Category: History

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Holocaust Remembrance

The 80th anniversary of the liberation of the concentration camp Auschwitz-Birkenau marks a very special kind of remembrance. As the number of survivors of Nazi-terror and genocide is shrinking the testimony of survivors is becoming more rare and more precious. According to the “Jerusalem Post” on 2025-1-28 (p. 9) the number of survivors that came back to the site of horrific crime has shrunk from 300 ten years ago to 50 in 2025. The strength and courage to continue to testify amidst having reached 90+ or even 100+ years of age is a “living memorial” of its own kind.
Many television stations across Europe have followed the example set by this special Holocaust remembrance day and focused equally on recorded testimonies or additional live interviews of survivors. Please keep repeating these testimonies to confront people with the outcome of Nazi-terror in Europe. The choice this year was a courageous one. Instead of speeches of sorrow and lip service to fight antisemitism by acting politicians, the focus on the testimony of survivors in public, on TV and to large audiences will encourage others to continue to give testimonial of these horrors.
(Image: extract of Pressreader newspaper titles 2025-1-27)

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Synthetic opioids

Across the globe there are many tough lessons to be learned about synthetic opioids. These psychoactive substances fall under special legislation and can only be used with medical prescriptions. The strength of these substances is usually compared to heroin and the risk of addiction to these substances is very high.
A recent paper in International Review of the Armed Forces Medical Services (2024) has highlighted also “the abuse of the synthetic opioid U-47700” at times of military conflict. The power of these drugs to suppress the feeling of pain is helpful for medical operations. The abuse, however, may consist in the use of the drug to “keep fighting whilst pain is suppressed”. Such use of synthetic opioids increases the risk for addition and the fatal consequences of overdoses. The reporting of such occurrences in a specialized medical journal is an important warning against the conscious and willingness to abuse the drugs for war purposes.
The finding reminds us of the abuse that was already widely spread during the Nazi led 2nd World War (“Der totale Rausch“). The addictive potential was experiences even after the war time in terms of active combat was over. The costs to society of such abuse as well as use of supply chains of provision of opioids during peace times remain a problem for many years after the war. After a war, the war on drug abuse continues. Fighting addiction is a lengthy and painful process.

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Ukraine Chanson

The Russian war in Ukraine is not limited to the military killings. From the earliest period in 2014 already Russia initiated a war on Ukraine culture and Ukrainian cultural heritage. Therefore, it is great to witness the efforts by Ukrainian musicians not only to retrieve their rich heritage for example in the field of chansons, but to develop traditional songs with new formats. Jazzy versions of children’s songs have been sung with an admirable soft voice by singer and composer Viktoria Leléka and her band.
Most people might think of children’s songs as an insignificant niche of music. The importance of singing songs for children and babies is a scientifically well documented finding. Early bonds are created and a sense of belonging and comfort, particularly during difficult times of life. Comforting music is also an intergenerational issue. Transmission of emotions and values across generations is the very fabric of societies. The recent album “Kolysanky” and the song “Ne Zhal” is a great reminder that it is the children that count not the, maybe, broken cradle.
During the war time with many absent fathers, chansons can bridge the emotional hardships. The movie “The Chorist” had demonstrated the power of children songs for children, their parents and all generations involved. Chansons have a much longer “half-time of life” than war.
From an unknown French composer the cradle song “Fais dodo Colin …” and Brahm’s Wiegenlied are classics many people in Europe will remember from their childhood and still transmit them today. Great news that Ukraine continues this tradition with new, innovative adaptations of their own lively cultural heritage.
(Image: extract of lyrics Ne Zhal’, from webpage)

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Ukraine Poets

Difficult times have a long history in Ukraine. However, literature and poetry have flourished since the Ukrainian independence from the Soviet domination in 1991. Periods of hunger under Stalin, Nazi crimes in the 2nd World War, Tschernobyl radiation, Annexation of Crimea and now Russian war on Ukrainian territories, the endurance of hardship is part of Ukrainian culture and society. This has created a strength of resistance and resilience which is exemplary for all countries. The democratic countries stand firmly on Ukraine‘s side and support not only military defense efforts, but also artists and poets in such difficult times.
A collection of translated poems from Ukrainian into English has been published in 2027/2018, showing the horrors of the large scale war that was to come a few years later. In fact from the Ukrainian perspective the annexation of Crimea was the first war initiated by Russia although the Western world did not want to see this as a brutal aggression, which it was. The poems in the anthology are available online for everyone to read and understand that war changes personalities. Suddenly, dying of old age becomes a blessing as many young soldiers and people die on the battlefields (Died of Old Age, by Lyuba Yakimchuk translation by Anatoly Kudryavitsky) .
7 years after the translations where published the poems have kept their sorrow and the reminder for us to continue our support for Ukraine‘s fight for democracy, independence and freedom of speech and the arts. (Image: Front: from War Diaries, Brussels 2025, shown in Gallery of Katarzyna Napiorkowska).

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Artists networking

Creating a network between rather idiosyncratic artists is no easy task. The more they develop a unique style separate from other painters mixing with other artists can be a challenge because you might find yourself in the position to continually defend your new style. Therefore, building a network of artists that understands the concept or emotion that drives you is a great advantage. In the catalog of the Caillebotte exhibition in the Musée d’Orsay Paris the map of living and working spaces of Caillebotte and his artists’ friends like Claude Monet is a great way to demonstrate the degree of networking and creative spaces that propelled the impressionist movement. The galleries and greater exhibitions of the impressionists took place in the vicinity of the established art institutions, but were not admitted into the traditional exhibition centers like the Louvre. The map from the catalog provides insights into the cognitive map of Paris which Caillebotte had in mind at his time. Artists see cities as opportunity spaces which facilitate or impede the creative processes.

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Politician Cycles

In a bookstore which sells books in English or American language we find lots of biographies or autobiographies of politicians. As a politician you don’t even have to be out of politics when your biographical account or your own view is published, let alone be written. Publishers seem to hunt politicians who made headlines, no matter good or bad. Outside the EU you can always sell biographies at half price, if the volumes sit for too long on the precious shelves of bookstores. Most of the biographies are found in the history section of shops or libraries, however some show off in sections like politics (if not dead for too long) or in the business and management sections. Leadership is a big issue in the latter disciplines, but the psychological or sociological literature starts to meddle with the received wisdom of how single person leadership is in fact facilitated with the many great people around the sometimes outstanding single person. Maybe the focus on a single person is an easily understood and simplifying concept of leadership. In the case of Obama (2x) two single historical accounts complement the one person focus. In 2025 Michelle Obama skipped the funeral of Jimmy Carter where she would have had to sit next to Donald Trump (according to the Daily Telegraph and probably endure small talk). Politics appears to move in circles and politicians might find themselves encircled.

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Drawing Drafts

The exhibition “Drafts – From Rubens to Khnopff” at the MRBAB offers an art historian’s view on the role of drafts in the creation of art across centuries. You will not be surprised to discover that drafts played and play a crucial role in creative works. With a restriction to drawings, paintings and sculptures, the exhibition highlights the “creative gesture” originating in a sketch of a detail of a body, a face, the body, compositions of forms or perspectives on space. In some instances, infrared reflectographic camera technology or similar techniques were used to reveal the so-called underdrawing of a painting to allow the comparison of a draft with the “finished” or “published” version as an oil painting. The time span across centuries allows to stress the importance of drafts and drawing rather than the spontaneous creation of a unique piece of art. The 20th and 21st century saw this process of creation challenges by several artists and performative versions of art. The basic creative process, however, remains an important pedagogical access to better understand art and its creation.
The curators of the exhibition Bücken and Maréchal (MRBAB) encourage visitors to use pencils and paper to try out the technique of pencilling or just to try to a sketch of something of interest. This certainly contributes to let the message and encouragement to create yourself sink in to the memories of visitors. All in all a very modern view on old and not so old masters.
(Image: Triple view of Jacques Jordeans, Allegory of fertility of the earth, 1623-25 MRBAB).

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More Battles

In 2025 we continue with the same battles as in the previous year. However, the way armies fight military battles has evolved. New types of weapons like drones have entered the stage. These precision weapons (Horowitz, 2024) have the advantage to be not only less costly than other heavy mass and costly artillery, they can also be guided in swarms to their targets. A further advantage is the steering of drones needs differently qualified persons rather than advancing with heavy armored vehicles on battlefields. Upskilling of defense forces is an important side effect. Jamming technology of radio frequencies was applied before, nowadays this has turned into a crucial defense strategy to intercept and derail drones and rockets off their intended targets.
Other than heavy weight arms, even laser beams enter the arsenal of weapons, if targets are sufficiently static in nature. These high-energy beams are still more in the research and testing realm rather than used on the battle field, but it becomes clear that research capacities play and played an important role throughout military history. The next generation of robots, not only in production processes, but more those walking on the battlefields is likely to change wars to less manned interventions. The technological innovations shall further move the spiral of new generations of weapons forward. Fewer soldiers, but more robots in the air, at sea and on the ground might increase the risks of “restrained”, less costly, but longer duration conflicts across the globe.
I always thought of robots as rescue robots to save lives. The flip side of the coin, however, is destruction before rescue as well. Technology can be put to both purposes. It is us who decide, which one takes the upper hand.

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Career Criminals

From a life course perspective it is not easy to define a colloquial term like career criminal. A person who has been convicted for a single crime and has served his/her sentence should be allowed full integration into society. Even a repeated offender should not be stigmatized or labeled as career criminal. However, this is exactly what the NS-state did (traveling exhibition across Germany and Austria: „Die Verleugneten“). These persons were subject to targeted charges for criminal offenses they „might“ commit eventually. The term „community alien“ or „asocial“ were also used to refer to persons that did not fit into the dominant Nazi doctrine of „Volk“. It took 75 years until these persons could receive a recognition and a recompense for their unfounded discrimination and incarceration. In concentration camps the so-called asocial or career criminals were at the highest risk of further prosecution and death. Great that the stumbling Stones include these victims as well, as a way to remember these crimes against humanity. Beware of definitions of social groups which are based on totalitarian ideologies.

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Zerreissprobe

The term „Zerreissprobe“ has been chosen by the curator team of the Neue Nationalgalerie In Berlin for the Retrospective of „Art between politics and society“ in the years 1945-2000. In this time period after the 2nd World War until the other „fin du siècle“ the politics of creating a new world order, the cold war and the liberalization of societies had profound impacts on art as well. The positioning of art in the dynamic context and conflicts of these decades is quite well reflected in the title of the exhibition. The English title „extreme tension“ suggests somehow that these years were rather extreme compared to ?, probably today? Although on the territory of Ukraine we witness a hot war rather than a cold war initiated by Putin‘s Russian imperial illusions. The cited work of Günter Brus „Zerreissprobe“ is translated as „stress test“. And maybe, this translation characterizes the post war period even better as these years are a forerunner of what happened after 2000. We continue to be put to tests in politics and societal developments. Accomplishments from the last century are put to crude tests again. Solidarity of people and nations are under pressure to demonstrate their reliability under extreme tension or stress. Art throughout the 5 decades of the last century was a precursor of stress tests for politicians and challenged society in its basic understandings. The comments on the notice board next to the exhibition show the themes of tension in the 2020s. Tensions in families and partnerships, often more extreme around christmas trees, have taken center stage for younger visitors of the exhibition. Sociological research has observed such trends and coined this societal phenomenon „individualization“.  Art embedded in society seems to be part of that evolution as well. Art movements are less visible as collective movements. Artists appear more individualistic or ideosyncratic nowadays, just less inclined to be part of a defining larger group. If artists are no longer avantgarde but rather followers of societal trends, the whole „raison d‘être“ of art changes as well. We are likely to witness yet another „ Zerreissprobe“. Cuts to art and culture budgets constitute an additional „ Zerreissprobe“ in the original sense of the word and of art between politics and society in 2024/2025.