly quarrels just listening to the soothing sound like children’s rhymes. Hugo is a master of all literary classes and he ensured that his intergenerational legacy would be part of this.  (Image: Maison Victor Hugo, Paris, writing desk ro stand in front of)

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Nazis bipolar

Thanks to the exhibition « How Nazis photographed their crimes in Auschwitz 1944 » in the Mémorial(Link) of the Shoa in Paris, the biased photographer’s view of what happened in Auschwitz is evident. The inhuman, factory-like organization of these concentration camps were constructed and managed with the primary aim of humiliation of Jewish people and other inmates. Careful reading and interpretation of these images is necessary to spot the sometimes small signs of resistance to be taken on photo by a Nazi photographer.

The revelation of a kind of bipolar disorder of the Nazi murderers shows up in the seemingly normal family meal of officers in their nearby homes. You might be surprised that many of these family members even decades later report on normal and comfortable lives despite their pitiless exercise of mass killings by the Nazi officials and their hired staff. Bipolar disorder is maybe the result of such split personalities, although we already have ample evidence that doing drugs was quite common at the time as well.

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Shoa Memorial

In the neighborhood of the Paris City Town Hall you find the Mémorial de la Shoa. There is a constant flux of visitors and pupils with their teachers passing through the rooms. They all continue to be really moved by the shocking images and their efforts to try to understand the full extent of the Shoa and the terrible effects it had even on survivors of the concentration camps. The continuation of the memory of the memories of those survivors by young people is one of the strong points of this exhibition. The transmission of memories finds many new ambassadors against the tendency to forget or downplay the horrors committed by the Nazis. 

Of course it is overwhelming as an experience, but it all the more necessary to keep memories alive and guard against each tendency of denial. In the age of fake news and historical deep fakes, it will be all the more important to immunize people against any attempts of manipulation of historic truths. The availability of the information online and through youtube-videos is an indispensable next step in the preservation and dissemination of the documentaries. The Mémorial of the Shoa in Paris is an essential part of this commemoration as 76.000 Jewish persons were deported to concentration camps from France as well.(Image: Mémorial de la Shoa, Paris 2025)

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Text to Image

Long before everybody started to discuss Artificial Intelligence, which in many applications takes the form of transformation of a textual prompt into an Image, Photographers have had literature or quotations in their mind that shaped their images. This was a kind of poetic imagery not always easy to recognize. The exhibition in the „Institut de France“, Bibliothèques Mazarine (LINK), with photographs by Nicolas Fève (LINK) offfers a great insight into this way to conceive of an image and its realization through photography. Exposing the sources of inspiration as well as the photo is like adding textual citations to an image in a much more inspirational and transforming manner than AI is doing these days in 2025. 

Text to image is only one out of the many ways texts might guide imagination, but it is a powerful and gripping one. The history of literature is full of other forms like videos based on novels, comic strips to make classic texts in Latin more accessible. As we shall ask AI products like texts and images to cite their sources and honor authorship, photography as art and science might enhance the literary experience by adding citations to an image. This has the additional advantage that more people will follow up on the sources of inspiration.

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Apocalyptic Collection

As long as humanity exists we had to deal with the experience of apocalyptic horrors. First, mankind could not make sense of natural disasters. Second, after we understood many of the disastrous events on earth and even most cosmological events, we proceeded to create our own apocalyptic disasters. 

One thousand years of unimaginable suffering and destruction are the subject of a unique exhibition at the BNF entitled Apocalypse. The documents start with biblical representations of it and continues throughout the centuries. The artists‘ attempts to depict and characterize the Shoa is part of the exhibition. The atomic bomb is another issue of the 20th century. In the 21st century artists try to move beyond the different forms of the apocalypse. The collection of various kinds of dealing with apocalypses constitutes itself an apocalyptic experience. We still have to go a long way to come close to understanding what drives disasters and what the role of mankind is on this way to seemingly endless destruction. The apocalyptic experiences remind us to keep asking some fundamental questions.  (Image: Exhibition Apocalypse at BNF Paris, Center Piece by Otobong Nkanga, Unearthed)

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January Spring

The early signs of spring in Europe usually show up in March. The monthly data from the Copernicus Climate Change Service (C3S) show that „average temperature over European land for January 2025 was 1.80°C, 2.51°C above the 1991-2020 average for January,“ (Link). The warming throughout January has several consequences. Vegetation starts into spring earlier. This means that people with allergies of early flowering suffer earlier during a year. Winter rest in animal lives will be shorter. The risks of droughts in some regions combined with floods in other regions is increased as well. Rockslides in the Alps and flooding in Italy and the Baltic states add to the costs of climate change. 

Western Europe, witnessed a relatively „dry January“, even for those who kept drinking alcohol throughout the month. Heating and heating costs came down a bit and friends of gardening were surprised by some early showings of flowers of spring even in Paris neighborhoods (image below) as early as the first few days in February 2025! Strange new world. It all seems to happen a bit faster than most scientists expected. Time for adaptive behavior is shortened as well.

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United by travel

The economic rationale of profit maximization privileges the construction and management of profitable connections. For train transportation this has spurred over decades the construction of new train lines between metropolitan cities or regions. Whereas connections between Paris and Brussels are abundant and expensive from central stations those living somewhere in between the 2 cities, for example in Mons, have had little chance of access to reasonably priced and fast train connections. This neglect of the in between cities is slowly changing. Sufficiently fast and reasonably priced connections allow Europe to grow together also at the margins. Public transport as alternative to car traffic across borders for „in-between cities“ will bridge the gap between the ease of travel between metropolitan an more remote areas. There is economic growth to be reaped as connected infrastructures allow for economic as well as social mobility and joint development. This is the real European challenge ahead of us and not the numerous summits without tangible results for rural and urban populations beyond metropolitan regions. For regions spanning countries, some will be finally reunited by better public transport a kind of ecological unification.

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HTML Mindset

The hypertext markup language (HTML) allows us to navigate on the internet. No matter which Browser you use on your device, it interprets the HTML-text for you in a specific way. This means: HTML defines headings, normal text, placeholders for images, actionable buttons and referrals to more text, images, or videos. A good HTML enabled textbook for pupils, students or any lifelong learner, for example, will embed easily images, sound recordings or video demonstrations in the e-book. This additionally embedded content asks for a different mindset for content creators: the HTML mindset.
Just like in most learning environments, learners proceed with different speed and interests. HTML allows for additional options to dig deeper into a subject, return to a previous stage, lead on from where you left off before, jump to some other content or listen to a translated paragraph.
Due to the bringing together of content from different technical formats, the HTML mindset has an interdisciplinary touch to it. Blending text and image is our usual way to process information at most exhibitions. In Hypertexts we are “walking” along our own chosen track through the knowledge space or content archive. For web creators, therefore, it is common to use so-called “content management systems” to arrange structure and present content.
The learning of HTML is enhanced through many learning tools (w3schools.com). This helps you to get into the HTML mindset of content creation and a better grip on the interlinked world. (Image: extract of HTML code of this blog post on www.schoemann.org).

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Artists Intergenerational

Generations influence each other. That’s a very simple general statement. Biographies, auto-biographies and life course research have all established sometimes more, sometimes less direct influences between the generations. The exhibition “A partir d’elle. Artists and their Mother“, curated by Julie Héraut, combines literature, photo and video that speak to the rather complex psychological or sociological issue. Visits in 2025 available at Stichting A, Brussels.
The starting point of the inquiry into the nature of photography by Roland Barth is chosen like an investigation into a crime. Sophie Létourneau had written an essay which proposes to read the original text by Barthes from this perspective. The artists in the exhibition seem to follow this process of asking themselves what their relationship to their mother is like and how to represent this in an artistic form.
A life course perspective, which takes images or videos with 10 or about 20 years difference, offers a kind of analytical as well as artificialized vision of the evolution of the artists’ relationships with their mother. Realistic images with a morphing backwards from old to young is presented next to images confronting young and old next to each other. “Words don’t come easy to me” could be the title of one of the videos where a young artist has a particularly hard time to talk to his/her mother.
Just after the celebrating Franz Kafka last year and his famous “Letter to my father”, the inquiry into artists and their mothers complements the analytical and artistic vision and interpretations of the child and parent intergenerational relationship.

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Sustainable Food

Climate change has a severe impact on sustainable food production. The OECD reports annually on the evolution of volumes of production and monitors the resources and subsidies allocated to the agricultural sector of the economy. The sector and the whole nutrition chain are frequently perceived as a major driver of shrinkflation, greedflation and cheatflation.
Changes need to be introduced with a medium and long-term perspective in order to allow for smooth adaptations of the sectors involved and to avoid so-called hog cycles.
Most economic debate is focused on the quantity of production. The loss of production due to climate change and Russia’s war in Ukraine has been and continues to be substantial causing starvation and premature deaths. Another issue is the lower quality of food due to droughts. Repeated events call for adaptations. Certainly the adaptation of more resistant crops is part of the answer. However, the other side of the same coin consists in the consumer’s readiness to buy products that suffered during a drought. Just as the reduction of fertilizers and less water in the production of droughts reduces the size of fruit, for example, we, the consumers will be systematically challenged in our purchasing habits of fresh food.
Price-sensitive consumers will have to choose the products that have reduced prices due to drought quality loss. Other consumers may choose the drought affected product if a “resilience message” is attached to such products. Solidarity with climate affected farmers, just like bio-farmers’ products in ecological production, opens up another perspective to more sustainable consumption and farming.