It seems like a horrific idea to talk about the need of war. We might have deemed it outdated to read about the terrible love of war or about the strategy of war. However, the time of war is back in Europe and Eastern Europe feels the real threat and Ukraine the bombs hailing from Russia. Why does Putin love war? The love of war is largely driven by domestic issues. Staying in power for unliked authoritarian leaders is easiest if they indulge in external conflicts. Dictators love war because it makes it easier for them to sustain leadership through brutal force within the country due to a proclaimed external threat or even outright engagement in war. Democratically elected leaders know that they will leave office eventually in a peaceful way (exceptions like Trump are rare). Dictators use any force or terror necessary to stay in power. The love of war is part of this.
Hence, the need of war goes without questioning, if a country in decline or at risk of decline tries to uphold an inefficient, belligerent regime. Beyond rational reasons, such regimes will abuse ideation about national pride, the national interest and anything pertaining to some supposed myths of nationhood to justify its need of war. The dictators have all failed eventually as resistance against this need of useless war is found out by enemies either within or externally. But thousands or millions of victims will suffer. The pressure against the need of war has to rise internally from opposition as well as from alliances of democracies that do not need war to motivate their people to achieve the best they are able to deliver.
Therefore, the defence of democratic rule is, at the same time, a fight against the need of war by some doomed regimes. After winning the war comes the difficult task of winning peace. This means to create a state of affairs and a state of mind that can do without the need of war. If the external threat diminishes the internal threats might rise and have to be contained as well. Lots of challenges, even for mature democracies. (Image: Berlin 2022-10)
AI and S/he
There was hope that artificial intelligence (AI) would be a better version of us. Well, so far that seems to have failed. Let us take gender bias as a pervasive feature even in modern societies, let alone the societies in medieval or industrial age. AI tends to uphold gender biases and might even reinforce them. Why? A recent paper by Kotek, Dockum, Sun (2023) explains the sources for this bias in straightforward terms. AI is based on Large Language Models. These LLMs are trained using big detailed data sets. Through the training on true observed data like detailed data on occupation by gender as observed in the U.S. in 2023, the models tend to have a status quo bias.
This means they abstract from a dynamic evolution of occupations and the potential evolution of gender stereotypes over years. Even deriving growing or decreasing trends of gender dominance in a specific occupation the models have little ground for reasonable or adequate assessment of these trends. Just like thousands of social scientists before them. Projections into the future or assuming a legal obligation of equal representation of gender might still not be in line with human perception of such trends.
Representing women in equal shares among soldiers, 50% of men as secretaries in offices appears rather utopian in 2024, but any share in-between is probably arbitrary and differs widely between countries. Even bigger data sets may account for this in some future day. For the time being these models based on “true” data sets will have a bias towards the status quo, however unsatisfactory this might be.
Now let us just develop on this research finding. Gender bias is only one source of bias among many other forms of bias or discriminatory practices. Ethnicity, age or various abilities complicate the underlying “ground truth” (term used in paper) represented in occupation data sets. The authors identify 4 major shortcoming concerning gender bias in AI based on LLMs: (1) The pronouns s/he were picked even more often than in Bureau of Labor Statistics occupational gender representations; (2) female stereotypes were more amplified than male ones; (3) ambiguity of gender attribution was not flagged as an issue; (4) when found out to be inaccurate LLMs returned “authoritative” responses, which were “often inaccurate”.
These findings have the merit to provide a testing framework for gender bias of AI. Many other biases or potential biases have to be investigated in a similarly rigorous fashion before AI will give us an authoritarian answer, no I am free of any bias in responding to your request. Full stop. 
Magritte Symbol
“People always search for symbols in my works. There are none.” For those familiar with the work of Magritte, they know that he means precisely the opposite of what he is stating there. He applies well-known symbols like the white pigeon representing peace in his paintings to represent and make us think about peace. The image becomes surreal in the sense that we go beyond the real world of violence and war to lift our attention to the other surreal version of the world as it currently appears to us.
In times of war, it is more difficult to image a peaceful world and yet, this is the time we need to believe in the possibility of peace beyond the reality of aggression. In 1966 Magritte has painted “L’oiseau de ciel”, the year the peace movements became more than a surreal dream across the world. It remains a challenge to think beyond the cold war at the time and the hot war initiated by Russia in Ukraine. Surrealism helps us to think beyond the real state of affairs.
In Magritte’s own biography the “dove of peace” occurs towards the end of his own life. Whereas at the onset of his career as painter he dealt with depression and suicide in his family, towards the end of his career he moves beyond the autobiographical topics. Globally valid symbols gain the upper hand. The life course seems to have come full circle.
Symbol
What is it that makes an object a symbol? Probably, it is the widely shared perception of the meaning of a symbol that turns an object into a symbol. The etymology of the word symbol refers back to the Greek word σύμβολον. The earliest philosophical refer back to the Greek philosopher Aristoteles who deals with symbols when he writes about interpretations. Written words have become powerful symbols in the ancient world. We still have them all around us today. The interpretations of the words as symbols, however, may change considerably over time. Some symbols keep their designation and significance over centuries. Maps are well known to contain lots of symbols for roads, railways, tunnels or height. We learn about these symbols and interpret them in a specific societal context. Science is making ample use of symbols, e.g. chemistry. Different cultures define and apply their own symbols. Colonialism has been a form to impose symbols upon other societies. Throughout history symbols of power have changed as well. Each of those topics is an interesting field of application in itself. Young generations create their own symbols to establish a specific cultural identity or subculture. Urban spaces have been invaded by graffiti that tend to spread symbols as messages or symbols for their own sake.
Sociology has taken up the challenge to identify “status symbols” of groups of society. Possession of gold and silver have long ago been symbols of being rich. Maybe, even today such easily visible symbols play a role in how a person’s role is perceived in societies. Not only for priests etc. dresses have been applied as a symbol. Modern fashion is full of symbols as well. Interpretation of the meaning or even no meaning is an act of becoming conscious of the world around you. From the seriousness of symbols, we have come to the playing around with symbols as expressions of ourselves.
No matter whether we use the word, like water, we all know the chemical symbol H20. An image or art work using the symbol in whatever form will be decoded by us accordingly. However, the meaning we attach to water depends on the environment as well as specific context we (or the artists) are using it in. Cross-cultural competences consist in the awareness that symbols grow out of contexts and need to be interpreted accordingly. It needs a lot of openness, willingness to learn about differences and careful consideration in our everyday world to handle symbols. Doing culture is doing symbols.(Image of art work by Anderegg, Andi taken in 2016)
Biographies
The biographies of painters, composers or artists in general can be reconstructed by use of their major works. The biography of René Magritte by Eric Rinckhout (2017) has chosen this way of a retrospective in images and explanatory texts. The biography is built around 50 major images starting with the first one by Magritte at the age of 28. “Les réveries du promeneur” (see below) deal with the confrontation of Magritte with death, suicide and the difficulty to find rational answers to all those questions of why this happens and what becomes of people who experience such a tragedy.
His own childhood was affected by such an event concerning his own mother who suffered from depression. Coping with the evolution of psychic illness over years and the absence of a supportive father have posed a steep challenge for the young person. Creation of art became a coping strategy as well as a relief for those who manage to eventually cross the bridge into their own life leaving behind the bad experiences. J.J. Rousseau was an influence on Magritte as well.
Finding your own destiny and your own style is a process. This process evolves over years. The chronological sequence of 50 images allows to follow the path taken. Thereby, it becomes possible to open up the personal learning and working trajectory of the artist. In retrospective perspective it seems often logical that one style or period of painting follows on from another one. However, in the forward living of the creative life many choices are heavily contingent on other circumstances. Influences of friends, exhibitions, reading, cinema, private or financial situations may determine the creative choices simultaneously or one at a time.
The chronological path of images writes a biography of a special kind. It allows to think in sequences just like in a sequence analysis as sociological methodology. Description, reconstruction, analysis, causality remain a challenge in our attempts to learn and understand more about biographies or the construction and reconstruction of life courses. 
Corruption Watch
There is a persistent need to watch carefully whether corruption is involved in political as well as economic deals. Transparency Watch is doing a great job in reporting on corruption cases. In democracy we can talk openly about corruption but in authoritarian regimes it is life-threatening for yourself to talk and report on corruption. The case in Europe around the network of Eva Kaili continues to make headlines due to the ruthless abuse of rules the European Parliament. (Link to Le Soir, image below, 2024) The close monitoring of activities and lobbying of powerful industrial interests targeted on parliamentary candidates and officials will continue to be essential for the survival of democracy. The organization „Abgeordnetenwatch.de“ is doing just this. Investigative journalism needs to complement the work of NGOs in this field. Thanks to these efforts it has become much harder to cover up corruption. Only if the risk to be found out is a credible threat corruption can be contained. Let us watch out carefully and probably with the assistance of AI to uncover early any attempts of corruption.
Schachnovelle
Die Schachnovelle von Stefan Zweig gehört seit langem zu den Klassikern der deutschsprachigen Literatur. Zuletzt hat Jean-Philippe Toussaint in seinem autobiografischen Roman « L’échiquier » dieses Werk nochmals gewürdigt. Die psychische Belastung der fortgeschritten Schachspielenden macht spannende Lektüre. Bei Stefan Zweig ermöglicht das kognitive Training mittels Schachspielen die Bewahrung vor dem drohenden Wahnsinn durch Isolationsfolter. Gedankliche Fokussierung auf das Schachspiel und Spielen gegen sich selbst im Gedankenexperiment werden Rettung und Flucht in virtuelle Welten. Dennoch hinterlässt die Intensität der Erfahrung Spuren. Absorption ins Game, heute als Gaming meist verharmlost, lässt sich in vielen anderen Lebenssituationen wiederfinden. Es kann zur Sucht werden und Personen komplett absorbieren. Alleine Rauskommen oder vom Trip runter kommen ist schwer. Glück haben diejenigen, die professionelle Hilfe suchen und bekommen können.
Energy Storage
On a sunny and windy day, even in winter or spring, renewable energy is abundant. If demand is stable prices will drop. Prices will rise again as demand for energy picks up. Hence, this is an obvious case for trading opportunities. All you need is … energy storage. All so-called prosumers, short for producers and simultaneously consumers have a lot to gain if they are able to store energy when it’s abundant and cheap. Sell it when it is expensive or use it yourself if needed. Just keep an eye on the costs of energy storage. A stylish insulated carafe is a well known example of storing hot water for astonishingly long time. Insulation is key to store transformed electric energy here. Other options use kinetic energy like pumping water to a higher level and then generate electricity again when the water returns to the lower level. Of course, batteries are a simple way for energy storage as well. Costs seem to come down rapidly and less environmentally hazardous materials leave the laboratory almost every month. It is about time to consider this seriously. More and more cities have understood that energy storage can generate cash for them (Example Feuchtwangen) and appears to be a worthwhile investment for a local power generating community. For the time being my favorite energy storage is the insulated carafe. It is often the beginning of energizing conversations.
Nocturnes
Contrary to some people’s belief “Nocturnes” is not only the denomination of the late opening of splendid shopping centres selling French fashion, but the name of music pieces. The origin of the Nocturnes as innovative form of composing is attributed to Irish born and bred John Field. The Polish born Frédérik Chopin developed the art form to perfection and he is the person who is also remembered for master pieces of this type of short romantic music pieces.
Mozart has left a famous piece entitled “Eine kleine Nachtmusik” and previous lesser known attempts of this kind were named Notturni, popular “Serenade” or “Pastoral”. All these Nocturnes shared the basic emotion, which we might call nowadays some kind of love-songs (Piggott, 1973, p.115). “Bel canto”, the tradition of emotional recitation of songs or arias, Paganini’s virtuous violine play were predecessors of the Nocturnes. 
John Field published the first 3 pieces named “Nocturne” in 1814 and continued to produce new Nocturnes and revising former ones. These somehow more easy-going melodies or phrases often written in E or A flat major are technically less demanding for piano players than the later ones composed by Chopin, but their “charme” lies especially in their simplicity. Reducing complexity of sound rather than the virtuous effect seeking of a tune could attract large audiences. After the rebellion in France in 1830 and the foundation of independence of Belgium in the same year, so-called high culture had to address a lot widely differing emotions.
Maybe, in 2024 we are less surprised to rediscover the value of straightforward emotional tunes when even so-called high fashion shows in Paris return to more simplicity.(Image: KI Dall-E, Composer plays on grand piano Nocturnes by Chopin with romantic flair, photorealistic style on 2024-3-5).
Paris 1830s
The music life in Paris in the early 19th century, almost 200 years before now, was incredibly rich. In 1828 the young Flotow arrived in Paris to receive lessons. The pianists Liszt, Chopin, Fields and Czerny passed or lived for longer times in Paris. The innovation in this period of romantic music and operas saw also a fierce competition among those talents. It was no easy task to find your niche to thrive in composition or in both performing and composing.
The 1830s had a rich urban bourgeoisie, which animated and indulged in festive events of live music and social life. Friendships of Chopin and Sand are a testimony for this. Similarly, the young Flotow and Offenbach paired to find their place in the Paris music salons and society of that time. The biography of John Field, written by Patrick Piggott (1973, p.73-81) supports this density of musical experience. The period is also characterized by the fast industrialization and the rise of the global trade. The musical life found refuge in the romantic period and more and more artistic performances by musicians. Theatres, opera houses, concert halls and private salons were meeting points of the upper social class which practices networking in rather closed circles with rather rigid routines and admission at the time.
In architecture the Operas became meeting points and a matter of national pride with National Operas contributing even to national identities. The opulent “Palais Garnier” in Paris was started in 1861 to become an iconic place in the new Paris with the huge boulevards à la Haussmann. The wealthy citizens cultivated a new lifestyle of a networked upper class that had the leisure to participate in the masses of modernity. Cultural events of all kinds filled newspapers and specialized editions. There were inner and outer circles of influence in the economic, military, political and cultural spheres.
Recommendation letters were a real currency for entry in each of these circles. Some of these social practices, have still a lot of currency even in 2024. In short, in the 1830s Paris was the place to be. Compositions of that time still fill concert halls today and their music is abundant on the new music platforms and streaming as well.
