Tag: author

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Systems of thinking

The translation of the title of the “chair” created for Michel Foucault at the “College de France” sounds rather all encompassing. He worked during the years 1970-1984 at the institute, which were particularly innovative in terms of new concepts to look at society. With the massive protests of students in the streets of Paris in 2026-10, the exhibition of Foucault’s life course, his major contributions, legacy and audio-visual material are presented in a small exhibition. Foucault was one of the social scientists who had a research interest in the student protests of 1968 already.
In the exhibition it is possible to inspect central pages of the hand-written originals of some of his lectures. In the late 60s and 70s tape recording became feasible and such recordings helped to spread his ideas quickly. As Foucault was a master of contextualisation of societal procedures, like for example imprisonment, the curators of the exhibition present a few samples of Foucault’s own library (image below) and examples of correspondence with his network of social scientists, like Roland Barthes or Raymond Aron. In 2026 the thoughts on “gouvernementalité” (own translation “governability”) still speak to current politics. That is a great half-life-value of social thought.

Examples of Foucault book collection at his home College de France 2026
Examples of Foucault book collection at his home College de France 2026
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Game of letters

For most children reading and writing are too serious to be considered a game. And yet, learning is so much more fun if such competencies are acquired or at least accompanied through a game-like approach. School grades and PISA tests have taken out the fun part of learning of the most basic competencies. The fun in learning and experimenting is likely to increase the time spent learning, its efficiency and the return to learning. Georges Perec explored so many different ways to play around with words and letters to find his own most suitable style how letters assembled into words may serve his evolving purposes. The exhibition and accompanying material at the BNF on Georges Perec could spur a renewed interest in such games of letters and with letters for the young and old. (Image: BNF exhibition on Georges Perec, Words ending with letter d 2026-10).

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Alphabet as Mythos

The exhibition ”Georges Perec, Modes d’emploi“ at the BNF “site François Mitterrand” in Paris gives a fascinating insight into the complex life and work of the author of “La Disparition” (1968), “Les Revenantes” (1972), ”La Clôture”, “Alphabets” and “La vie mode d’emploi” (1978). In remembrance of his parents (eux) he wrote a whole book using only words without the first letter of “eux” which expressed how much he missed his parents. His mother was deported to and died in Auschwitz before he was 7 years old and his father had died in combat 3 years before. For the book “Les Revenentes“ (the returnees) he made use only of words containing the vowel “e” to somehow fill the previous gaps of words without the letter e. The preparatory work to collect those words (image below) filled pages as well. His poems explored combinations of letters, maybe even as a precursor of how AI is constructing words from small units (tokens) today. His quasi-experimental approach to literature goes deep into locations and emphasises the importance to remember at great length. So many lessons for us, which are simply built from the foundation of the alphabet to construct a mythical world of his own. (Image: Georges Perec, preparation for “Les Revenantes”, BNF Manuscript)

Georges-Perec-preparation-for-Les-Revenantes-BNF-Manuscript

Georges-Perec-preparation-for-Les-Revenantes-BNF-Manuscript
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Book fair hope

The Frankfurt book fair attracted 236.000 visitors in 2026, similar to the previous year. There have been about 50% professionals and 50% general interest audiences. The busy times on the fair are marked by about 4000 exhibitors and 3800 events. Great efforts have been made to facilitate circulation on the fair to quickly move between country pavilions and events on stages across the whole area. In times of pervasive online content provision, the face-to-face meeting of authors and audiences as well professional book traders and related professionals remains an important event. With broad media coverage, the event remains a hallmark for any democratic society. Keep thinking big.

Frankfurt book fair 2026
Frankfurt book fair 2026
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Death and rebirth of author

Over the long run there have always been times when the death of the author had been announced. With the arrival of the printing press and the ease to mass produce prints and books, previous authors’ books could flood the market. Obviously this could put new authors at the risk of finding no audience anymore as printers asked cash upfront before printing. The economic risks were solely on the author’s side. Ebooks became a risk to publishers as authors had an additional alternative way of publishing. Then the advent of the internet changed again the world of books and publishing. Global distribution became an option. Thousands of authors could have died because authors from around the globe became more accessible. None of these threats have materialized. Publishing on a global scale is fine, only European publishers are concerned about a shrinking market. AI facilitates entry in new markets and AI could kill already struggling authors. Instead, AI opens up lots of opportunities for authors as well. Editing and translation services become more accessible to low budget production. The next wave, some claim a tsunami, shall submerge the publishing industry. Quality, selection of innovative content and events associated with the content shall still make the difference. There is neither the death of the author nor of the publishing world due to AI. On a global scale many new voices can be discovered, probably assisted a great deal by AI who would never have dared to become an author and to enter into the world of publishing or self-publishing. (Image: Korea at Frankfurt book fair 2026-10)

Korea at Frankfurt book fair 2026-10

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Gaps in Mirror

The legendary figure of “Till Eulenspiegel” (name is a composition of “owl” and “mirror”) is still attracting attention, largely because of his way to reach and sometimes expose ordinary anomalies. We have mirrors all around us, as well as explicit historical details, but we tend to overlook or create voluntarily gaps into mirrored images of the past and their reflections into the present. The novel “The Gaps” (Die Lücken) by Shida Bazyar exemplifies, why dealing with history on a local level is of utmost importance for societies to be aware, deal and transmit fundamental human values. Till Eulenspiegel of the 21st century has a migration background and experience of care work, 2 fields at the cutting edge of humanity. Dealing with the gaps in narratives of locals enters visually into the novel as well. We ar caught t “automatic lly” read ov r the g__s before we realize how huge the gaps in narratives and our mirrors of the past can be. The novel is a great reminder to actively deal with our own gaps. Check the mirrors as well, there might be gaps that blur images of the past.

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Latent social structure

In empirical approaches to sociology we occasionally apply “latent variables analyses”. The aim is to uncover links between data that are not obvious in standard analyses of data. We are pretty convinced by evidence that age correlates with the probability of death. However, most tragedies are created around exceptional counter examples to this “rational expectation”. We also somehow have an intuition about the positive effect of social networks or the social fabric in a more general sense on living and survival. In some of those latent variable models we find evidence for an underlying factor without being able to properly name or frame it. Hence, as social scientists we continue to be interested in ways to make latent social structures more visible. With such an approach in mind I visited the exhibition by author and photographer “John Kolya Reichart” in the “Schöneberg Museum” entitled “Die Kette” (The Chain, 2026-5). The start of the chain is a familiar person in your neighborhood who leads you to the next person and so on. It is explicitly a non-random procedure, which complements proceedings of strictly random sample selection of survey methodologies. The sources for bias outcomes are multiple, however, an underlying or latent social fabric of a friendship and support mechanisms can be shown. Besides the b/w portraits and audios, giving a justification for the choice, the documentation of the process of production gives more insights into the risks and potentials of this form of insights into latent social structures.
(Image: Schoeneberg Museum, “Die Kette” by John Kolya Reichart)

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Vaim and the sea

Vaim is not a person, it is an imaginary place, somewhere next to the sea, rather small in size, and in conventional terms nothing much is happening there, aging persons go about their daily routines in their more or less splendid isolation, speaking to someone is a rare act of achievement, most of the talk is speaking to yourself not even really thinking aloud, just ruminating on and on for days, sometimes weeks or maybe years in a person’s life 

Okay, my exercise in “slow writing”, a wee bit attempting to copy Jon Fosse, kept me going for 10 lines before the end of my paragraph. Jon Fosse keeps going without the end of a sentence  punctuation for 66 pages in the German translation by Hinrich Schmidt-Henkel. Reading the three phrases of Vaim, each as an extended poem and an “homage” to life from three intertwined perspectives, resembles a cubist painting and, maybe, at least for me, each one like the novella “The old man and the sea” by Ernest Hemingway. It is also a triptych in the religious tradition of paintings, just as much as “Vaim” follows in the footsteps of “Waiting for Godot” by Samuel Beckett. For all those who don’t care about any previous literature just read Jon Fosse as an endless love story of platonic relationships, silence and romance,  next to the sea. Please, don’t pass on your copy of Vaim to school-aged children as they might become very creative about punctuation. The only allowed end of a sentence are occasional question marks, which is a nice philosophical twist in Jon Fosse‘s literal exploration of time and love. 

 

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Sociology in Theatre

Thanks to the inspiring direction by Denis Podalydès of Molière’s “Les fourberies de Scapin” we can experience the fruitful application of sociology to classical theatre production. This combination of thoughts has been performed at the “Comédie Française” for more than 7 years in 2025-11. The accompanying booklet of the performance mentioned the ample inspiration of Denis Podalydès by the French sociologist Pierre Bourdieu. Personalities in Molière’s theatre are represented as incarnations of the “habitus” each character stands for. Such an interpretation of the roles in the theatre play, raises awareness about the subtle differences between personalities. Even two rich men may differ in their habitus, because their fortunes are of different size or kind, yet they may share even more personality traits. Molière was a particularly crafted author, director and actor to stage such subtle differences, which are embedded into societies often across generations.  

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Racine Andromaque

The representation of Jean Racine’s “Andromaque” in Brussels at the Theâtre des Martyrs in 2025 has been an interesting choice, because the revival of a 17th century tragedy dealing with the intricacies of the Greek and Trojan war (mostly remembered for the Trojan horse). Jean Racine turned French theatre back to tragedies with his Andromaque (Résumé and analysis in French!), rather than the comedies or tragi-comedies of previous great authors like Molière.
The literary analysis of Andromaque by Roland Barthes (“Sur Racine”, 1963) identified 3 separate locations: chamber, anti-chamber and exteriors. The real power seems to live in the chamber as the place of respect, but also terror. (Compare also Mithridate). The anti-chamber is the place of diplomacy and the place of exchange of ideas, information and strategies. The exterior world is mostly closed off through walls or balconies as views from above. For Barthes this “symbolizes” even the prison inside or the pure heroic life inside the walls.
Besides this 21th century interpretation of 17th century theatre, Racine is remembered for his tragic love stories where A loves B, but B loves C and, maybe C falls in love with A. (Compare Robert Horville, 1991) The Condorcet paradox (Science of it) described only formally in the 18th century enlightenment, many decades later, had proven mathematically that such combinations of personal preferences are impossible to resolve. Hence, these confusions are great stuff for tragedies to evolve live on stage.