The English translation of the libretto written by Colette “L’enfant et les sortilèges” is translated to “the bewitched child”. The first representation was performed in Monte-Carlo in 1925 before it was represented in Paris at the Opéra Comique in January 1926. The printed edition of Ravel’s orchestration classified the work as Fantaisie Lyrique based on a poem by Colette. This opus constitutes a forgotten forerunner of the much more popular musical “Cats” . In the end of Colettes narrative the animals call the child her “mama” and praise the good and wise child. It probably remains a forgotten 100’s anniversary, despite the fact that the topic of humans and animals, or nature in more general terms, have become more and more unbalanced over the last 100 years.




It is the merit of Marie-Luise Conen and Zdravko Kucinar to let Milian Schömann live on in our time through the reprinting of some of his work, which is embedded in a well-written historical account of the political and family setting at that time. The professional psychological training of Marie-Luise Conen helps to reproduce the anxious atmosphere Milian Schömann has lived through, albeit he remained a productive writer despite the economic hardship and living in exile.






