Tag: culture

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Ugly duckling revival

Ever since Hans Christian Andersen created the fairy tale of the “ugly duckling” (1843) the story has been adapted to all forms of theatre. The adaptation of the fairy tale to the stage in 2019 and the revival in 2023 at the “Deutsches Theater” in Berlin keeps inspiring people to surpass their restrictions or inhibitions, whatever they may be. This early 19th century fairy tale is a fine piece of the search of identity of a person. As it deals with the difficulty of individuals to find their own identity, the fairy tale deals already with the fitting of an individual into society. Society exercises pressure on individuals to conform to written and unwritten rules, which tend to hold up rules like “one size fits all”. Differentiation and allowing individuals to be different from an established norm becomes a central theme of modernity and even more so in the post-modern world. It is the essence of democratic societies to practice a tolerance of persons being or just wanting to be different. The performance at the “Deutsches Theater” might be a test of your level of tolerance or acceptance of diversity for some, but at the time of rising intolerance in and beyond the U.S. under Trump, such performances are dearly needed to celebrate the rich cultural heritage and achievements of far reaching tolerance. It becomes more evident what we are about to loose (again), if such performances would no longer be possible in a controlled or financially overly restricted world of theatre.

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Persistent beauty

The fashion industry is known for its fast turnover of beautiful designs from season to season. Some designs and often just single pieces survive the fast turnaround of the fashion industry. In many cities we find shops that sell so-called vintage cloths and objects. For men and women it is feasible to rediscover pieces of longer lasting beauty or even persistent beauty. The persistence of an image of beauty may follow the classics of designers and specific brands, but it may also have a very personal touch referring more to a person’s own life course (when we were young) or associated with freeing yourself from your family or societal context. The 60s and  70s were such time periods with radically changing images and ideas about beauty. Since then more individualised clothing seems to take hold, although there is an equally strong tendency of social or age groups to identify themselves through specific clothing, showing that you belong to the “in-group”.

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Archi Geometry

Architecture has an obvious and visible link with geometry. Clear lines, rectangular or triangular shapes have dominated for centuries since the Greek temples. Geometry was a discipline that has attracted many scholars and particularly architects. Nowadays the shapes are much more diversified and sometimes complex. The calculation of surfaces, curved lines and shapes have become an issue of more complicated mathematics. Volumes of irregular shapes are a challenge for most people to calculate and heating or cooling sich buildings adds considerable complexity. It is, however, rather relaxing and fascinating to look at the marvels of modern shapes in architecture. Technology and material science have allowed us spectacular progress and designs in recent years. Paris offers a splendid perspective on such developments. 

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Liszt home

In Budapest we can visit one of the longer living places of Franz Liszt or Ferenc Liszt as some Hungarians would insist to call him. The Beethoven trained Carl Czerny offered piano and music classes free of charge to the young Franz Liszt in Vienna at the age of 11. In the biography by Klára Hamburger she describes the Paris years of Liszt from 1823 until 1839 as the most important ones for the pianist and particularly for his later compositions. Born in Hungary, the son of 2 Austrian parents he was trained in Paris by amongst others the Czech professor of the Conservatoire de Paris Antonin Reicha just like Chopin, Flotow or Offenbach. Writing an opera was the “must do” for a composer who aimed for the highest possible career at the time. In a letter to George Sand, Liszt (published 1937) complained already about the social status of musicians in society as servants to the higher ranks of society. Similar to Ravel many years later Liszt was rejected as official scholar by the Conservatoire de Musique and his wish to marry a daughter of noble decent was rejected early in his career. Such experiences probably contributed to his leaning towards the romantic form of expressions in music during most of his compositions. Literature, paintings of the French romantic period and the traveling artist “voyages et pèlerinages” became influential in his creative process. The competition between composers must have been fierce at the time and despite ample opportunities to perform in public and private venues making a living from music wasn’t always easy at the beginning. More than 100 years after his death his compositions are still a challenge for all pianists and the Hungarian Rhapsodies probably his greatest homage to his early childhood.

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Tchaikovsky home

During the time before the “Zeitenwende” it was easy to visit the home of the composer Pyotr Ilyich Tchaikovsky in St. Petersburg. Therefore, we refer to our memory of the visit and the already 10 years ago restrained liking and appreciation of the Russian officials for the aristocratic composer, even accused to not be sufficiently Russian in his music compared other Russian composers. The composer had diverse love affairs, which were also not conform to official doctrines. The world wide success of his compositions, mostly known for his ballet music, remains popular in the 21st century. Similar to Beethoven, the biography by Malte Korff (Tschaikowsky, in German), highlights the final symphony as his masterpiece. The seems to be a reason to study “the last works” of composers specifically. The mature compositions appear to reflect on previous work and build or comment on previous work. The 6. symphony “Pathétique” was completed in his last year of his life, only at age 53. The final IV-th piece of it is entitled “Adagio lamentoso” and ends in very calm tempo and almost silence like a withering away heart beat. To my surprise I found a similarly very quiet ending in one of his early piano composition when he was only 28 years old “Romance Opus 5, Andante cantabile”. This early piece also ended “più lento” and from pp to ppp. (compare extract of image of notes below).

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Kids Gaming

The pressure on children and their parents is high to succumb to the temptation of digital and online gaming. Albeit there are many funny and learning alternatives for them if they are accompanied by an instructor to build or invent their own game. With some adaptations it is possible to assemble for example a coordination game for children which directs a small ball through a labyrinth. Add speed and tricky holes to the “parcour” and the race is on. It is little bit like hands-on physics as the speed and acceleration patterns across the parcour varies a lot. Planning, building and playing are an ensemble in this simple game. Probably also more fun than the x-th repetition of a digital game.

(Inspiration from: Berliner Kultur gestalten, workshops for children).

 

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Intimate housing

The housing of famous persons has always attracted a lasting fascination. The “esprit des lieux” or the experience of the surroundings of an artist, composer, author or otherwise famous person, where most of the work had taken place is of general interest. In today’s language we would describe this as the context of creation. Biographical information and references to specific objects central to the process of creation play a crucial role in understanding what is behind human creation as it is district from AI. There are objects ( compare MAD Paris) and there are the social networks of creators. Modern biographies include both, some even in graphic forms similar to ancestry diagrams. 

The design of intimate living spaces for private life or the adequate environment for creativity are becoming more clear with the consciousness of the importance of dedicated designs of furniture, accessories and even scent. Our brains are multimodal and working as well as processing lots of information even beyond our conscious realizations. This black box of creativity is rather unique to the human brain and AI will probably take decades to emulate such complex processing. The MAD exhibition reveals that intimacy is also related to housing design and interior design. It doesn’t seem to be a random process, but habituation is part of the continued creative process. 

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Private Intimacy

Intimacy has been reserved for private affairs for centuries. Although in the medieval ages formally the right of so-called noble men could be very far-reaching into intimacy of families when the permission to marry was quite restrictive. The private intimacy is the central theme of the Paris exhibition at MAD (Link) « Private Lives ». The organization into 14 almost private rooms around a larger center piece on design leads us through the major topics of intimacy. Maybe as a surprise to some, the exhibition starts with the major actors of change related to privacy and intimacy, i. e. women. Opening up enclosures gave women more room for intimacy and at the same time it made intimacy a conscious choice and decision. “A room of one’s own” is an important step in personal development of children particularly with respect to one’s intimate life. Restrooms are another issue of intimacy, just consider recent adaptations tor m/f/d people. A whole set of accessories are on display which previously were intimate products or even secrets prepared for public viewing. Of course odors are part of the experience with a test space of noble perfumes. The various manifestations of sexuality has brought about a growing number of pleasure objects, which might also be criticized as a growing commodification of intimacy as well. The connected bedroom and the risk of surveillance are raised to warn on overexposure on social networks. Intimacy in prisons or community shelters closes the exhibition before the final highlight the room on “conversations with oneself”. A whole literary form of keeping an intimate journal has arisen from the conversations not intended to be shared with others, at least not during one’s lifetime. After a person’s death for some persons of public interest even their private intimate journals will be published shifting the balance between the private and public parts of intimacy. (Image below from exhibition, photo bottom left, Matisse painting on wall while in bed in old age). 

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Intimate change

Society changes and with it so does intimacy. The major changes pass through the behavioral changes of persons and sooner or later the whole society adopts such changes as the new normal. Trends of individualization have moved over centuries as the exhibition in the Museum of decorative art (MAD) in Paris demonstrates. At the same time the changed individual approaches to intimacy have become more widely spread quickly over time. Social media have accelerated such new trends again. Social class is yet another intervening variable in this context which created different speeds of adjustment as well as sustaining differences in kind. 

Religious beliefs and practices have made claims about how individuals should handle intimate relationships and affairs. Legal issues are defined by each society to guide moral practices as well. Hence, the sociology of intimacy is a huge topic and comparing societies an interesting topic. The development of intimacy over a person’s life course, however, is given little attention due to a lack of adequate longitudinal data. From the exhibition we are encouraged to think about the relationship of hygiene and intimacy. Bathrooms accompany us throughout our lives and privacy was originally a bourgeois concept. Over the life course we move from dependency to independence and maybe dependency again in very old age. The images (below) from the MAD exhibition range from basics of bath tubs to a painting of Edgar Degas in the background. Instagramer or YouTuber share lots of images and stylized arrangements of bathrooms on social media. It seems that intimacy is moving further into the public domain. 

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Body Soul Membrane

The 40 art works from the Pinault Collection on display at the “Bourse de Commerce Paris” deal with a depiction of the body and soul in the broadest sense. The range of works from paintings, sculptures and video installations is impressive. The link between the body and the feelings or emotions is obvious. Contexts leave deep impressions on bodies and frequently embodiments do not fit emotions. The membrane between the two instances creates an additional barrier or chance to align both instances. Racism and discrimination are recurrent topics in the exhibition. This makes the exhibition a welcome antidote against the increasing risks of violence in many societies. Artists have a subtle emotional connection to suffering of people and their art work does not shun away from confronting us with violence experienced by large groups of society. Body and soul membranes are also an internal or intimate affair, which words can only address with difficulty. Many artists therefore chose other ways than writing or drawing to express or cope with this reflexive relationship of body and emotions. We do not leave the exhibition unmoved, maybe even a bit unsettled in our emotional state of mind. Our own membrane might be moved or become unbalanced after the visit.