Real dad-ication

The last few years there has been a stronger recognition of the need to get fathers more involved in caring for children. In the USA the #dadication became a symbol and an annual campaign to raise awareness to the importance of fathers to get involved in addition to mothers. The combination of fatherhood and dedication was shortened into “dadication” to reflect the combination of both elements that we not always considered to a natural part of fatherhood. It is a win-win-win situation as fathers gain emotional strength, children learn about parental styles and mothers get some relief from at times overwhelming family care.
In literature we have some great examples of caring or neglecting fathers. Famous are the letters to his father by Franz Kafka. Historically, fathers have often thought their role solely as ensuring a social status for their children, but nowadays the role patterns is much broader and much more emotional or psychological as well. As there are more “dadication” role models around, the song “Papa où te” (Dad, where are you?) will still be popular, but with more reassurance that children or adolescents have vivid memories of time spent together.

Satie Popular

Erik Satie has been quite involved with the surrealist and Dada movement of his time. He personally knew the main proponents ranging from Breton to Magritte. He became one of the major figures applying the ideas of surrealism to music. His early compositions like the Gnossienne (extract of Nr. 1 below) are admired for their simplicity. They became popular only years later and have entered popular music repertoire through many retakes of the original tune in various styles ranging from jazz to rap. Many of Satie’s formative years he spent playing and performing popular music in the animated cafés, bars and shows of Montmartre in Paris. The making of a living based on music can be a challenge. Satie had to bear the full risk of a life in poverty at times to reserve sufficient time for his creative work.
He remained very much connected to the working class as his later membership of the Communist party after the Great War testifies. Composing for children and transmitting music to the next generation was equally close to his heart and mind, especially in his later years.
For him, popular music constituted a fountain of original tunes and a test with an intuitive audience rather than the academic circles. Maybe, with this attitude, he followed the footsteps of Flotow, Offenbach, Ravel and many others later on until pop music became the vastly dominant music in the late 20th and 21st centuries.

Erik Satie Satisfied

The collection of letters from Erik Satie contains more than 1000 letters amongst them some in exchange with the best artists of his time. The range is largely due to the circle of artists who met at Montmartre in Paris before and during the Great War. We discover letters to Maurice Ravel, Claude Debussy, Pablo Picasso or Henri Matisse. For some artists there are 100+ letters preserved like to Jean Cocteau. In the 1920s he composed music for shows at Montmartre, where the scenario was painted by Pablo Picasso and costumes designed by Coco Chanel. The sculpture by Brancusi must have been familiar to him, just as much as the cubist paintings by Georges Braques, as there are also letters or references to such letters in the impressive 1000+ pages collection. Like Ravel he was rejected by the Conservatoire de Musique de Paris in his early days as student. Montmartre allowed to live and create at the same time while living on a minimal budget. Erik Satie signed his letters with ES. In German this denotes a “neutrum”, maybe, beyond male or female differentiation, but also a tonality in music (E flat). There is no trace that this was a conscious choice. It is just another unresolved puzzle about the self-declared “Gymnopédiste” and composer of the “Parade” and the popular piano music the “Gnossienne”. 100 years after his death on 1925-7-1 he (ES) could be rather satisfied with his impact on the course of music in the 20th century and beyond.

Musician Historian

Musicians are usually perceived as “part of history” rather than being historians themselves. However, recent research on Bob Dylan has extended that view to portray Dylan in his role as historian as well. The issue here is more with the historical periods and references the musician, composer and song writer builds on and interprets historical events. Thereby, his thoughts and impressions on living through historical events enter into his work as an artist. Dylan is literally “doing history”. He puts events of past and present into perspective of his own making and reached authority through the non-conformist perspective, which connected him to as a performer to his various audiences. His approach to doing history consists in the re-presentation and re-creation of historical narratives. Nina Goss (2024) in her book review highlights the “irruptions of the past into the present unique in popular culture”. The re-arrangement of fact and fiction encourages us “to inhabit, question, and revise historical narratives and tropes” (p.399). Several musicians have specific ways of reflecting, sometimes critically, on history in their artistic work. Bob Dylan certainly is a very prominent example of this an has been honoured for this by the Nobel Prize for literature. It remains an interesting perspective to review composers and their choice of libretti for operas as a way of doing history. The shifts from royal drama to revolutions and popular scenes are in this line of interpreting musicians also as historians.

AI Workday

Our workdays have seen considerable changes throughout the last few days. The home office boom has allowed employees to work for extended hours from home. The there is an abundant literature on the effects of home office work on well-being or the work-life balance. Productivity gains could be reaped by employers and a better work-life balance was a lasting advantage for employees.
The increased use of AI specific to some occupations has introduced a new form of added  productivity for some occupations or professions, AI as complementarity, whereas other occupations suffered a higher risk of being substituted by AI applications.
Based on time diary data, the study by Wei Jiang et al. (2025) reports that users of AI have longer work time and reduced leisure time. Competitive labor markets increase the pressure to put in even higher hours of work. Nerds, just like workaholics, are likely to be drawn into excessive hours of work with increased health risks. Enterprises and consumers appear to be gaining more than the employees, who are at a higher risk of loosing out on their work-life balance over time.

Citizen Walk

Capitals like Paris and Berlin make great efforts to improve the walkability of their cities. After decades of focus on automotive traffic and mobility and the detrimental effects on health for several generations of people, the awareness that walking citizens are part of the solution is spreading. Citizens of Paris voted in a referendum to stop circulation of cars in 500 more streets. In Berlin pedestrians unite to mobilize more people to take to the streets as well and reclaim walking space. In high density spaces like metropolitan areas it is possible to reach all major amenities within a reasonable walking distance. The more spread out suburban area, however, leve fewer options to walk and carry your shopping or do your dily commute to work while walking. Fewer cars and pharmaceutical products sold would mean less „artificial economic growth, but more healthy and happy citizens. It will take decades again to realize such visions.

Retirement Recruitment

The debate that later retirement of seniors reduces the hiring of youth has received new attention. Paul Mohnen published a paper on the “retirement slowdown on the US youth labor market” , which demonstrates this “crowding out effect”. Moreover, the recruitment of middle aged workers is also affected, as job changes slowed down for these age groups. The surprising finding is that higher skilled youth suffers the largest reduction in employment opportunities and become “pulled” into lower skilled jobs as jo offers for lower skilled persons remained high during the observation periods (until 2017!). This evidence suggests that the well-documented firm-level effect of fewer retirement means less recruitment holds also for society as a whole. Knowing that recruitment during a recession affects young workers more than persons already in employment, the macro level effects in 2025 will be rather unfavorable for young labor market entrants. (Image Frans Hals 1625, Odessa Museum in Berlin exhibition 2025).

Draft Lottery

For decades the “intergenerational effects of the Vietnam draft on risky behaviors” has been overlooked. Deza and Mezza (2025) identified several changes in parenting styles (PS) due to existence of a draft lottery. PS like uninvolved, permissive, authoritarian become more frequent. Similarly, risky behaviors of their children like smoking, drinking and drug abuse tend to increase. According to this new evidence on an old strategy to recruit military personnel the effects are not only directly on the persons drafted, but have lasting consequences onthe next generation as well. This increased overall the burden of going as well as preparing for war in the societies concerned. In view of the Russian aggression on Ukraine territory the consequences for both countries are considerable and shall be transmitted to future generations as well. Even neighboring countries fear and feel the heat of recruitment for armed conflict.

 

Artist Development

For many artists it takes years before they find their idiosyncratic style. Testing different forms of art before zooming in on a particular style of art is the  common trajectory for most artists. Maybe the art marker and collectors of art are in search of a “defining style” for an artist so the uniqueness becomes more easily identifiable. Being part of a group of artists has been beneficial as well. The “Neue Nationalgalerie” in Berlin makes this development of an artist, in this case Lygia Clark transparent through the organization of a retrospective devoted to her evolution from abstract paintings towards participative and more organic forms of art. Berlin offers to interact with the pieces at the exhibition. You become part of the exhibition and the happening of art instantaneously. The form stays the same, the persons interacting change permanently. The piece of art is never the same. Just the idea of it thrives. In the Corpo Colletivo the performers wear an overall, all of them are linked to each other and movements happen organically as a group rather than individually. This is like a tutorial in sociology as individuals move as part of a collective body and feel the embeddedness and multiple links to other persons (Image: Corpo Collectivo 1970, exhibit in Berlin 2025)

Robot repairs

Robots have been used mostly in industry for assembling, transport or sorting tasks. There is also a role in disassembling to enhance circularity. To repair electric or mechanic devices there is an enhanced version needed which starts with a diagnosis of the problem. Algorithms can sort out promising from dead end routes of repairs. However, the recognition of objects into things that can be repaired and those without repair potential is a worthwhile assistance. Beyond the economic and ecological rationale for repairs, there is an emotional or nostalgic sense to it as well. Maybe, from a life course perspective any object related to the teenager years of a person qualify for nostalgic value. Even simple robots or AI-assisted objects may qualify for this in future. Artificial friends will be like tamagotchis in need of repairs.