Tag: book

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Mind Paris

I have been asking myself what it may mean “to be in a Paris state of mind”. After a creative sabbatical spent around and about Paris I am happy to present the flipbook of entries on Paris in 2024 and the Olympic Games. My perspective is a social scientist’s view of public affairs. It builds on the many brillant minds and organizers who managed to make Paris a very special experience in 2024. Beyond the fabulous distraction of the sports events, which received sufficient attention, there were and there are so many exciting experiences that it is well worth speaking of a “Paris state of mind”. It happens in the quiet places of Paris, the museums, libraries, churches, parks and in the pedestrian areas. The 21st century has begun and Paris wants to remain in the top locations for modern experiences.

My flipbook for you to enjoy:  Paris and Olympics 2024.

also as versions: size 16 MB Pdf-Version, best to read in even spread format over two pages on one larger screen (text left side, image right side), just as a suggestion.
Some prefer already the epub3 format (EPUB3) to jump from topic to topic and follow links in a comfortable way, but please do not print to save paper. THANKS, feedback welcome. 

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Book Performance

Some texts are written in view of a performance, a theatre performance or an opera in mind. We have had dance performances and choreographers emancipate themselves from the music to claim dance is an art in its own right. Books are books in their own right. However, the hybrid forms of performance of a book was on display in the 2024 edition of the Wiels Art Book Fair in Brussels. It is common practice to invite speakers and authors for a book launch event. It is more rare to invite a choreographer and dancer to perform a book. This is exactly the what the publishers of A.R.D.V.L. did. Garance Debert put the editorial work and conceptual work on a book into a moving performance. There is much more to a book than just the letters and paper. The „mise en page“ turns into a „mise en scèene“ by an artist. The Wiels Art Book Fair has raised our attention to the larger creative potential of books, certainly art books, but also beyond books on art. Performative readings and book performances will enrich our repertoire of interacting with printed materials. Just before we might believe this is the next big hype, remember the bible is probably the book with the most theatrical performances linked to it.

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Couch Cottage

As vacation time is approaching, we ask ourselves, whether to choose the comfortable couch or the remote cottage. This is the proposition of Roger-Pol Droit in “Le Monde Livres” (“Sagesse 2024: cabane ou canapé“, 28.6.2024 p.36) based on the reading of “Ma cabane sans peine” by Alain Guyard and “Philosophie du Canapé” by Stefano Scrima.
The couch stands for the lazy life or “vita contemplativa“, thinking about philosophical topics that need a certain form of laid back behaviour to allow your brain to sort out tricky questions or to ask yourself, what is, was or will be important questions. Many academics shut themselves away from the busy life outside to reserve more time for couch thinking. The usual products of this activity practised on chairs and couches is more or less digestable books. Some make a comfortable living out of this active inactivity.
The cottage approach follows another longstanding philosophical tradition associated with Dionysos. Living a simple life in a remote place, but full of life’s enjoyment allows to exalt in the dithyrambic atmosphere of the countryside.
Rather than the either, or issue: couch or cottage, I go along with the dialectics of Hegel, who forms out of thesis and antithesis the synthesis. In our example this is obviously equal to “take the couch to the cottage“, problem solved. Additionally Nietzsches version of “Die fröhliche Wissenschaft” seems to prolong the dialectic experience of going beyond the “neither, nor” dichotomy to combine both couch and cottage.
You sensed it. It will be a rather exciting summer break to pursue on the many roads to “Sagesse 2024” (Wisdom 2024).

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Page Turner

Modern digital technologies turn pages for you. Just with one touch.
Search functions that are implemented in the software allow you to search for any keyword you are keen to follow-up on. These are valuable advantages of digital versions of books or other content. Once you adapt the brightness of the screen you can scroll comfortably through hundreds of pages. These books are called flipbooks and there are a number of editors specialised on these versions.
In combination with a blog format of publishing online first and then transforming content into flipbooks or even printed versions, www.MPL-publisher.com  offers a nice feature to host such flipbooks. It is comfortable to know that the content has a unique address on the web, which you can share freely and use from all sorts of devices including your smartphone, tablet, desktop or notebook. The collection of my images I even watch sometimes on an even larger TV-screen or a beamer for teaching purposes.
Yes, we can (!) teach from a smartphone. Learners have opted for the small screens a long time ago. -“hey – teachers, leave us kids alone. We don’t need no education, we don’t need no thought control“. Flipbooks combine the classic form and feeling to turn a page as accomplished progress with the fast access to keywords that spread over several pages of the book.
My latest version of blog entries from 1st of January to 30th of June 2024 is at your fingertip now. (here, allow for a really long download time!). A screenshot is provided below of page 114 of a total of 390 (OMG) on a notebook screen. The search list is shown for the keyword “wage” as an example.
A shorter reader on “Society and AI” is available here as flipbook (29 pages).

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Library Search

Libraries have not only lots of books on shelves and in storage places, but scientific research makes use of lots of scientific journals as well. The direct access to these journals shortens the search for information. We tend to focus on certain sets of journals, which we follow regularly as well as some random choices. Libraries like the Staatsbibliothek in Berlin have the advantage of access to multiple scientific disciplines under the same roof. This facilitates cross-disciplinary research with access to the best available knowledge. This resembles university libraries where also a broad spectrum of disciplines is taught.

Moving from paper-based publishing to electronic publishing, it is obvious that libraries are part of this move. Printed journals disappear and the electronic versions are made available to the readers. 2 issues arise: (1) adapt your search strategy to e-search and reading on screens and (2) accept that your research leaves traces (and potential tracking of your activities) of what information is really used. User statistics are likely to have consequences in the medium term. All libraries want to know who are my readers and what kind of search strategies do they apply. Similar to some of the best scientific results that are an outcome of by chance findings the search in libraries is enriched through „random effects“ of search. On-shelf access to printed copies allows a rapid overview of a whole year of issues beyond the abstracts always available online anyway. It is so much faster than the online search that we shall miss the paper-based issues of journals for quite some time. At the time of artificial intelligence everywhere reading and writing might be overvalued as economists might say. Our search algorithms and use of libraries is evolving at the same time. The by-chance or random inspiration might move to other places.

library shelf with empty journals‘ stock
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Portable Grundgesetz

Celebrating democracy in Germany is rare. We take it for granted that democracy persists, as most of us have not experienced it otherwise in Germany. This is grossly mistaken as the opinion polls show repeatedly in recent years. Therefore, it is welcome to find the “Portable Grundgesetz” at the “Demokratiefest” in Berlin and Bonn at the event to celebrate 75 years of democracy in West Germany and 35 years in East Germany.
The century-old tradition to produce miniature books has been revived and the miniature books have been widely distributed at the event. A side effect consists in the eco-friendliness of this version, which saves a lot of paper. It is fun also fun to turn pages rapidly and discover some paragraphs which we would not have read otherwise. “Daumenkino” is the German word for versions that contain many images. Maybe next time, an illustrated and/or animated version of the Grundgesetz could encourage youth to celebrate using the texts, §s and images to discover the fundamentals of our constitution.
325 years ago, Weigel the Elder has illustrated, edited and published such a tiny edition of the Bible. It is currently exposed in the treasure museum at the “Kulturwerk” in the “Stabi Ost” in Berlin. “Back to the Future”, lots of ideas we get by taking archives seriously. By chance inspiration is undervalued. Search algorithms have a hard time to replace this in an effective way so far.

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Heroines

In youth we are open for a wide range of influences. Heroines in children’s literature, picture book or cartoons look back on a long history as successful influencers. Creation, transmission and criticism of stereotypes are all part of the scientific reflection on heroines and heros. Nowadays, influencers have taken over picture books through the use of more compelling videos.
In the 1950s,1960s and 1970s picture books or cartoons dominated the influences before mass media like television became more absorbing, addictive and powerful influencers. Children’s books are passed on from one generation to next generation. The French-speaking world (and beyond BBC reference) has witnessed the success of the illustrated booklets of the young “Caroline” (Hachette) and “Martine” (Casterman) exploring the world. Parents passed on their collection to children and had their own parents read the stories to their grand children.
Well, that’s how intergenerational transmission of cultural heritage has worked for a long time. It describes the basic social mechanism. Nevertheless, new forms of influencing emerged with new technologies. Successful illustrated narratives like “Caroline” and “Martine“ were adapted as television series as well. In France you could chose your side of either explorations with Caroline and her group of animals or the adventures of Martine.
Ideally it would be an occasion for the families and friends to discuss pros and cons of each character and, thereby, become aware of what is a stereotype, at least at a later stage of the life course. Gender stereotypes have evolved and to observe 2 boys colouring Martine images in public (Brussels book fair 2024, image below) was a positive surprise. It almost felt like a real world experience of the AI-enabled Barbie explorations.

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Stock taking

From time to time it is necessary to take stock of production and to review the material that has accumulated. As I have been working in archives, official book depositories and libraries for years, it comes almost naturally to deal with questions of how to keep track of all that content. Digital solutions are excellent devices in this regard. I do not have to deal with digitalisation, a huge issue for all historic archives and many recent small museums as well. I have to deal with backups at regular instances. To be sure, each engineer will assure you, better make a backup of your backup … . Yes, I do this as well. Now the ultimate backup of digital work is ? Got it, a printed copy of your digital work. The best advice I received on this comes from a computer magazine “ct” gadget mug with imprint advocating “No backup, no mercy“. To facilitate my printed archive I start with monthly collections of blog entries (Link to pdf-file December 2023 ->Brainstorming 23-12). The simple conversion yields 63 pages, a printer friendly version 56. Hence the expected yearly volume (60*12) will be somewhere near 720 pages. That is for the archive only or in case my eyes do no longer support online reading on screens for too long.
Digital archives have, of course, many other advantages. It is possible to reassemble my collection of entries by subject through a more thorough editing. Specific edited volumes will surface from this, which I have in my mind but only careful long-term followers of the entries might see already. Political economy and sociology are obvious candidates. Public health, labour, the world of arts and music could constitute other edited volumes. Lots of branches grow out of the trunk of content.

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Only for Kids

We all have, hopefully, fond memories of children books. Sometimes authors are not so keen to tell that they are just writing books for children. This is often present in many biographies of authors of books for children. This is grossly unfair. Not only is the book market for children’s books one of the best- selling part of literature, but there are lots of interesting collaborations between authors and illustrators. Most books are expensive to produce, particularly if, additionally, translations are needed to reach more children and their parents. For small countries this might be a barrier. The Scandinavian countries have a tradition to translate and publish some selected children’s books in multiple Scandinavian languages and beyond. Therefore, it is no surprise to find a children’s book entitled “Kant” by Norwegian author Jon Fosse, illustrator Roj Friberg with the text translated into Swedish and published by the Danish Editor Carlsen, all in 1990.
The illustrations allow to understand the “bilderbok med text av Jon Fosse” using an enlightening imaginative visual language. From the cover already It is clear we deal with the universe and endless open space. There are black holes in it as well. Jon Fosse deals with “möjliga och omöjliga”, possibilities and impossibilities. Tackling such philosophical questions with children needs the best authors to address these issues. How to speak of the unspeakable, things we have hardly any words for remains a challenge. Relating to the world of dreams, appealing to children and their parents, does the trick. After all, you just need to close your eyes and you start to travel the universe and make lots of exciting encounters. The book has no page numbers, interesting. The image below is from page 25, just as an appetizer.
For more insights of how to deal with “nothingness” I refer to Friedrich C. Heller (2020) “Towards nothingness. Ideen der Reduktion in zeitgenössischen Bilderbüchern” (in Benner et al. editors 2020). Susan Sontag (2005) „die Ästhetik der Stille” (in Eugen Blume 2005, editor) will also help us along on the subject of stillness and minimalism. Maybe it is these essentials we should talk more about especially with our kids.
To continue the exploration of space and stillness just go to the webpage of the hubble telescope or the James Webb Space Telescope. The journey of your dreams will be hard to stop.

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CO2 Footprint of Books

In view of the worldwide size of book publishing we should also keep an eye on the CO2 footprint of book publishing. The Italian association of publishers gave a brief overview of the likely CO2 footprint the printing of a book causes. Their best guess is at ½ a kilo of CO2 on average. For simplicity of calculation and assuming that an editors’ association is unlikely to overstate the amount, let us assume it is 1 Kg CO2 per book. The most CO2 is consumed not in the book production but in the transport of the items, machinery and personnel involved in producing, editing, selling etc. Of course, paper is recycled to a large amount. Certified sustainability of paper from trees has become a standard in most countries.
Nice twist to the issue: your own library at home has become a CO2 storage, if you keep them or lend them or pass them on to others. Reading can be a little bit addictive and buying books as well. Reading online or electronic books reduces your CO2 footprint. The best way to imagine the reduction of your CO2 footprint, however, is to buy or to borrow a book on travelling which replaces the actual journal by reading on the couch. Yes, being a couch potato is good for the planet, and if you want to buy a book, walk to the book shop or the library if possible. If you enjoyed flying previously shift over to buying books on planes, airports, clouds in images or stories that involve extensive travelling instead for the sake of your own CO2 footprint and future generations.
Even a book will need somehow wood as input, many alternative ways of leisure time or professional activities are worse in terms of CO2 footprint. Any e-book, e-journal or e-newspaper is even better for the planet, especially if we think of the millions of paper copies across the world that are printed but never sold. Knowing your market is crucial to reduce misallocation of ressources. E-books are so much easier to store as well using regenerative energy for the content servers around the world.