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Jewish book art in Berlin

One of the treasures of books in the collection of the Staatsbibliothek in Berlin is the Hebraica collection. It is currently presented in the museum space of the library. The curators Martini and Eichhorst have succeeded in the task to present the sanctuaries in a form that a larger public can better understand the skills needed to produce these fine pieces of art and worship. Similarly, great care has been taken to explain the formidable task to preserve and sometimes restore these precious pieces. The exhibition explains in an accessible manner what place each piece has in the Jewish tradition and regional varieties. Examples of annotations to assist interpretation of the texts or graphical annotations complement the original documents and sacred texts. These exhibits allow a  for a starting point for a better understanding of the importance of the Hebrew Bible and the scrolls of the Book of Esther in the practice of Jewish rituals. A more permanent exhibition could greatly enhance inter religious understanding and respect of traditions. 

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Projection Painting

Nature teaches us lots of tricks. Bionics are all around us in the 21st century, but the marvelous projection of a winter tree on a huge screen comes close to a naturalistic painting. The projection of the branches and leaves of a tree originates from the early sunset in December 2025 in Berlin. Nature teaches beauty and the techniques to imitate or reproduce the effects. Its up to us to keep our eyes, senses and minds open to enjoy the beauty in our surroundings. 

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Piano & Dance

Young talents sometimes offer innovative approaches. This was the case of Amiri Harewood in his performance of short piano pieces in the Espresso series at the Konzerthaus in Berlin. In an effort to take the Berlin audience on a lunchtime journey his program started with Schostakowitsch and Rachmaninow to move to less familiar repertoire from George Walker and Joshua Uzoigwe to “Valses Poéticos” from Granados. The live performance by Amiri Harewood in Berlin was at its best when he started to move head and shouldlers, breathe in tune and dance a bit while playing the piano. This rather unique feature of his performance is certainly different from a “stiff upper lip” or rigid posture we observe too often. This created an interesting “Kontrapunkt” for many in the audience who rather came for the espresso and to visit the building expecting some classic piano in the historic setting of the Konzerthaus Berlin. It took a while until people realized they were up to a unique piano experience. “Neuer Wein in alten Flaschen” = young, fresh music in old bottles or settings.

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Konzerthaus Espresso

Classical music in classicist architecture sounds like a perfect match. The audience is packed with people mostly 60+ years of age. One of the spectators happily admitted that without the espresso before the concert she would have a hard time to follow closely because after lunch at 2 p.m it is time for a rest rather than excitement.
The series of short concerts at lunchtime suits particular audiences. It is probably the only concert series where the queue in front of the toilet of men is equally long than the one for women. The short concert program allows for more experimental formats as well. Musicians who develop a solo program of shorter than standard concert hall duration can appear in high reputation locations and gain experience of performing in such prestigious settings.
With a “Zugabe” from the performer, but also in form of a small piece of chocolate for the audience at the exit, 21st century, classical Berlin knows how to charm its aging audience and population. Young performers learn that the mature audiences don’t bite any more. In case the sound and peaks become too modern they just adapt sound level of their hearing aids. It is perfect for all generations.

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Make Russia pay

The initiative from the European Parliament to make Russia pay for its destruction in Ukraine could use about 200 billion Euro of frozen assets from Russia. Until a peace agreement is reached that sum could serve as a guarantee for infrastructure rebuilding in Ukraine already during the war by Russia on Ukraine’s civil infrastructure, like energy supply, airports and railways. It is an accomplishment of transparency to be able to trace the Russian assets. The largest amount is stored in Belgian banks according to the material distributed by the European Parliament. All these funds make up for a substantial effort that otherwise tax payers of other European countries will have to spend. The cooperation in the EU and beyond is at yet another test. Belgium plays a rather strange role in this respect as it benefits the most from many European Institutions and lobby groups being based there.

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Climate & Health

The priorities of reporting in newspapers and in media more broadly neglects the direct links between climate change, global warming and public health. The study by Weathers et al. (2025) has investigated this underreporting of scientific facts between 2012-1-1and 2023-12-31 with regard to China, India and the USA. As these are not only big countries, but also among the heaviest polluters. Public health is in the majority of cases addressed as a general public health issue, Extreme heat (51%) and extreme weather (44%) are mentioned most as single issues followed by poor air quality (35%) and food insecurity (25%). The human species suffers from a severe short sightedness when it comes to the public health issues that will intensify due to global warming. Directly following the destructions, worsening health due to heat and pollution, sometimes both even coinciding, will cause additional medium and long term detrimental effects. Although this is known today, there is still little concern about real policy change. The COP 1-30 has achieved little in this respect. It is questionable, whether this format outside of the regular UN institutions (for example within UNESCO) was and still is the right choice.

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Dancing School

Most of us know very little about what happens in a dancing school. This has intrigued artists for centuries. The Paris-based “Comédie francaise” has chosen the “L’école de danse” de Carlo Goldini as one of the pieces to enter its repertoire in 2025. Whereas modern dance celebrates the freedom of motion of humans, the early 18th century theatre piece by Goldini is a comedy in which the tyrannic ballet teacher attempts relentlessly to maximize profits based on the talents of the dancers either by placing them at a high reputation theaters or marrying them. Of course, each time a sizable commission has to be paid to the dealer of talents. Sounds familiar to what happens in other professions today, doesn’t it?
The borders between “dealing with love” and “dealing in love” become blurred in this comedy and Goldini shows his talent to play out intrigues on stage in an admirable way. It is a pleasure to experience the fun on stage with the manifold intrigues. (Image: actors of Comédie francaise in L’école de danse 2025-12).

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Bodies in motion

Since more than 2.000 years the art of movement and dance has fascinated people and artists. Early statues from Italy, which are exposed in the museum of the Bibliothèque nationale de France (BNF, see image below) testify to this. This form of art has been practiced within Europe and much beyond Europe as well. The human body in motion needs specific preparations and training to reach the levels of artistic performance. Similar to other art forms the skills have to be experienced and learned before you start to play with movements as a form of freedom of expression. Dance is not only a form of expression and identification of groups or generations, but also a discipline of rigor and body care. The fascination of human bodies in motion rather than the ballet of robots or drones, catches our emotions. Even recent songs do not hesitate to make this the central topic of a chanson. (J’aime comment tu bouge, by Claude Bégin) 

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Europe x.0

There are many places to ponder, think or dream about Europe. The centre of Paris is certainly a great place for this. More precisely, the “Galerie Mazarin” invites us to pass the centuries looking and reading about artefacts that made Europe or all different versions of it across history and geographic spaces. The short extracts of chansons that we share and shared across Europe are presented in their original language, which highlights the multilingual heritage of the different versions of Europe. There are parts of the heritage, which have fallen into oblivion like the customary use of tobacco exposed with a “tabatière” and a poster advertising paper for your cigarettes. Of course, the “Robe noire portée par Edith Piaf” on a stage is another highlight of the visual and audio joint European heritage.
Where do we go from here? Image Europe with an emphasis on its shared culture. There is so much diversity to be found in each country and regions within countries, but a shared appreciation of the valuable contributions to the whole. This builds a shared European strength, which has proven to overcome several fierce wars. This is the future-oriented version of Europe xx.0. (Image: BNF Musée Europe en partage, 2025)

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Famous speech

Among the famous speeches that marked the 20th century is the one broadcasted from London by General Charles de Gaulle in 1940 shortly after the Vichy regime in France had been established. A government in exile that remained focused on resistance to the Nazi-German occupation had found a new leadership that was able to rally people to support the relentless ambition to free Framce from Nazi occupation again. The remarks on the manuscript by De Gaulle are surprising in the many lines that were crossed out by him to sharpen his discourse. Every word counted, The focus remained on clarity of the message. This was certainly part of the mobilizing force. Weigh thy words carefully, I would say. A clear message  needs few words, (Image: BNF L’Europe en partage, Paris 2025).