Writing to yourself

Over more than 2000 years, humans have written in various forms about and to themselves. The “Meditations” by Marcus Aurelius are one of the earliest and finest example of this tradition. Originally, the intention was to write something we call “journaling” today. Out of a motivation to understand yourself, others, your relationship with others and society’s evolution, Marc Aurel drafted in Ancient Greek (a kind of elite or secret code for his Latin-speaking contemporaries) originally with no intention to address larger audiences. The French translations and publications in 2026 still use as title for the Meditations “Pensées pour moi-même” (Τὰ εἰς ἑαυτόν). The kind of “inner dialogue”, or dialogue with yourself as a literary form, has become a philosophical tradition.
Roger-Pol Droit (2008) ascribes a similar literary style in his introduction to the “Confessions” by Saint Augustine in a recent French edition. In moving from a culture of oral traditions to a reading and writing tradition in Europe, the style of reflections about oneself and others shifts more and more to the printed formats. Originally reserved to some happy few, modern techniques of contemporaneous recording of sound and video enlarge the possibilities of input through transcriptions, editing, storage as well as analysis of own input.
The possibilities for a democratization of reflections of our own experiences have increased, and yet, AI might jump in very quickly to some already pre-established truths about ourselves in analyzing this data, which might be hard to fend off.

Agentic AI Gardening

The use of AI is probably most popular for professional purposes as efficiency and economic productivity are major concerns in these fields of applications. Another whole lot of applications is rapidly developing as well, which is Agentic AI in hobbies like gardening. The use of IT in gardening has previously been reserved to landscape designers and maybe urban to rural planners. Cheap access to AI on a test basis or within your browser has widened access to computer and AI assistance for gardening purposes. Colorful designs and selection of species to enrich biodiversity are widely available now. The next step is, of course, agentic use of AI. If we have a sufficient number of sensors installed (and use weather forecast data as well), the data from the garden can easily be analyzed by AI and the mower or water pump can get going to do the job for us. This is not rocket science but only sensors, data and a couple of “if …, then” commands. The kind of pleasure will have changed accordingly shifting from the watering of plants to the satisfaction of successful programming. No value judgement here. The latter option has, however, a considerable business potential of almost industrial or agro-economic scale. 

Gardening Evolution

Researchers continue to study the impact of gardening on biodiversity and survival of insects. The study published by Tscharntke, Batáry and Vidal (2026) points our attention to the importance of areas in our gardens that are allowed to grow without mowing for several years. In many traditional gardening projects even in the 21st century, we observe a cut of grass-shoots in fairly regular time intervals, once a months for example. An English style lawn will be cut very short even more often than this. If we want to allow for an evolution of gardening and regaining biodiversity, we shall have to reserve substantial areas of a garden to allow grass-shoots to grow over several years (!). Such an evolution might be perceived in 2026 a bit like a revolution in gardening. Untidy spots are a response to “the need for unmown long-term refuges, protecting intact grass shoots for persistent insect populations” (Tscharntke et al. , 2026). The tree “Cercis siliquastrum” (Judas-tree) in the “Jardin des Plantes” in Paris dates back to 1785 and shows the impressive strength of nature to outlast changing gardening fashions even in a hotspot of gardening culture, history and evolution. Grass-shoots below might be allowed to last a couple of years as well.

Before and After

It is not always easy to precisely identify the state of before a transformation from the state of after a transformation. In human developments we can observe lengthy periods of for example puberty. Other transformations of biological changes might be more obvious to identify like a broken bone, but a broken heart transformation might be less obvious as it might occur gradually and progressively rather than abruptly. Much the same can be said about illnesses like diabetes or cancer. The task of science is to study the whole process and this includes the theoretical model of such transformations. The arts have dealt with this complexity before and many artifacts take care to show or make explicit the kind of transformation they have undergone. The woodwork by Birkenmaier (before 1687, in catalog of Metamorphosis exhibition, Amsterdam 2026. Image below) is an early example of being honest about original piece and the evolution of the piece of art into the transformed “oeuvre”.

Metamorphosis

In the antique writings of Ovid “Metamorphosis” there is an extensive description and mystery about the metamorphosis of several characters. The narrative about various forms of metamorphosis has influenced our perception of change as having a mystic component. The arts before the enlightenment have drawn lots of sceneries of metamorphoses across the centuries. Maybe in form of sculpture this narrative has continued to be present even into the 20th century. The exhibition at the Rijksmuseum in Amsterdam and the essays in the catalog testify to this long shadow of Ovid’s original narrative. No need to mention Kafka as another adept of “Verwandlung” or Rodin, who reveals persons as semi-detached from stone. Wood and the return to ashes shows us the come and go of metamorphosis of human beings. Imagining mankind as a sequence of metamorphoses is a metaphysical as well as sociological perspective of our presence on our planet. (Image: Daphne transformed into a Laurel tree, Bernard Salomon, 1557). 

Digital Sovereignty Practice

The claim to enhance digital sovereignty has to build on basic digital literacy skills. This is not difficult to learn but it does take some time and effort even if there are many learning tools free of charge available on the internet. The learning platform “labex.io” has taken me along on many of my first steps.
No matter which learning tool you prefer (maybe Linux foundation), just get started and practice a bit regularly. Progress will come and you’ll find using LINUX on one of your older computers or laptops rather fast again. Additionally, I find the large parts of black screen so relaxing to my eyes that I tend to write larger junks of text directly into small files again before use on the blog-editor elsewhere.
A nice side-effect is that this feels like years back when coding was an emerging skill. Learning has become so much easier nowadays, only the learners seem to still perceive many psychological barriers to get started.

Electric ships

The transformation of mobility to an all electric mobility has been discussed mainly with regard to a narrow vision of the automotive sector. Beyond land based vehicles like lorries, buses, cars and bicycles or electrification of trains, shipping has been a niche market of the all electric society. The amateurs of silent shipping, sailing and surfing have explored and adopted the electric alternatives for quite some time. The professional ferry boats and river crossings have also opportunities to join the all electric society with a range of ships available for orders like from “Ampereship”. The increasing share of electric fun on water and electricity-propelled ships gives additional drive to the “All-electric-society”. 

Switch off

We have many associations with the imperative “switch off”. Depending on your background or state of mind, you might associate “to switch off” with a mental state, i.e. to calm down. Instead of buzzing about, juggling with multiple projects or deadlines at the same time, the reduction on a few major preoccupations can be achieved through a switch-off. In electrical engineering the switch, as switch-off or switch-on, is a key component of electrical circuits. In programming languages a key element is the switch implemented as an “if-condition” in form of “do if X=True”, in its easiest form.
Let us develop a social science corollary of a theoretical concept of “switch-off”. At times of energy shortages the switch-off option becomes an often overlooked or discarded option. Switch-off an engine to lower overall consumption of energy is a very powerful mechanisms. We do this manually by switching off lights, or as programmed or AI-assisted versions in modern homes. States might impose the switch-off of street lights or loud music after certain hours. In an energy crisis the switch-off option needs to be moved to center stage again as any MegaWattHour not consumed does not have to be (1) produced, (2) moved to local provision and (3) distributed. Additionally there is (4) less waste that has to be taken care of. Hence, the switch-off option is a fourfold win-win-win-win-situation. Who cares about this option as all 4 kinds of savings do not increase a standard measure of GDP in an economy? Broader social science perspectives may offer precious indications that “less can be more“.

AI Motion Sculpture

At the Festival Noûs in Paris, the collaboration of AI with artists was a major event. Based on the huge collections of the BNF in form of data bases it is possible to join the 3 worlds of library conservation, technological innovation like AI and the imagery of artists. In the preparation of the exhibits and the parallel documentation of the genesis of the exhibits of the artists, the creative potential and process becomes more evident and understandable to broader audiences. The exhibit by Tobias Gremmler, Anatomy of Motion (2026 see below), captures the motion of a dancing body in a sculpture based on a 3D printing of a series of images blended into each other. with a fast photography camera, known from sports images previously, the dynamics of a motion become a tangible sculpture. The intriguing new form is in fact a motion that has been captured or has cristalized or materialized in a permanent fashion. New technologies and materials enter into art as they offer new ways of expression as well. The collection of art and documentation centers shall enter into new phases as well. (Image: Tobias Gremmler, Anatomy of Motion (2026) at BNF 2026-4).

Mind mapping

The exhibition in Paris on “Cartes imaginaires” at the BNF regroups treasures of maps across centuries in an interesting way. The technique of putting together elements in a map has been developed and refined over long time spans. Map are mostly in our minds as  depictions of geographical details allowing a broader overview amidst lots of detail. The mind mapping of today as a managerial or pedagogical tool is not much different even if AI might make is believe that it is a modern tool. The exhibit of “The island of Marriage” (image below BNF, “Cartes imaginaires”) in the middle of lots of distractions and potential distractions has a particular charm to it as it tells many tales and storylines for writing lives and novels. Our own lives or the depiction of life courses might be represented in a single map, maybe even comparable to a sequence analysis of events. The history and potential of maps and lives as mind maps is going to accompany us for quite some time as it already did for centuries.