As all of us use GPS systems to navigate across the world or just in your city, “degré zéro” might nowadays be associated first of all with the prime meridian 0° longitude, which runs through Greenwich near London and around the globe.
In « Le degré zéro de l’écriture », Roland Barthes (1953) challenges the bourgeois kind of writing of literature. He introduced the pertinent distinction of the verticality of writing styles in the sense of social classes as well as the horizontal form of spoken language He further distinguished écriture as a person’s style which is embedded into the historical and social context of her/his time. As a radical change, Barthes proposed to use scriptor instead of writer as the latter expression is too much loaded with the historical package of the person. Barthes inserts the scriptor as écrivain into her/his time and insists on the intellectual and social context of writing or the author.
As the scriptor (p. 26) does not escape to become a writer « écrivain «, the degree zero de l’écriture postulates a homogeneous society, which obviously is an ill-conceived vision of reality. Language and texts, therefore, are not universal in kind, but bound to situations, which are defined in historical time and space (p. 67). Semiotics was a major field of his analyses of literature and language.
Whereas in a talk you might focus on the person you are talking to, in a written text the other person is « the many » readers, wherever they are and maybe at a much later time as well. There is a qualitative difference and yet modern “voice to text” transcription makes all spoken words immediately available as written document or “compte rendu”. (Source: Roland Barthes: De la parole à l’écriture. in Le grain de la voix, Entretien 1962-1980. p. 12).
Let’s watch our language as we follow the longitude or latitude around the globe and even small deviations from degree zero matter a lot. 
Spectacularization
Guy Debord (1967) has outlined in “In the society of spectacle” the importance to analyze societies from the perspective of “le temps spectaculaire”. Today we might frame this as “eventism” or the running of society through events. The regular spectacle of religious festivities, new year’s celebrations, Olympic games or even elections and election campaigns have been transformed into ceremonies of enthronization, where the reach to ever larger crowds is the prime goal. The critique of mass media of the 1960s can be deployed to the criticism of the facebook, Instagram and tiktok media campaigns of today. If you are not present on these platforms, you do not seem to exist in the view of the many. Debord highlights under his concept of separation the increasing isolation of persons and thereby a domination of people through technology (Debord para 24,27). Put in today’s terminology form of psycholinguistics we speak of loneliness of the old and young who, through the use of social media technologies, are prosumers even or especially in their free time. They serve the accumulation of massive benefits to the platforms of the spectacle more than their own fulfilment or socializing experiences. The consequence is the isolation of persons, with the paradox to be potentially the winner in the lottery of the algorithms to suddenly reach millions of people. The ephemeral popularity is a curse more than a blessing for most persons. The result is the “singularization” of crowds and within society.
Spectacularization is a process that is accompanied by singularization. Both terms have the merit to stress the process of evolution of societies. Comparing societies turns into an empirical exercise to measure amounts of spectacular events, degrees of spectacularization of individuals and the singularization of individuals within society. The antidote of solidarity and sharing is on the rise as well, which is reason to believe that not all is lost.
(Image: Debord’s annotation on extract of image by Gozzoli, BNF Manuscrit, Paris) 
Happy Life
There are countries in this world that want to prescribe to their citizens what constitutes a happy life. Religious beliefs are another powerful instigation of what may be called a happy life now or in the future. Most people on earth, however, have their very own idea about happiness and how to get closer to this moment, phases or destiny of their lives.
Happy life is also the title of the novel or „une fable optimiste“ by David Foenkinos with the almost programmatic title „La vie heureuse“. It has been qualified as a bit absurd, but at the time of celebrating 100 years of surrealism, this fits into the surreal world episodes and narratives that surround us. The novel is full of ups and downs for the major characters, which reflects the inevitable links of happy relative to unhappy moments in life. The pseudo experience of death allows to press a kind of reset button in life after which love and life can start afresh. This might not work for all us as Foenkinos seems to tell us with the choice of the dedication and citation of Charlotte Salomon „On devait même, pour aimer plus encore la vie, être mort une fois“. Charlotte Salomon, however, lives on through her formidable artistic work accomplished in her short life.
Patient Capital
There is something cultural about capital. Different cultures use different narratives when they commonly talk about capital. In Western capitalist societies it is common practice to cite “capital is a fugitive dear”, meaning that people who command sizeable amounts of capital tend to flee places once they become to agitated, especially by politicians. The Eastern narrative surrounding capital is more focused on “patient capital”. The newspaper “China Daily” has more than 6.000 entries referring to this term. On 2024-9-26 (p.9) the Japenese economist Kazuyuki Motohashi praised the Japanese economic system and its specific form of patient capitalism as based on” long-term, stable investment, which enables companies to achieve sustainable growth in the long run”. The Chinese economy suffers as Western capitalism from excessive focus on short-term profit seeking and this causes huge market flucturations shifting quickly from shortages to oversupply and back again. Short-term rent seeking is driving whole industries into fluctuations that are hard to attenuate through other economic (fiscal and monetary) as well as labour market policies (training, re-locations, internal migration).
It is interesting to witness that recently in Germany an example of a bank that had benefited from a patient capital approach of the German government for more than a decade (Commerzbank) is now prone to a bit of a hostile takeover from another bank probably more interested in the short-term rent-seeking. After all, banking and the varieties of capitalism approach highlight that at the very heart of economic rationale there remains a little bit of a cultural twist to understand what is happening in international economics and competition.(Image: Musée Rodin Paris 2024, Le Penseur”)
Fiscal Union
European Integration is slow and hard to come by. For others it is moving too fast (Brexit). Cultural diversity is a real asset of the EU. The economy or the economies are powerful on an international scale. Nevertheless, the diversity concerning the tolerance of fiscal deficits is still widely spread across the Member States of the EU (see image below). Some states seem to play it cool and run relatively high deficits compared to the EU averages. In OECD comparisons most of the above average fiscal deficits are closer to or even below OECD averages over time (link to pdf-file OECD, 2024). Within the EU differences in government expenditure as % of GDP or the indicator of Gross public debt according to the Maastricht Criteria range from 20% to 160% as percentage of GDP. This entails a different level of resilience to future crises. After we managed to leave the previous 3 crises (financial, Covid-19, energy) it is time to prepare for what might come next in terms of challenges. Preparing public deficits to be able to soften economic shocks is essential to be able to sustain yourself and support others. We seem to be a bit off-target to coordinate fiscal deficits across the Union. Eastern and Northern countries have suffienct scope to support expansionist fiscal policies, be it in the realm of a defence union or to address climate change. Southern Europe will find it more difficult to raise additional funds to prepare now for future challenges. Fiscal deficits might even be not only an economic phenomenon, but a cultural one as well. If we compare Japan with a deficit running at 240% with South Korea with 50% Asia is showing even larger diversity in terms of fiscal preparedness.
An economist’s stance on fiscal policy and fiscal union might depend much more on her/his region or country of origin than economists might want to believe.
Images: OECD Economic Surveys: Belgium 2024, OECD Publishing, Paris, https://doi.org/10.1787/c671124e-en. p.17. 
Sports International
Beyond the Olympic Games the practice of sport has been widely spread across cultures. The meeting of cultures through athletes is also a worldwide phenomenon. The “Musée du Quai Branly” offers an opportunity to delve into the different cultures of the world. With abundant water resources Oceania has developed boats that ensured survival, work, art and leisure. The image below is a fine piece of art which is exposed in the permanent exhibition of Oceania. Even a turtle appears to be rowing next to the others. Most other depictions or objects with reference to sports have fighting as a feature or refer to it. The Olympic games have similar historical depictions. Martial practices, sometimes also called martial arts, have been the source of decorations and special designs in all cultures. The ethnographic collections of this museum offer a glimpse into the rich cultural heritage of all continents. We have so much in common across continents that it is still hard to see mankind captured in many wars across the world. Paris 2024 Games with the “Musée du Quai Branly Jacques Chirac” give hope that sustainable development (70% of the museum is green space!) and peaceful living together is feasible with a focus on joint cultural heritage with enriching diversity.
Olympic culture
The Paris 2024 Olympics make a great effort to attract athletes, their families and spectators to the many splendid museums of the city. It is an exceptional offer in the multiplicity of museum experiences the city of Paris and its surroundings have to offer.
The Trocadero near the Eiffel tower, is the place of the Musée d’art moderne de Paris (MAM). For the Olympic Games in Paris the Museum selected works that demonstrate the early impact of sports in the painting of modern times. (See the small extract below on rowing).
A dedicated visit of the permanent exhibition with art works that portray sports is on display during the Olympic season in Paris. The exhibition is a perfect example that you can visit a permanent exhibition with a special interest in mind. In this example it refers to the link of Olympic sport disciplines, their setting in time, space, society and environment). Alternative perspectives on the same collection of art works might deal with the depiction of sports in society or the life course or social status of athletes.
Choose your favourite sports and artists and you will probably find an example that would fit such an exhibition. People looking for depictions of rowing might like the painting by Raoul Dufy, Bord de Marne, Les canotiers painted in 1925.
Almost 100 years later La Marne hosts the rowing competitions of the Olympics. Raoul Dufy shows us that there is much more to rowing than just the sport or exercise. It is a social event not only for the rowers and the onlookers who watch the passing-by of boats and waves.
Park Le Nôtre
Landscapes and gardens maybe occasions of splendid design. Paper and pencil designs or oil on canvas have left us with great imaginations of gardens as well as parks. The garden designer Le Nôtre in France has left us unforgettable, fantastic landscapes that have been originally realized 300 years ago, but has still many people you are impressed when looking or walking in them. One of the earliest projects is to be admired in Meaux just next to the cathedral. The design of the “jardin Bossuet” is attributed to Le Nôtre who later designed the park in the “Chateaux Vaux-le-Vicomte”. These accomplishments earn him the invitation also to design the gardens of Versailles. As part of the Paris 2024 Olympics the whole world was able to watch some of the horse mounted competitions there. Architecture leaves us impressions over centuries. Gardens are the most natural part of this cultural heritage.
UNESCO Art
The UNESCO building hosts fine examples of modern art. For example “L’homme qui marche” by Giacometti (Image 1 below, focus on shadow of the figure) is one of the treasures exposed next to the conference center. The statue is very fitting as introduction to the exhibition “Fit for Life” during the Olympics, although it has been there for many decades. Taken on a photograph from a specific angle, the marching man appears like a crucified person without the crucifix. Each athlete has a long march behind him or behind her to reach the landmark of participation in the Olympic games. The media attention puts the spotlight on the winning persons albeit the many splendid performances of all other athletes. The cultures of the games is to be found in the millions of people who are inspired by these outstanding performances to also try their best in whatever conditions are encountered locally.
The strive by each athlete to achieve the highest goals, possible or even impossible, is reflected in the big wall painting by Picasso, 1958, which was especially commissioned by UNESCO as the new building was inaugurated in Paris. The title of Picasso’s painting is “The fall of Icarus”, an ancient narrative of mankind reaching for the sun, but ultimately failing. Let’s keep waling despite the risk of falling short of ideals. A reasonable vision for diplomacy as well.
Generational differences
The study of generational differences has a long tradition in sociology. A recent study by Wysmulek et al. (Acta Sociologica 2024, 131pp). highlights changes in how youth values education, abilities and hard work. The study carried out with Polish data shows that it is not the straightforward historical grouping of birth cohorts that matters most, but the experience of living through a period of crisis or stability during the formation of so-called meritocratic beliefs. Once formed, these beliefs tend to persist for prolonged periods of time well into middle and late adulthood.
Many judgements about young people might suffer a substantial generational bias when viewed from another generation’s vantage point. Cross-generational differences in beliefs and behavior are dependent on homogeneous or heterogeneous experiences of the respective generations. Disrespect of such generational differences is bound to yield severe misunderstandings. Who told you that social life was easy anyway? (Image decorated piano in shopping mall, Berlin 2024)
