From A/H to P/E

The fashion world follows a rather strict bi-seasonal sequence every year. The French abbreviations of automne/hiver and printemps/été translate to fall/winter (F/W) and spring/summer (S/S) seasons in American English. This cycle has been repeated for a remarkable 125 years until 2026. Thanks to the Vitra Design Museum and the V & A Dundee the occasion has been celebrated with an exhibition and catalogue on the history and art of fashion show. The outstanding catalogue is organized in alphabetical order as the A-Z of fashion. The 4 curators Eisenbrand, Krawczyk, Hassard, Panova present a volume with a focus on keywords explaining major terms of the fashion world like “haute couture” as well as direct entries to specific designers and brands. The well curated choice of fabulous and iconic images from catwalks across time, locations and continents illustrate a world built on visual codes and communication. The “Chambre Syndicale de la Haute Couture” (1945) defined which fashion houses could use the label in France, a definition copied across countries. It works as a way to control access as well as a certain definition of quality. The scope of the exhibition catalogue includes also Anti-fashion under A, backstage photography (B), to the not so simple Walk under W.
With some additional social science framing and thanks to the curators, we have moved an important step towards a sociology of the visual, which comprises the world of fashion.

catwalk fashion shows catalog 2026 in library
Catwalk – fashion shows catalog 2026 in library

Oh happy days

The original English title of Samuel Beckett’s theatre play is “Happy Days”. In the French translation he changed this title himself to “Oh les beaux jours”, which sounds a bit more melancholic, which prepares better to the plot of the piece. There is no action in this piece, it is all words and not even real conversation between the 2 actors. The absurdity of our human existence despite ample references to famous literature across centuries is happily exposed. Let us continue to talk even if it doesn’t make sense anymore as we continue to repeat ourselves without any real changes in sight. How much of Winnie do we all have in ourselves? Indulging in souvenirs, rituals and abandoned trajectories of happiness is a danger of advanced age. Cathrine Frot and  Pierre Banderet are convincing in the roles to remind us to go beyond the absurdity of our ways to go about our lives. (Image: “Oh les beaux jours” at Theatre Les bouffes parisiens Paris 2026-10)

Theatre Les bouffes parisiens Paris 2026-10

Gaps in Mirror

The legendary figure of “Till Eulenspiegel” (name is a composition of “owl” and “mirror”) is still attracting attention, largely because of his way to reach and sometimes expose ordinary anomalies. We have mirrors all around us, as well as explicit historical details, but we tend to overlook or create voluntarily gaps into mirrored images of the past and their reflections into the present. The novel “The Gaps” (Die Lücken) by Shida Bazyar exemplifies, why dealing with history on a local level is of utmost importance for societies to be aware, deal and transmit fundamental human values. Till Eulenspiegel of the 21st century has a migration background and experience of care work, 2 fields at the cutting edge of humanity. Dealing with the gaps in narratives of locals enters visually into the novel as well. We ar caught t “automatic lly” read ov r the g__s before we realize how huge the gaps in narratives and our mirrors of the past can be. The novel is a great reminder to actively deal with our own gaps. Check the mirrors as well, there might be gaps that blur images of the past.

Magnifica humanitas

With the “Encyclical Letter” entitled “Magnifica humanitas”, Pope LeoXIV puts himself expressively into a long historical tradition of the catholic belief to be not only a religious leader, but also an institution that puts humanitarian values on the top of its agenda. As the catholic church is a globally active institution, which covers the whole life-course of individuals based on defined doctrines, the massive changes that are under way in the field of artificial intelligence asked for some guidelines to frame the church’s understanding of this relatively new “Deus ex machina” of the 21st century. In the Encyclical, there are several mentions with respect to comparable socio-economic developments of the past. In choosing the name of “Leo”, the Pope referred, from the earliest days of his Pontificat, to Leo XIII as a particularly important predecessor for himself. The latter has made his reputation in the Christian Church with the Encyclical “Rerum novarum”, which raised awareness to the risks to humanity with an industrialization and capitalism being pursued at all costs. “Res novae” of our time, which is AI and all its fields of applications have a potential to affect the course of humanity for decades to come. Leo XIV doesn’t condemn it as the devil in machine form, but puts emphasis on the potential of AI to assist us to enhance the “Common good”. This is the task of many, not of only a few, as he refers to in his Encyclical of 2026-5-15.
(Image: Extrait: Saint Augustin, Les Confessions, book 13, chapter 28).

Chatbot Me We

In order to dig deeper into the functioning of AI, I deemed it expedient to construct, for example, a simple chatbot on a limited knowledge base from my own writings on AI (link to reader in previous blog entry here).
A toolbox from Google offers powerful assistance in such an endeavour. The outcome uses only my input text and no other sources. It is dynamic in the sense that it interprets questions and searches within the text file provided only. The answers are edited with a LLM (large language model) and provide flawless English texts. You can try it here using catchat as magic formula and Google account so far.
With a bit of programming knowledge (htlm, python, Java) and related learning sites it is feasible to come up with a “static” chatbot hosted at a free of charge provider as well. For learning purposes this step by step building and coding of a chatbot is helpful. The outcome is rather limited or requires a lot of time to increase the scope of Q & A interactions and to move from a static (predefined Q & As) to dynamic ones.
Full control of answers, excluding any hallucinations and high-speed replies, come at a cost. Take a look here. It is a very basic version so far, just to get the idea of it. full web address:
https://schoemannchatbot.eu.pythonanywhere.com/

Chatbot Me

Chatbots are helpful to allow queries to larger data sets like the blog entries here. So here is a try of a Chatbot to query all entries on AI using ChatGPT to create a Chatbot that uses and references it source from www.schoemann.org/tag/ai and the AI reader in pdf-format.
Please send me an email if the hallucinations of this Chatbot 1.0 on AI from a social science perspective are giving strange results. I’ll get back to you. Please use at your own risk as I cannot guarantee for all answers. The usual disclaimer applies here.

ChatGPT proposed the following set of Questions and Answers on the blog for an entry into the chat: Example Q&A with the chatbot

Q: What are the social science concerns with AI?
A: Bias in results, job shifts, democracy risks, privacy, and new inequalities.

Q: What does the text say about reinforcement learning?
A: It’s seen as the next step for AI: focusing on learning and reasoning, not just predicting text. It also uses fewer resources.

Q: How are robots described in the document?
A: Robots are mostly assistants. They can follow people or carry small items, but more complex tasks need sensors and AI training.

Q: What about biased results?
A: Studies can be misleading if control groups are flawed. AI faces the same challenge — social scientists warn: “handle with care”.

Q: What is Schoemann’s blog view on AI?
A: He links AI to energy use, fairness, and its role in the “all-electric society” — stressing efficiency and responsibility.

More on the chatbot (in testing phase) and the Link to the coding help received from ChatGPT on this mini-test-project :
https://chatgpt.com/share/68c1d160-0cc0-8003-bf04-991b9e7c3b24

 

AI Podcasting Me

Content producers have lots of tools at their disposal to get their content across to very different audiences. For some time the traditional media of newspapers, radio and TV were the prime outlets for content distribution. Social media have changed this to many more senders of content than before.
In the 21st century, AI allows to automate media productions. In a trial run I just used Google’s NetbookLM to generate 3 podcasts based on my own writings on AI over more than a year by now. The result is available and using artificial voices it is possible to broadcast yourself without revealing your own personal voice. I am not done with the evaluation of the outcome(s) yet, but the first impression is an interesting other form to spread content.
More tests are necessary to check for hallucinations as well.
Here are the links to my virtual podcasts:
AI, intimacy and insecurity

AI, Society and the Human Spirit

AI and the Human Mosaic: Navigating Our Interconnected Future

Art Physics

Art is a matter of perspectives. In physics the change of perspectives and even theories about perspectives using optical instruments or illusions enlightens our understanding of the universe. 2D or 3D perspectives by V. Vasarely add yet another dimension through the oppositional hanging facing the Hollow Mirror Objects (convex and concave) by A. Luther (see images below). The curators succeeded in putting both art works with their incorporation of physical principles in an enriching dialogue. Art speaks to us in many languages. In more general terms, there is an underexploited aspect of exposing art. Rather than focusing on a single artist or school of artists in particular, exhibitions may focus on the interrelationships and new ways of combining or communicating images. This is human intelligence. Artificial intelligence will do this without prejudice and my own private collection of images of art works as a similar fountain of innovation as well. (Image Exhibition Neue Nationalgalerie Berlin 2024-12).

Citizen Services

In addition to public services there are many citizen initiatives that pick up common interests of citizens. These range from long-term infrastructure projects to daily care and provision in small neighborhoods. Such efforts build on volunteers and the organization of volunteering as an integral part of community life and services. To facilitate these organizational tasks online tools can make a real difference. However, the trust in specific tools beyond the general platforms known for their sketchy treatment of data privacy and protection is low. Therefore it is necessary to rely on trustworthy open source software to support local communities and networks of volunteers in their work and efforts. Secure e-tools for collaboration have an important role to play to reward volunteers with e-learning and being part of or even driver of new digital services. The software „wechange“ offers a platform with several tools for e-organization and communication small communities can set up themselves. Bottom up organizing in addition to the more top down public services complement each other. Going digital is the way forward in both domains.

Start-up Winner

The SCCON 2024 has awarded one of its prizes for start-ups to „neuraflow“, which proposes the programming of chatbots for small communities or cities among other AI-applications. The test in multiple languages for the city of Bremerhaven is fun to test and shows that online public services can be witty and fun to use. The incorporation of local dialects gives the impression of a very personalized service. Moving the administration closer to the heart and the location of its citizens is achievable through shifting communication online. Prior information before a first contact speeds up information and administrative processes for everyone involved. Congratulations to the team involved and we look forward to many nice applications of the same technology in other cities. Admin can be fun, even in Germany 😉😂