Masculinity Photos

After the turn of the millennium we keep questioning us about basic principles of humanity, previously called mankind as well. The Zeitenwende has occurred through Putin and other male warriors and warmongers 2 years ago. This is reason enough to keep asking us what is behind the male visions of life and living together. Any hints from social sciences, biology and media studies are helpful to broaden and deepen our understanding of what constitutes masculinity and how it evolves over the life course and within or between societies. The collection of photographs from Jérôme Prochiantz currently exposed at the BNF enlightened the issue. Ever since Max Frisch wrote „Homo faber“ we are aware of the technological transmission process a man might be subjected to. Capturing single moments or arrangements with a lot of care for details shows maybe otherwise hidden male predilections and leaning towards abstraction. An idea or undefined vision, maybe an illusion are depicted in this revelation of masculinity at the turn of the century. Creative and destructive forces are jointly presented in this continuous questioning of masculinity. (Image: BNF, exhibition 2024-11 Jérôme Prochiantz)

Book Performance

Some texts are written in view of a performance, a theatre performance or an opera in mind. We have had dance performances and choreographers emancipate themselves from the music to claim dance is an art in its own right. Books are books in their own right. However, the hybrid forms of performance of a book was on display in the 2024 edition of the Wiels Art Book Fair in Brussels. It is common practice to invite speakers and authors for a book launch event. It is more rare to invite a choreographer and dancer to perform a book. This is exactly the what the publishers of A.R.D.V.L. did. Garance Debert put the editorial work and conceptual work on a book into a moving performance. There is much more to a book than just the letters and paper. The „mise en page“ turns into a „mise en scèene“ by an artist. The Wiels Art Book Fair has raised our attention to the larger creative potential of books, certainly art books, but also beyond books on art. Performative readings and book performances will enrich our repertoire of interacting with printed materials. Just before we might believe this is the next big hype, remember the bible is probably the book with the most theatrical performances linked to it.

Of or about

There exists a fundamental difference between taking a picture of something or someone as opposed to taking a picture about someone or something. With the term about we denote or refer to a more abstract category of trees, animals or human beings. The use of of, however, refers to a specific realization within a specific category. Painters or photographers have applied this distinction for a long time. It is similar to social scientists who consider persons or relationships as belonging to more general categories. Gender is such a category which has preoccupied us for years before concluding that just 2 gender categories are not enough to come up with reasonable descriptions and predictions of behavior. The realizations of gender are manifold and not necessarily or only binary in nature as well appearances. Eventually social categories are enlarged to fit empirical patterns in more adequate ways. The image of someone/something therefore is something very different from an image about someone/something. (Image of: Children’s corner at Musée Rodin Paris. Image about: Pedagogic approaches to art, here sculptures « Le penseur », Rodin 19th century)

Happy Life

There are countries in this world that want to prescribe to their citizens what constitutes a happy life. Religious beliefs are another powerful instigation of what may be called a happy life now or in the future. Most people on earth, however, have their very own idea about happiness and how to get closer to this moment, phases or destiny of their lives.

Happy life is also the title of the novel or „une fable optimiste“ by David Foenkinos with the almost programmatic title „La vie heureuse“. It has been qualified as a bit absurd, but at the time of celebrating 100 years of surrealism, this fits into the surreal world episodes and narratives that surround us. The novel is full of ups and downs for the major characters, which reflects the inevitable links of happy relative to unhappy moments in life. The pseudo experience of death allows to press a kind of reset button in life after which love and life can start afresh. This might not work for all us as Foenkinos seems to tell us with the choice of the dedication and citation of Charlotte Salomon „On devait même, pour aimer plus encore la vie, être mort une fois“. Charlotte Salomon, however, lives on through her formidable artistic work accomplished in her short life.

Wave Length

The links between art and science are manifold and run in both directions. Artists challenge science or the outcomes of science and scientist refer to or maybe inspired by the work of artists. If artists challenge scientists by proposing an alternative theory they become subject to empirical scrunity like the unfortunate fate of the theory of colors of J.W. Goethe. The physics of colors has long been established and the theory of colors and light are best represented in science using wave lengths as the unit of measuring different colors. Hence, in this theory of colors or light the spectrum of colors runs from violet, dark blue, indigo (short wave lengths) passing yellow (medium wave length) to orange and red (longest wave lengths).
The painter Ellsworth Kelly has also challenged the science-based view of colors in “Spectrum IX” from 2014 currently part of the exhibition “Ellsworth Kelly. Formes et couleurs, 1949-2015” at the Fondation Louis Vuitton in Paris (extract of image below). As a provocation to the scientifically trained vision Spectrum IX breaks up the running from short to long wave length to take the scientific linear colors of the spectrum and split the spectrum in the middle (yellow) and join the ends upside down. Alternatively, take the spectrum and glue both ends of the color spectrum together to a circle and cut in the middle of yellow to form again a seemingly linear evolution of colors.
Now, let’s meditate in front of this new spectrum of colors and follow your senses. The challenge of the theory of colors is a provocative statement of all those imaginative potentials we exclude through a solely science-based view of colors. Art opens up virtual space and fills it sometimes with abstract reflections on colors. It is raising the question of beauty versus science, beauty in science or beauty through science. (Image: Ellsworth Kelly. Spectrum IX in exhibition Formes et couleurs, 1949-2015″)

Phase Shifting

The Berlin “Hamburger Bahnhof Nationalgalerie der Gegenwart” recently acquired “Phase Shifting Index” by Jeremy Shaw. As part of an exhibition of new acquisitions, Sam Bardaouil, the director of the museum and curator of this exhibition has installed the large-scale video and sound installation at the end of the long corridor of the “Rieckhallen”. The impressive, even overwhelming art work was created in 2020. It was first shown at the Centre Pompidou in Paris.
The piece consists of seven large suspended screensand creates a space like in dance club, discotheque or dance studio. The visual and sound experience is allmost psychedelic. The near obsessional dancing shown on the screens represent different periods of dancing with their particular patterns of movements and choreographies. The phase of the electromagnetic waves is shifting from one screen to the other and towards the end of the performances it becomes clear, that they all follow a similar wave or rave pattern. Sublimation or ecstasy are the underlying index-like common traits. Each period or decade 50s, 60s, 70s, 80s, 90s, all had their peculiar dance and movement patterns. The video-installation is like a history of art of expression through body movement, amplified and indexed through rhythm and sound.
Electromagnetic waves can be characterized through wave shifting in various forms. This work gives us a feeling for the fascination of movement and phase shifting emotions. Don’t worry, the immersion ends after 10+ minutes and, if you like, you might read up on the physics of electromagnetic waves and phase shifting to calm you down.
Images: “Phase Shifting Index” by Jeremy Shaw, 2020, Berlin, Hamburger Bahnhof, 2024-9

 

Innovation Painting

Innovations have fascinated painters just as much as photographers. The impressionists have painted trains and steel bridges as well as modern city life. Innovations change the atmosphere of a situation and new forms of transportation have been admired for many decades. Artists and painters have dealt with this phenomenon in various ways. Either the innovations have puzzled the normal vision of people or things or the artists hinted at curiosities or incompatibilities. Gustave Courbet has depicted in a unique style (Realism), as early as 1865, a seated woman with a paddle on something similar to a catamaran. It is maybe surprising that the modern form of stand-up paddling looks a little bit like the „podoscaphe“ painted by Courbet. Innovations in sports continue to evolve and become part of Olympic Games as well. Some disciplines make it into the Olympic canon rapidly, others never make it. The exhibition of „Artists and Sport“ gave ample opportunities to reflect on the the relationship of artists and innovations as well. (Image Musée Marmottan Monet, Paris 2024, Extrait de Gustave Courbet, Femme au Podoscaphe. 1865)

Games over

All nice things eventually come to an end. So do the Paris 2024 Olympics and Paralympics.
The images have been impressive of both events and the millions of spectators give a good testimony in this respect. The cultural by-program of the Games was equally remarkable. The live performances of dancers not only on the opening and closing ceremonies attracted big audiences. Many well-known sites of Paris prepared their own events and inspired as well as entertained the visitors.
On the small stage in front of the “Marie de Paris”, the city hall (Image below), ballet performances (video) were staged to hint at the possibility to see more artistic performances throughout the year in Paris opera houses and other stages.
Showcasing many forms of cultural, inspiring and entertaining events gave a valuable additional flavour to the Paris Olympics. Many good reasons to come back and renew unique moments in Paris beyond 2024. Paris hotels will be more accessible again for moderate budgets and waiting times for entries should come down to normal levels as well. Back to a new normal for Paris. Well, maybe. The millions of spectators who followed the Games on television and social media might eventually decide to rank Paris higher in the “cities you have to go to at least once in your lifetime”.

Painter Sociologist

In going to a gallery and exhibition of paintings from the 17th century (Gemäldegalerie Berlin) you do not really expect to attend a class of sociology. However, this is exactly what the Flemish painter Frans Hals does with his paintings of various genres of society of his time. His sociological categories are for example unmarried young persons, married couples or pensioners living in a shared home. Other social categories of interest to him are a caregiver or, more common for the time, persons from noble or wealthy families. His painting „The Regents of the old men’s Almshouse” (ca 1660), the male pensioners home is one of his last paintings when he himself was already about 80 years old. Similar to a College of students the elderly home was run by a house father and house mother who took care of the daily living. The paintings of Frans Hals covered the entire life course with a cross-section perspective of society at his time. From few of his supporters he painted even several images moving towards a kind of longitudinal perspective on a person’s life course. Certainly, with “Oude-mannenhuis” (image below) he was interested not only in individual life courses, but of the conditions, forms or images of aging at his time. He probably was one of the first to challenge the negative stereotypes of aging.

Theatre Archives

The process of creation in the realm of theatre performances has manifold facets. The French National Library (BNF) in Paris has received the archives of the „Théâtre du Rond-Point” in 2023 and honors the donation with a fascinating exhibition on the immense creativity of the author, scenarist and director Jean-Michel Ribes. (Image below) The professional diaries of Jean-Michel Ribes and the documentation through photographs from the performances and video extracts allow an intimate view into the hard work of producing theatrical performances, popular television shows and comedies. Jean-Michel Ribes took notes of all sorts and kept extensive lists of potential collaborators, actors, daily occurrences and just nice sounding phrases. From just a simple phrase heard on the streets he developed a small piece to be performed in shows. Listening to the people and enriching this with great actors in superb scenery made his popular success. The creativity seems to derive from ample note taking and coming back to them eventually.