Artists – Page 27

05/03/202404/03/2024

Folon Magritte

The exposition in Brussels on Folon and Magritte demonstrates the impact the latter had on the former artist. Both developed an iconic style of painting. Folon paintings apply pastel colors on paper. This style transforms images through the softened sometimes slightly blurred representations near a dream like realization. On the contrary in his sculptural work he uses hard materials to stimulate imagination and abstraction from reality. The side by side representations of Magritte and Folon is more a study in tracing influences and motifs across decades. The honor is just as much to Magritte as it is flattering Folon. Magritte had changed the life of Folon with his paintings and perspective on life beyond realism. Magritte‘s legacy lived on and Folon developed surrealism into a widely recognizable style with his paintings as well as sculptures. In walking around Brussels in 2024 you will inevitably come across some of the sculptures reflecting the work of Folon. The Folon foundation is continuing the pedagogical journey of the surrealist art movement well into today and tomorrow.

04/03/202402/03/2024

Schubert Franz

Franz Schubert hatte ein kurzes Leben. Geboren in 1797 verstarb er bereits mit 31 Jahren. Seine Lieder werden nach wie vor viel gehört und aufgeführt. Mit 10 Jahren wurde er vom Hofkapellmeister Salieri in Wien bereits als Sängerknabe in die Hofkapelle aufgenommen, was gleichzeitig die Aufnahme ins Stadtkonvikt bedeutete. Seine Lieder wie „Der Lindenbaum“, „Die Forelle“ oder „Die Rose“ blieben lange Standards in den Musiksalons und Konzerthallen. Beeindruckend bleibt auch die Schaffenskraft des jungen Schuberts der in seinem „Liederjahr“ 150 Lieder komponierte. Seine Versuche eine Oper zu schreiben waren weniger erfolgreich. Das hat dann fast 200 Jahre gebraucht bis die Pariser Opéra Comique diesen Traum Schuberts erfüllt hat. Vielleicht hatte es etwas mit seinem Lehrmeister Salieri zu tun oder den hohen Ansprüchen der Wiener Klassik in der damaligen Zeit. Friedrich von Flotow hatte den Weg nach Paris gefunden und war sich der Bedeutung des ausdrucksstarken Librettos bewusst. Orchestrierung zur Verpackung der Lieder wird dabei bedeutsam. Flotow sollte das Oeuvre Schuberts bekannt gewesen sein. Erfolge mit eingängigen Melodien haben beide feiern können. Jeder auf seine Weise.

23/02/202422/02/2024

Paper and Pastel

Sometimes the art is in the material. At least this could be a rapid conclusion of the exhibition presented in London at the Royal Academy of Art in 2024-1. From the informative Catalogue the importance of material is demonstrated. The ease of taking your equipment with you, like a sketchbook and out into nature have been an important feature of the impressionists’ movement. With artists challenging traditional techniques of painting and paintings as such even the apparently less noble material as paper had become a statement of being different from the established art academies making use of more noble materials. The impressionists made a convincing point with their additional use of materials accessible to all. Capture the moment and capture your very own impression of it. This is one way to immortalize the emotion and essence of the scene. In the catalogue of the exhibition I spotted “The Swimmer” drawn by Caillebotte with pastel on paper. Freezing the moment, freezing the motion and emotion is evident here, too. Testing different materials is part of the journey to find your artistic impression, expression or materialization of imagination. The ways and means are manifold.

Royal Academy, 2023: Impressionists on Paper. p 32

12/02/202411/02/2024

Publishing2024

With new channels of publishing online the publishing world continues to change. Scientific research moves also online and the reach of audiences has become a much more important factor in evaluation of success. Elite circles of in-groups publishing and quoting each other have a harder time to survive. It is a form of democratising the world of research which is by very large amounts financed by public budgets. Public radio and television now start to feel the heat as so-called influencers, some working independently, challenge the world of traditional journalism. The good news is that there are many more people active to produce news and entertainment and the two separate worlds become more and more integrated. Young people who have left the “official” media world, engage with their own peer groups and make their voices heard and more influential. The quality of the provision of information is, however, a matter of concern. Audiences will have to check even more carefully than before which sources can be trusted. This is not an easy task. Speed of spreading information becomes an additional factor. It has always been like that, but the rhythm of a daily or weekly newspaper was very different from the publishing and consumption of news and information today.
The second factor that has drastically changed is the influence of “external” influences and information as well as disinformation campaigns that have an impact on “internal” reporting and commenting. What used to be the world of professional journalists has become an accessible possibility for many more than journalists. Publishing has become a very different world from the printing days and yet printing remains one important channel of publishing. (Link to own edited volumes of blog post for printing here).
Previously, we prepared the manuscript in paper, nowadays this seems to move online and the edited and sometimes corrected versions will be published in print later on. The challenge to science and journalism is ticking. Not accepting that there is a serious challenge is no solution either. (Image from Exposition “Books that made Europe”, 2016)

03/02/202431/01/2024

Flotow Paris1

Die Biografie von Friedrich von Flotow, verfasst von seiner letzten Ehefrau, beschreibt die erste Parisreise und den prägenden Aufenthalt für die Ausbildung des noch sehr jungen Komponisten (S.29 ff). Bereits im Februar 1828, mit erst 15 Jahren, begann der erste Studienaufenthalt in Paris. In einer den Eltern bekannten Familie wurde der junge Friedrich aufgenommen und begann sein Musikstudium am Konservatorium. Prof. Friedrich Reicha war dort sein Lehrer, der 1825 seinen “Traité de la haute composition” veröffentlicht hatte. Schon Adam und Berlioz hatten bei Reicha Kompositionsunterricht einige Jahre vorher. Die Juli-Revolution 1830 in Paris führte jedoch zu solchen Unruhen, dass die Familie den Sohn rasch nach Mecklenburg zurückrief.
Die frühe Erfahrung in Paris, und wie wir heute sagen “total immersion” in die französische Sprachwelt und Musik, eröffnete dem jungen Komponisten einen Berufsweg, der sicherlich ohne den Aufenthalt völlig anders verlaufen wäre.
Seine letzte Komposition “Der blinde Musikant” ist als reale Erfahrung des jungen Flotow in der Biografie erwähnt. Zusammen mit seinem Freund Aubry hätte er für den stadtbekannten blinden Musikanten als Straßenmusikant Geld gesammelt. Mit seiner letzten Komposition hat er im Vorgriff auf seinen eigenen Tod, dem blinden Musikanten noch ein Denkmal gesetzt. Dieser war bald nach dieser Aktion dennoch verstorben.
Schüleraustausch und Studienaufenthalte zwischen D und F kann eine äußerst prägende Wirkung entfalten. Das trifft auch noch 200 Jahre später zu. (Image: Flotow Biografie 1892. A.28-29.

01/02/202429/01/2024

Memory Flashes

The title of the exhibition in the Museum of Photography in Berlin was “Flashes of Memory”. The collaboration of the Kunstbibliothek with the “Yad Vashem – The World Holocaust Remembrance Center” prepared a photographic memorial of the murder of 6 million of human beings with Jewish origin or family ties. The images represented in the exhibition constitute a carefully curated selection of the photos taken as part of Nazi propaganda, the secretly produced photos by inmates and the Sowjet and American soldiers who prepared documentation of the horrors. It becomes clear throughout the different sections of the exhibition that the motivation of the photographer introduces more than just an individual perspective on the scene.
In the age of fake news and fake images it becomes more and more important to be able to read and interpret photos, taking into account the motivation of the photographer and its influence on the photo taken. In order to limit the spread of mischievous representation of the past, it is good to know that the use of AI as image creation does not allow with simple prompts to produce false documentation. It needs more sophistication and more human intervention to trick the algorithms. Additional use of photoshop will, however, increase the risks of abuses. Hence, it will be more important as of now to be able to differentiate images according to sources and authors. Our trust in photos has been shattered, and this is an important lesson in itself. It is a huge task for schools and adult learning to re-build the competence to distrust photos and images at first, then deconstruct the messages and motivations.
“Flashes of memory” is in some way linked to the “struggle of memory” exhibition. Both, obviously deal with the way historical events are and have to be present in our “collective” memory. Memories come back in flashes, sometimes, certainly for victims. Conscious and unconscious selections of images might come back at times and haunt victims for years. The correction of biased messages, is an important task for historians, social scientists and artists alike. It is all too easy and common to forget (Luhmann, 1996 Reality of mass media) and the difference between “Documentation” and “Decoration” (Lewis, 2001) or simply illustration needs to be scrutinised always anew. “Bildung” has some common roots (only four letters really) with “Bilder” in German language. It may be “une liaison dangereuse”, but the spurious link can also be turned into an educational or learning approach.
A permanent exhibition based on the material used in the exhibition would be a real asset to accompany and learn about the flashes of memory. A reading list of literature was also available at the exhibition (see image below) encouraging to dig deeper into this immensely important topic.

31/01/202429/01/2024

Postmodernism

The grand narratives of the modern world, like modernism itself, are under serious criticism. Deconstruction of the modern way of thinking has become philosophical mainstream. Economics as a science is in the middle of the behavioural shift and changing or at least complementing its narratives. Sociology has embraced postmodern thinking in theoretical as well as empirical forms (Mirchandani, 2005). The empirical measurement focuses a lot on the groups and people who hold postmodern beliefs and values. The discussion in the social and literary sciences continue. In the arts reading on modernism and postmodernism is a must in order to understand much of contemporary art or art from the 19th and 20th century.
Bookstores in art galleries that cover long spells of history can make surprising links between historical periods of art. Books of postmodernism appear next to books on romanticism. A lot of the ideation of postmodernism rejoins romantic depiction about nature, re-naturalizing or the emotional connotations of wildlife, isolated places and stillness.
On the other hand, we are confronted with the brutal world of war, drugs and crime. Classical warfare and strategies are back in Europe with tanks and rockets killing like in previous wars. The Russian empire of a specific version of modernism strikes back as if it were to stop the postmodern turn of the 21st century. Neo-fascism tries to build on the losers of the transitions to the socio-ecological economy and society. There are manifold backlashes of modernism, but the postmodern world is under continuous construction, most of in our mindsets.

30/01/202428/01/2024

Modernism

More and more people move into cities. A modern way of living is more accessible there. Besides abundant car traffic public services of transportation like buses and underground are within easy walking distance. Culture, science and education offer attractive opportunities for learning, working and leisure. Diversity is an additional asset most people appreciate of cities. The chances to live your very own way of life are much easier to achieve and thrive in as in remote or rural communities. “Birds of the same feather flock together “. It is easy to find likeminded people among a million people than among a hundred particularly if you’re a bit off the mainstream or avantgarde. The excitement of birds passing the city can reach the emotional force of Hitchcock’s famous movie “The birds”. Even in the modern world we not quite sure what these creatures are up to. Is it a swarm of drones? Are they out of control? Modernism has brought us many amenities, we have to make sure that we really are still in control.

29/01/202427/01/2024

Memory Struggle

The struggle of memory is also the memory of a struggle. The exhibition in the Palais Populaire in Berlin doesn’t leave spectators untouched. It is a struggle to recover memories which were attempted to be eradicated. This is the univeral message of this exhibition. The colonial past and crimes are part of the struggles of artists from these cultures to re-establish their rights to their own views, traditions and memories. Grass and plants may cover the shelled soil and people, but traces or mortars are often left behind. Light from different angles needs to be shed on these places to reveal the shadows of the wounds. The atrocities and exploitation linked to colonialism and imperialism keeps us struggling with those memories. Just before we jump to the conclusion that it is a memory of a past struggle, we are reminded that consequences are still haunting the present and with the Russian aggression in Ukraine we have to realize the fight against imperialism continues in the 21st century. Thanks for memorable moments and impressions in view of a global arts and history experience. (Image of art work installation by Sammy Boloji, untitled 2018, exhibition Palais Populaire, Deutsche Bank foundation)

Sammy Boloji, untitled 2018 exhibition Berlin 2024

Category: Artists