With everybody talking about artificial intelligence we tend to overlook recent advances in augmented cognition. Just 2 examples of studies presenting new findings published in 2025 suffice to make that point. Automated versus manual driving have different effects on our brains. Automation makes us sleepy and inattentive with potentially dangerous consequences. Using EEG measures of neuromarkers the drop in attention shows up earlier than through measures of keeping one’s lane while driving. For jobs or duties that involve extended hours of attention the wearing of a mobile EEG-device could avoid lots of accidents. Drugs, alcohol or medication abuse would also show up before it is too late, I suppose (Scanion et al. 2025).
The 2nd study involved a robotic assistance to piano playing which achieved surprising training effects for learners of the music instrument. Objective measurement of speed and finger coordination might even allow overall accuracy to improve significantly. The technology around us and the one in direct contact with us, our behavior and performances shall have an impact on all of us sooner or later. We have to pose the question of how far we want to go along with these evolutions. Augmented cognition will not only be of interest for civil purposes, but military applications or dual use is evidently another option.
Beyond ART
Is there anything beyond art? Well, maybe there is. ART in German language is an abbreviation of “Allgemeine RelativitätsTheorie”. In other words the General theory of relativity developed by Albert Einstein is in its shortest form a one line mathematical expression, but with lots of equations included in the general statement, which grew out of his much earlier special theory of relativity. The textbook by Michael Ruhrländer provides a step by step approach to get to grips with the mathematics involved to reach a better understanding of what “ART” is about. Take your time to digest it and brush up a lot of maths beyond your A-level maths.
The abbreviation ART suggests a lint to art in popular understanding. Indeed, it needs able artists to show insights of ART to more people than the restricted scientific circles. An understanding of a 4-dimensional system of time-space has some more accessible features than waves of gravitation and the many puzzles that can be solved through ART.
Decades later quantification has build upon ART and takes us further into fabulous world of mathematical and physical imagination as well as real world applications. 
Berlin Mind
For a long time now, I have been asking myself the question: What is like to be in a „Berlin state of mind“. The exhibition of the 2 photographers of the Berlin Landesarchiv as part of the Berlin activities of the EMOP contributed to understanding and more precise description of the „Berlin state of mind“. As we shall celebrate in 2025 the 80th anniversary of the liberation of Europe, Germany and Berlin from Nazi rule and terror, we have seen endless reconstruction and reshaping of the city. The ever growing need for housing and space-grabbing office buildings bring about a permanent feeling of change, of becoming, of under construction. The years of the separated city as well as the building and taking down of the Berlin wall created many new opportunities for developers of the city and its structure of quarters, arrondisements or „Bezirke“ and „Kieze“ within the districts.
Due to the continuous urban renewal also of basic infrastructure Berliners have the impression that there is construction work all around us all the time. With the abundant construction works come the construction fences. They too have changed. Some fences show digital prints of virtual worlds of the Berlin living in some future time. However, the promises often mask the reality that fences will be replaced by concrete walls and inaccessible buildings for most people of the neighborhood as gated business space or city blocks grab the space to form and reform the metropolitan landscape. The construction fences themselves become the contested areas where different strata of society interact or intersect. The „Berlin state of mind“ is one of becoming. Longing to become something else, something aware of the overwhelming historical duties, but still rising from the ashes. The experience to see a wall come down between cold war enemies liberates a belief that we can overcome frontiers. However, this in-between state of mind has brought us multiple fences of all sorts. Construction fences are only the most visible ones that surround the many spaces under construction. In the imagery of Berliners and visitors beyond the wall, fences are continuously on our minds in the „Berlin state of mind“. 
Digital Visions
Urban planning has been digitalized for a long time. 3D modeling of places and buildings including their interiors are state of the art. As urbanization is also about investment, speculation and anticipation, digital imaging has entered the public spheres in form of cover up of building sites behind fences and in form of large digital prints for information, curiosity and advertising purposes. The inner cities are frequently an avantgarde and microcosm of societal developments. Some dream of full or total flexibility for office spaces (see image below), others experience the inner cities as the spotlight of inequality in society. The best paid executives are catered for by the worst paid delivery personnel. The photographers of the Landesarchiv Berlin, Grönboldt and Wunstorf, brought together a documentary exhibition entitled „Pixel aus Beton“, pixel made of concrete. 
With a bird‘s eye view they reveal past, present and future details of how Berlin is experienced and envisioned by investors, architects and people living through the seemingly endless construction going on in the city. The keywords list as part of the exhibition creates a link to scientific literature and to the TU Center for Metropolitan Studies. Photography and even more so digital photography offers a social science perspective to the digital images exhibited. Cities are data spinning areas and a formidable place for digital visuals and visions. 
Top 5 Things T5T
Dealing with Elon Musk is a must these days (WSJ 2025-2-26 A4).
So it happened that on his way to Mars, Musk met God the almighty on his way back to heaven. Musk asked, whether he could join the ride.
God, not amused, asked Musk about his T5T (top 5 things) he accomplished in his life. Musk questioned God‘s right to ask this question and said he would tell the other T about this. God gave him just another day to come up with a response.
So here we are: the T5T Elon Musk might put forward:
(1) I created a million fancy electric cars.
God: Well, but there were already too many tin boxes on 4 wheels on earth.
(2) I created rockets that propelled billionaires into space and back again.
God: Your carbon footprint has exceeded a million people of the poorest countries on earth.
(3) I created a network of satellites that facilitated communication.
God: Nobody spoke to me yet using it.
(4) I bought Twitter and transformed the platform to spread evangelism of various sorts.
God: This has become a hoax spreading more lies than truth.
(5) I reformed the public sector employees to share my beliefs or leave.
God: This will ruin a lot of services like USAID, which have assisted me for many years in my caring and charitable service.
With all these T5T of yours in mind I am not sure I should let you return to that planet earth. Maybe I‘ll find another assignment for you where you can cause less harm Elon. Maybe, try “Waiting for Godot“.
(Image: instead of T5T try T4T (tea for two)) 
Negative time
In 2025 an experimental setting has come up with a demonstration of negative time. This is a mind-blowing mental exercise to imagine the science fiction like framework to allow time to be negative as well.
This invites several epistemological questions as well. Can we imagine or live with a reversible concept of time? Maybe music has given us clues. In composition of music, we can easily play the notes of a basic theme just in reverse or mirrored order. Modern rhythms like in beat music as accompaniment by a drum use for example a rhythm like (use your hands or drum sticks!)
“left left right left /
right right left right”, (redo faster if you internalized the rhythm).
A reversal of the beat (its inversion) like replays of rhythms in reverse order seem to return the energy. This beat pattern is perceived as forward moving and is advancing in chronological time. It has fascinated a whole generation and spurred crazy movements to accompany the rhythm.
A simple tune might be played in reverse order as well. Just take a piano scale and play 1 2 3 1 fingers, and then 1 3 2 1 in a mirrored fashion (1231 1321). Even 1 2 3 1 as 3 2 1 3 gives an impression of inversion. Through this composition technique you get a bit of a feeling for the potential of a reversal of time or what negative time might feel like.
The innovation through quantification challenges our concepts of time more and more. The direction of time is subject of a fundamental revision. Theoretical concepts have predicted this for a long time.
(Image: Muséum national d’Histoire naturelle, Paris)
Mindmap Me
Tools like artificial intelligence allow all sorts of transformations and depictions. The photo editing tools are widespread and particularly popular among the young users. My own transformative exercises, latest with www.bairbe.me, have yielded interesting insights, well worth an intergenerational playmate. For the guys there is the www.yobrick.com version for brick gamers. 
The App “Canvas” allowed me to delve deeper into my own mind by giving instructions of how to create an image of the structure of the blog entries on this webpage. Of course, it is not (yet) a real AI-generated content map, but it is only a matter of time until such tools will exist. After all, this would be just an arranged and rearranged list of contents using the hyperlink structure of the texts as well.
For the time being, I derive my own structure of the blog entries by topics, categories and tags including the hyperlinks or internal referrals. Interlinkages are mostly stated explicitly. However, there are many implicit links, which are obvious to some, but not others. AI-systems could use occurrences of words, synonyms and antonyms . Colors in addition to bubble sizes and (in)direct lines may complement such mindmaps. This can help to reveal another, additional layer to connections between categories or tags. The Ai-generated image shown below was created with the APP Canvas as a first approximation and AI-augmented test version in form of abstract images).
Next steps on the way to understand human intelligence and, maybe, augment it with a next generation AI-system would use a colored-3D version of such a mindmap and use the chronological evolution of the blog posts in a kind of evolutionary animation. This should allow us to go beyond the usual psychological classification of fluid and crystallized intelligence. We might come to grips what it means to be “in a Paris state of mind” or when hallucinations become overwhelming.
Apocalyptic Collection
As long as humanity exists we had to deal with the experience of apocalyptic horrors. First, mankind could not make sense of natural disasters. Second, after we understood many of the disastrous events on earth and even most cosmological events, we proceeded to create our own apocalyptic disasters.
One thousand years of unimaginable suffering and destruction are the subject of a unique exhibition at the BNF entitled Apocalypse. The documents start with biblical representations of it and continues throughout the centuries. The artists‘ attempts to depict and characterize the Shoa is part of the exhibition. The atomic bomb is another issue of the 20th century. In the 21st century artists try to move beyond the different forms of the apocalypse. The collection of various kinds of dealing with apocalypses constitutes itself an apocalyptic experience. We still have to go a long way to come close to understanding what drives disasters and what the role of mankind is on this way to seemingly endless destruction. The apocalyptic experiences remind us to keep asking some fundamental questions. (Image: Exhibition Apocalypse at BNF Paris, Center Piece by Otobong Nkanga, Unearthed) 
January Spring
The early signs of spring in Europe usually show up in March. The monthly data from the Copernicus Climate Change Service (C3S) show that „average temperature over European land for January 2025 was 1.80°C, 2.51°C above the 1991-2020 average for January,“ (Link). The warming throughout January has several consequences. Vegetation starts into spring earlier. This means that people with allergies of early flowering suffer earlier during a year. Winter rest in animal lives will be shorter. The risks of droughts in some regions combined with floods in other regions is increased as well. Rockslides in the Alps and flooding in Italy and the Baltic states add to the costs of climate change.
Western Europe, witnessed a relatively „dry January“, even for those who kept drinking alcohol throughout the month. Heating and heating costs came down a bit and friends of gardening were surprised by some early showings of flowers of spring even in Paris neighborhoods (image below) as early as the first few days in February 2025! Strange new world. It all seems to happen a bit faster than most scientists expected. Time for adaptive behavior is shortened as well. 
Sustainable Food
Climate change has a severe impact on sustainable food production. The OECD reports annually on the evolution of volumes of production and monitors the resources and subsidies allocated to the agricultural sector of the economy. The sector and the whole nutrition chain are frequently perceived as a major driver of shrinkflation, greedflation and cheatflation.
Changes need to be introduced with a medium and long-term perspective in order to allow for smooth adaptations of the sectors involved and to avoid so-called hog cycles.
Most economic debate is focused on the quantity of production. The loss of production due to climate change and Russia’s war in Ukraine has been and continues to be substantial causing starvation and premature deaths. Another issue is the lower quality of food due to droughts. Repeated events call for adaptations. Certainly the adaptation of more resistant crops is part of the answer. However, the other side of the same coin consists in the consumer’s readiness to buy products that suffered during a drought. Just as the reduction of fertilizers and less water in the production of droughts reduces the size of fruit, for example, we, the consumers will be systematically challenged in our purchasing habits of fresh food.
Price-sensitive consumers will have to choose the products that have reduced prices due to drought quality loss. Other consumers may choose the drought affected product if a “resilience message” is attached to such products. Solidarity with climate affected farmers, just like bio-farmers’ products in ecological production, opens up another perspective to more sustainable consumption and farming. 