Tag: Europe

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Europe x.0

There are many places to ponder, think or dream about Europe. The centre of Paris is certainly a great place for this. More precisely, the “Galerie Mazarin” invites us to pass the centuries looking and reading about artefacts that made Europe or all different versions of it across history and geographic spaces. The short extracts of chansons that we share and shared across Europe are presented in their original language, which highlights the multilingual heritage of the different versions of Europe. There are parts of the heritage, which have fallen into oblivion like the customary use of tobacco exposed with a “tabatière” and a poster advertising paper for your cigarettes. Of course, the “Robe noire portée par Edith Piaf” on a stage is another highlight of the visual and audio joint European heritage.
Where do we go from here? Image Europe with an emphasis on its shared culture. There is so much diversity to be found in each country and regions within countries, but a shared appreciation of the valuable contributions to the whole. This builds a shared European strength, which has proven to overcome several fierce wars. This is the future-oriented version of Europe xx.0. (Image: BNF Musée Europe en partage, 2025)

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Codes of Emperors

Even in the 21st century we spot the ancient codes of emperors. In Brussels the statue of King Albert, who ruled until 1933 and celebrated the first centenary of the Kingdom of Belgium in 1930, shows the Emperor riding a horse without saddle. This iconic position was started as a symbol of a powerful leadership by Marc Aurel and continued by Napoleon’s reign as well as several other ones.
The position on the elevated podium of the emperor on the horse, which further raises him beyond the level of the people, all contribute to the idealized perception of the king above the people. Such a vertical or hierarchical perspective on society or even mankind, including the colonial approaches of the emperors, are the lasting attributes of those times.  According to Els Witte et al. who wrote on the political history of Belgium, King Albert I was also named King Knight by some.
The portrayal and self-portrayal played an important role already centuries ago. No surprise that democracy has brought about an avalanche of idealized self-portraits or “selfies”.

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Vacation money

The budget for a vacation, depending on your destination, is subject to exchange rate adjustments. If there are several months between planning and traveling the exchange rate like between the US $ and the Euro € has fluctuated recently by 10% in favor of the €uro. Nice for those receiving salaries in € and who spend their vacation in a region using the US $ as main payment currency. International tourists frequently calculate in $ and therefore might find Europe a bit more expensive than before the return of Donald Trump in the USA.
However, for all those who live in the Member States of the Euro-area and take their vacation there as well, they no longer think in exchange rate risks to their vacation budget. Additionally, there are almost no risks to be subject to fake money transactions like in unfamiliar currencies.
In the Euro area we can use for example backlight to make sure a 50€ bank note is a real one. Happy vacation! 

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Gentileschi Iconologia

Ever since the publication of Cesare Ripa’s „Iconologia“ (1593) the codes of art had become subject of a coded production and interpretation of art. Attributes of power or wealth like palms, scepters or crowns, decorated with gold and diamonds spoke a language easily understood by onlookers irrespective of time periods. Orazio and his daughter Artemisia applied this Iconologia throughout their work. The apparently simple depiction of bad weather became a sign of trouble ahead in a person‘s life, office or reign. From the success of Caravaggio‘s paintings, the application of light and shadow became another stylistic feature of especially Artemisia‘s work. Whereas the application of these techniques is a sign of craftsmanship, the own contributions like a more emotional and emancipatory repertoire of Artemisia make her an artist of her own kind. (Image Artemisia Gentileschi, Madelaine pénitante 1625, Musée Jacquemart André“ in Paris 2025-8) 

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Travel Trumped

The travel and tourism sector of the U.S economy takes quite a hit from Trump‘s anti Canada and Europe tariffs and rhetoric. The Wall Street Journal (2025-6-3) reports data until May 2025  which show a 6% decline in international air travel and a 12% reduction in air arrivals from Europe (reference same period last year). Canadians seem to reduce their travels to the US as well, hitting many regions just across the long joint border. Airline bookings are an early warning indicator, but the more drastic figures are to be expected from the loss of spending tourists do not dispense in the US any more. Additionally, sizeable shares of US tourists travel to other countries due to the disgusting Trump rhetoric and spend their holiday budgets elsewhere. Trump‘s tariffs has focused a lot on redressing the trade balance of goods, but the balance of services like in tourism is worsening day by day now. The political economy of tariffs has multiple feedback effects which are quite hard to predict.

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Constitutional Responsibility

The memory of horrors caused by Nazi-led Germany before and during the 2nd World War is our constitutional obligation in the Federal Republic of Germany since its beginnings in 1948. 80 years after the unconditional surrender this has become a state responsibility. Since the shift of tone introduced by Richard von Weizäcker on 8th of May 1985 framing the end of the 2nd WW as liberation day in Europe and Germany. On the same day, 40 years later, the top 5 political instances of democracy in Germany, president, chancellor, presidents of the parliament (1st chanber), the council of the regions (2nd chamber) as well as the constitutional court. The constitutional and moral responsibility of the crimes is not reserved to a presidential address, but all pilars of democracy in Germany committed to the narrative of a liberation of Germans and Europeans at the end of the 2WW. It is a truly European topic to celebrate the end of war jointly in all countries. This is even more the case as the memories of the last survivors of the Shoa in Europe is less transmitted by the rare survivors until today due to very old age. The impressive unity of the top constitutional powers sets a the path for a far reaching renewal of the acknowledgement of a specific constitutional responsibility to counter extremist tendencies. The speeches by Frank-Walter Steinmeier and Julia Klöckner in the Bundestag (Link in German) were remarkable in explaining in plain language, why we are happy about this liberation also in Germany. The emphasis of the end of pervasive and endless oppression and suffering caused by the Nazi-regime are an essential part of this feeling of liberation. With this commemoration Germany today has become even more a European nation which takes its historical responsibility seriously.

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Tariffs trumped

Economists are used to differentiate between micro-and macro-level effects of tariffs. For each buyer of a car, import tariffs raise expectations about prices for a product. Many consumers will then decide to buy lower quality at the same price or postpone buying a new or replacement product for some time. For cars it might mean that many people will then decide to buy rather later than sooner. If thousands of people do so, the market will fall into recession overall and it will take months or years to come back to the same or a higher level. A political economy perspective has taught us that eager politicians are in favor of a short recession immediately after an election which increases the chances of re-election once the economy gets back to normal or catches up on lost growth. 

The US under Trump apparently gambles with such an economic rationale. Short term inflation is already rising, interest rates stay high before the upheaval caused by tariffs starts to settle. 

There is, however, another alternative mechanism at work as well. Thorstein Veblen long ago hinted towards what is not called in economics the Veblen effect. Some fancy cars for example can raise prices well above others because of their cleaving image. Just because they get even more expensive the buyers of such products gain additional attention as part of a social class which does not have to care much about their additional spending. The consequences of tariffs will most likely widen the gap between those saving dearly and those able to splash out cash despite increased tariffs. The most felt consequences, therefore, will be on social inequality within the US (compare WSJ 2025-4-24 A2 by Juliet Chung, “Richest of Rich Gain §1 Trillion”).

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Apocalypse Depicted

At the beginning of the 21st century we have a renewed interest in depictions of the Apocalypse. “L’Apocalisse di Giovanni” has been illustrated in various Christian monasteries and some traveled quite a bit. The version of the Apocalypse (Link) which was attributed to Cambrai is a copy of the older original version found in the City library of Trèves, which dates back to the year of about 825. A flemish version of the 16th century is to be found at the BNF in Paris. Throughout the centuries the “Apocalypsis”has been reworked. The version of Trèves has the “carolingish” depiction characteristized by a presentation of image on one page and text on another page. Nowadays we are used to futuristic images and have known even worse experiences of apocalyptic events (Nazi terror). Earth quakes or man-made climate change with heating of the planet, storms, draughts and floods testify for the renewed interest in the Apocalypse. Other man-made technological innovations like rockets. atomic bombs, chemical and biological weapons overshadow even the “natural” ones. The potential of AI to cause destruction is not fully assessed until today. Swarms of drones guided by AI might reach apocalyptic levels as well. We just remind ourselves of the bombing of walls of a water reservoir by Russia in Ukraine. The Apocalypse will remain the original example of a horror story and our strange fascination for such texts, images or movies is likely to stay. (Image: extract of anonymous 1st quarter of 9th century. Trier Stadtbibliothek, Schatzkammer. Wikipedia public domain).

Apocalypse
Screenshot
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La défense Végétale

Greening a metal and concrete block and buildings is a big challenge. The logic of unrealistic growth and big business has left liabilities for future generations. More vegetation in inner cities is part of our responsibility towards future generations. Therefore, urban planning has started in Paris to get rid of concrete walls and floors.

Eventually the district might have a more human touch which attracts citizens and new businesses and services. The adaptation of the infrastructure to facilitate mobility with bicycles and secured pedestrian paths has started but will take a lot of time before people adopt again these more healthy modes of transport. The big boulevards reserved for polluting transport is no longer adequate in combination with residential living spaces.

It will take a change of a whole generation to accomplish such a fundamental change. The reduced demand for office space due to more employees choosing to work from home contributes to such a change as well. Many other cities go ahead with similar changes (Copenhagen, Berlin). In combination with the „All electric society“ there are fundamental changes at work which will make inner cities more attractive again. Ease of clean transportation and other infrastructure for urban lifestyles ensures that cities remain strong points of attraction. They keep pulling people from nearby and far away towards them, if we like it or not.

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Democracy ART

The European Parliament co-sponsored a remarkable art exhibition in 2023 entitled „Art in Democracy“ The catalogue of the exhibition offers insights into the many preconditions of art. A democratic environment constitutes a non-negligible precondition for most of the works of art. Artists thrive within democracies. Many artists flee authoritarian regimes as their work environments rely on a real freedom of expression irrespective of the will and belief of ruling politicians.
Artists who do not flee in time for whatever reasons have suffered tremendously under Nazi terror in Germany. Authoritarian leaders don’t respect the various forms of expression by artists. Europe and the European Union provide safe havens for many artists to continue their careers in art. This has become a real value of our way of life. Many countries envy us in this respect. We take this for granted in the EU, but 70% of the world population endures authoritarian control. A reminder of this, from time to time, justifies a lot of expenses to support art and artists even beyond our borders.

The romantic setting of the image below is set against the surrealist open window (of opportunities) in an almost Magritte-style dreamland.
(Image: Rafal Olbinski, La Pologne dans l’UE, created for the occasion of adhesion to the EU)