Category: Europe

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Heritage Day

A heritage is something you might carry with you, no matter whether you like it or not. In architecture this is most vivid and visible. On the 2023 heritage day i Brussels many monuments and institutions open their prestigious buildings to the public and show off their “silver” or gold plated walls and ceilings. Just next to Royal Palace is the home of princesses and princes now inhabited by the Royal Academy. Even the stables have been packed with books now, all in all 19 km of shelves packed with papers of all sorts. Great that many academics and academies have shifted to electronic publishing so that the CO2 footprint of science and art can finally be reduced as well.
Of course, we adore the old postcards to learn about historical trajectories of architecture and specific buildings. The collection is a great collective memory.

Royal Academy Archives Brussels 2023
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Get mobile

In inner cities, plagued by horrible traffic jams and pollution by cars and lorries, we dearly await at least the one day per year without this nuisance. Mobility can be organized differently. Brussels demonstrates this in an exemplary fashion. Many families gear up for this one day to teach kids how to cycle technically without the dangers of the fight for space, speed and breathable air. Older persons also feel much more save then and walk or cycle longer distances than they usually do. So many winners and only a few forced to not use their cars during 10 hours. Massive health benefits for the whole city, especially on too warm a day in autumn 2023. All these kinds of ideas were already discussed before the COVID-19 crisis on a mobility fair in Brussels. It is not the ideas that are missing, but the political will and courage to try new ways forward. Learning that walking and cycling in cities do not hurt you, prepares the readiness to go further along this path. Just do it. And do it faster than in the past. The planet needs it, people seem to really like it, too. Enjoy.

Car free sunday Brussels 2023-9-17
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Participative Art

Beyond participation in the performance based on Yoko Ono’s Cut piece 1964, you had the possibility to imagine yourself as a sculptor by touching a sculpture of art attached to the Genzken exposition, nothing less than the head and bust of Nefertete, also a piece transformed by Genzken and exposed, untouchable, in the exposition. You can hardly get more involved and incited to participate with hands-on experience, so to speak.
Additionally, there is the perspective from the performing artist in “Yoko Ono’s Cut Piece” to confront the spectators with a silent, stoic expression hardly moving during the more than 90 minutes performance. Imagine, what kind of vulnerability you are risking. Artists give a lot from themselves to the public. Imagination is even going beyond the act performed. Mastering your own fear of mutilation or being exposed to views, touching and multiple other forms of sensation.
This surely is an exercise of mental strength. Spectators also interact with other participants as, for example, spontaneously another spectator too the scissors to cut his own shirt in front of the performing artist and covered the shoulder of the performer. The personal interaction assures a more intense experience of art.
After all, this is a well-known principle to enhance learning experiences as well. Imagine all the people, each taking just a tiny little piece and remember their experience that they, as well, can be actively contributing to art. Reviving this participatory experience is leading beyond imagining only your participation. Democracy is built on this stimulating experience as well. It is ever so necessary to foster participation and to overcome indifference or abstention. Learning  by doing, or experiencing through touching, offer many additional insights.
(Images and videos taken on 2023-9-12, Berlin)

Yoko Ono Cut Piece 2023 Berlin

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Li-Be

Jede/r hat so seine Assoziationen mit Li_be. Für eine kleine Gruppe von Literaturbegeisterten steht Li-Be seit langem für das Literaturhaus Berlin. Das war nun ebenfalls, anlässlich des Tag des Offenen Denkmals, im September 2023, als solches zu besichtigen. Zentral am Ku’damm plaziert, in der benachbarten Fasanenstraße, liegt diese geschichtsträchtige Villa in mitten eines kleinen Gartens. Trotz wechselvoller Geschichte konnte die Villa als Ganzes erhalten werden, nachdem der Denkmalschutz Veränderungen untersagt hatte. Das Haus der Li-Be hat wirklich alles gesehen, was Leute sich unter Liebe so vorstellen und wahrscheinlich noch einiges mehr. Nach den familiären Nutzungen der Gründerzeit, wurde in den wilden 20er Jahren dort ein russischer und ein arabischer Studentenclub eingerichtet in Verbindung mit der Humboldt-Stiftung, die sich auch heute noch um den wissenschaftlichen Austausch bemüht. Das Rote Kreuz hatte eine erfolgreiche Suppenküche dort in der unmittelbaren Nachkriegszeit betrieben. In den 60er Jahren war es ein Nachtlokal, aber auch einige Jahre ein Studio für modernen Tanz von Manja Chmiél, einer Schülerin von Mary Wigman. Die heutige Nutzung hat weiterhin viel mit Liebe zu tun. Lesungen und Workshops laden laufend ein, sich mit Literatur zu befassen. Der Zeit angemessen finden sich in den Archiven des Literaturhauses zahlreiche Prominente AutorInnen, die Lesungen dort abgehalten haben. Starke Frauen bildeten dabei seit den Anfängen als Literaturhaus einen Schwerpunkt. Nobelpreisträgerinnen gehören zu den Vorleserinnen seit geraumer Zeit. Annie Ernaud und Herta Müller traten schon lange vor den Nobelpreisen dort auf. Toni Morrison und Olga Tokarczuk im  Jahr der Preisverleihung oder kurz danach. Ein wahrlich toller Ort und dennoch keineswegs mit BesucherInnen überlaufen. Es bleibt eben so eine Sache mit der Liebe, auch im Li-Be.

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Denkmal

Jedes Jahr gibt es die hervorragende Möglichkeit am Tag des offenen Denkmals, historisch wertvolle Gebäude und Anlagen zu besichtigen. An heißen Tagen, wie in 2023, sind Altbauten oder klimatisierte Räumlichkeiten besonders bevorzugt. Die Philharmonie hat erneut die Möglichkeit geboten ohne langwierige Voranmeldung, spontan vorbeizukommen und an einer Führung teilzunehmen. Das von Hans Scharoun entworfene Gebäude samt seiner akustischen Spitzfindigkeiten bietet spannende Einblicke. Stille, Sound und Noise in einem Gebäude und Konzertsaal will sorgfältig geplant sein. Kompromisse mit verfügbaren finanziellen Mitteln und Planungsverfahren gehören zur baulichen Realisierung, wie eventuell zu den Kompositionen, die dort aufgeführt werden. Heute erscheint uns die gelungene Akustik als historischer Meilenstein. Ebenso die Form des Konzertsaals mit Plätzen hinter dem Orchester, aber auf das Gesicht der Dirigierenden bietet einzigartige Einblicke in die Praxis der Aufführung. Für 10 Minuten war selbst bei der Führung zufällig ein Zuschauen bei der Generalprobe der Berliner Philharmoniker von weitem erlaubt. Komponist und Dirigent Jörg Widmann probte noch Ausschnitte aus der am Abend aufzuführenden Werke. Selbst hoch unter dem Dach der Philharmonie konnten die leisen Ansagen des Dirigenten leicht verstanden werden. Akustische Meisterleistung der Architekten. Wer hätte gedacht, dass Anfang der 60er Jahre eine solche Glanzleistung möglich war, im Berlin, das gerade erst durch die Mauer getrennt werden sollte und dann geteilt überleben musste.

Entwurf Hans Scharoun Ausgestellt in Berliner Philharmonie 2023
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Corrupt-2

New scientific evidence on corruption and stereotypes about corruption reveals surprising behavioural responses. Social psychologist classified corruption as a behavioural trait of a person. The new evidence of a study that includes country-specific stereotypes into a corruption experiment shows there are always two sides to consider: the corrupted as well as the corrupting person. Both hold stereotypes about the likelihood another person (from a specific country background) is likely to accept a bribe.
Using a widely accepted index from Transparency International on corruption in countries the experiment uses real payouts to test the probability that a person from country X is trying to bribe a person from country Y. Rather than a personal trait, the study finds that many persons become “conditionally corrupt”. This describes the behaviour to offer a bribe to a person occurs more often if you believe the probability that the person accepts corruption is high. Dorrough, Köbis et al. (Link publication) is cited in “nautilus” explaining this by, quote, “when in Rome, do as the Romans do”. Additionally, the stereotypes on corruption prevalence leads people to act more on what they believe is common practice rather than what is the basic legal or ethical standard.
From behavioural ethics we know the urge of people to find justifications for their unethical behaviour to themselves or to others. This is called “justified ethicality”.
Following this rationale, it will be easier to accept a bribe, if the person originates from a high reputation of corruption. In order to correct for such bias due to stereotypes it is important to pursue corruption vigorously and, just as important, communicate a lot about this behavioural change so that stereotypes begin to change in the mindsets of other persons as well. There are many ways to Rome and some turn out to be quite long.

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Write, write, write

A poster announcing the “internationales literaturfestival berlin 2023” prints in big letters: “Read, read, read, … 14 times”. This is a quote from Werner Herzog when he was asked what makes a good filmmaker. The message from Manjeet Mann to the young audience at Berlin added to this: “write, write, write”. At least this was my impression as a summary of the talk and her short readings from her novel in verse “The crossing”.
The lecture hall of the “Stabi” was packed with students from high-school who felt at ease with the English language presentation and talk. The host Shiva Mesgarian managed to get the crowd of students to ask questions in the huge lecture theatre. Manjeet was giving a lot of insights into writing, editing, motivation and the difficulty to give a voice to persons from marginalized backgrounds. In her case as a person of colour herself, born and raised in England with additional links to India, she took issue with the topic of refugees. Living in Folkestone (Kent), she is confronted with people crossing the Channel on a daily basis.
Her book “The crossing” is actually building bridges between countries and continents. Her entertaining way to talk about her hard work as writer motivates, inspires and encourages young persons to pick up their pencil and/or notebook to start writing. Just don’t stop. Journaling helps. Take your emotions of an issue seriously, then work on it. Give characters a voice who have not received much attention. Go out and interview persons to get authentic input.
It is not about appropriation of a story. It is about meeting and exchanging with marginalised persons. Return your written pieces to those “sensitive readers”, whose story you attempt to develop. All this takes time. Re-writing is an important element as well. “Having written the story for yourself, you then re-write it for the readers”. Edit, clarify, sharpen, blur, attend to detail – all this helps the reader to follow and enjoy. These were the messages to all the students who were grateful for advice as the new season of essay writing in school, university and beyond is about to start.

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Poetic Coffee Break

The rather stiff and rigid structure of the “Staatsbibliothek” in Berlin does not yet have a reputation to be a place of poetry, translation of poetry and recitals. This is about to change. As a student, researcher or lecturer I would have adored to see my library proposing a poetic coffee break. I would have gone for the necessary break in the afternoon, the coffee and, okay why not, a poetic experience.  This time it was different. The organisers, “ilb and Stabi” got together and Ursula Jäcker together with Michael Bucher presented poetry from Shakespeare (Sonnet) in English followed by the German translation by Wolf Biermann.
Translating poetry is a very tricky thing. Just try it yourself and you will be full of admiration for the admirable work of translators of words, sentiments, rhyme and rhythms. The presentation of Biermann’s comments on his own work on translating Shakespeare’s sonnets gave interesting additional information on the short and precise English original and the longer, somehow fat translations into German (Biermann’s words). Thanks for the indication that Biermann deviated from the Shakespearean “iambic pentameter” to add a sixth foot most of the time (to be checked OMG). The choice of numbers 6, 18, 27, 66, 73, 76, 121, 147, 154 from the Shakespeare Sonnets were witty and entertaining for a coffee break. For example, from 27:
“And keep my drooping eyelids open wide,
Looking on darkness which the blind do see:…”
Also, from 76:
“Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth, and where they did proceed?”
More than 400 years ago, these rhymes were drafted and still today writers and learners, at the Stabi and beyond, can somehow identify with the intricacies of the process of creative writing.
More of this, we need, today and for tomorrow. THX.

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Ozone

Ozone (O3) has a rather mixed reputation. High up in the stratosphere it protects us from too much radiation from the sun, but down on earth in our respiratory environment it causes and amplifies respiratory difficulties. Hence, it is very important to differentiate the 2 different layers and differential effects of concentrations of ozone in the air. A forthcoming study in the Lancet Regional Health Europe (Nov. 2023) by Tianyu Zhao et al. demonstrates the long-term, negative effect of higher concentrations of Ozone on lung function. The prospective cohort study followed individuals in multiple states and locations over 20 years and corrects estimated effects for other environmental effects (fine particles PM 2.5 pollution) and green environment. Faster decline in spirometric lung function is highly likely to be caused by higher ambient ozone concentrations. The study is based on 3000+ observations from 17 centres in 8 countries in Europe. Older persons in the range from 35 to 55 had a steeper decline in ozone-related decline in lung functions.
This is rather bad news for older persons living in inner cities where both ozone concentrations, mainly in summer, heat and micro-particles cumulate. Similarly, areas with frequent so-called inversion micro-climate, (a layer of cold air on top of SMOG blocks the renewal of air for extended periods) face particular health risks. Professions that work long durations outside in the sun or the exercise of sports during high ozone day-time run higher risks for a deterioration of their lung functions in the long-run. The medical evidence is there now, also for Europe, what had been shown already for the US before.
It is time to adapt our lifestyle to these health risks. High effort physical work outside should start as early as possible in the morning hours or even before sun rise. Staying indoors is highly recommendable for older persons and persons with reduced lung functions (asthma risks) during such periods of high ozone concentrations. Like it or not, even wearing a mask outside, when it is sunny and hot would be preferential, but is rather inconvenient. We need to shift airing living rooms or offices without climatization to early morning hours rather than ambient temperatures in the afternoon, when ozone peaks are prevalent.
These effects and remedies have been known for some time, but the evidence is much more compelling now (Zhao et al. 2023). Climate change in form of global and local warming, particularly in inner cities, will only exacerbate these effects in the coming years. Prevention measures need to be considered in public health measures as well as urban planning. We can do it, if we want to. Start now to benefit from the effects a decade later or for the benefit of younger generations. (Image: Int. Encycl. of public health, p.702).

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Princess

Berlin is proud to present its princesses after a marvelous lifting. Yes, in the middle of the barbie hype, Berlin exposes two of its princesses of the late 18th century. And you can touch them, if you like or dare to. They don’t bite. I have not seen anybody kissing them either, except for a Spanish football president. All this is happening in the Museum Church Friedrichswerder designed by architect Schinkel an built until 1830s. The grouping of the two sisters was unusual for the time and only the inscription at the bottom introduces the distinction that Louisa on the left is the princess heriting the throne. Frederica on the right is wearing a different foot wear, considered less noble. The privilige to touch the princesses applies only to the smaller copy in front of the image below with “Braille inscription”. The original is further behind. Of course, this one is protected  against unwanted contact with the masses or “followers”. At the time “follower” still had a different meaning from today.

Louisa and Federica, Berlin