Category: Global

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Cars electrified

It is not only cars, but the whole automotive industry that got somehow electrified. The U.S. have imposed a 100% tax on electric cars produced in China recently. Europe is feeling the heat as well (compare Fressoz in Le Monde 31.5.2024). Production of cars is not a for fun activity. It is firmly embedded in our economic system which believes in profit maximization even at high environmental costs. Therefore, the production of cars follows the logic to build cars that generate the highest profits. Bigger cars yield bigger profits and this has been known for decades. Why should we expect our car producers to deviate from this logic. Investors push hard in this direction as well. Small e-cars generate small profits. This can only be economically valid if large numbers are produced. China’s home market has the market size and air pollution levels that make this a viable strategy also for the lower income people. If not sold in the US or Europe, the home market is able to absorb huge amounts of electrified cars. Downsizing of cars needs to happen particularly in inner cities. The implementation of this is not going to be easy and without resistance.

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Mangel Armut

Herta Müller hat bereits 2012 in „Das Chinesische Glasauge“ sehr treffend die Funktion von Mangel und Armut in Diktaturen beschrieben. Sowohl der ständige Mangel als auch die Armut dienen als Instrumente der Macht. Sie sind quasi die Fortsetzung von Ideologie zur Beherrschung der Massen. Zusammen bilden sie die Umgebung, den Kontext in dem dort gelebt wird. Die Herrschenden jedoch haben Privilegien, die sie von der Allgemeinheit absetzen. Diese knappe Beschreibung und Einleitung zur Kurzgeschichte haben eine große Portion Allgemeingültigkeit. In Mangel und Armut können kleine Vergünstigungen eine viel größere Wirkung entfachen. Sehnsüchte nach mehr werden nahezu zwingend hervorgebracht. Allein die Aussicht auf ein teilweises Stillen der Erwartungen oder nach mehr entfachen weiteres „höriges“ Verlangen. In Diktaturen werden die Personen, die unaufhörlich auf die Armut und den Mangel hinweisen meist geächtet oder sogar ins Exil gezwungen. Solche Störenfriede sind nicht gern gesehen. Das Russland unter Putin braucht Leute der herrschenden politischen Klasse zujubeln und bereitwillig in den Krieg ziehen oder an der Kriegsmaschinerie mitwirken. Wir sind mehr als eine Dekade weiter, aber diese Zusammenhänge bestehen ebenfalls weiter. Schmuck in der Mangelwirtschaft ist bereits eine Provokation. Das offene Tragen der Provokation kann im schlimmsten Fall das Leben kosten.
(Image: Herta Müller, 2023, Eine Fliege kommt durch einen halbern Wald, Carl Hanser Verlag, “Das Chinesische Glasauge”, S.50-61)

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Freiheit aushalten

Frei von Zwang zu sein, ist eine tolle Erfahrung.
Frei zu sein, das zu tun, was man möchte ist die Fortsetzung des Gedankens.
Eine lange philosophische Tradition (freedom & democracy) lässt sich inetwa so kurz zusammenfassen. Negative Freiheit, also nicht irgendwelchen Zwängen zu unterliegen, frei von Religionszwang oder Zwang zur Arbeit, war über Jahrhunderte das überragende Ziel der Freiheits-, im Sinne von Befreiungsbewegungen.
Wir haben diese “passive” Vorstellung von Freiheit durch eine “aktive”, positive Form von Freiheit ergänzt. Die Freiheit etwas zu tun oder der aktiven Teilhabe an der Gesellschaft ist zu einem weiteren leitenden Gedanken des modernen Freiheitsbegriffs geworden. Entwicklungschancen von Kindern zeigen die Bedeutung der aktiven Gestaltung von Freiheit für die kindliche Entwicklung und die Bedeutung der Teilhabe an Gesellschaft auf. Alleine frei zu sein von Zwang führt noch nicht zu einer altersgerechten Entwicklung von Kindern. Positives Gestalten ist notwendig, damit Kinder ihre Potentiale über die Zeit Die Freiheit des Anderen selbst aushalten zu können, ist eine weitere notwendige Bedingung von Gesellschaft und unserem Freiheitsbegriff. Das fällt zuweilen recht schwer. Die Bienenzucht des einen kann dem Bienenstichallergiker buchstäblich zum Verhängnis werden. Wieviel freie Rede ja, aber Hassrede nein, müssen wir aushalten. Dürfen sich diese Konventionen über die Zeit hinweg verändern? Wenn ja, wie weit? Wir haben viel Gesprächsbedarf, um ständig unserer “kommunikatives Handeln” zu beraten und zu überprüfen.
In Zeiten von Wahlen und Wahlkämpfen ist das Schild “Freiheit aushalten, eine Aufforderung doch öfters mal hinzuhören selbst wenn uns vielfache Aussagen bereits als abwegig erscheinen.
Von “Ausfahrt freihalten” hin zu “Freiheit aushalten”.

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Einfahrt freihalten

Wir alle kennen die Schilder „Einfahrt freihalten“ auf dem Lande und in den Städten. Alle Personen, die eine Art von Garage oder Einfahrt für ihr Zuhause, Firmengelände oder Grundstück haben, sehen sich früher oder später gezwungen andere Personen auf die Einfahrtsmöglichkeit extra hinzuweisen. Ohne Hinweisschild könnte sich jemand die Freiheit nehmen, genau an dieser Stelle sein Vehikel abzustellen und die Ein- und Ausfahrt zu blockieren. Derartiger ziviler Ungehorsam oder einfach Faulheit eine andere, weniger anstößige Parkgelegenheit zu suchen, verleitet ständig zu leidenschaftlich geführten Streitigkeiten. Einsätze vom Ordnungsamt, der Polizei und einem Abschleppdienst gehören zu den üblichen Folgewirkungen. Rechtlich verbriefte Eigentumsrechte gehören in vielen Ländern der Erde zu den höchsten Rechtsgütern.
Interessant sind die verschiedenen Spielarten von „Einfahrt freihalten“ in der deutschen Sprache. „Ausfahrt freihalten“, beispielsweise, suggeriert die Bedeutung des raschen Verlassens, eventuell zu einem Einsatz. Zeitdruck bei der Heimkehr oder beim Wegfahren lassen auf die Begründung der Nachdrücklichkeit der Aufforderung schließen, bitte Ausfahrt freihalten.
Die neueste Berliner Variante der Aufforderung, bitte hier nicht parken, heißt „Freiheit aushalten“. Können wir die Freiheit der Person aushalten, jederzeit dieses Gelände zu verlassen oder zu befahren. Das ist anscheinend eine große Herausforderung an der viele Personen ständig scheitern und ihre eigene Parkfreiheit über die Freiheitsrechte der anderen Personen stellen. Gesellschaftliche und rechtliche Prinzipien lassen sich manchmal an alltäglichen Kleinigkeiten verdeutlichen.

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Competence Gardening

Primary Schools in Berlin have the possibility to participate in the “Gartenarbeitsschule”, the school with learning goal of gardening. It is an interesting option to go out into the real world and deal with nature, sustainability, consumption, climate and many other topics. Voltaire could complement the curriculum in philosophy with his biographical links to gardening. The access to the fields is easy next to one of the central train stations and a larger urban reforestation project as just one example of the 15 overall in Berlin in 2024. (Südkreuz, Südgelände). Hands-on experience of gardening can address multiple forms of problem-solving competencies. Beyond the use of AI, a major advantage is the possibility to train collaborative problem-solving. Beyond the multifactorial approach in determining what to plant, the organization of the implementation and individual contributions towards the realization, all these elements are learning goals. The scope of learning qualifies gardening for learning well beyond primary school as well. It is a nice example of lifelong and lifewide learning even a hundred years after their wider applications in Berlin.

Gardening School, Berlin 2024
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Competence Handwriting

The acquisition of handwriting as a competence has been important for centuries. In primary schools this technique is exercised as a foundation for the performance in other cultural techniques like language writing and even calculus. Therefore, it has been beneficial to make sure children acquire basic competences in handwriting. This has not changed much, although the time devoted to perfection of the technique has been reduced over generations. We still have some memories of people who have made the handwriting or the pencils used a case of distinction. At the enlightenment period a lot of authors drafted their thoughts and manuscripts in handwriting and our museums or biographies are proud to show off handwriting of authors, artists or composers. In some of those we are able to retrieve the thought process behind the writing. The editing, crossing out, adding sentences or correcting words are traces to dive deeper into these creative processes.
Currently, we are less sure, whether in the age of AI we should still rely much on this old technique of handwriting. If we just treat it as one of many competences to be or become creative yourself, we are on the right track. The PISA studies by OECD include problem-solving as a crucial competence. Handwriting or drafting first steps of a solution might still be useful. A handwritten sketch of a solution might guide the elaboration of the more encompassing solution.
Another interesting feature of handwriting is the cross-cultural element of it. We feel easily compassion for a handwritten document. The psychomotor competence of handwriting is fascinating across continents. It has distinguished us from other species as well. The evolutionary steps are important elements of a learning process. Nostalgic feelings about handwriting do not help anybody, but children are well-advised to still keep an eye on their handwriting competence as part of or first step in problem solving, even if it is just to formulate the question they are interested in.

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Dietrich Gabin

In French cinema Jean Gabin is a much adored person. Equally, Marlene Dietrich had, probably an even more far reaching international career. Both were accomplished and successful actors long before the 2nd world war broke out. In the U.S both fell in love and had a long lasting romance together. Their war time activities and “engagement” in fighting Nazi-Germany were extraordinary. It meant that both took active roles to use their charisma to mobilize people and soldiers to fight for freedom.
Shortly after the war then, both made a last attempt to work together in a movie production, but it could not unite the couple again. The “Deutsche Kinemathek” displays currently a page from the Diary of the “Diva” to underscore to what extent “Dietrich” was depressed about the break-up of their longer lasting love affair. Some say Gabin was the only person who quit her, all (most?) other relationships were terminated by the Diva. The junctions of biographies are hard to predict. The circumstances of the 2nd world war and internalized civic obligations to fight for freedom and democracy were wholeheartedly shared by both, but eventually they grew apart nevertheless. Tough experiences even for the much adored persons on the forefront of the stages worldwide. There seem to be many instances of repetition of the same story not only in movies, but also in real life.
Image: Deutsche Kinemathek Museum 2024-5

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Image History

The archives of the history of movies and/or television show to us the multiple ways how images capture our attention and memories. Visual narratives are an own category of our personal and collective memory. The wide range of visual experiences are a powerful way to influence. Not only the movies and stories matter, but the whole range of images associated with the cinema world. Poster collections, newspapers and today the so-called social media multiply the original images. The Deutsche Kinemathek allows a special, critical understanding of image history as Germany has been using and abusing images and movies in a very manipulating manner historically. The message is: do not take images for face value. The ways and techniques to manipulate images have been widely used and are all around us today. Whereas the mass media in previous decades have dominated the collective memories we have entered into an era with many more subcultures that evolve within their own bubble of images. An original attempt to cut 65 movies of German film history into less than 4 minutes is presented in the exhibition (Milkowski and Simbeni). It focuses on gestures and “les regards”, “Blicke”, how the actresses and actors seem to look at us. Eyes capture attention, and this as soon as we open our eyes as children. Our brain works as image recorder and our memory algorithms tend to favor image recognition while processing images continuously. We do not know much about our own image sorting algorithm or algorithms yet. Research on aging of the brain gives some hints. With declining short term memory the images stored in long term memory take the upper hand. This makes an understanding of the history of images even more important.

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Deutsche Kinemathek

Just in the vicinity of the Potsdamer Platz in Berlin you’ll find the Deutsche Kinemathek, the museum movies, actors, actresses, directors and the history of cinema in Germany. There is a small specialized library in the Kinemathek that allows to dive not only into journals and books, but also video material, scenarios and accessories. Of course, you will find a lot of material on all sorts of movie stars (heroines) over more than a hundred years. The “Divas” of the industry take up a large part of the exhibition. “Marlene Dietrich” much more than “Hildegard Knef“, the former born and the latter lived for a long time in Berlin-Schöneberg (Berlin-Pretty-Hill as some locals call it nowadays). The 2 Divas probably caused the funny translation. Anyway, the hall in the Kinemathek which is exclusively devoted to Marlene Dietrich impresses with a lot of glamour and mirrors around.
For those with not only a biographical, but also life course interest in cinema cherish the public access to the library. The most impressive table there is the desk with access to the Ukrainian movies and about cinema in Ukraine. A list with QR-codes allows you to readily approach the recent developments before and during the Russian aggression on Ukraine (See image below). After all Potsdamer Platz in Berlin was a hot-spot of the cold war period in the divided Berlin. A little bit of a “Metropolis-atmosphere” can still be felt. The Kinemathek explains well what this is all about.

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Attune Spheres

In Berlin it is easy to walk through the history of art to up-to-date contemporary art installations. Just walk from the Alte to the Neue and then to the Contemporary Nationalgalerie. With the installation and performance in the monumental Hamburger Bahnhof the artist Alexandra Pirici succeeds in an extraordinary way the combined impression of several art formats. I felt particularly attracted by the sound and resonance that the dancers achieved in the huge historical hall of the former train station. Embedded in a choreography that spans the whole hallway and the top of a sand dune, the ideas of „Attune“ bring in demonstrations of scientific experiments as well. We are reflecting on how structures, biological, physical or geologic processes coexist. It is another example of the intersection of biological, psychological and social phenomena. The links between science and art are more direct than what most people tend to believe. This encompassing experience catches all our senses and our mind. It is very likely that this intense experience in the museum space, which attunes our sensory perception of the artwork, sticks with us for longer than many other pieces of art. The 21st century will reveal an even more powerful language of art as it incorporates even more formats to grab our attention and imagination. The research of how patterns are formed is an important question for social scientists as well. All approaches to the subject are welcome and each one reveals our knowledge gaps despite remarkable progress. (Image: Hamburger Bahnhof, Berlin 2024-5-11, Alexandra Pirici)