Generations influence each other. That’s a very simple general statement. Biographies, auto-biographies and life course research have all established sometimes more, sometimes less direct influences between the generations. The exhibition “A partir d’elle. Artists and their Mother“, curated by Julie Héraut, combines literature, photo and video that speak to the rather complex psychological or sociological issue. Visits in 2025 available at Stichting A, Brussels.
The starting point of the inquiry into the nature of photography by Roland Barth is chosen like an investigation into a crime. Sophie Létourneau had written an essay which proposes to read the original text by Barthes from this perspective. The artists in the exhibition seem to follow this process of asking themselves what their relationship to their mother is like and how to represent this in an artistic form.
A life course perspective, which takes images or videos with 10 or about 20 years difference, offers a kind of analytical as well as artificialized vision of the evolution of the artists’ relationships with their mother. Realistic images with a morphing backwards from old to young is presented next to images confronting young and old next to each other. “Words don’t come easy to me” could be the title of one of the videos where a young artist has a particularly hard time to talk to his/her mother.
Just after the celebrating Franz Kafka last year and his famous “Letter to my father”, the inquiry into artists and their mothers complements the analytical and artistic vision and interpretations of the child and parent intergenerational relationship. 
History’s Weight
The artist Damien Deroubaix is currently exposed at the BNF.fr in its historic site Richelieu. Together with and next to some of the historic treasures of the BNF collections the unique exhibition allows to experience history’s weight on our current existence. The work of Deroubaix is following and pursuing historic art trajectories with a special historical and ethical consciousness. Techniques of art are insensitive to the moral compass of the painter in history. The collections of the BNF like all major European collections have to handle their colonial past and immoral depictions throughout history. Deroubaix accomplished to liberate techniques of art of their colonial linkages and imagination of emperors focusing on humanitarian values. War is horror, in the past and in the present. Genocide in Rwanda is war crime and dealing with the memories of people an honorable way to look forward conscious of the past. Hybrid forms of art allow multiple contextualizations of his work. In the Galerie Mansart and Pigott of the BNF the historical embedding enriches the art and vice versa. Art allows us to rise beyond the ashes mankind has and continues to inflict on us. (Images: extracts of Damien Deroubaix at BNF, Paris 2024)
Gov Tech
For many years we have believed that technology is something for experts and a special sector of the economy. Private sector companies have taken the lead and innovative applications of e-solutions or web-based applications have moved online to attract huge crowds. Some 20 years later, the scope to move public services online are on top of the agenda as well. Not only in security, defence, infrastructure management and health e-solutions are drivers of innovation and improve the reach out to persons in remote places, where it is hard to keep up equal provision of services otherwise. This is where “Gov Tech” comes into play. Government Technologies I would define as all technolgies that are needed to service your current citizens, past and future citizens as well as “want to be citizens”. This needs a whole of government approach, since there are many cross-cutting issues involved like cyber security and data protection. “Gov Tech” is no longer just nice to have. It has become a “sine qua non” condition of government. The expectations of people have been shaped by private use and habituation to online access and amenities that government and public services have to follow suit in order to be perceived as similarly close and accessible for people. Besides the technological aspects of hardware and software solutions for gov tech there is the huge issue of taking people with you on that e-journey. Even social policies and social inequality are subject to the e-volution of gov tech. There is a potential to reach more people with the same number of administrators by use of new gov tech solutions. At the same time, the risks to loose people who choose to remain off-line or have no access to online services increases as well. Gov Tech poses multiple challenges as well as interesting solutions. Great to see many regions and states taking these issues very seriously.
(Image: SCCON, Berlin 2024-10). 
UNESCO Art
The UNESCO building hosts fine examples of modern art. For example “L’homme qui marche” by Giacometti (Image 1 below, focus on shadow of the figure) is one of the treasures exposed next to the conference center. The statue is very fitting as introduction to the exhibition “Fit for Life” during the Olympics, although it has been there for many decades. Taken on a photograph from a specific angle, the marching man appears like a crucified person without the crucifix. Each athlete has a long march behind him or behind her to reach the landmark of participation in the Olympic games. The media attention puts the spotlight on the winning persons albeit the many splendid performances of all other athletes. The cultures of the games is to be found in the millions of people who are inspired by these outstanding performances to also try their best in whatever conditions are encountered locally.
The strive by each athlete to achieve the highest goals, possible or even impossible, is reflected in the big wall painting by Picasso, 1958, which was especially commissioned by UNESCO as the new building was inaugurated in Paris. The title of Picasso’s painting is “The fall of Icarus”, an ancient narrative of mankind reaching for the sun, but ultimately failing. Let’s keep waling despite the risk of falling short of ideals. A reasonable vision for diplomacy as well.
Generational differences
The study of generational differences has a long tradition in sociology. A recent study by Wysmulek et al. (Acta Sociologica 2024, 131pp). highlights changes in how youth values education, abilities and hard work. The study carried out with Polish data shows that it is not the straightforward historical grouping of birth cohorts that matters most, but the experience of living through a period of crisis or stability during the formation of so-called meritocratic beliefs. Once formed, these beliefs tend to persist for prolonged periods of time well into middle and late adulthood.
Many judgements about young people might suffer a substantial generational bias when viewed from another generation’s vantage point. Cross-generational differences in beliefs and behavior are dependent on homogeneous or heterogeneous experiences of the respective generations. Disrespect of such generational differences is bound to yield severe misunderstandings. Who told you that social life was easy anyway? (Image decorated piano in shopping mall, Berlin 2024)
Zoo Visit
The visit of a zoo is always a great event. Accordingly the prices of a visit have reached levels that are beyond prices for a cinema entry. Usually a whole day is spent with high emotions watching animals sleeping, walking or eating. Sometimes we can watch a training session or a brief medical intervention. Learning about the beauty of biodiversity is important because we treasure more what we like. Looking into the eyes of an animal stimulates affection. Gathering support for the preservation of ecosystems was and still is a great effort. And yet, we have to move beyond preservation to the restoration of ecosystems like in the UNDP projects (Link). Animal parks can contribute to this if we encourage such cooperation and co-financing. The awareness, understanding and willingness to engage in restoration projects is largely increased after the visit of a zoo. A second round effect is the potential to reduce international travel to destinations with rich animal diversity. Restoration is a win-win situation for wildlife habitat and our planet as a whole.
Family Music Days
Kids are queens, kings and princesses as well as princes at the family music days in Berlin at the FEZ. Kids can enjoy the full spectrum of musical experiences from just listening to playing themselves, if they feel like it or dare to risk a sound. Just making noise is okay, too. Building your very own version of a musical instrument is a great learning experience for the young. To make music it doesn’t always have to be an expensive instrument. Your own imagination assisted by persons with patience and passion creates marvelous sound experiences. Initiating kids to the endless worlds of sound is having lasting effects on them. Great to see a concert hall full of young enthusiasts. Learning is so much fun, if taught in accessible and inclusive ways. Professional instructors joined by many volunteers make the world go round for kids. Wish you we here. Let’s spread the message.
Magritte Symbol
“People always search for symbols in my works. There are none.” For those familiar with the work of Magritte, they know that he means precisely the opposite of what he is stating there. He applies well-known symbols like the white pigeon representing peace in his paintings to represent and make us think about peace. The image becomes surreal in the sense that we go beyond the real world of violence and war to lift our attention to the other surreal version of the world as it currently appears to us.
In times of war, it is more difficult to image a peaceful world and yet, this is the time we need to believe in the possibility of peace beyond the reality of aggression. In 1966 Magritte has painted “L’oiseau de ciel”, the year the peace movements became more than a surreal dream across the world. It remains a challenge to think beyond the cold war at the time and the hot war initiated by Russia in Ukraine. Surrealism helps us to think beyond the real state of affairs.
In Magritte’s own biography the “dove of peace” occurs towards the end of his own life. Whereas at the onset of his career as painter he dealt with depression and suicide in his family, towards the end of his career he moves beyond the autobiographical topics. Globally valid symbols gain the upper hand. The life course seems to have come full circle.
Energy Storage
On a sunny and windy day, even in winter or spring, renewable energy is abundant. If demand is stable prices will drop. Prices will rise again as demand for energy picks up. Hence, this is an obvious case for trading opportunities. All you need is … energy storage. All so-called prosumers, short for producers and simultaneously consumers have a lot to gain if they are able to store energy when it’s abundant and cheap. Sell it when it is expensive or use it yourself if needed. Just keep an eye on the costs of energy storage. A stylish insulated carafe is a well known example of storing hot water for astonishingly long time. Insulation is key to store transformed electric energy here. Other options use kinetic energy like pumping water to a higher level and then generate electricity again when the water returns to the lower level. Of course, batteries are a simple way for energy storage as well. Costs seem to come down rapidly and less environmentally hazardous materials leave the laboratory almost every month. It is about time to consider this seriously. More and more cities have understood that energy storage can generate cash for them (Example Feuchtwangen) and appears to be a worthwhile investment for a local power generating community. For the time being my favorite energy storage is the insulated carafe. It is often the beginning of energizing conversations.
Digital organising
Since the digital innovations continue to broaden our scope of how to organise, we have to make conscious choices which way to choose. The traditional form of sending out newsletters and waiting for responses is still a feature that is prevalent across Europe. Most organisations have shifted to digital plus physical versions by now, just like newspapers. Young organisations by founding year have started or shifted to digital only for speed of delivery, CO2 and cost saving mainly. We may derive a first dimension of organising between the digital and physical. 
A second dimension consists in the central versus decentral forms of organising. Similar to the franchise principle of organising companies, organisations have a choice to keep a central structure with varying degrees of freedom at the regional, sectoral or local level. Organisation theory is helpful in this respect. Various hybrid forms are equally possible. Centralised in financial aspects, but scope for local decisions on content.
Bohn et al. (2023) define digital organising as “collective purposeful alignment and distributed action fostered through digital technologies”. Centralisation and/or Decentralization become a matter of conscious choice. The processes of datafication and connectification, whereby every bit of information becomes a data point and any electronically enabled device can be connected with each other. Organisations now have a choice of how to organize including digital organising. The opportunities are within the space opened up by the 2 dimensions (figure below). A specific subject matter may require more physical presence and maybe centralised structure, but digital only forms with highly decentralised forms are powerful tools in the 21st century. New as well as established social movements may well take advantage of these digital technologies as well. (Image: Digital Organising 2024 Protest Berlin). 