Marilyn Monroe TM

The image and probably even the person of Marilyn Monroe has become a trademark of its own. Since the choice to change her name and outlook to become or be created as the objectified trademark of Marilyn Monroe, the financial interests to gain money using every image, sound or video have reached above average returns. The profits mostly accrue to those owning the commercial rights. At the occasion of her 100th birthday, this continued rent seeking keeps spinning.
It has been well documented that the early death at just 36 years of age is linked to her exploitation or “commodification” as a trademark rather than a person able to cope with the overloaded imagery of herself. Bookshops, even in 2026-6, decorate their windows with books with her image on the cover as eye catcher. As with few other persons, Marilyn Monroe stands for an objectified person where the property rights of the image keep being exploited long after her tragic death. (Image: Marilyn Monroe, tramage by Bruno James BdF, left and algorithmic on the right. Transbordeur 2026).

 

Considerations about Space

As is true for most architects, for example Le Corbusier, they are mostly remembered for their actual realizations (Scharoun, Mies van der Rohe), rather than the grand designs prepared for an architecture competition. Henri Gaudin has not only left concrete implementations of his ideas, but also several books on his perception and ideas about “concepts of space” (“Considérations  sur l’espace”), which comprises architectural ideas about “empty spaces“. Additional sources of inspiration were a relentless pursuit of drawing and designing what he saw, for example while travelling.  The BNF has received the extraordinary donation of the journals of Henri Gaudin, which allow to trace his continuous search for innovative representations of what creates a space, the impression of space and the relationship between spaces.
His travels with the TGV in France filled a complete “carnet” (booklet). Architecture is surely not about concrete. In the best cases there is a lot of research happening “backstage”, sometimes in small spontaneous sketches that can have a very lasting impact on many people’s perception of space later on. His own landscape drawings were an interesting inspiration for his architectural work as well. “Image: Landscape drawings by Henri Gaudin, BNF Paris 2026-6, Galérie des Donateurs).

Dry January

There is a health trend to pass a sober, “dry January” after the X-mas and New Year festivities. It seems to be rather popular, so that the French wineries have started a marketing campaign of a “French January“. We shall see what the battle of marketing campaigns means in the end for the health of our liver (Study Link). It might lead to changes in consumer behavior of the following kind. Take advantage of good price offers for French wine and champagne in January and drink it as of February.
For addicts of the “carneval season” this should not be too difficult, jointly with a couple of friends. Alternatively, you might not be bothered and continue a moderate consumption across seasons. Moderate consumption, however, is the tricky part of alcohol consumption. Medical guidelines (health of liver) have evolved recently to count each drop of alcohol into your total consumption in either fluid litres of pure alcohol or the equivalent measured in grams. 

Mammalian Aging

Mammals share a lot of similarities with respect to aging. The researchers Alexander Tyshkovskiy and Vadim N. Gladyshev et al. (2026) spearheaded multiple research to identify similarities across humans, macaques, rodents and mice. The outcome of this overarching study of mammalian aging and mortality is a set of biomarkers that can serve to predict time to death.
Why is this interesting? With the rise of the longevity interest in the 21st century, the need increases to use robust biomarkers that can assess any presumably miraculous innovation to smooth human aging or prolong the time to death. Steps towards “universal transcriptomic signatures” including CDKN1A and LGALS3 (compare across species), which proved to be important in mortality predictions based on the large UK Biodata.
It is the accumulation of damage, which drives  processes of aging . However, “inflammation, replicative senescence, metabolic inhibition and γ-irradiation” can be attenuated or occasionally even reversed. The aging of cellular components has been demonstrated using “modular-specific clocks”.
With these biological advances in the field of biomarkers, the BPS nexus (biology-psychology-society links) could receive more attention as well in order to enlarge the society-wide research into the causes of human aging.
(Image: Staatsballett Berlin, Choreographie Crystal Pite, Gods and Dogs, Angels’ Atlas performed 2026-5, final applause)

Latent social structure

In empirical approaches to sociology we occasionally apply “latent variables analyses”. The aim is to uncover links between data that are not obvious in standard analyses of data. We are pretty convinced by evidence that age correlates with the probability of death. However, most tragedies are created around exceptional counter examples to this “rational expectation”. We also somehow have an intuition about the positive effect of social networks or the social fabric in a more general sense on living and survival. In some of those latent variable models we find evidence for an underlying factor without being able to properly name or frame it. Hence, as social scientists we continue to be interested in ways to make latent social structures more visible. With such an approach in mind I visited the exhibition by author and photographer “John Kolya Reichart” in the “Schöneberg Museum” entitled “Die Kette” (The Chain, 2026-5). The start of the chain is a familiar person in your neighborhood who leads you to the next person and so on. It is explicitly a non-random procedure, which complements proceedings of strictly random sample selection of survey methodologies. The sources for bias outcomes are multiple, however, an underlying or latent social fabric of a friendship and support mechanisms can be shown. Besides the b/w portraits and audios, giving a justification for the choice, the documentation of the process of production gives more insights into the risks and potentials of this form of insights into latent social structures.
(Image: Schoeneberg Museum, “Die Kette” by John Kolya Reichart)

Nothing changed

It reads like an entry into a personal diary. The poem “Darmstadt, 4. Januar” by Renate Schmidgall (2025, p. 24) reflects on the obsession with change. The sky shows traces of airplanes, which have passed some time ago. Trees age slowly, a pigeon sets off. “Nichts ist anders als gestern,” (Nothing is different from yesterday, then suddenly a poem finds again its space in me, …). Nothing changed, and yet, suddenly, all is different again. Motivation sets in and time appears rather short.
In “Donnerstag” (Thursday) Schmidgall (2026, p.30) notes a daily routine and the planning of today, even the day after tomorrow. Emptying her paper basket, she finds a quotation from Bruno Schulz she noted previously. “An allem schuld ist der schnelle Zerfall der Zeit.” (The fault of everything is the rapid dissolution of time).
Time is portrait in these two poems as both a moment-specific personal experience as well as the short-cut description of a society-wide trend. Just, as if time was the driving force of change on both levels, even if we know it is not time in itself, but other forces are at work. “O tempora, o mores” as Cicero stated, appears to be still valid summary claim. (Image: Neue Nationalgalerie Front – WZB (Stirling architecture) in background, Fog installation in sculpture garden 2026-5).

Post-sacred architecture

As with our human bodies, and in many instances already, sacred architecture follows a life course pattern. The thriving religious communities build and expand their faith to larger audiences. In these expansionary phases of the faith many monumental buildings, known as sacred architecture, as well as splendid interiors or artefacts enter the “built faith”. After the peak of membership and in periods of contraction, the question of how to scale down the splendors starts to arise.
Eventually, the ceding of the sacred architecture to the non-believing communities comes into consideration. The sacred architecture needs to find its place in the evolution of societies as well as urban and rural local space. Depending on the intentions and resources of communities, post-sacred architecture has to redefine its purpose for its own survival.
An interesting example of post-sacred architecture constitutes the “Friedrichswerdersche Kirche” in Berlin. The use as a historic exhibition space for sculptures of the 19th century works particularly well in combination with an active program on art, architecture and history. The statue by Ludwig Winckelmann (image below) depicts the reflection on and about a miniature sculpture in space. The post-sacred use of this fine and luminous architecture continues to reach an enlightened audience.

Woman artist scandal

The painter Hermine Schmidt-von Preuschen, little known today, had to face strong forces in the established art community of her time. The skills and audacity she displayed at an early stage of her career as painter is epitomized in her work “Imperator Mors”. This painting dates back to 1887 and was rejected by the art academy in Berlin for their official exhibition. The woman artist was already at that time confident enough that her painting was of sufficient quality to deserve to be not only considered in the exhibition, but also to be seen by larger audiences. Similar to the refused painters of the impressionist movement, she decided to mount her own exhibition. The turnout to this proved to be quite a success according to the press cuttings presented as part of the exhibition in Berlin at the “Alte Nationalgalerie” 2026-5. Maybe it was the intended philosophical topic or message that killed the chances to be part of the art academy exhibition. “Imperator Mors” shows death or a skeleton to be the ultimate ruler of our fate. For all those who believe in some sort of life after death, this can be viewed as a “Scandal” in itself. The scandal created with such a depiction probably overshadowed the fact that the provocation came from a woman artist. Still very avantgarde for the end of the 19th century. (Image: Hermine Schmidt-von Preuschen and her painting Imperator Mors 1887)

Family Archaeology

The archaeology of family bonds is an interesting branch of both archaeology and genealogy. The mixing of hunter-gather populations with settled populations seems a rather ancient fact (study link). Analytical DNA comparisons reveal that nearby groups had indeed contact and even intermarriage occurred more than 5.000 years ago (Mattila et al. 2026). The evidence is based on data from a cemetery where several persons were buried in the same grave.
The study by Blöcher et al. (2026) demonstrates that in the late phases of the Roman empire along the Roman frontier in Germany a mixing of Romans with local populations a similar process took place. Whereas genetic structures persisted until the 6th century, the Central European genome as we know it today refers back to the 7th century. The inter-generational transmission seems to be an important driver of diversity. The high infant mortality together with an earlier mortality of women than men at that time show the accomplishments of modern medicine to safe infants and mothers from the hazards surrounding family formation and survival.

Given then Chosen

Family is first given and only later in life family becomes a matter of choice. This is a rather sequential perspective on family matters. A lot of ethnological as well as sociological research shows that the shadow of the given family can reach long into an individual’s later life. It is essential to be or become aware of the mutability of what constitutes a family. The ethnological variability across the globe of the norms and legislation that govern families is amazingly broad. The interference of religious beliefs and practices have always attempted to gain access to the nucleus of family life as an attempt to influence the “given part” of family.
It is a much more complex issue to understand and research the “chosen part” of partnership trajectories in a broader sense and from a life course perspective (Fasang et al. 2024). The social background and upbringing in a broad sense have a lasting impact on most people. However, there are enormous degrees of freedom to later on choose your friends, family or families. Societies across continents have chosen and invented particular rites of transitions between families and how to bridge networks. It is amazing that we tend to devote so little thought to this nucleus of our societies.