Category: Europe

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Timeless Values

The declaration of human rights is more than 200 years old. However, the need to stand up for the defense of these rights needs many people to act accordingly. Political parties and courts are not strong enough to be the only defendants of democracy and human values. Solidarity across generations is another part of the struggle to defend democracy. In addition to the broad movement of “Omas gegen rechts”, the age distribution has been further enlarged with the “Uromas gegen rechts”. This most likely the generation with first hand life experiences from Nazi Germany and they should have reached an enlightened view of the horrors caused by the Nazi-regime. Unfortunately there are still some who continue to be prisoners in a fascist “brown” cage of mischievous memories. The great grandmother who was present at the demonstration was clear in her statement to stand up against right-wing extremism. (Image: With the permission of the lady I am happy to have evidence of the presence of super-agers at the demonstration in Berlin).

Berlin 2024-2-3. Demonstration
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Fighting Fascists

On february 3rd 2024 Berlin has seen the Parliament (Bundestag in the old Reichstag building) surrounded by young and old to raise their voice against the rise of right wing extremism in Germany. The broad alliance against extremism finds grassroots support from a very broad and diverse community. 1700 organizations have joined forces to send a strong signal that they are ready to act against the inhuman propaganda and persistent hate speech. The creativity to express the discontent in clear messages is impressive. Civil society is showing that diversity offers multiple benefits to find new ways to unite people. Great that European flags and balloons in Ukrainian colors where present as well. A movement of solidarity was felt with these people and that provides a strong message for the months ahead with so many elections taking place at the local, regional, national and European levels.

Berlin 2024-2-3
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Memory Flashes

The title of the exhibition in the Museum of Photography in Berlin was “Flashes of Memory”. The collaboration of the Kunstbibliothek with the “Yad Vashem – The World Holocaust Remembrance Center” prepared a photographic memorial of the murder of 6 million of human beings with Jewish origin or family ties. The images represented in the exhibition constitute a carefully curated selection of the photos taken as part of Nazi propaganda, the secretly produced photos by inmates and the Sowjet and American soldiers who prepared documentation of the horrors. It becomes clear throughout the different sections of the exhibition that the motivation of the photographer introduces more than just an individual perspective on the scene.
In the age of fake news and fake images it becomes more and more important to be able to read and interpret photos, taking into account the motivation of the photographer and its influence on the photo taken. In order to limit the spread of mischievous representation of the past, it is good to know that the use of AI as image creation does not allow with simple prompts to produce false documentation. It needs more sophistication and more human intervention to trick the algorithms. Additional use of photoshop will, however, increase the risks of abuses. Hence, it will be more important as of now to be able to differentiate images according to sources and authors. Our trust in photos has been shattered, and this is an important lesson in itself. It is a huge task for schools and adult learning to re-build the competence to distrust photos and images at first, then deconstruct the messages and motivations.
“Flashes of memory” is in some way linked to the “struggle of memory” exhibition. Both, obviously deal with the way historical events are and have to be present in our “collective” memory. Memories come back in flashes, sometimes, certainly for victims. Conscious and unconscious selections of images might come back at times and haunt victims for years. The correction of biased messages, is an important task for historians, social scientists and artists alike. It is all too easy and common to forget (Luhmann, 1996 Reality of mass media) and the difference between “Documentation” and “Decoration” (Lewis, 2001) or simply illustration needs to be scrutinised always anew. “Bildung” has some common roots (only four letters really) with “Bilder” in German language. It may be “une liaison dangereuse”, but the spurious link can also be turned into an educational or learning approach.
A permanent exhibition based on the material used in the exhibition would be a real asset to accompany and learn about the flashes of memory. A reading list of literature was also available at the exhibition (see image below) encouraging to dig deeper into this immensely important topic.

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Postmodernism

The grand narratives of the modern world, like modernism itself, are under serious criticism. Deconstruction of the modern way of thinking has become philosophical mainstream. Economics as a science is in the middle of the behavioural shift and changing or at least complementing its narratives. Sociology has embraced postmodern thinking in theoretical as well as empirical forms (Mirchandani, 2005). The empirical measurement focuses a lot on the groups and people who hold postmodern beliefs and values. The discussion in the social and literary sciences continue. In the arts reading on modernism and postmodernism is a must in order to understand much of contemporary art or art from the 19th and 20th century.
Bookstores in art galleries that cover long spells of history can make surprising links between historical periods of art. Books of postmodernism appear next to books on romanticism. A lot of the ideation of postmodernism rejoins romantic depiction about nature, re-naturalizing or the emotional connotations of wildlife, isolated places and stillness.
On the other hand, we are confronted with the brutal world of war, drugs and crime. Classical warfare and strategies are back in Europe with tanks and rockets killing like in previous wars. The Russian empire of a specific version of modernism strikes back as if it were to stop the postmodern turn of the 21st century. Neo-fascism tries to build on the losers of the transitions to the socio-ecological economy and society. There are manifold backlashes of modernism, but the postmodern world is under continuous construction, most of in our mindsets.

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Zwang durch Terror

Durch den Terror der Willkürherrschaft mit rassistischer Doktrin wurde aus Zwangsarbeit eine lebensgefährliche Arbeit. Überzogene Sanktionen bei Diebstahl, Plünderung oder Sabotage wurden von den Nazis mit öffentlichen Hinrichtungen (Erhängen, Gruppenerschießung oder Guillotine) geahndet (siehe Katalog zur Ausstellung Alltag Zwangsarbeit S.44-45). Straflager und Verlegung in Konzentrationslager gehörten ebenfalls zur regelmäßigen Erfahrung.
Die Zwangslage der dort zur Arbeit gezwungenen Menschen ist kaum vorstellbar und fassbar in unserem System der Beschreibung von Arbeit. Totale Subordination kann vielleicht in Ansätzen verdeutlichen wie diese Situation auf die Personen gewirkt haben muss. Fluchtversuche waren fast ausgeschlossen. Selbst die Verbindung zu den meist deutschen Frauen in Fabriken war unter hohe Strafe gestellt und intime Verhältnisse (bezeichnet als Rassenschändung) wurden für beide Seiten lebensbedrohlich oder endeten für die Zwangsarbeiter oft tödlich. Der Terror in dieser Zeit bestand in der kontinuierlichen Gefahr und Angst tatsächlich oder vermeintlich eine Anklage zu erhalten, die unkontrollierbare, weil selbstherrliche, Strafen nach sich ziehen konnte.
Image: Ausstellung Alltag Zwangsarbeit 2024-1 in Dokumentationszentrum NS-Zwangsarbeit, Berlin Schöneweide. 

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Zwangsarbeit

Die Annäherung an das Thema Zwangsarbeit ist nicht einfach. Auch heute prangern wir zu Recht Zwangsarbeit egal wo auf der Welt an. Die mit weitem Abstand grausamste und umfangreichste Durchführung von Zwangsarbeit haben die Nazis in Deutschland und von ihnen besetzten Gebieten vollzogen. Neben den Schrecken der Konzentrationslager mit dem millionenfachen Mord an Menschen jüdischer Abstammung ist die Aufarbeitung der Verbrechen in Zusammenhang mit der Zwangsarbeit lange in den Hintergrund getreten. Selbst die Zeitzeugen wie Francois Cavanna (2020, S. 10-11) vertraten die Ansicht, dass im Vergleich zu den Ermordungen und Kriegsopfern ihre Erfahrungen und Leiden im Zusammenhang mit der Zwangsarbeit in den Hintergrund traten. („… cela me rendit plus modéré dans l’expression de mes souffrances. … nous ne pouvons que fermer notre gueule. Ce que je fais. »).
Neben der systematischen Ermordungsmaschine der Konzentrationslager in der NS-Zeit verdient das millionenfache Leid und die Terrordrohungen und Anwendungen der Nazi gegenüber den ZwangsarbeiterInnen eine angemessene Bedeutung. Das Dokumentationszentrum NS Zwangsarbeit in Berlin Schöneweide bietet dafür eine hervorragende Ausgangsbasis. Die Ausstellung ist für alle Altersgruppen geeignet. Behutsamer Einstieg für Schulklassen ab der 5. Klasse und zum Nachdenken anregend für Erwachsene mit Informations- und Lerninteresse. Das Ausstellungskonzept mit seinen vielfältigen biografischen Materialien von Zeitzeugen erleichtert, neben der Faktenfülle, einen emotionalen Zugang zum Thema. Online lässt sich beispielsweise die Verteilung der Zwangsrekrutierten die Arbeitsdienst leisten mussten je nach Stadtviertel oder sogar Straße verfolgen (Link Datenbank und Map).
Die Löhne für deutsche ArbeiterInnen und Ost-ArbeiterInnen aus den osteuropäischen besetzten Gebieten waren fast zehnmal höher. Die in westlichen Besatzungsgebieten zwangsverpflichteten Personen oder selbst anfänglich mit scheinbar höheren Löhnen als vor Ort (Organisation Todt) üblich angeworbene Personen erfuhren die spätere Abwertung ihrer Entlohnung. Es bleibt die Betonung auf Zwang, Terror und Einschüchterung bei der Zwangsarbeit meistens in menschenunwürdigen Massenbaracken aus industrieller Massenproduktion. Einstieg in die Erfahrung: NS Zwangsarbeit Dokumenteationszentrum.

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Shrinkflation

Shrinkflation is a hybrid term that combines “to shrink” with “inflation”. The trick is to keep prices at the same level for a product, but to reduce the weight or amount sold at a constant price. The intention of producers is to indirectly increase prices without touching at price tickets on products. As consumer you are likely to remember the price tag of a product, but much less the unit costs. However, the unit price is the basis for fair comparisons. In supermarkets there is an obligation to print also unit prices (€/kg or €/L) next to price labels. Comparisons allow information irrespective of package size. In shrinkflation the higher unit costs of a product will drive the official measure of inflation (Destatis, 2024). In Germany inflation for food had the top inflation rate in 2023, surpassing even price rises for energy.
On the one hand, shrinkflation is cheating on consumers to sell them less for the same price. On the other hand, oversized products that solicit higher consumption are part of the health and environmental problems we face. The obesity pandemic is part of the XXL consumption hype the food industry and supermarkets have created. In this respect, more expensive food (Eurostat info) potentially may trigger the rethinking of consumption and nutrition. “Eating better instead of less” has always been more expensive.
Besides the profit-maximising logic of shrinkflation, there is at least a small hope that behavioural changes might be triggered to consume less, to use less detergent in washing, less sugar drinks, smaller size pizza and so on. Shrinking our food intake is part of the solution for many problems. In the end cutting out most convenience food will save you a lot of money. As a side effect of such behavioural changes, eventually prices are likely to come down some time later again.

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Clausewitz 3

As the Russian aggression in Ukraine continues it is interesting to re-read Clausewitz again. In his major work on strategy in warfare we rediscover lots of strategies that Putin’s army applies in the war against Ukraine. But equally, the successful defence strategy of Ukraine with a sizable difference in the size of the army, they both let us better understand the theoretical considerations and relevance of Clausewitz until today. For example,the overriding importance of the size of an army in comparison to the opponent was discarded by Clausewitz (p.111-112) already. He refers to the battles at Rossbach and Leuthen in the Seven Years’ War 1756-1763. Frederic the Great won 2 battles despite having armies of half the size or even less at his disposal (Tempelhoff). Training and morale of the armies is an important part of the explanation of a later outcome. In terms of strategy Clausewitz mentions surprise and wit in chapters as well. The next 3 chapters are devoted to (in modern words) distribution and mobility of forces in space and across time including additionally a strategic reserve. The “classical warfare” which Clausewitz transforms into a theory of warfare is followed with horrific resemblance by Putin’s Russia in the 21st century. “War is an instrument of politics” writes Clausewitz 200 years ago (p. 467-8).
The painters or theorists that attempted to go beyond this rationale have had a hard time to convince politicians otherwise. The idea that law and courts will replace the atrocious power play of nations is silenced again for some years, only to come back with more force eventually.
(Image Extract from Nationalgalerie and Digital Collection of Gemäldegalerie 2024-1 by Adolphe Menzel “Ansprache Friedrich des Großen an seine Generale vor der Schlacht bei Leuthen 1757) unvollendet.

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Ideal City

Ideal City

Even beyond humans the issue of what constitutes the ideal city is a matter of historical as well as experimental significance. Science has recently uncovered a city like organization of habitats in the Amazon region (Link Science.org). The organization of the Greek city states has been the model for the development of democratic ideation. The Roman imperialism has thrived through the splendor of its cities and city lifestyle. No surprise that this continues to be a constant concern for humanity.
Rapid urbanization continues in Africa and Asia. Europe also struggles to keep pace with infrastructure development in every growing cities. Whereas the ideal city in the early Italian Renaissance was imagined without trees, we witness a renewed interest to bring back nature-like environments and architecture back into cities. Combining the best of 2 worlds seems possible. Redesigning inner cities remains a continuous challenge. It is much more than thinking about bricks and mortar. It is mostly about how we want to live, work and communicate together. Therefore, it concerns all of us. Paintings help us along in our ideation about where and how we want to live together. The linear views of the Renaissance appear hardly convenient after the experience of the 20th century.
(Image Gemäldegalerie Berlin, 2024-1, Raum XVIII, Ident Nr. 1615 “Ideal city” from ca 1490 attributed to Francesco di Giogio Martini and next to well-known ideal “Venus” painting by Sandro Botticelli 1490).

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Flotow CH

Noch 20 Jahre nach seinem Tod wurde Friedrich von Flotow recht prominent aufgeführt. Im Stadt- und Aktien- Theater der Stadt St. Gallen stand seine Oper “Martha” an einem Mittwoch 26.4.1905 auf dem Programm (Anfang 8 Uhr präzis), gefolgt von Mozarts Zauberflöte 2 Tage später.  Was für eine Konkurrenz. Das Plakat zur Aufführung ist in der Digitalen Bibliothek der Kunstbibliothek in Berlin anzusehen (Link).
Die Geschichte des Theaters in St. Gallen ist aus ökonomischen,  gesellschaftlichen und architektonischen Gründen interessant. Das Tagblatt berichtete in 2007 über den Abriss der historischen Städte und den sehr verspäteten Neubau einer moderneren, größeren und wirtschaftlicheren Spielstätte. Damals zu Beginn des 20. Jahrhunderts schon standen populäre Werke wie die Martha und die Zauberflöte auf dem Spielplan. Die Aktionäre des Stadt- und Aktien- Theaters der Stadt St. Gallen haben wohl schon immer etwas mehr auf das Geld geschaut, auch wenn es um Kunst geht. Mehr Zuschauende und Zuhörende ist demokratisch und nebenbei gut für’s Geschäft. Der Abriss war beklagenswerter Weise im Jahr 1971. Ein Neubau an anderem Ort startete bereits 1968. Dieser Bau musste ebenfalls nach 40 Jahren Spielzeit grundsaniert oder abgerissen werden.  Heute findet sich darin ein lebhaftes Programm mit Musicals als ausgezeichnetem Schwerpunkt und beispielsweise des Theaterstücks „Gott“ von Ferdinand von Schirach . Die Stadt und die Aktionäre sind wohl aus der finanziellen Verantwortung, aber das Kanton St.Gallen und der Lotteriefond sind eingesprungen. Bildquelle und Großansicht Kunstbibliothek SPK Berlin.