“Are you writing or what?”
New research on the fabrication of writing allows to debunk some of the received ideas about writers as living and drafting in a solitary space. However, the facts frequently show something different. In the journal of the BnF (images 2022), (Chroniques des la BnF Nr. 95 p.9 pdf-file) the BnF makes transparent the creative cosmos of Marcel Proust (Exhibition closed). From correspondence and other influential images, we learn about the “fabrique de l’oeuvre”. Far from writing his books from front to end in a linear fashion, Proust drafts “isolated sequences which he mounts, demounts and regroups sometimes even years later. These clippings of text are arranged by him like a patchwork, a collage rather than following a linear progression. Just peeping into the writer’s studio, drafting style and “paperoles” is fascinating. What a mess, some would say. What a huge imaginative space he has been living in, despite being reported to draft most of his work while actually being in his bed (Lire Magazine 12-2022). Beds are not always for sleeping, only. Today’s start-up enterprises frequently start from home, a century ago Proust demonstrated a lot can result from a very tiny physical space, but an enormous space in mind. 
Inspiration
Artists and scientists, all have their sources of inspiration. The most beautiful way of putting this is contained in a poem by Jacques Prévert. “Moi aussi, comme les peintres, j’ai mes modèles…”. The source of inspiration varies from physically present models to imagined ones. Painters and sculptors, we imagine, have their models right in front of them and build on their specific kind of observation, view and vision, seeing more or differently from others, at least since modern times. Poets and authors are believed to draw inspiration from abstraction and imaginative description and narration. Musicians tend to rely on hearing fine-tuned or creative tensions, as much as the resolution in harmonies through sequences of sound. All seem to have a sensitivity beyond the normal and a skill to find a way to transmit to others. Photographers catch representative moments or visualize artifacts and combinations of them in new ways. Scientists are not so different as we might think. Imagination of new hypotheses in established fields is part of their skill set. The transversal skill in all these processes of inspiration is the openness to cross-discipline fertilization. So-called Polymaths reached excellence in more than one field of science, “Polyartists” touch several fields of different arts. Further new innovative combinations of disciplines like they are practices in “centres of advanced studies” are a first step to brings down walls in mindsets and disciplinary ivory tower practices. It will take only a tiny little step forward to come back to the practice of royal courts. The person called “fou du roi” had an important role to play, not only in the game of chess, but in questioning and entertaining leaders. I wish universities, science centres and ministries would allow themselves more of this kind of inspiration. Inspiration is considered here as a source of questioning your own approach from another perspective. Look at your phenomenon of interest with a different model or imagination in mind. New synapses will follow. Let us welcome them to make the world around us a better or more beautiful place. Wait, is more beautiful enough already? Is this a contradiction, better versus more beautiful, or is the latter a subset of the former, or is a tautology anyway? The catalogue of the exposition “Archives des rêves” du Musée d’Orsay gives plenty of insights into images as sources of inspiration for people of all walks of life. 
Giselle
Once upon a time, not at the Opera de la Bastille, but next it, in a small theatre called Théâtre de la Bastille, the fairy tale of “Giselle…” was performed. The world-famous ballet Giselle (Karlsruhe Programmheft) is still amongst the most frequently performed magic piece of classical ballet. What is it about? In short: sex and crime. Yes, and it sells well.
Francois Gremaud tells the classic story of excitement, love, deception, death, regret, haunting and memory in a concise and witty fashion. The exemplary dancer is at the same time the narrator of the story as well as the critic and art historian accompanied by a 4 musicians strong orchestra. The educational piece with a “womanxplainer” on stage is great entertainment, full of references, why it is still okay to like the piece in spite of its fantasy-loaded content. Modern dance (Cunningham, De Keersmaeker) has decoupled or emancipated movement from music. In classical ballet, at least, you still know what comes next and this is aesthetically appealing for most people. Besides Wilfried, no he is not part of the “Wilis” (could be an interesting variant), but in the ballet there figures “Hilarion”. He is not hilarious at all. Splendid entries are from Myrtha (close to Martha, but not quite the same) and, of course, Giselle, when she leaves her tomb and turned into a “Wili”. Then there is Albrecht in a pas de deux with Giselle, swirling between earth and space. Aldi dances like mad on impulse from Myrtha, but Giselle vanishes nevertheless. End of story, or is it? Giselle is a Wili and Aldi is the wally. Maybe the story could be retold like in the film “Billy Elliot – I will dance”, which is an emancipatory tale where dance is the liberation rather than part of the dooming fate.
Francois Gremaud with the astonishing performer and choreographer Samantha van Wissen have created a version of Giselle that is musical, aesthetic, funny and critic. For those who enjoy an epic theatre version of Giselle including its “alienation effects”, referring back to Berthold Brecht, will want to read the script as well, kindly distributed as a gift after the show. 
Employment
Employment is back on top of the agenda. Not as we used to think, though. Previously unemployment had dominated societal concerns. Now it is the lack of persons seeking or available for employment. What has happened? The Covid-19 crisis has demonstrated the need of persons qualified to work in the health sector. From health care and urgency care, we are short of personnel in all these fields, everywhere. 
Then we discovered the role of essential services and the need to equip crucial infrastructures like ports, transport, shops, schools and ambulances with service persons resisting despite work overload. Larger cohorts leave employment to retire, some even early due to illness or burn-out. Additionally, war is back in Europe. Military personnel is in high demand again, drawing largely from younger cohorts. The need for conventional weapons. long thought to be oblivious, is forcefully back on the agenda.
Growth potentials are everywhere. However, these pre-modern facts encounter a population in the western democracies that insists on new approaches to employment. Beyond hard and soft skills, recruiters seek atypical skills, competences and trajectories. A parachute jump from an airplane, cooking and dining experiences, caring spells, periods in self-employment, all are directly or indirectly relevant for employment and teamwork. So, what is your specialty? Collecting stamps? Surely you are able to spot tiny differences in images with specific content. Fake news and fake image detection or video surveillance is in high demand, just try an application and discover the employment potential of your MAD skills. Sounds crazy? No joke. Skill needs are everywhere, just give it a start again and again. Read a serious newspaper regularly (here LeMonde 19.1.2023) for inspiration.
Sublime
The exposition of art work in the MAD “Musée des Arts Décoratifs” in Paris is sublime. Growing out of fashion design into the work of art can be a process of sublimation: passing from one state of designing one product to producing artwork. The intermediate state of artefacts created for designing a product, like the drawings of fashion designers or scenery and costumes in theatre and operas, are often less visible or subject of exposition. Objects become subjects. A trend in recent expositions is to devote more space to the applied arts like stage design, costumes as well as products of everyday use. “Bauhaus” has a lasting effect.
Elsa Schiaparelli has achieved this sublimation. Starting with extravagant fashion design, her designed fashion objects were adopted by Picasso before she developed into the sublime state of artist with her artefacts herself (see below). Now in this process of subjectivation she is the prime subject of an exposition herself. The combination or arts and crafts (Kunsthandwerk) has been always present in art history. The challenge of concepts combined with arts is more recent or just more explicit since the late 19th and 20th century. Being able to live from your artwork is still a challenge, though due to “Mäzene” and state subsidies it is more feasible to follow artistic trajectories. 
B for Balance
To reach a balance, to keep the balance or one’s balance, this highlights the process nature of balancing. Even the old tool of a balance (scale for weights) very much reflects the evening-out of the balancing process. It seems like a temporary balance most of the time. We might evolve from one level to another one. Especially imagining ourselves on a (body weight) balance in the morning and then throughout the year or years, this appears like a dynamic trajectory. The nature and/or nurture connection is evident. Beware to search for synonyms of “balance” on the internet. You get more than 3000 synonym (Link) meanings and 30 suggestions for definitions (Link) to contemplate on. I like the nice physical experience of balance and the simple (a bit nerdy) explanation of it. Economist get very excited about balance of payments and the ways to achieve equilibrium or equilibria. Balancing personal accounts can be a bit painful at times, but balancing in the arts gets our imagination going. Dancing is about balance most of the time. Playing with your own balance, the balance when 2 or more persons are in action, how not to be absorbed by such experiences. In music, the balance is a primary issue since Bach’s “wohltemperiertes Klavier” and balance and tension are the origin of much jazz. An image or photo might be balanced, certainly architecture is playing with or restricted by balancing acts. Herta Müller’s “Atemschaukel” has thrown us off balance for a while. History we study often with a concern for a balance of power. In peace and war times, the balance of power within and between countries or superpowers are a long-lasting research issue. At times when this balance is at risk or completely out-of-balance we are deeply concerned about the return of a balanced situation. Babies and children draw comfort from being balanced. Adults as well. Let’s try again (chanson). (balance22-venice -video). 
A for Action
The A is everywhere. A is the beginning of the Alphabet, Google is our new Alphabet, we just have not realised it. A simple A-rating in investment is not good enough, AA or AAA is the goal. All this calls for ACTION. Do not be stopped in your action by reading on “Action theory” by Parsons, Rational action is the basis of most economic reasoning before the behavioural turn of economics. It is commonly acknowledged now, that rational action might not always be as rational as we want to believe it is. “Frame selection” as theory to explain our choice of action is fashionable in the social sciences. Transforming values and intentions into actions is a big challenge. Many jokes turn around this issue, like intentions to get up early in the morning. Find out whether you are an actionable leader. You should have at least a few “actionable items” on your to-do-list. Of course, Microsoft recommends actionable items to improve our productivity while spending hours on emails.
Well, early philosophers already distinguished between “vita contemplativa” and “vita activa“. A lot is about finding the right balance here and Hannah Arendt’s differentiation of active life in labor, work and action. She puts emphasis on action as a way to distinguish ourselves from others. The same thought might lead to very different actions. Hence, acting on one’s belief or values could lead to very different policies for just 2 persons. Action Artists perform even in inaction. We are back to basic questions of democratic procedures as a form to moderate between different opinions or possible actions. Lots of other A-words come up now: ambiguity, anxiety, alienation, affirmation, affect, affection. In Greek, A might be associated with Apollo, In German with the famous “Angst”, but French is overriding all this with “Amour”.
Y for YinYang
Y in maths stands for the phenomenon that is to be explained. If you are lucky, it is just one single Y. To explain this phenomenon, we usually have a multitude of different X-es and some random chance element. To complicate things a bit, we have X running over time. Example: Happiness at retirement age (66) might be explained by your earnings over years and marital unions/separations over time plus health over time and other random, not specified elements.
In my understanding of the YinYang philosophy of balancing the complementary of Yin and Yang, I probably should have thrived for a balance of earnings and health throughout my working life, to arrive at a happy retirement. Balancing not only among the X-es, but also between X and Y might even out the excitement about retirement. Additionally, this reasoning leads us to the more complicated case of multiple Y-s and multiple X-es. We can image the optimisation issue of y for 2 persons rather than just 1. Now, the maths starts to get more complicated without being complex in the mathematical sense. If you can solve such equations in statistics using different forms of random and not- so-random error terms, yr doomed for a Nobel medal in economics. What the heck, man this has to do with Yin and Yang? Beware of your work-life balance, be selective, I suppose. Breathe carefully, repair (YoYi) and read up on Chinese philosophy and maybe TCM, short for Traditional Chinese Medicine. Let’s try to re-balance in a lot of life-domains. We know our Western way of life (CO2) is not sustainable. Imagine 1 billion Europeans driving a diesel car on this planet and you have an idea about what hell might be like. An open mind to the Yin and Yang philosophy could be helpful for us, just as much as it would be for the leading Chinese politicians and their policies. Yes, Y in French is much more common than in other languages “Y avait …” is the beginning of chansons (ex 1 Aufray, ex 2 Kaas, portrait). Drawing YinYang using formulas is a bit like drawing or painting mandalas. It helps your inner balance. I am not quite there yet. 
W for War
In Europe many people were lucky to live without the existential threat of war for a long time now. Putin has stopped this with his land-grabbing in Ukraine. We wonder why, what, when and where? War is back in our minds again. Members of the birth cohorts of the 1920s, 30s or early 40s have direct experience our traumatic memories related to war times. Some later born cohorts suffered from various forms of deprivation . Economic reconstruction or even so-called miracles may follow and can soften the traumatic experience, often by way of focusing attention on repair and new investments.
The work by James Hillman “A terrible love of war” has been a difficult read. To acknowledge that “war is normal” and our mindsets should take this into account, is hard to accept. Hillman cites Susan Sontag to state that “we cannot imagine how terrible war is – and how normal war can become”. We need a leap of imagination (p. 9) to grasp the mythical element about war which seems to be beyond the rational understanding of it. Greek tragedies told us, all along for more than 2000 years. The Romans exceled in it and German perfectionism and cold-bloodedness added the most horrible recent experience of war for millions of people. Memory and historical knowledge are important to activate recall for older and learning for younger generations. (short Video clip on war and UKR)
T for Time
“The times they are a changing“, end of blog entry T.
We live time forward, but we seem to understand it only backwards or in retrospect. Towards the end of each year, it is common practice to look back and review the last 12 months. Then we imagine what will the future be like. Our concept of time is past, present or future oriented. In classical physics we reflect this with a depiction of time on a linear axis. However, modern concepts of time include Einstein’s relativity theory, whereby in 2 different places time may run with different speed. Similarly, quantum physics allows that the causal relationship between 2 physical states is no longer observable in a logic that follows linear time. A particle may exit in 2 states in parallel. Hard to imagine, maybe, but demonstrations of these effects are found in textbooks for pupils already. Our grasping of the world around us is enhanced through scientific rigour.
Story-telling also plays with time frames. Analepsis and prolepsis are common techniques constructing a story, a film or any form or narrative. We tend to perceive chronological time even as boring. Our memory is also playing tricks with us on time scales. When was …? Additionally, we have multiple clocks ticking away. Time to submit a report, pay taxes, until the next medication or the psychological concept of “time until death”. Strangely enough, depending on which ticking clock we focus most, our behaviour is likely to change. Mobile time management tools have been created for centuries for us to handle all this jazz (call them a watch). They all have not changed our concept of time, only the precision to measure and cramp more activities or the same one faster into our daily life. Happier since? Test your self-efficacy, more general than time management! Try meditation to slow down the pace, use an app!? I started to clone myself with a virtual presence to experience the quantum effect of my life. Podcasts are played with 1,5x the normal speed now. Rhythm and music are the remaining traditional metrics of time. Even there, John Cage’s piece “silence” managed to abandon the time reference, partly at least. Okay, time is up, next letter, please.
